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Roberta Flack 02/2025

Roberta Flack (88) was born on February 10, 1937 in Black Mountain, North Carolina, to parents Laron Flack, a jazz pianist and U.S. Veterans Administration draftsman, and Irene Flack a cook and church organist. According to DNA analysis, Flack was of Cameroonian descent. Her family moved to Richmond, Virginia, before settling in Arlington, Virginia, when she was five years old.

Her first musical experiences were in church. She grew up in a large musical family and often provided piano accompaniment for the choir of Lomax African Methodist Episcopal Zion Church singing hymns and spirituals. She occasionally sings at the Macedonia Baptist Church in Arlington.  From time to time, she caught gospel stars like Mahalia Jackson and Sam Cooke performing there. Her father acquired a battered old piano for her, which she learned to play sitting on her mother’s lap and Flack took formal lessons in playing the piano when she was nine. She gravitated towards classical music and during her early teens excelled at classical piano, finishing second in a statewide competition for Black students aged 13 playing a Scarlatti sonata.
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Marianne Faithfull 1/2025

Marianne Faithfull (78) 1/2025 was born 29 December 1946 in Hemstead, London. Just to sketch her aristocracy come down it should be noted that

Faithfull was born at the old Queen Mary’s Maternity House in Hampstead, London. Her father, Major Robert Glynn Faithfull, was a British intelligence officer and professor of Italian literature at Bedford College, London University. Her mother, Eva, was the daughter of Artur Wolfgang Ritter von Sacher-Masoch (1875–1953), an Austro-Hungarian nobleman of old Polonized Catholic Ruthenian nobility. Eva was born in Budapest and moved to Vienna in 1918; she chose to style herself as Eva von Sacher-Masoch, Baroness Erisso in adulthood. She had been a ballerina for the Max Reinhardt Company during her early years, and danced in productions of works by the German theatrical duo Bertolt Brecht and Kurt Weill. Continue reading Marianne Faithfull 1/2025

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Mike Pinera. 11/2024

Mike Pinera (Captain Beyond/Iron Butterfly) (76) was born September 29, 1948 in Tampa, Florida. In his mid-teens Pinera played his parts in local bands like the Impalas, the Motions and the El Dorados, essentially teen garage bands.”

He co-founded Blues Image in Tampa in 1966 together with Mike Betematti (drums), Malcolm Jones (bass) and Joe Lala (percussion) when they met as students at Tampa’s Jefferson High School. Blues Image, thanks to the Cuba-born Lala, added Latin rhythms to its rock ‘n’ roll/blues mix. The band opened Tampa’s first “psychedelic” nightclub, Dino’s.

Two years after forming, the band relocated to Miami, where it became the house band at Miami’s ultra-hip Thee Image club, supporting international acts like Led Zeppelin. Zeppelin’s guitarist Jimmy Page had a years-long friendship with Pinera. Page called Blues Image, which by then included keyboard player Skip Conte, “the most dynamic sound in the country.”

The band then moved to Los Angeles and signed with Atco Records, releasing its self-titled debut album in 1969. Blues Image’s sophomore album, Open, included “Ride, Captain, Ride,” a song co-written by Pinera and keyboardist Frank “Skip” Conte. Pinera sang the lead on the recording and played the second guitar solo toward the end of the song; the single rose to #4 on the Billboard Hot 100 chart.

Years later Pinera recalled the recording sessions for Open. Their producer warned them he didn’t hear a hit.

“I went into the bathroom and locked the door,” Pinera said. “I was in there for 10 to 15 minutes and all the words and melody came to me for ‘Ride Captain Ride.’ “It came at a good time because my parents were financially strapped and challenged and I made enough money from that gold single to pay off my father and mother’s house.”

Blues Image was unable to follow with another hit and by the time “Ride Captain Ride” reached the top 10 Pinera had left anyway, accepting an offer to replace the departing guitarist Erik Brann in Iron Butterfly. That group had already made waves with its monster 1968 hit “In-a-Gadda-Da-Vida,” but Pinera, who contributed to 1970’s Metamorphosis album, remained with them into 1972 and then rejoined periodically as various band members reunited in the ’70s-’90s. In 1972 he formed the band Ramatam with female monster guitarist April Lawton and Mitch Mitchell, previously drummer for the Jimi Hendrix Experience. Pinera left the band claiming that Lawton, who wanted both Pinera and Mitchell out, wanted to turn Ramatam into the “April Lawton Band.

In 1973, Pinera helped form The New Cactus Band. They recorded the album, Son of Cactus, on Atlantic Records. In 1975, he formed the band Thee Image and they recorded two albums on Manticore Records, Thee Image and Inside the Triangle, both produced by Pinera.

In 1977, Pinera’s first solo album, Isla, was released on Capricorn Records. It was followed by Forever in 1979 on Capitol Records. The songs were written and produced by Pinera. The Forever album contained the single “Goodnight My Love,” which spent eight weeks on the Billboard Hot 100, peaking at number 70 in February 1980. It was also a hit in Latin America featured in Tele-Novelas Latin TV Series. Pinera joined the Alice Cooper band and he played in the band from the late 1970s to the early 1980s.

He later worked with the video medium and in 1992 launched the Classic Rock All-Stars, a band that consisted of former members of ’60s-’70s rock bands of some renown like Rare Earth, War and others.

In 2012 Mike joined Rockzion and then completed an album called “Came To Believe” Composed of 7 songs. He worked with Rockzion’s players Ronnie Ciago (drums, percussion, vocal BU) and Dennis Renick (keyboards, vocals). Mike and Dennis produced the album together. Mike Pinera wrote 3 songs and Dennis Renick wrote 3 songs. The title song “Came To Believe” was a co-write. It was partially released in 2022 with 2 songs as a promo. The album is slated to be released in 2025.

This is the last original work of Mike Pinera before he passed on November 20, 2024 of liver failure at the age of 76.

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Greg Kihn 8/2024

Greg Kihn (75) – Greg Kihn Band – was born in Baltimore on July 10, 1949 to parents Stanley J. Kihn, a city Health Department inspector who fought in the Battle of the Bulge during World War II, and Jane (Gregorek) Kihn. Kihn’s early influence was the Beatles and their appearance on The Ed Sullivan Show.

“Just about every rock and roll musician my age can point to one cultural event that inspired him to take up music in the first place: The Beatles on Ed Sullivan. If you were a shy 14-year-old kid who already had a guitar, it was a life-altering event… In a single weekend everything had changed. I’d come home from school the previous Friday looking like Dion Dimucci. I went back to class on Monday morning with my hair dry and brushed forward. That’s how quickly it happened.”

Continue reading Greg Kihn 8/2024

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John Mayall 7/2024

John Mayall was born in Macclesfield, Cheshire, on 29 November 1933 and grew up in Cheadle Hulme, a village not too far from Manchester, England. It was here as a teenager that he first became attracted to the jazz and blues 78s in his father’s record collection. Initially it was all about guitarists such as Big Bill Broonzy, Brownie McGhee, Josh White and Leadbelly. However once he heard the sounds of boogie woogie piano giants Albert Ammons, Pete Johnson and Meade Lux Lewis, his desire to play in that style was all he could think of. 

He was the son of Murray Mayall, a guitarist who played in local pubs.

At the age of 14, when he went to Manchester’s Junior School of Art, he had access to a piano for the first time and he began to learn the basics of this exciting music. He also found time to continue learning the guitar and, a couple of years later, the harmonica, inspired by Sonny Terry, Sonny Boy Williamson and Little Walter. Continue reading John Mayall 7/2024

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Dickey Betts 4/2024

Dickey Betts 4/2024 (80) was born in West Palm Beach on December 12, 1943, and raised in Bradenton/Sarasota, Florida. He grew up in a musical family listening to traditional bluegrass, country music and Western swing. He started playing ukulele at the age of five and, as his hands got bigger, moved on to mandolin, banjo, and guitar.

At sixteen, feeling the need for something “a little faster”, he played in a series of rock bands on the Florida circuit, up the East Coast and into the Midwest, before forming Second Coming with Berry Oakley in 1967.

According to Rick Derringer, the “group called the Jokers” referenced in “Rock and Roll, Hoochie Koo” was one of Betts’ early groups. In  February 1969, Betts and Oakley joined members of two other Sunshine State groups — guitarist Duane Allman and his keyboard-playing brother Gregg of the Hour Glass and drummer Butch Trucks – and Mississippi-born drummer Jai Johanny “Jaimoe” Johanson in a new unit that ultimately based itself in Macon, Ga. Continue reading Dickey Betts 4/2024

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Mike Pinder 4/2024

Mike Pinder (82) – The Moody Blues –  was born in Erdington, Birmingham on 27 December 1941. His father, Bert, was a coach driver and his mother, Gladys (née Lay), was a barmaid. As a child, he had an affinity for rocket ships and outer space which earned him the nickname “Mickey the Moon Boy”. These interests would be recurring themes throughout his career as a song writer. (Mickey the Moonboy. In 1995 Mike got a personal tour at NASA and a treasured memento.)

He was a member of several bands in Birmingham in his teenage years, among them the Checkers, who won first prize of £50 in a talent competition. In his first band, rock’n’roll combo El Riot and the Rebels, Pinder played support to the Beatles in 1963 in a show at Tenbury. As a member of the short-lived Krew Kats, he played for two months in clubs in Hamburg where the Beatles had played.

Between 1962–63, Pinder worked for 18 months as a development engineer, responsible for testing and quality control, at Streetly Electronics in Streetly, Birmingham, a factory manufacturing the first models of Mellotron in the UK. In May 1964 he left Streetly Electronics to co-found The Moody Blues with Ray Thomas, Denny Laine, Clint Warwick and Graeme Edge. Continue reading Mike Pinder 4/2024

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Eric Carmen 3/2024

Eric Carmen (The Raspberries) was born August 11, 1949 in Cleveland, Ohio, and grew up in Lyndhurst, Ohio. Carmen was born into a family of Russian Jewish immigrants, and was involved with music since early childhood. By the age of two, he was entertaining his parents with impressions of Jimmy Durante and Johnnie Ray. By age three, he was in the Dalcroze Eurhythmics program at the Cleveland Institute of Music. At six years old, he took violin lessons from his aunt Muriel Carmen, who was a violinist in the Cleveland Orchestra. By age 11, he was playing piano and dreaming about writing his own songs. The arrival of the Beatles and the Rolling Stones altered his dream slightly. By the time he was a sophomore at Charles F. Brush High School, Carmen was playing piano and singing in local rock bands including the Sounds of Silence.

Though classically trained in piano, at age fifteen, Carmen started to take guitar lessons, but when his teacher’s approach did not fit with what he wanted, he decided to teach himself. He bought a Beatles chord book and studied guitar for the next four months. Continue reading Eric Carmen 3/2024

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Steve Harley 3/2024

Steve Harley (Cockney Rebel) was born Stephen Malcolm Ronald Nice on 27 February 1951 in Deptford, London, the second of five children. His father Ronnie was a milkman and semi-professional footballer; his mother Joyce was a semi-professional jazz singer.

During the summer of 1953, aged two, Harley contracted a severe case of polio and the doctors told his father he was going to die. He survived, but spent four years in hospitals between the ages of three and 16. He underwent major surgery in 1963 and 1966. After recovering from the first operation, aged 12, Harley was introduced to the poetry of T. S. Eliot and D. H. Lawrence, the prose of John Steinbeck, Virginia Woolf and Ernest Hemingway, and the music of Bob Dylan, which pointed him to future careers involving words and music.  While in hospital he wrote poetry, finding inspiration in Dylan’s ballads.

From the age of nine, Harley took classical violin lessons and he played in his grammar school orchestra. Aged 10, he began learning the guitar after his parents had given him a nylon-string Spanish guitar for Christmas, and he started to write his own songs.

Harley was a pupil at Edmund Waller Primary School in New Cross, London. He attended Haberdashers’ Aske’s Hatcham Boys’ Grammar School until the age of 17. Aged 15, he took his O-level exams in his hospital bed. He left school without completing his A-level exams.

In 1968, at the age of 17, Harley began his first full-time job, working as a trainee accountant with the Daily Express, despite having gained only 24% in his mock O-level maths exam. From there he progressed to become a reporter, having wanted to be a journalist since the age of 12. After being interviewed by several newspaper editors, Harley signed to train with Essex County Newspapers. Over the next three years, Harley worked at the Essex County Standard, the Braintree and Witham Times, the Maldon and Burnham Standard and the Colchester Evening Gazette. He returned to London to work for the East London Advertiser , where he covered the story of the Kray murder at The Blind Beggar pub in Whitechapel. At the age of 21, unwilling to write a story about a woman who had taken two tins of food from a shop, Harley determined to get sacked, an objective he achieved by not wearing a tie and growing his hair long. Among Harley’s peers who made successful careers in national journalism were John Blake and Richard Madeley, who took over Harley’s desk at the ELA in 1972.

Harley started his musical career in 1971 playing in bars and clubs, mainly at folk venues on open-mike nights. He sang at Les Cousins, Bunjies and The Troubadour in London on nights featuring John Martyn, Ralph McTell, Martin Carthy and Julie Felix, who were popular musicians in the London folk scene. In 1971, he joined the folk band Odin as rhythm guitarist and co-singer and there met Jean-Paul Crocker, who became the first Cockney Rebel violinist. He also recorded a number of his own songs as demos that year using his classical guitar at Venus Recording Studios in Whitechapel. Harley then began busking around London in 1972, including on the Underground and in Portobello Road, while also writing songs. He left the folk scene and formed the band Cockney Rebel in 1972, as a vehicle for his own work. The name was taken from an autobiographical poem he had written at school.

The original Cockney Rebel consisted of Harley, Crocker, drummer Stuart Elliott, bassist Paul Jeffreys and guitarist Nick Jones. Jones was replaced by Pete Newnham, but with the arrival of keyboardist Milton Reame-James, Harley felt the band did not need electric guitar and settled on the combination of Crocker’s electric violin and Reame-James’ Fender Rhodes piano.

In 1972, Mickie Most discovered the band at a London nightclub, The Speakeasy Club, and offered them their first contract with his RAK Publishing. This influenced the A&R department at EMI Records to offer the band a three-album deal. Cockney Rebel recorded their debut album, The Human Menagerie, with producer Neil Harrison in June and July 1973. Their debut single, “Sebastian”, became a hit across Europe but failed to chart in the UK. When released in November 1973, The Human Menagerie also failed to chart, although the album was well-received critically and quickly gained cult status.

The lack of UK success caused EMI to feel that the band had yet to record a potential hit single. In response, Harley re-worked the unrecorded song “Judy Teen”, which was released in March 1974 and peaked at number 5 on the UK singles chart. In February and March 1974 the band recorded their second album, The Psychomodo, which was produced by Harley and Alan Parsons. It was released in June and peaked at number 8 in the UK Albums Chart. Between May and July 1974, the band toured the UK to promote the album, but tensions developed as the tour progressed. They received a ‘Gold Award’ on 18 July for outstanding new act of 1974, but a week later, with the tour finished, several members left. Crocker, Reame-James and Jeffreys chose to quit after Harley refused their demands to write material for the group, despite the initial understanding that Harley was the band’s sole songwriter. Following the band’s split, “Mr. Soft”, taken from The Psychomodo, reached number 8 in the UK as a single.

Left without a permanent band, Harley soon began auditioning new musicians. Meanwhile, Harley and Parsons did some studio work with Dutch singer Yvonne Keeley, with whom Harley began a relationship, and EMI released her version of “Tumbling Down” as a single in August 1974, backed by another Cockney Rebel cover, “Loretta’s Tale”. Harley’s debut solo single “Big Big Deal” was released in November 1974. The song failed to enter the UK top 50; however, it did enter the unnumbered BMRB’s UK Breakers chart. By this time, a new line-up of Cockney Rebel had been finalized. With original drummer Stuart Elliott remaining in the band, the new line-up included guitarist Jim Cregan, keyboard player Duncan Mackay and bassist George Ford. Renamed Steve Harley & Cockney Rebel, they recorded the album The Best Years of Our Lives in November and December 1974, with Harley and Parsons again producing.

The lead single from this album, “Make Me Smile (Come Up and See Me)”, was released in January 1975. It became the band’s biggest hit, reaching the number one spot on the UK Chart and receiving a UK Silver certification in February. It was also Harley’s only Billboard chart entry in the US, reaching number 96 on the Hot 100 in 1976. In a 2002 television interview, Harley described how the song’s lyrics were directed at his former band members who, he felt, had abandoned him. As of 2015, the song has sold around 1.5 million copies in the UK. The Performing Rights Society have confirmed the song as one of the most played records in British broadcasting and over 120 cover versions of the song have been recorded by other artists.

The Best Years of Our Lives was released in March 1975 and reached number 5 in the UK. A second single from the album, “Mr. Raffles (Man, It Was Mean)”, was also a success, peaked at number 13. The band embarked on a UK and European tour to promote the album, and then recorded their fourth studio album, Timeless Flight, in the summer. During the same period Harley also produced Dutch singer Patricia Paay’s (Yvonne Keeley’s sister) album Beam of Light, with members of Cockney Rebel performing on many of the tracks. Later in the year, Harley and the band went on tour in the US as a support act to the Kinks. As the band had not achieved commercial success there, the compilation A Closer Look was released exclusively for the US market.

Timeless Flight was released in February 1976 and peaked at number 18 in the UK. Two singles from the album, “Black or White” and “White, White Dove”, both failed to enter the charts, although they did reach number 2 and number 6 respectively on the BMRB’s UK Breakers chart. Another UK and European tour followed the album’s release, then the band recorded their fifth album Love’s a Prima Donna between June and September 1976. In July they released a cover of George Harrison’s “Here Comes the Sun”, which reached number 10 in the UK and became the band’s last top 40 single, discounting a later re-release of “Make Me Smile”. Love’s a Prima Donna was released in October 1976 and peaked at number 28, with a second single, “(I Believe) Love’s a Prima Donna”, reaching number 41. In the US, “(Love) Compared with You” was released as a single. For Mackay’s second solo album Score, recorded in August and September 1976, and released in 1977, Harley wrote the lyrics to four tracks and provided lead vocals on “Time is No Healer”.

In November 1976, Harley provided backing vocals on T. Rex’s song “Dandy in the Underworld”, which was released as a single from the album of the same name in 1977. In December 1976, the band embarked on an eight-date UK tour to promote Love’s a Prima Donna. During the early part of 1977, Harley provided lead vocals on The Alan Parsons Project’s song “The Voice” for their album I Robot. In July, Harley disbanded Cockney Rebel, the announcement of which was followed by the release of a live album, Face to Face: A Live Recording, which reached number 40 and spawned a single, “The Best Years of Our Lives”.

After Cockney Rebel’s split, Harley signed to EMI for a further three years. He began recording his debut solo album in London and then flew to Los Angeles in February 1978 to complete it. He subsequently decided to emigrate to the US and purchased a house in Beverly Hills. Harley stayed there for nearly a year to gain new experience and inspirations, but later admitted that during his time in America he was not inspired to write a single song. The album Hobo with a Grin was released in July 1978, but was not a commercial success, nor were its two singles, “Roll the Dice” and “Someone’s Coming”, although “Roll the Dice” was a radio hit. On the album, the tracks “Amerika the Brave” and “Someone’s Coming” featured Marc Bolan’s last studio performances, recorded shortly before his fatal car accident in September 1977.

Harley returned to London at the end of 1978 and recorded his second solo album, The Candidate, in February 1979. On 12 May, Harley and Peter Gabriel appeared as guest stars at one of Kate Bush’s Hammersmith Odeon concerts during her Tour of Life. The show was staged as a benefit concert for the family of lighting technician Bill Duffield, who had died after a tragic fall earlier on Bush’s tour. Duffield had previously worked for Harley and Gabriel. The concert was Harley’s first performance on stage in over two years. The Candidate was released in October 1979 and was another commercial failure, although its single “Freedom’s Prisoner” was moderately successful, peaking at number 58. In October, Harley performed a one-off show at the Hammersmith Odeon. Following the disappointing sales of The Candidate, EMI dropped Harley from their label.

During the 1980s, which he later described as his “wilderness years”, Harley took time off from the music business while his two children were growing up. In July 1980, he undertook a short UK tour with a new line-up of Cockney Rebel and this was followed by a UK Christmas tour. The latter tour followed the release of the EMI compilation The Best of Steve Harley and Cockney Rebel in November. During the same year, “Somebody Special” and “Gi’ Me Wings”, two songs co-written by Harley, were released by Rod Stewart on his album Foolish Behaviour. “Somebody Special”, as the album’s third single in 1981, reached number 71 on the US Billboard Hot 100, and “Gi’ Me Wings” reached number 45 on the Billboard Top Rock Tracks chart.

In 1981, Harley provided vocals on the song “No Name” for Rick Wakeman’s album 1984. He also made an appearance to perform the song at Wakeman’s concert at the Hammersmith Odeon. Harley and his band embarked on another small UK tour during Christmas 1981. In March 1982, the Midge Ure-produced single “I Can’t Even Touch You” was released under the band’s name. Despite expectations that it would become a hit, the single failed to reach the UK Singles Chart. In August 1982, Harley made his acting debut as the 16th-century playwright Christopher Marlowe in the rock musical Marlowe at the John Crawford Adams Playhouse at Hofstra University, Hempstead, New York. In June 1983, Cockney Rebel played a one-off concert in London and Harley released the single “Ballerina (Prima Donna)”, which was written and produced by Mike Batt. It was one of Harley’s most successful singles of the decade, peaking at number 51 in the UK. In July, the band performed at the Reading Festival, followed by a one-off concert at London’s Camden Palace in December 1984. It was the band’s last show until 1989 and was filmed for a special TV broadcast. In 1985, it was also released on VHS as Live from London.

In 1985, Harley signed a five-album recording contract with RAK Records. “Irresistible”, recorded with Mickie Most as producer, was released as his debut single for the label in June 1985 and reached number 81 in the UK. Harley originally offered the song to Rod Stewart, who encouraged Harley to record it in the hope that it would put him back in the charts. Later that year, Mike Batt recommended Harley to Andrew Lloyd Webber for the recording of the title track of the upcoming The Phantom of the Opera musical, which Webber intended to release as a single to promote it. Harley’s audition was successful and the song was recorded as a duet with Sarah Brightman. It was released in January 1986 and reached number 7 in the UK charts. Harley then successfully auditioned to play the title role on stage and spent five months working on the part, including rehearsal with producer Hal Prince. He was later surprised to be replaced by Michael Crawford.

While rehearsing for the musical, Harley released the non-album single “Heartbeat Like Thunder” in April 1986, though it was a commercial failure. In June 1986, a newly remixed version of “Irresistible” was issued as the lead single from Harley’s forthcoming solo album El Gran Senor, but it failed to chart. When RAK folded and was sold to EMI shortly after, the album was shelved. Later that year, Harley starred again as Marlowe when the musical of the same name ran in London and his performance was described by one leading critic as “a major and moving performance.” During the same period, Harley undertook an English ‘A’ level course, to which he devoted three hours of study each day. He passed in June 1987 with a ‘B’ grade.

In 1988, Harley provided vocals on Mike Batt’s song “Whatever You Believe”, alongside Jon Anderson

In 1989, Harley assembled a new line-up of Cockney Rebel and returned to touring in the UK and Europe. He would continue performing as both a solo artist and with various incarnations of Cockney Rebel until his death. To promote the band’s 1989 summer tour, Harley released the solo single “When I’m with You”, which was recorded in early 1989 with ex-Cockney Rebel members Duncan Mackay and Jim Cregan at London’s Point Studios. In October 1989, concert footage from the tour was released on VHS as The Come Back, All is Forgiven Tour: Live.

Throughout 1989 and 1990, Harley continued touring and recording material for a new album. By the early 1990s, Steve Harley & Cockney Rebel had re-established themselves as a major live act across Europe. In 1992, EMI released a new compilation album, Make Me Smile – The Best of Steve Harley and Cockney Rebel, along with a re-issue of “Make Me Smile” as a single, which reached number 46 in the UK. Harley’s solo album Yes You Can was released in Europe in 1992 and the UK in 1993. It featured older songs dating from the El Gran Senor period and some new tracks. “Irresistible” was released as a single from the album in Europe and “Star for a Week (Dino)” was released as a promotional single in the UK.

Harley released a new studio album, Poetic Justice, in 1996, which was a critical success. In 1997, Harley participated in the Granada Men & Motors TV music quiz show Elvis Has Just Left the Building, hosted by Mike Sweeney, with Noddy Holder and Clint Boon as team captains.[77]

In 1998, Harley embarked on his first acoustic tour “Stripped to the Bare Bones” with Cockney Rebel’s violinist and guitarist Nick Pynn accompanying him. The pair played over a hundred dates, including fifty-four concerts in the UK, and coincided with the release of a new compilation album, More Than Somewhat – The Very Best of Steve Harley, which reached number 82 in the charts. The live album Stripped to the Bare Bones, with tracks recorded at The Jazz Café in London during March 1998, was released in September 1999.

In 2000, Harley began working on a new studio album and opened talks with various record labels. Although no album materialised for a few years, the single “A Friend for Life” was released in April 2001 and reached number 125 in the UK. The song, co-written with Jim Cregan, was originally offered to Rod Stewart, who would record his own version for his 2015 album Another Country. In 2001, Steve Harley & Cockney Rebel embarked on their first tour in four years, “Back with the Band”.

Harley was involved with the charity Mines Advisory Group from 2002. He became an ambassador for the charity and led two fundraising treks, one around Cambodia in 2002 and the other across Death Valley in 2007. In 2002, Harley was awarded a Gold Badge of Merit by the British Academy of Composers and Songwriters. In 2003, he released the live album Acoustic and Pure: Live, featuring recordings from various UK concerts played during the previous autumn with Cregan. Towards the end of the year, Harley travelled to Cologne to collaborate with German artist Guido Dossche on the song “Ich Bin Gott”, which was issued as a single in Germany in 2004.

In 2004, the live album Anytime! (A Live Set) was released under the name The Steve Harley Band. During June of that year, Steve Harley & Cockney Rebel played at the Isle of Wight Festival and the full performance was released on DVD in 2005 as Live at the Isle of Wight Festival. In June 2005, a newly recorded version of “Make Me Smile” was released, dubbed the “30th Anniversary Re-mix”, and reached number 55 in the UK.

A new studio album, The Quality of Mercy, was released in 2005; it was Harley’s first studio album to be released under the Cockney Rebel name since 1976. The band embarked on their biggest UK and European tour since the 1970s to promote it, with over 50 dates set between September and December 2005. The album was a critical success and also charted at number 40 in Norway in early 2006. “The Last Goodbye“, released as a single from the album in 2006, peaked at number 186 in the UK Singles Chart and number 21 in the UK Independent Singles Chart.

In 2006, EMI released The Cockney Rebel – A Steve Harley Anthology, a CD box-set compilation album spanning the recording career of Cockney Rebel and Harley’s solo work. In 2007, Harley starred with Mike Bennett in the West End premiere of the Samuel Beckett plays Rough for Theatre I and Rough for Theatre II. The plays ran for a week in July at London’s Arts Theatre. In 2008, Harley released a book, The Impression of Being Relaxed, which is a collection of diary entries he had published on his website between 2000 and 2008. In 2009, Harley received a Special Award from Childline Rocks for his charity work at Classic Rock magazine’s award ceremony in London’s Park Lane Hotel. His efforts raising money for the Mines Advisory group and several schools for Disabled Children were cited in a speech delivered by blues guitarist/singer/songwriter Joe Bonamassa.

In May 2010, Harley released a new album, Stranger Comes to Town, which he described as a “protest album”. It peaked at number 187 in the UK and spawned two digital singles, “Faith & Virtue” and “For Sale. Baby Shoes. Never Worn”. Earlier that year in February, Harley, a self-confessed technophobe, attributed poor literacy rates and the moral corrosion of British society to modern technology.

In April 2012, Harley embarked on a promotional tour of Australia, with Australian guitarist Joe Matera accompanying him. The pair made a number of appearances on radio and TV and performed live acoustic sessions. In October 2012, EMI released the remastered four-disc box-set anthology compilation Cavaliers: An Anthology 1973-1974, which chronicled the recording career of the original Cockney Rebel line-up.

In September 2015, Harley’s first new song of five years, “Ordinary People”, was released as a digital single. In November, Harley and the surviving members of the original second line-up of Cockney Rebel reunited for a 16-date UK tour to celebrate the 40th anniversary of The Best Years of Our Lives album. The band were also accompanied by the MonaLisa Twins.

In 2015, Harley pledged to help raise funds for a new memorial to his late friend Mick Ronson. He played for free at the Hull City Hall in April 2016 to help kick-start the appeal. In November 2016, Harley was one of a number of musicians who teamed up with British Members of Parliament and the Royal Opera House Thurrock Community Chorus to record a charity version of the Rolling Stones song “You Can’t Always Get What You Want” in memory of Labour MP Jo Cox. The song was released as a single in December 2016, with all proceedings going to the Jo Cox Foundation, and reached number 136 in the UK Singles Chart, number 24 in the Singles Sales Chart and number 9 in the Independent Singles Chart.

Harley released Uncovered in February 2020, an album made up of two Harley originals and nine interpretations of songs he said he wished he had written. The planned UK and European tour to promote the album was postponed due to the COVID-19 pandemic, with only the first nine shows played as planned. Two shows were, however, played in September 2020, both in the acoustic trio format, though bassist Oli Hayhurst accompanied the trio on the second of these shows. In addition, Harley held an online question and answer session via Zoom in mid-December 2020. The success of this event led to further Zoom Q and A events: two in November 2021 and one in November 2022.

In the aftermath of the pandemic, Harley’s live shows resumed in August 2021, and the rescheduled 2020 tour took place between May and July 2022. In October 2023, after touring earlier in the year, Harley was forced to cancel all upcoming late 2023 and early 2024 shows, citing “a medical procedure followed by a period of recuperation”. Harley later revealed that he had cancer, and was forced to cancel or postpone all shows scheduled for 2024.

In December 2023, Steve Harley announced on his website that he had cancer. He died at his home in Suffolk on 17 March 2024, aged 73.

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Melanie Safka 1/2024

Melanie, hippie singer-songwriterMelanie Safka 1/2024 (76) professionally known as Melanie was born on Feb. 3, 1947 and raised in the Astoria neighborhood of Queens, New York City. Her father, Fred, was of Ukrainian ancestry and her mother, jazz singer Pauline “Polly” Altomare, was of Italian heritage. Melanie made her first public singing appearance at age four on the radio show Live Like A Millionaire, performing the song “Gimme a Little Kiss”. She moved with her family to Long Branch, New Jersey, and attended Long Branch High School, but disturbed that she was rejected by her schoolmates as a “beatnik”, she ran away to California. After her return to New Jersey, she transferred to Red Bank High School. She graduated in 1966, although she was prevented from attending her graduation ceremony because of an overdue library book. (different times!!!). Yet, she was inducted into the school’s hall of fame in 2014.

In the 1960s while still in high school, Melanie started performing at The Inkwell, a coffee house in the West End section of Long Branch. After high school, her parents insisted that she attend college, so she studied acting at the American Academy of Dramatic Arts in New York. At that time she began singing in the folk clubs of Greenwich Village, such as The Bitter End, and soon after signed her first recording contract with Columbia Records. Melanie released two singles on the label in the U.S. She subsequently signed with Buddah Records and found her first chart success in Europe in 1969 with “Bobo’s Party”, which reached No. 1 in France. Her growing popularity in Europe resulted in performances on European television programs such as Beat-Club in West Germany. Her debut album received positive reviews from Billboard, which described her husky voice as “wise beyond her years” and said her “non-conformist approach to the selections on this LP make her a new talent to be reckoned with”.

Later in 1969, Melanie had a hit in the Netherlands with “Beautiful People” (which is how I got to know about her). She was one of only two solo female artists who performed at the Woodstock festival in 1969, and her first hit song, “Lay Down (Candles in the Rain)”, was inspired by the Woodstock audience lighting candles during her set. The record became a hit in Europe, Australia, Canada, and the United States in 1970. The B-side of the single featured Melanie’s spoken-word track, “Candles in the Rain”. Her following hits included “Peace Will Come (According To Plan)” and a cover of the Rolling Stones’ “Ruby Tuesday”.

In 1970, Melanie was the only artist to ignore a court injunction banning the Powder Ridge Rock Festival, which was scheduled to be held on July 31, August 1 and 2, 1970. She played for the crowd on a homemade stage powered by Mister Softee trucks. Not long after this performance, she played at the Strawberry Fields Festival held in August 1970, at Mosport Park in Ontario. She also performed at the Isle of Wight Festival 1970, at Afton Down. At the festival, she was introduced by Keith Moon, drummer of the Who and received four standing ovations. She appeared again at the Isle of Wight Festival in 2010. In June 1971, she was the artist who sang to herald in the summer solstice at Glastonbury Fayre (later the Glastonbury Festival) in England. She performed again at Glastonbury in 2011, the 40th anniversary of the original festival.

Melanie left Buddah Records when they insisted that she produce albums on demand. In 1971, she formed her own label, Neighborhood Records, with Peter Schekeryk, who was also her producer and husband. She had her biggest American hit on the Neighborhood label, the novelty-sounding 1972 No. 1 hit “Brand New Key” (often referred to as “The Roller Skate Song”). “Brand New Key” sold over three million copies worldwide and was featured in the 1997 movie Boogie Nights.

A vegetarian at the time, Melanie had just been through a cleansing fast in which she consumed nothing but distilled water for 27 days. She was so weakened by hunger that she was almost hallucinating, and a doctor recommended that she eat meat to build strength. One day, on a trip to a flea market with her husband, she found herself unable to resist the lure of the Golden Arches of a McDonalds.

“No sooner than had I finished the last bite of burger,” she told the newspaper, “I wrote ‘Brand New Key.’ It just came into my head. I had one of those little practice guitars in the van with me, and when my husband, who was a record producer, heard me singing, he said, ‘What’s that?’ And I said, ‘Oh, some silly song. I’m just playing around.’ He said, ‘No, no — do that part again!’ And I did, and he said, ‘Melanie, that’s a hit!’”

He was not wrong. With its sunny vocals and a percolating beat, “Brand New Key” set heads bobbing around the country. The song was No. 1 on the Billboard Hot 100 for three weeks starting on Christmas Day, 1971. Billboard later ranked the infectious ditty the No. 9 song of 1972. But not everything about the song was rainbow happy.

“Brand New Key,” seemingly written from the point of view of a girl hoping to win the favor of an elusive boy, includes the freighted line “I’m OK alone, but you’ve got something I need,” and then takes an apparent Freudian turn, with many listeners gleaning a sexual undertone in these lyrics:

Well, I’ve got a brand-new pair of roller skates
You’ve got a brand-new key
I think that we should get together
And try them on to see

In a time when the guardians of mainstream popular culture fought to keep radio and television output squeaky-clean, controversy soon followed. “I guess I can see why it was banned by some radio stations all across America,” she said in an interview with the website Where Music Meets the Soul.

The clamor recalled other “hidden meaning” kerfuffles, including speculation over the Beatles’ Technicolor odyssey “Lucy in the Sky With Diamonds,” which John Lennon always denied was a song about LSD.

“It was a time when people were reading things into lyrics,” Melanie said in the website interview. “Some said it was sexual innuendo or that it related to drugs, and ‘key’ a code for kilo.” But, she added, “I was just having a romp through my memory of learning how to ride my bike and roller skating,” along with the thrill of first love.

 I thought it was cute; a kind of old thirties tune. I guess a key and a lock have always been Freudian symbols, and pretty obvious ones at that. There was no deep serious expression behind the song, but people read things into it. They made up incredible stories as to what the lyrics said and what the song meant. In some places, it was even banned from the radio … My idea about songs is that once you write them, you have very little say in their life afterward … People will take it any way they want to take it.

In a 2013 interview with music journalist Ray Shasho, Melanie elaborated on the origin of “Brand New Key”.

 The aroma brought back memories of roller skating and learning to ride a bike and the vision of my dad holding the back fender of the tire. And me saying to my dad … “You’re holding, you’re holding, you’re holding, right?” Then I’d look back and he wasn’t holding and I’d fall. So that whole thing came back to me and came out in this song. So it was not a deliberate or intentional sexual innuendo.

The follow-up single to “Brand New Key” was “Ring the Living Bell”. To compete with this release, Melanie’s former record company released “The Nickel Song”, which she had recorded while still signed to Buddah Records. Both songs were simultaneous top 40 hits while “Brand New Key” was still on the charts, setting a record for the first female performer to have three top 40 hits at the same time.

Melanie won Billboard’s No. 1 Top Female Vocalist award for 1972 and was awarded two gold albums, and a gold single for “Brand New Key”. Three of her compositions were hits for the New Seekers. She is also known for her musical adaptations of children’s songs, including “Alexander Beetle” and “Christopher Robin”. When she became an official UNICEF ambassador in 1972, she agreed to forego a world tour in favor of raising money for the organization. She also took time to raise her daughter.

Melanie had another top 40 hit single in 1973 with “Bitter Bad”, a song that marked a slight departure from the hippie sentiments of her earlier hits, with lyrics such as “If you do me wrong I’ll put your first and last name in my rock n’ roll song”. Melanie’s other chart hits during this period were the self-penned “Together Alone” and a cover of “Will You Love Me Tomorrow”, which reached No 37 in the UK Singles Chart in March 1974.

In 1976, Melanie released an album on Atlantic Records, Photograph, which was produced by Ahmet Ertegun. The album was praised by The New York Times as one of the year’s best, although it was largely ignored by the public. It was re-issued on compact disc in 2005 with an additional disc of unreleased material.

Also in 1976, Melanie appeared at the tribute concert for Phil Ochs, who had committed suicide on April 9 that year. Held on May 28 at New York City’s Felt Forum, Melanie performed an emotional version of Ochs’s songs “Chords of Fame” and “Miranda”. She had appeared with Ochs on stage in 1974 at his “Evening with Salvador Allende” concert (also held at the Felt Forum), along with Dave Van Ronk, Arlo Guthrie, Bob Dylan, and others.

In 1983, Melanie wrote the music and lyrics for a theatrical musical, Ace of Diamonds, with a book by Ed Kelleher and Seymour Vall based on a series of letters written by Annie Oakley. Though never fully produced, several staged readings were performed at the Lincoln Center, with Melanie as the narrator and pop singer and actress Annie Golden as Oakley.

One of Melanie’s later albums, Paled By Dimmer Light (2004), was co-produced by Peter and Beau-Jarred Schekeryk and includes the songs “To Be The One”, “Extraordinary”, “Make It Work”, and “I Tried To Die Young”.

In 2007, Melanie Safka was invited by Jarvis Cocker to perform at the Meltdown festival at the Royal Festival Hall in London. Her sold-out performance was critically acclaimed, with The Independent saying, “It was hard to disagree that Melanie has earned her place alongside Joan Baez, Judy Collins, Buffy Sainte-Marie, Laura Nyro, Joni Mitchell, Nico, and Marianne Faithfull in the pantheon of iconic female singers. Meltdown was all the better for her presence.” The concert was filmed for a DVD, Melanie: For One Night Only, which was released in October 2007. She recorded “Psychotherapy”, sung to the tune of the “Battle Hymn of the Republic”, which parodied aspects of Freudian psychoanalysis. The song has been played on The Dr. Demento Show. Melanie won an Emmy Award for writing the lyrics to the theme song for the television series Beauty and the Beast. With one exception, her albums were produced by her husband, Peter Schekeryk, who died suddenly in 2010. Her three children — Leilah, Jeordie, and Beau-Jarred — are also musicians. Beau-Jarred is a guitarist and accompanied his mother on tour. In July 2012, Melanie headlined along with Arlo Guthrie and Judy Collins at the 15th annual Woody Guthrie Folk Festival, which is held to celebrate Woody Guthrie’s life and music.

In October 2012, Melanie collaborated with John Haldoupis, artistic and managing director of Blackfriars Theatre in Rochester, New York, to create an original musical about her love story with her late husband. Melanie and the Record Man made its premiere on October 19, with performances scheduled until October 28. The musical, conceived and designed by Haldoupis, featured Melanie’s music and told the story of meeting Peter, falling in love, and working together to produce her music. Melanie performed during the musical and was also the narrator. In June 2014, she toured Australia for the first time since 1977.

In April 2015, Melanie Safka was inducted into Red Bank Regional’s “Distinguished Alumni Hall of Fame”. She received the Sandy Hosey Lifetime Achievement Award at the Artists Music Guild’s 2015 AMG Heritage Awards on November 14, 2015, in Monroe, North Carolina. On New Year’s Eve 2019, she performed on the BBC’s Jools’ Annual Hootenanny. 

Melanie resided in the Nashville metropolitan area in later years, where she died unexpectedly from an undisclosed illness on January 23, 2024, at the age of 76. At the time of her death Melanie was working on a covers album titled Second Hand Smoke.

Despite her success during a period of singer-songwriter ascendence, Melanie was rarely mentioned in the same breath as Woodstock-era contemporaries like Joan Baez and Joni Mitchell. “It wasn’t the age of smiling women,” she said in a 2021 interview with The Guardian. “It had to be much more broody, and I was way too cherubic.”

She also seemed weary of her famous song celebrating steel-wheeled locomotion, and perhaps joys more libidinous; she had even expressed reservations about the success of the song when it was at its peak.

“I had already been battling this beatific image of, ‘Isn’t she ever so precious, every bit of Woodstock fluff person?’” Melanie told The Tennessean. “I wanted to be perceived as someone with some social commentary and relevance.”

She was even more pointed in her interview with Where Music Meets the Soul, saying, “It was the song that doomed me to be cute for the rest of my life.”

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David LaFlamme – 8/2023

Violin for It's a Beautiful DayDavid LaFlamme (It’s a Beautiful Day) was born in New Britain, Connecticut, on May 4, 1941, the first of six children of Adelard and Norma (Winther) LaFlamme. His mother was from a Mormon family in Salt Lake City, and when he was eight years old, the family moved to Utah to be near her family. He spent his early years in Los Angeles, where his father was a Hollywood stunt double, before settling in Salt Lake City, where his father became a copper miner. David was about 5 when he got his first violin, a hand-me-down from an aunt back in Connecticut, whose daughter never took to the violin.

“I began fooling around with it on my own and taught myself to play ‘Twinkle Twinkle Little Star,’” he said in a 1998 interview. Formal training followed and in Salt Lake City in later years, he won a competition to perform as soloist with the Utah Symphony Orchestra.

After joining the Army — he was stationed at Fort Ord, near Monterey, Calif. — he suffered hearing damage from the firing of deafening ordnance. He ended up in Letterman military hospital in San Francisco, and from there put down roots in the city after his discharge in 1962. He found lodging in the same house as his future wife, Linda Rudman. “By the second day that I was there, she and I had already written a song together,” he said.

During the ensuing years he performed with a wide variety of notable San Francisco acts, such as Jerry Garcia, Janis Joplin, Dino Valente (Love). In 1967, Mr. LaFlamme formed a band called Electric Chamber Orkustra, also known as the Orkustra, with Bobby Beausoleil, a young musician who played bouzouki and would later be convicted of murder as a follower of Charles Manson. He also created an early version of Dan Hicks and His Hot Licks.

But the times were the times, and in 1967, the year of the Summer of Love, he and his wife Linda, a keyboardist, formed It’s a Beautiful Day. The band bubbled up from the acid-rock cauldron of the Haight-Ashbury district, which also produced the Grateful Dead, Jefferson Airplane and other groups.

The band got its break in October 1968, when the promoter Bill Graham had them open for Cream in Oakland. It’s a Beautiful Day signed with Columbia Records soon after and the group’s eponymous LP was released by Columbia Records in 1969, containing their biggest hit, “White Bird”. The album was produced by David LaFlamme, who infused the psychedelic rock of the 1960s with the plaintive sounds of an electric violin. “White Bird,” encapsulated the hippie-era longing for freedom.

The LaFlammes wrote the song in 1967, when they were living in the attic of a Victorian house during a brief gig relocation to Seattle. The lyrics took shape on a drizzly winter day as they peered out a window at leaves blowing on the street below.

White bird – In a golden cage – On a winter’s day  – In the rain

“We were like caged birds in that attic,” LaFlamme recalled. “We had no money, no transportation, the weather was miserable.” He later said the song, with its references to darkened skies and rage, was about the struggle between freedom and conformity. In an email, Linda LaFlamme said that she considered it a song of hope, and that the only rage they had felt was about the Seattle weather.

Still, the song, with its pleading chorus, “White bird must fly, or she will die,” seemed to echo the mounting disillusionment of 1969, as marmalade skies turned into storm clouds with the realities of drug addiction and social turmoil, as epitomized by the bloodshed at the Altamont rock festival that year.

“It was a very solemn period of music on that first album,” Mr. LaFlamme said in a 2003 interview published on the music website Exposé. “If I would have kept going that way,” he added, “I would have ended up like Jim Morrison, getting more and more into that personal torture trip.”

My personal favorite on that album  was “Bombay Calling” and I didn’t realize until later that Deep Purple’s “Child in Time” was directly influenced by “Bombay Calling”. “Child in Time” was my favorite cover song to play in the band in those days. Here is Deep Purple vocalist Ian Gillan explaining how “Child in Time” came about. 

Ian Gillan said in an interview in 2002: “There are two sides to that song – the musical side and the lyrical side. On the musical side, there used to be this song ‘Bombay Calling’ by a band called It’s A Beautiful Day. It was fresh and original, when Jon was one day playing it on his keyboard. It sounded good, and we thought we’d play around with it, change it a bit and do something new keeping that as a base. But then, I had never heard the original ‘Bombay Calling.’ So we created this song using the Cold War as the theme, and wrote the lines ‘Sweet child in time, you’ll see the line.’ That’s how the lyrical side came in. Then, Jon had the keyboard parts ready and Ritchie had the guitar parts ready. The song basically reflected the mood of the moment, and that’s why it became so popular.”

Ironically enough David LaFlamme later on admitted that he got the idea for the song during one of his house jams when saxophone player Vince Wallace started out the tune.

It’s a Beautiful Day’s second album, Marrying Maiden, was released the following year. It was their most successful showing on the charts, reaching number 28 in the U.S. and number 45 in the U.K. Funny enough their opening track Don & Dewey featured clearly the riff  from Deep Purple’s 1968 release “Wring that Neck” on the album The Book of Taliesyn. Great humor in my opinion and also a strong indicator of how life has changed since those early days. Think how many times Zeppelin was taken to court for the opening riff on Stairway to Heaven. Randy California, the creator wouldn’t have cared a bit.

After two additional albums, Choice Quality Stuff/Anytime and Live at Carnegie Hall, LaFlamme left the group in 1972 over disputes regarding the direction and management of the band.
For a time he performed with the groups Edge City and Love Gun in the Bay Area before going solo.

In 1976, he released the album White Bird on Amherst Records. His remake of the song “White Bird” cracked the Billboard Hot 100, peaking at No. 89 that same year. This was followed by the album Inside Out in 1978, also on Amherst Records. Both project releases were co-produced by David LaFlamme and Mitchell Froom.
After years of legal wrangling over ownership of the band’s name, LaFlamme resumed formal use of It’s a Beautiful Day when former mis-manager/leech Matthew Katz let the trademark of the name go un-renewed. From 2000, he performed with the reconstituted band, which included his second wife Linda LaFlamme (not the same person as his previous wife Linda LaFlamme) and original drummer Val Fuentes.

LaFlamme also appeared on the television shows Frasier, Ellen, and Wings, as a strolling violinist who stands right at the table in a restaurant, playing loudly or annoyingly.
It’s a Beautiful Day was included in the documentary film Fillmore, which covered the final days of the famed San Francisco music venue Fillmore West in 1971. The group split in 1973, but later re-formed with new membership, David LaFlamme remaining the only constant into the present era. He occasionally recorded under the group’s name for various labels, and also maintained a solo career, releasing several solo albums and working with other bands.

The band never found the commercial success of its hallowed San Francisco contemporaries. Its debut album, called simply “It’s a Beautiful Day” and released in 1969, climbed to No. 47 on the Billboard chart. “White Bird,” sung by David LaFlamme and Pattie Santos, did not manage to crack the Hot 100 singles chart, largely perhaps because of its running time: more than six minutes, twice the length of most AM radio hits. Even so, the song became an FM radio staple, and an artifact of its cultural moment.

LaFlamme released several albums over the years, including a solo album in the mid-1970s called “White Bird,” which included a disco-ready version of the original single. It actually outperformed the original, peaking at No. 89 on the Billboard Hot 100. LaFlamme said in 1998, “It was a very difficult period musically, because during that period disco music ruled the earth.” “It was really the day the music died,” he said.

David LaFlamme died on Aug. 6, 2023 in Santa Rosa, Calif. Shortly after his friend Dan Hickman. He was 82. His daughter Kira LaFlamme said the cause of his death, at a health care facility, was complications of Parkinson’s disease. In addition to his daughter Kira, from his first marriage, Mr. LaFlamme is survived by his third wife, Linda (Baker) LaFlamme, whom he married in 1982; his sisters, Gloria LaFlamme, Michelle Haag and Diane Petersen; his brothers, Lon and Dorian; another daughter, Alisha LaFlamme, from his marriage to Sharon Wilson, which ended in divorce in 1973; and six grandchildren.

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Rodriguez 8/2023

Sixto Rodriguez 8/2023 (81) was born on July 10, 1942, in Detroit, Michigan. He was the sixth child of Mexican immigrant working-class parents Ramon and Maria Rodriguez.  They had joined an influx of Mexicans who came to the Midwest to work in Detroit’s industries. Mexican immigrants at that time faced both intense alienation and marginalization.  In most of his songs, Rodriguez takes a socio-political stance on the difficulties that faced the inner-city poor. His mother died when he was three years old. Growing up in a single parent, working class environment, Rodriguez first got turned onto music after hearing his father play Mexican folk songs. They often moved him to tears. “My father’s night would usually end with a couple of drinks, and a few songs. I would always listen to his heart-breaking songs. He loved music, and I picked it up through him.” Continue reading Rodriguez 8/2023

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Sinéad O’Connor – 7/2023

Sinéad O’Connor (56) was born on 8 December 1966 in Dublin, Ireland at the Cascia House Nursing Home on Baggot Street in Dublin.  She was named Sinéad after Sinéad de Valera, the mother of the doctor who presided over her delivery (Éamon de Valera, Jnr.), and Bernadette in honor of Saint Bernadette of Lourdes. She was the third of five children; an older brother is the novelist Joseph O’Connor.

Her parents were John Oliver “Seán” O’Connor, a structural engineer later turned barrister and chairperson of the Divorce Action Group and Johanna Marie O’Grady (1939–1985). She attended Dominican College Sion Hill school in Blackrock, County Dublin. Abused by an obsessively religious mother during her childhood, growing up in a politically charged environment of the Irish clashes and terrorist actions, she created a willingness to take a stand that made her powerful — and threatening, at the same time. Her mother also taught her to steal from the collection plate at Mass and from charity tins. In 1979, at age 13, O’Connor went to live with her father, who had recently returned to Ireland after re-marrying in the United States, in 1976. Continue reading Sinéad O’Connor – 7/2023

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Randy Meisner – 7/2023

Randy Meisner (the Eagles) was born on March 8, 1946, in Scottsbluff, Nebraska to a farming family.  He got his first acoustic guitar when he was around 12 or 13 and, shortly after, formed a high school band. “We did pretty good, but we didn’t win anything,” according to Meisner.
“We couldn’t find any work because there were a million bands out here,” he said.
Meisner moved to California in 1964/65 and played with the likes of Rick Nelson’s Stone Canyon Band and Poco, before co-founding the Eagles in 1971 alongside Don Henley, Glenn Frey and Bernie Leadon. 

They went on to define the country-tinged, laid-back West Coast pop-rock sound that ruled the US radio waves in the early 1970s, before later moving in a hard rock direction, essentially because of James Gang guitarist Joe Walsh being added to the line-up when Bernie Leadon left.

Once dubbed “the sweetest man in the music business” by former bandmate Don Felder, bass player Meisner stepped out of the shadows on the mournful, lovelorn waltz-time ballad Take It to the Limit – a song later covered by the likes of Etta James, Willie Nelson and Waylon Jennings. He was with the band when they recorded the albums “Eagles,” “Desperado,” “On the Border,” “One of These Nights” and “Hotel California.”
“Hotel California,” with its mysterious, allegorical lyrics, became the band’s best-known recordings. It topped the Billboard Hot 100 in 1977 and won a Grammy Award for record of the year in 1978. Continue reading Randy Meisner – 7/2023

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Tina Turner 5/2023

Tina Turner, proud queen of rockTina Turner was born Anna Mae Bullock on Nov. 26, 1939, in Brownsville, Tenn., northeast of Memphis, and spent her earliest years on the Poindexter farm in Nutbush, an unincorporated area nearby, where she sang in the choir of the Spring Hill Baptist Church, along with her parents and two sisters. Her father, Floyd, known by his middle name, Richard, worked as the farm’s overseer — “We were well-to-do farmers,”  — and had a difficult relationship with his wife, Zelma (Currie) Bullock.

Her parents left Anna and her older sister, Alline, with relatives when they went to work at a military installation in Knoxville, TN during World War II. The family reunited after the war, but Zelma left her husband in the early 1950s and Anna went to live with her maternal grandmother in Brownsville.
After her grandmother died, she moved to St. Louis, Missouri, rejoining her mother as she attended Sumner High School there. She and sister Alline began frequenting the Manhattan Club in East St. Louis to hear Ike Turner and the Kings of Rhythm.

At one time she requested to sing with a band led by a handsome, dapper guitarist who would soon become the profoundly dominant influence in her life. At first Ike Turner refused to entertain her pleas to be allowed to sing with his Kings Of Rhythm – until she grabbed a microphone during a band break, and belted out B B King’s ‘You Know I Love You’. Ike asked her if that was the extent of her repertoire. On finding out that it wasn’t, he let her sing a few more. By the end of the night she was the band’s newest ‘chick singer’. Continue reading Tina Turner 5/2023

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Gordon Lightfoot 5/2023

Gordon Lightfoot (83) was born on Nov. 17, 1938, in Orillia, Ontario, where his father managed a dry-cleaning plant. He was of Scottish descent. His mother recognized Lightfoot’s musical talent early on and schooled him to become a successful child performer. He first performed publicly in grade four, singing the Irish-American lullaby “Too Ra Loo Ra Loo Ral”, which was broadcast over his school’s public address system during a parents’ day event.

As a youth, he sang in the choir of Orillia’s St. Paul’s United Church under the direction of choirmaster Ray Williams. According to Lightfoot, Williams taught him how to sing with emotion and how to have confidence in his voice. Lightfoot was a boy soprano; he appeared periodically on local Orillia radio, performed in local operettas and oratorios, and gained exposure through various Kiwanis music festivals. At the age of twelve, after winning a competition for boys whose voices had not yet changed, he made his first appearance at Massey Hall in Toronto, a venue he would ultimately play over 170 more times throughout his career. Continue reading Gordon Lightfoot 5/2023

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Renée Geyer 1/2023

Renée Geyer (69) was born September 11, 1953 in Melbourne, Australia to a Hungarian-Jewish father, Edward Geyer, and a Slovak-Jewish mother, a Holocaust survivor, as the youngest of three children. Geyer was named Renée after another Holocaust survivor who had helped her mother in Auschwitz after Josef Mengele had assigned the rest of her mother’s family to death. At a young age, the Geyers moved to Sydney where her parents were managers of a migrant hostel. Geyer described herself as a problem child, and her parents called her übermutig (German for “reckless”). She attended various schools and was expelled from a private school, Methodist Ladies College, for petty stealing. Her first job was as a receptionist for the Australian Law Society.

In 1970, at the age of 16, while she was still at Sydney Girls High School, Geyer began her singing career as a vocalist with jazz-blues band Dry Red. The group also contained Eric McCusker (later of Mondo Rock). For her audition she sang the Bee Gees’ hit “To Love Somebody”. She soon left Dry Red for other bands including the more accomplished jazz-rock group Sun. Geyer departed Sun in mid-1972 and joined Mother Earth whose R&B/soul music style was more in keeping with Geyer’s idiom.

In 1973, Geyer was signed to RCA Records, who had released Sun’s album the year before, Geyer, already showing signs of her self-proclaimed “Difficult Woman” tag, loyally insisted that Mother Earth back her on the album. Geyer’s self-titled debut studio album was released in September 1973 which mostly consisted of R&B/Soul cover versions of overseas hits. Geyer left Mother Earth by the end of the year.
In August 1974, Geyer released her second studio album, It’s a Man’s Man’s World, which became her first charting album when it peaked at #28 on the Kent Music Report. The title track, “It’s a Man’s Man’s Man’s World”, was a cover version of James Brown‘s hit from 1965 and became her first top 50 single.

Geyer then formed Sanctuary, to promote the album. Geyer quickly became disenchanted with RCA and their refusal to let her record more original material, made her prepared to wait out her contract if necessary. Former Chain members convinced Geyer to contact their label, Mushroom Records boss Michael Gudinski and band manager Ray Evans to strike a deal where they would record her and RCA would release the albums and singles with a Mushroom logo stamped on the label.
The arrangement led to Geyer’s third studio album, Ready to Deal, which was recorded in August–September 1975, and by this stage Sanctuary line-up was, Logan, Sullivan, Mark Punch (guitar; ex-Mother Earth) and Greg Tell (drums). They co-wrote most of the material for the album with Geyer and Sanctuary was renamed as Renée Geyer Band; the album was released in November to reach #21. It spawned one of Geyer’s signature songs “Heading in the Right Direction”, which reached the top 40 in 1976.

In 1975 Geyer contributed her voice to the Liberal Party’s theme song “Turn on the Lights”, and later stated she had only done their theme song to earn enough money to record an album in the United States, where she had signed a contract with Polydor Records.

Geyer relocated to the Los Angeles mid-1976 where in the course of the next decade she released several albums. In May 1977, Geyer released her fourth studio album Moving Along on RCA/Mushroom Records and peaked at #11 in Australia. It used Motown Records producer Frank Wilson, with the album’s Polydor Records release for the US market titled Renée Geyer. Her backing musicians, Mal Logan (keyboards) and Barry Sullivan (bass guitar) were supplemented by members of Stevie Wonder’s band, as well as Ray Parker Jr. and other US session musicians. It provided Geyer biggest Australian hit single, at the time, with “Stares and Whispers” peaking at #17. In the US, radio stations began playing several of the album’s tracks, in particular a re-recorded version of “Heading in the Right Direction” which was issued as her first US & UK single.
Polydor were aware her vocal style led listeners to incorrectly assume she was black and urged her to keep a low profile until her popularity had grown, thus they suggested her US album release should not include her photograph. Known for her uncompromising and direct personal manner, Geyer refused to allow this deception and insisted on marketing the album complete with a cover photograph of what she referred to as “my big pink huge face“. After the album’s release, interest in Geyer subsided in the US, which Geyer later blamed on her headstrong decision regarding her marketing. Geyer earned respect in the US recording industry and for several years worked in Los Angeles as a session vocalist although she returned to Australia periodically.

Geyer’s June 1979 release, Blues License, is unique in her catalogue as she combined with Australian guitarist Kevin Borich and his band Express to record an album of straight blues material. The added fire in her vocals was sparked by the harder edged backing. It reached the top 50 and became a favorite of fans.

In 1981, Geyer recorded her seventh studio album So Lucky in Shangri-La Studios, Malibu, California. Helmed by Rob Fraboni (The Beach Boys, Bob Dylan, The Band) and Ricky Fataar (Beach Boys), the album moved Geyer from the soul style she had been identified with and added a tougher, rootsy rock/R&B style, while incorporating salsa and reggae. The lead single “Say I Love You” was released in May 1981 and became her biggest hit when it reached #5 on the Australian charts and #1 in New Zealand.

Geyer continued as an in-demand session vocalist, which she had also done in Australia. She was on Sting’s 1987 double-album, …Nothing Like the Sun, including the single “We’ll Be Together”. She performed a duet with Joe Cocker on his 1987 album Unchain My Heart and, following the album’s release, toured Europe with him as a backing vocalist. She was audible on Toni Childs’ hit “Don’t Walk Away” from the 1988 album Union. Other sessions included working with Neil Diamond, Julio Iglesias, Buddy Guy and Bonnie Raitt. She also recorded “Is it Hot in Here” for the soundtrack of the 1988 film Mystic Pizza. She described her backing vocals as supplying “The old Alabama black man wailing on the end of a record so they hire the white Jewish girl from Australia to do it.”

In 1994 Geyer released her first solo studio album in 9 years. The exposure encouraged Geyer to move back to Australia and following the release of Difficult Woman, Geyer spent time reestablishing herself on the live circuit across Australia. These performances showed her more relaxed on stage than at her peak when her innate shyness was often cleverly disguised. Now a confident, mature woman she showed off a hitherto hidden wicked sense of humor.

In 2000, Geyer released her autobiography, “Confessions of a Difficult Woman”, after her 1994 studio album. In this candid book, she detailed her drug addictions, sex life and career in music. She described herself as “a white Hungarian Jew from Australia sounding like a 65-year-old black man from Alabama”.

In August 2003 Geyer released her eleventh studio album Tenderland. The album peaked at #11 on the ARIA Charts, equalling her highest-charting album in her career. Live at the Athenaeum was released in April 2004 and Geyer’s twelfth studio album Tonight in April 2005.
Geyer’s iconic status in the Australian music industry was recognized when she was inducted into the ARIA Hall of Fame on 14 July 2005. Geyer was also an internationally respected and sought-after backing vocalist, whose session credits include work with Sting, Chaka Khan, Toni Childs, Joe Cocker, Neil Diamond, Men at Work, Sting, Trouble Funk and many others.

In January 2023, Geyer was admitted to hospital in Geelong where she had hip surgery. It was subsequently discovered that she had inoperable lung cancer. She died from surgical complications on 17 January 2023 at the age of 69.

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Anita Pointer 12/2022

Anita Pointer (74) -The Pointer Sisters- was born on January 23, 1948 in Oakland, California, the fourth of six children to Sarah Elizabeth and Reverend Elton Pointer. Though she was born in California, Pointer’s parents were natives of Arkansas. As a result, her family traveled by car almost yearly from California to Arkansas to visit Pointer’s grandparents who lived in Prescott.

At one point in time, her mother allowed her to stay with her grandparents to attend fifth grade at McRae Elementary, seventh grade at McRae Jr. High, and tenth grade at McRae High School. While in Prescott, she played alto sax as a member of the McRae High School band. In 1969, Pointer quit her job as a secretary to join her younger sisters Bonnie and June to form The Pointer Sisters. Continue reading Anita Pointer 12/2022

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Dan McCafferty 11/2022

William Daniel McCafferty (14 October 1946 – 8 November 2022) was born in Dunfermline, Fife, Scotland where he attended St Margaret’s school. He had no formal musical training, but in 1965 he joined the Shadettes, who dressed in matching yellow suits and played cover versions of Top 30 pop hits in local venues such as the Belleville Hotel and Kinema Ballroom. Every week the band had to add three new songs from the charts to their repertoire, learning them on Sunday afternoon to perform that night.

The Shadettes had been in existence since 1961, and when McCafferty joined, its members included bassist Pete Agnew and drummer Darrell Sweet. In 1968 Manny Charlton, who passed away earlier in May of this year (2022), joined as lead guitarist, and in December that year the foursome changed their name to Nazareth, inspired by the Band’s song The Weight and its line about pulling into Nazareth “feelin’ ’bout half past dead”. The reference was to the Pennsylvania town, rather than any Biblical connotation.

With financial backing and management from a local bingo-halls millionaire, Bill Fehilly, the band moved to London in 1970. Continue reading Dan McCafferty 11/2022

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Olivia Newton-John 8/2022

Olivia Newton-John 8/2022 (73), was born on 26 September 1948 in Cambridge, England. In early 1954 the family moved to Melbourne, Australia where she was schooled and grew up, the granddaughter of the Nobel Prize-winning physicist Max Born. As a matter of fact, her family tree, especially on her mother’s side, showed quite some prominence all the way back to Protestant theologian Martin Luther, the founder of Lutheranism. Newton-John’s father was an MI5 officer on the Enigma project at Bletchley Park who took German war architect Rudolf Hess into custody during World War II.

Newton-John went to primary school with Daryl Braithwaite, who also followed a singing career as lead singer for the Australian rock band Sherbet. At age 14, with three classmates, Newton-John formed a short-lived, all-girl group called Sol Four which often performed at a coffee shop owned by her brother-in-law.

Newton-John originally wanted to become a veterinarian but then chose to focus on performance after doubting her ability to pass science exams.

In 1964, Newton-John’s acting talent was first recognised portraying Lady Mary Lasenby in her University High School’s production of The Admirable Crichton as she became the Young Sun’s Drama Award best schoolgirl actress runner-up. She then became a regular on local Australian television shows, including Time for Terry and The Happy Show, where she performed as “Lovely Livvy”. She also appeared on The Go!! Show, where she met her future duet partner, singer Pat Carroll, and her future music producer, John Farrar. (Carroll and Farrar later married.) Continue reading Olivia Newton-John 8/2022

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Judith Durham – 8/2022

Judith Durham, born Judith Mavis Cock in Melbourne, Australia (3 July 1943 – 5 August 2022) would for most rock and roll aficionados not belong on a tribute website for rock heroes. But when I learned of her passing last week, I realized that many of her early songs with the Seekers played an important part in my early rock and roll involvement – from learning to play guitar to appreciation for soft melodic rock during the early years of my teenage awareness. Also, Judith had a voice that mastered and actually stood out in almost every category of 60’s modern music. She could sweet voice you into folksy romance, belt it out in jazz rock, make you inconspicuously suffer the blues or lead the pack in a pop song. She could even sing the classics.

Early in life Judith believed her future would be as a pianist. She went on to gain her Associate In Music, Australia (A.Mus.A.) in classical piano as a student of world-renowned concert pianist Professor Ronald Farren-Price at the Melbourne University Conservatorium, with her first professional engagement in the arts playing piano for a ballet school.

Still in her teens, although excelling on piano, little Judy Cock dreamed of fame singing opera or musical comedy and in 1961, aged 18, she was ready to begin classical vocal training.  One night, just for fun, she ‘sat in’ with a trad jazz band at a local dance called “Memphis”, and found instant success performing blues, gospels, and jazz standards of the 1920s and 1930s, also developing as a serious ragtime pianist. She began using her mother’s maiden name, and at 19 she made her first record, an EP for W&G “Judy Durham” with Frank Traynor’s Jazz Preachers.

Meanwhile, by day since leaving school, Judy’s first job was as Secretary to the Pathologist at the Royal Victorian Eye & Ear Hospital, but on taking a new secretarial job at J Walter Thompson Advertising, on her first day she met account executive Athol Guy.  Athol played acoustic bass and also sang bass in a trio called The Seekers and invited her that very night to come and join him and the two guitarists Keith Potger and Bruce Woodley, to sing acoustic four-part harmony folk and gospel at a Melbourne coffee lounge “Treble Clef”.  Still singing regularly with various jazz bands nearly every other night, she then became a regular every Monday with The Seekers.  Adopting her birth name Judith, she recorded an album with The Seekers for W&G, appeared on local TV, then set sail for London in 1964 on “SS Fairsky” for a 10-week stay, singing for their supper on board.

On the advice of Australian entertainer Horrie Dargie, the group sent the album and TV footage ahead to a big theatrical agency, The Grade Organisation, and on their arrival in ‘swinging London’, agent Eddie Jarrett booked them extensively in clubs, TV, and variety theatre.  He asked Tom Springfield (Dusty’s brother) to write and produce a single, resulting in the surprise chart-topper “I’ll Never Find Another You” which made The Seekers the first Australian group ever to hit No.1 internationally, made Judith Australia’s very first international pop princess and pin-up girl, and unexpectedly cemented her in the group as a full-time Seeker.

The next few years brought The Seekers worldwide adulation, with tours, more albums, and a succession of huge and lasting hits including “A World Of Our Own”, “The Carnival Is Over” and “Morningtown Ride”, which rivalled all the top groups like The Beatles and The Rolling Stones for the No.1 spot.  The Seekers’ biggest international seller was “Georgy Girl”, originally written (music by Tom Springfield, words by Jim Dale) and recorded as the title song for the movie starring Lynn Redgrave, James Mason, Charlotte Rampling and Alan Bates.  The song was nominated for an Academy Award® and the single made history when the group became the first Australians ever to reach the No.1 spot in the USA.

In 1967, The Seekers set an official all-time record when more than 200,000 people (nearly one tenth of the city’s entire population at that time!) flocked to their performance at the Sidney Myer Music Bowl in Melbourne.  Their TV special ‘The Seekers Down Under’ scored the biggest TV audience ever (with a 67 rating), and early in 1968 they were all awarded the nation’s top honour as “Australians Of The Year 1967”.

But 24 year old Judith wanted to spread her wings, and without any notion of the lasting universal grief to be suffered by shocked Seekers fans worldwide, she plucked up courage to give ‘the boys’ six months’ notice.  She was to leave the group in July 1968 to return to Australia … possibly to pursue a career as a solo singer in opera or musical theater … and she hoped to find ‘Mr. Right’.

The surprise for Judith was to receive offers as a solo artist, so she asked a London-based freelance musician, Ron Edgeworth, to be her musical director, pianist and arranger and a couple of years later her Mr. Right.  In big demand as a London-based freelance musician, Ron had worked with all the big names, and had earlier toured and recorded with the legendary Alexis Korner’s All Stars.

From there on Judith started her solo career, with an occasional Seekers reunion over the years, and also focused on composing and writing music. Her one-woman shows stunned audiences and critics with her unique gift for singing in all styles – from folk to country, jazz to pop, blues to gospel, original songs, ragtime piano and even classical.

An indelible mark was made with Judith’s transition into her now classic mid-70s trad jazz recordings with bands she formed with Ron in San Francisco and London.  “The Hottest Band In Town Collection” is now available though Universal.  They also released a legendary album of their piano and voice performance at the Newport Jazz Festival in 1978 (“The Hot Jazz Duo”).

Through the 80s Judith Durham and Ron Edgeworth based themselves on the Sunshine Coast in Queensland, Australia, and for the first time Judith concentrated totally on writing and performing her own compositions, even completing a full scale musical “Gotta Be Rainbows” with book written by eminent playwright Ian Austin.  Having experienced her very first songwriting success in 1967 with co-writer David Reilly on The Seekers classic “Colours Of My Life”, by the 80s Judith had developed through the decades as a remarkably talented and prolific composer of both lyrics and music, writing more than 300 works.

After the untimely passing of her husband in 1994,  51 year old Judith, went back into recording albums and touring. In 1996 Judith again toured the UK as a solo artist with the release of “Mona Lisas” (later repackaged as “Always There” in Australia), her Abbey Road album of legendary 60s and 70s covers produced by the late Gus Dudgeon.

To welcome in the new millennium with delighted Seekers fans around the world, she embarked on The Seekers ‘Carnival Of Hits Tour 2000’, and in 2001 Judith celebrated her own remarkable life-long musical journey in her “40th Anniversary” Australian concert tour.

In the same year, as an unexpected treat for loyal Seekers fans, Judith recorded with ‘the boys’ the album “Morningtown Ride To Christmas”, and late in 2002 a double album “Night Of Nights … Live!” was released after The Seekers’ Australian tour, in conjunction with The Seekers’ Australia Post Souvenir Stamp Sheet commemorating 40 years of musical magic from Australia’s first-ever international pop icons.

2003 was one of Judith’s busiest and most artistically satisfying years ever. In March she toured Australia with ‘the boys’ on The Seekers` `Never Say Never Again! Tour` which was received joyfully by fans all over the country – and with barely a month to get ready, she flew to the UK for her massive solo tour. Highlight after highlight followed, leading up to the Magic Date of December 3, 2013, the 50th Birthday of the Seekers.

Judith was thrilled to embark on a whole year of celebration – marking half a century of Seekers music. Judith found herself back in the studio with the group recording and filming two standout tracks for ‘The Golden Jubilee Album: 50 Tracks For 50 Years’.  “Silver Threads and Golden Needles” and the visual feast of “In My Life” were destined to be standout moments in ‘The Golden Jubilee Tour’, when The Seekers hit the road in May/June 2013.

Following the media frenzy of their 50th Birthday Party in Melbourne came yet another accolade for The Seekers – the presentation of a 24-carat gold ‘stamp’ by Australia Post as part of their ‘Legends of Australian Music’ series – and the official handover of the portrait of the group to the National Portrait Gallery, painted by Helen Edwards, “The Seekers Reunite 50 Years On”.

The group announced and then sold-out a ‘Golden Jubilee Tour’ of Australia, which was abruptly halted when Judith suffered a brain hemorrhage after the first of four sold-out nights in Melbourne.  Six months of hospitalisation and rehabilitation followed – during which time Judith’s commemorative ‘Platinum Album’ was released to mark her 70th birthday – before she was given the green light for the Australian tour to resume. Another sold-out tour of New Zealand followed, before The Seekers toured the United Kingdom, performing 18 sold-out show culminating in two packed houses at London’s Royal Albert Hall.

Just prior to the return to Australia, The Seekers were advised that they had individually been awarded the Order of Australia (AO) – one of the highest honours that can be bestowed on Australian citizens.  Judith would add yet another honour to her tally by being named Victorian of the Year 2015 the following year.

Also, in 2015, Georgy Girl: The Seekers Musical opened to packed house in Melbourne, before moving on to successful seasons in Sydney and Perth.  Among the production’s many musical numbers were Judith’s “Mama’s Got the Blues” and “I Remember”, and “Colours of my Life”, which she co-wrote with David Reilly.

Judith undertook a solo ‘farewell’ tour of New Zealand, playing 18 sold-out concerts as her Colours of my Life compilation CD soared to No. 2 on the charts there.

And in 2018, Ambition Entertainment packaged The Seekers’ three record-breaking 60s TV spectacular into one magnificent collector’s edition set, The Seekers: The Legendary Television Specials.  Proving again that the music of The Seekers is timeless and much loved, the DVD set reached No. 1 on the ARIA chart!

Another highlight of 2018 is the release of Judith’s first solo studio album in six years.  Timed to mark Judith’s 75th birthday, So Much More is a collection of beautiful songs that Judith Durham has composed with some immensely talented writers and musicians from around the world – all lovingly crafted, and superbly sung.

These never-before-released tracks tell of hope and courage, pain and loss, all-consuming devotion, uplifting spirituality, friendship, and a profound love of Australia and its indigenous heritage.

Durham was born with asthma and at age four she caught measles, which left her with a life-long chronic lung disease, bronchiectasis. Durham died from bronchiectasis on 5 August 2022, at age 79. She definitely avoided the “Rock and Roll lifestyle” during her life, without smoking, little to no alcohol, a vegetarian since 1968 and a vegan in later life.

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Ronnie Hawkins 5/2022

Born in Huntsville, Arkansas  on January 10, 1935 Ronnie Hawkins made quite the career for himself in Canada (where he became a permanent resident in 1964). A road warrior, he made his rounds across North America and launched the careers of many musicians, including the Band (who backed him as the Hawks from 1961 to 1964), Roy Buchanan, Pat Travers and others.

Musicianship ran in Hawkins’s family; Hawkins’s father, uncles, and cousins had toured the honky-tonk circuit in Arkansas and Oklahoma in the 1930s and 1940s. His uncle Delmar “Skipper” Hawkins, a road musician, had moved to California about 1940 and joined cowboy singing star Roy Rogers’s band, the Sons of the Pioneers. Hawkins’s cousin Delmar Allen “Dale” Hawkins, the earliest white performer to sing at the Apollo Theater in Harlem and the Regal Theater in Chicago, recorded the rhythm and blues song “Suzie Q” in 1957. Beginning at age eleven, Ronnie Hawkins sang at local fairs and before he was a teenager shared a stage with Hank Williams. He recalled that Williams was too drunk to perform, and his band, the Drifting Cowboys invited members of the audience to get on the stage and sing. Hawkins accepted the invitation and sang some Burl Ives songs he knew.

Continue reading Ronnie Hawkins 5/2022

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Jerry Doucette 4/2022

Jerry Doucette (69) – Doucette – was born in Montreal, Canada on September 7, 1952 and grew up in Hamilton, Ontario, where his family moved when he was 4. Two years later his father bought him a guitar and he started learning quickly.  He joined his first band, The Reefers, at age 11 and would go on to play in Brutus, Seeds of Time, and The Rocket Norton Band.

The young Doucette turned out to be a guitar prodigy. By the time he was 11, he was playing with three other guys, four or five years older school in a Hamilton group called The Reefers (as in refrigerator truck). The band played paying gigs throughout the area, including a spot opening for Roy Orbison. By the time he was 20, he was living in Toronto, playing in a string of bar bands.

In 1973, he was invited to Vancouver for a recording session with Mushroom recording artist Alexis. The move became permanent. In Vancouver, he established a reputation as one of the city’s hottest guitarists, playing with groups like the Seeds of Time and the Rocket Norton Band. He wrote the B-side, “Donkey Chain”, for the band’s first single. He subsequently signed a solo recording deal with Mushroom Records, and commenced recording under his surname only. He began writing his own songs in 1976 and offered up a demo to Mushroom. The demo included “Mama Let Him Play.”

Continue reading Jerry Doucette 4/2022

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Bobby Rydell 4/2022

Bobby Rydell (80) – early teen idol – was born on April 26, 1942 in Philadelphia and was the son of Jennie Ridarelli (née Sapienza) and Adrio “Al” Ridarelli. Both of his parents were of Italian descent. He grew up in the Lower Moyamensing neighborhood of South Philadelphia.

As a child, he mimicked the singers he saw on television, and at the age of seven his father Adrio took him around the clubs of Philadelphia, asking if he could sing and do some impersonations. Adrio loved big-band jazz and often took his son to see his favorite bands, including Benny Goodman and Artie Shaw. Bobby shared his dad’s enthusiasm for the music, and inspired by Goodman‘s flashy drummer Gene Krupa, he began learning to play the drums. Bobby soon showed he had the skills to be an all-around entertainer, and by the time he was eight, he was singing at local nightspots. At the age of nine, he made his television debut, appearing on a talent showcase, TV Teen Club, hosted by bandleader Paul Whiteman. The show marked his first appearance using the stage name Bobby Rydell; legend had it Whiteman suggested the more streamlined name since he had trouble pronouncing Ridarelli. Whiteman was impressed with Rydell’s voice and likable persona, and the young singer became a regular on the show.

Rydell played in several bands in the Philadelphia area. As a 14-year-old he was the drummer for the Emanons (NoName spelled backward) which included his childhood friend Pat Azzara on guitar. Azzara later assumed the stage name Pat Martino, and went on to achieve recognition as one of the preeminent jazz guitarists of all time. Another band was Rocco and the Saints, in which he sang and played drums. After releasing three unsuccessful singles for small companies, he signed a recording contract with Cameo Records. This was run by Bernie Lowe, who had been the pianist accompanying him on TV Teen Club. After a couple of flops, “Kissin’ Time” made the charts in 1959. In May 1960, Rydell toured Australia with The Everly Brothers, Billy “Crash” Craddock, Marv Johnson, The Champs, The Crickets, and Lonnie Lee.

Rydell was on his way to become a rock and roll teen sensation. Along with Frankie Avalon and Fabian, Rydell was one of the leading Philadelphia-based stars who dominated the pop charts (and the TV show American Bandstand) in the years after Elvis Presley went into the Army and before the British Invasion changed the landscape of rock & roll. Rydell had both talent and charm, and sustained a career as a singer longer than many of his peers; he was in demand as a live performer decades after his days as a hitmaker ended in 1964.

But Between 1959 and 1964, Rydell would place 19 songs into the Pop Top 40, including “Wild One,” “Swingin’ School,” “Sway,” and “Volare.” Rydell was also a popular live attraction, selling out shows across the country and headlining concert tours in Australia, New Zealand, Europe, Japan, and the United Kingdom.

His second success was “We Got Love“. The album of the same name, his first, sold a million copies and obtained gold disc status. “Wild One” was followed with “Little Bitty Girl” which was his second million-selling single. He continued releasing hit songs with “Swingin’ School” backed by “Ding-A-Ling” and “Volare” later in 1960, which also sold over a million copies. It is estimated he sold over 25 million records in total.

In 1961, he performed at the Copacabana in New York City, where he was the youngest performer to headline at the nightclub. In February 1961, he appeared at the Festival du Rock at the Palais des Sports de Paris in Paris, France.

Rydell’s success and prospects led his father, Adrio, a foreman at the Electro-Nite Carbon Company in Philadelphia, to resign in 1961 after 22 years to become his son’s road manager.

In 1963, Rydell released the song “Wildwood Days“, which reached Number 17 on the Billboard Hot 100 chart and remained there for nine weeks. A mural on the Wildwood, New Jersey, boardwalk, painted in 2014, honors Rydell, whose song placed the community in the national spotlight.

That same year, Rydell portrayed Hugo Peabody in the film version of Bye Bye Birdie, also starring Ann-Margret and Dick Van Dyke. The original stage production of Bye Bye Birdie had no real singing role for the character of Hugo, but the movie script was rewritten specifically to expand the part for Rydell. In 2011, Sony Pictures digitally restored the film. Rydell and Ann-Margret were in attendance at the restoration premiere in Beverly Hills, hosted by the Academy of Motion Picture Arts and Sciences.

During the 1960s, Rydell had numerous hit records on the Billboard Hot 100 chart. His recording career earned him 34 Top 100 hits, placing him in the top five artists of his era (Billboard). They included his most popular successes: “Wild One” (his highest scoring single, at number 2), “Volare” (number 4), “Swingin’ School” (number 5), “Kissin’ Time” (number 11), “Sway” (number 14), “I’ve Got Bonnie” (number 18), and “The Cha-Cha-Cha” (number 10). His last major chart success was “Forget Him“, which reached number 4 on the Hot 100 in January 1964. The song, written by Tony Hatch, was his fifth and final gold disc winner.

Rydell left Cameo-Parkway Records later in 1964 and signed with Capitol Records. By that point, the British Invasion had arrived and acts such as Rydell suffered a dramatic decline in popularity. Bands such as The Beatles became more popular, and Rydell unknowingly inspired John Lennon and Paul McCartney to write “She Loves You“, a song which paved the way for their success in the US.

During that time, he performed on many television programs, including The Red Skelton Show, where a recurring role as Zeke Kadiddlehopper, Clem Kadiddlehopper’s younger cousin, was written for him by Skelton. He also appeared on The Danny Thomas Show, Jack Benny, Joey Bishop, and The George Burns Show. He was a regular on The Milton Berle Show and was a panelist on To Tell the Truth in 1964. On October 6, 1964, he made a guest appearance on the episode “Duel” of the television series Combat!. It was Rydell’s first dramatic acting role.

In January 1968, it was announced in the UK music magazine NME (New Musical Express) that Rydell had signed a long-term recording contract with Reprise Records. He then continued to perform in nightclubs, supper clubs and Las Vegas venues throughout the 1970s and 1980s, but his career was hampered by the refusal by ABKCO Records to reissue Rydell’s Cameo-Parkway catalog, so it was completely unavailable until 2005, although he did re-record his hits in 1995 for K-tel Records. He had one more hit after 1965, a disco re-recording of “Sway”, which reached the Billboard Easy Listening chart in 1976.

In 1985, promoter Dick Fox approached Rydell about appearing in a special for PBS in which he would perform alongside fellow Philadelphia teen idols Frankie Avalon and Fabian. Rydell agreed, and the show, called “The Golden Boys,” clicked with viewers. In response, Fox booked a concert tour for the Golden Boys, with Rydell and his co-stars discovering their old fans were still eager to see them perform. The Golden Boys tours would provide the backbone of Rydell’s career well into the 2010s, and when a long struggle with alcoholism led to him receiving kidney and liver transplants in July 2012, he was back at work the following October. March 2013 saw him sidelined again when he had cardiac bypass surgery, but ever the trooper, Rydell bounced back to play an 11-date Australian tour in February 2014. His autobiography was published in 2016.

Bobby Rydell maintained a steady touring schedule into the final years of his life; he died on April 5, 2022 due to complications of pneumonia. He was 79 years old.

• In additional to the Grease namecheck, Rydell’s legacy lives on in his hometown area, where at least two streets bear his name, and in the 2018 Oscar-winning film Green Book, in which he was portrayed by actor Von Lewis.

• His influence can also be heard in one of the most enduring and popular songs of the 1960s: The Beatles’ “She Loves You.” Paul McCartney has said that he and John Lennon were inspired to write the instantly famous “yeah yeah yeah” lyrics after hearing a similar call-and-response approach in a popular Rydell song, most likely the 1960 hit “Swingin’ School,” in which Rydell sings, “Yeah yeah yeah I go a swingin’ school.”

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Taylor Hawkins – 3/2022

Taylor Hawkins (50) – Foo Fighters – was born in Ft. Worth Texas on Feb. 17, 1972. Four years later his family moved to Laguna Beach, California, where Hawkins grew up. He was the youngest of three, with an older brother and sister, Jason and Heather and started playing drums at the age of 10.  He graduated from Laguna Beach High School in 1990, where he had been friends with future Yes-reincarnation lead vocalist Jon Davison.

Hawkins played in the Orange County–based psychedelic rock band Sylvia before he became the drummer for British/Canadian rock woman Sass Jordan. After drumming for Sass Jordan, Hawkins joined Alanis Morissette’s touring band Sexual Chocolate for nearly two years (June 1995-March 1997). During that time, he toured the world with the Canadian singer as she supported her breakthrough album, Jagged Little Pill. Hawkins also appearing in the Jagged Little Pill, Live home video and music videos for “You Oughta Know,” “You Learn” and “All I Really Want.”

Here is the true story on how he joined Foo Fighters:

In 1997, you replaced William Goldsmith as Foo Fighters’ drummer. Is it true you offered to join when Dave Grohl called to ask you to recommend someone?
“Well, it didn’t actually go like that. I was a huge fan of the first Foo Fighters record. I’d met Dave a couple of times on the road and we’d become sort of friends. I was driving with my girlfriend at the time, and we were listening to [Los Angeles radio station] KROQ. I heard William had departed and they were looking for a new drummer. I scrambled to get Dave’s number and called him. I said, ‘I heard you guys are looking for a drummer,’ and he said, ‘Well, do you know any?’. I thought Alanis wanted to go in a more laid-back direction, and it seemed like the right time to jump. Alanis didn’t need me! I basically said to Dave, ‘I’ll play drums for you,’ and we jammed a couple of times. I remember I was at home watching [1995 erotic drama] Showgirls with my girlfriend, and Dave called to ask if I wanted to join.”

On his Stage Fright Taylor said:

“It’s really with Foo Fighters shows. I do shows with my other bands, but I just feel a certain way when there’s 100,000 people waiting for you to go onstage. I put a big burden on myself to play perfectly – whatever that means – and keep in perfect time. We’re not one of those bands who are hooked up to a computer or play to backing tracks. We have no safety net, and what happens is what happens. If it’s a trainwreck, it’s a fucking trainwreck. We live and die by the great sword of rock’n’roll. You’re getting something real: you’re getting blood, you’re getting guts, you’re getting a human exchange, and we’re actually really feeding off the audience and the excitement.”

Hawkins first appeared with the Foo Fighters in the music video for the 1997 single “Monkey Wrench“, although the song was recorded before he joined the band. In addition to his drumming with the Foo Fighters, Hawkins provided vocals, guitar, and piano to various recordings. Hawkins played on 9 studio albums with Foo Fighters and toured incessantly.

Yet, he still found time for numerous side projects and collaborations.

In 2000, Hawkins was contacted by Guns N’ Roses to replace Josh Freese on drums. Hawkins seriously considered the offer before Queen drummer and friend Roger Taylor convinced him to remain in Foo Fighters. In 2006, Hawkins released a self-titled LP with his side project, Taylor Hawkins and the Coattail Riders. Taylor Hawkins and the Coattail Riders subsequently released two more studio albums: Red Light Fever in 2010, and Get the Money in 2019. He occasionally played with a Police cover band alternately called the Cops and Fallout. At Live Earth in 2007, Hawkins was part of SOS Allstars with Roger Taylor of Queen and Chad Smith of Red Hot Chili Peppers.

Hawkins recorded the drum tracks for the Coheed and Cambria album Good Apollo, I’m Burning Star IV, Volume Two: No World for Tomorrow as the band’s regular drummer, Chris Pennie, could not record because of contractual reasons. Hawkins also toured with Coheed and Cambria shortly during the months of the album release. Hawkins can also be heard drumming on Eric Avery‘s (formerly of Jane’s Addiction) first solo effort, Help Wanted and on Kerry Ellis‘s album, Wicked in Rock. Hawkins and Grohl split drumming duties on Harmony & Dissidence, the third album by Foo Fighters bandmate Chris Shiflett‘s own side project, Jackson United.

Hawkins played on the track “Cyborg”, from Queen guitarist Brian May‘s 1998 solo album, Another World; he also played drums at VH1‘s Rock Honors 2006 while Queen performed “We Will Rock You“. He sang backing vocals on the Queen + Paul Rodgers single, “C-lebrity“.[33]

Hawkins was commissioned to complete an unfinished recording of a song by Beach Boys‘ drummer Dennis Wilson titled “Holy Man” by writing and singing new lyrics. The recording, which also featured contributions from Brian May and Roger Taylor of Queen, was issued as a single for Record Store Day in 2019.

While the Foo Fighters were on break in 2013, Hawkins formed a rock cover band called Chevy Metal.

Then Hawkins appeared on Slash‘s solo album Slash, released in 2010, providing backing vocals on the track “Crucify the Dead”, featuring Ozzy Osbourne.

Also in 2013, he made his acting debut in the role of Iggy Pop in the rock film CBGB. Hawkins recorded the drums on Vasco Rossi‘s last song, “L’uomo più semplice”. This song was released on January 21, 2013, in Italy.

In March 2014, Hawkins announced his new side project called the Birds of Satan. It features Hawkins’s drum technician and bandmate from Chevy Metal, Wiley Hodgden on bass guitar and vocals as well as guitarist Mick Murphy also of Chevy Metal. The band’s self-titled debut album was released in April 2014, with a release party at ‘Rock n Roll Pizza’ featuring the Foo Fighters guesting on some of the cover tracks.

In an interview with Radio X, Hawkins revealed that his initial idea with his solo projects was to duet with female singers. Hawkins invited other stars to sing in the Taylor Hawkins and the Coattail Riders album Get the Money, such as LeAnn Rimes, who sang on one of his songs titled “C U In Hell”. Loudwire named the album one of the 50 best rock efforts of 2019. The album features a ridiculous list of guest appearances: his boss Dave and bandmate Pat Smear are on there, alongside Jane’s Addiction’s Perry Farrell, The Eagles’ Joe Walsh, The Pretenders’ Chrissie Hynde, Level 42 bassist Mark King, former Sex Pistols guitarist Steve Jones, and Roger Taylor, the man who gave Taylor the idea to hit stuff for a living in the first place. “It really is ridiculous, isn’t it?” he laughs. Other musicians who appeared on his projects included Brian May, Heart’s Nancy Wilson  and many more.

In October 2021, Elton John released The Lockdown Sessions, which featured Hawkins playing drums on the song “E-Ticket”. Also in 2021, Hawkins and Jane’s Addiction members Dave Navarro and Chris Chaney formed a supergroup called NHC. Described by Hawkins as being “somewhere between Rush and the Faces“. The band made its live debut in September 2021 at Eddie Vedder‘s Ohana festival, with Taylor’s Foo Fighters bandmate Pat Smear on additional guitar. The band recorded an album in 2021, which released in 2022.

Along with the other members of Foo Fighters, Hawkins starred as himself in the comedy horror film Studio 666, released on February 25, 2022. He posthumously appears on select tracks on Ozzy Osbourne‘s 2022 album Patient Number 9 and Iggy Pop‘s 2023 album Every Loser.

Hawkins told Rolling Stone that the toll of performing live was starting to wear on him.

“I’m still a spaz; but I’m trying really hard to figure out how to continue to keep the intensity of a young man in a 50-year-old’s body, which is very difficult,” Hawkins said in 2021. “I’m not whining, I’m really not … I’m just saying it’s f—ing hard work.”

Perhaps too much work, perhaps an enlarged heart or perhaps an overdose, sadly Taylor Hawkins passed away in Bogota, Columbia on March 25, 2022.

Tributes:

  • dozens of musicians and artists paid tribute to his life across the globe.
  • Hawkins was inducted into the Rock and Roll Hall of Fame in 2021 as a member of Foo Fighters. He was voted “Best Rock Drummer” in 2005 by the British drumming on magazine Rhythm. After his death, the Foo Fighters and his family announced two tribute shows, which took place in September 2022.
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Gary Brooker 2/2022

February 19, 2022Gary Brooker (76) founding lead singer of the late 1960’s musical sensation Procol Harum was born on May 29, 1945, in London’s Metropolitan Borough of Hackney. His father was a professional musician and Gary followed in his footsteps learning to play piano, cornet and trombone as a child. But his most awesome instrument over the years became his voice.

After high school, he went on to Southend Municipal College to study zoology and botany but dropped out to become a professional musician.In 1962 he founded the Paramounts with his guitarist friend Robin Trower. The band gained respect within the burgeoning 1960s British R&B scene, which yielded the Beatles, the Animals, the Spencer Davis Group, the Rolling Stones, and many others. The Rolling Stones, in particular, were Paramounts fans, giving them guest billing on several shows in the early 1960s.

Continue reading Gary Brooker 2/2022

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Ronnie Spector 1/2022

Ronnie Spector (78) – The Ronettes – was born Veronica Bennett on August 10, 1943 in East Harlem, New York City, and grew up in the Washington Heights section of Manhattan. She was the daughter of Beatrice and Louis Bennett, a subway worker. Her mother was African American and Cherokee, and her father was Irish. Veronica and her sister Estelle Bennett (1941–2009) were encouraged to sing by their large family, as was their cousin Nedra Talley (born 1946). The trio formed the Darling Sisters in 1957 and later became the Ronettes.They performed locally while attending George Washington High School in Washington Heights. Their look was fashioned by Estelle, who had a job at Macy’s on the cosmetics counter. They sang at school events, and had a residency at the Peppermint Lounge, a nightspot in Manhattan, the birthplace of the Twist and go-go dancing.

The Ronettes became a popular live attraction around the greater New York area in the early 1960s. Looking for a recording contract, they initially were signed to Colpix Records. After releasing a few singles on Colpix without success, they tracked down record producer Phil Spector, who signed them to his label Philles Records in 1963. Their relationship with Spector brought chart success with their biggest hit “Be My Baby” in 1963, which peaked at No. 2 on the Billboard Hot 100. A string of top 40 pop hits followed with “Baby, I Love You” (1963), “The Best Part of) Breakin’ Up” (1964), “Do I Love You?” (1964), and “Walking in the Rain” (1964). The group had two entries on the Billboard Hot 100 in 1965 with “Born to Be Together” and “Is This What I Get for Loving You?“.

In 1965, the Ronettes were voted the third-top singing group in England behind the Beatles and the Rolling Stones. They opened for the Beatles on their 1966 US tour without their lead singer. Phil had forbidden Bennett to tour with the Beatles, so her cousin Elaine stood in as a third member. The original group’s last charting single, “I Can Hear Music“, was produced by Jeff Barry and reached No. 100 on the BillboardHot 100 in 1966.

The Beatles and The Rolling Stones were huge fans of Ronnie’s group the Ronettes and many a rock and roller vied for her affections, including Jimi Hendrix and David Bowie. But none were as besotted as John Lennon. During those early days she was sometimes referred to as the original “bad girl of rock and roll

The Ronettes broke up in early 1967, following a European concert tour. After Bennett married Phil in 1968, she began to use the name Ronnie Spector, but she forcibly withdrew from the spotlight because husband Phil Spector prohibited her from performing and limited her recordings. In 1969, Phil signed a production deal with A&M Records and he released her record “You Came, You Saw, You Conquered”, credited as “The Ronettes Featuring the Voice of Veronica”, with “Oh I Love You”, an old Ronettes B-side, as the flip. Her vocals were used for the lead and backing vocals. Phil Spector – a sick mind – kept many of the group’s unreleased songs in a vault for years.

Following the couple’s divorce in 1972, Ronnie re-formed the Ronettes and began performing again as Ronnie Spector and the Ronettes with two new members (Chip Fields Hurd, the mother of actress Kim Fields, and Diane Linton) in 1973. They released a few singles on Buddah Records, but the records failed to chart. By 1975, Spector was recording as a solo act. She released the single “You’d Be Good For Me” on Tom Cat Records in 1975. In 1976, she sang a duet with Southside Johnny on the recording “You Mean So Much To Me”, penned by Southside’s longtime friend Bruce Springsteen. She also made appearances with the E Street Band the following year, including a cover version of Billy Joel‘s 1976 track “Say Goodbye to Hollywood“.

In 1980, she released her debut solo album Siren, produced by Genya Raven of Ten Wheel Drive fame. Her career revived when she was featured on Eddie Money‘s song and video “Take Me Home Tonight” in 1986, a Billboard top five single, in which she answers Money’s chorus lyric, “just like Ronnie sang”, with, “be my little baby”. The song’s music video was one of the top videos of the year and in heavy rotation on MTV. During this period, she also recorded the song “Tonight You’re Mine, Baby” (from the film Just One of the Guys). In 1988, she began performing at the Ronnie Spector’s Christmas Party, a seasonal staple at B.B. King Blues Club & Grill in New York City.

She also went on to release the albums Unfinished Business (1987), Something’s Gonna Happen(2003), Last of the Rock Stars (2006) which featured contributions from members of The Raconteurs, Nick Zinner of the Yeah Yeah Yeahs, The Raveonettes, Patti Smith, and Keith Richards and English Heart(2016), her first album of new material in a decade. The album features her versions of songs of the British Invasion by the Beatles, the Rolling Stones, the Yardbirds, the Bee Gees, and others. She also recorded one extended play, She Talks to Rainbows (1999) which featured a few covers of older songs. Joey Ramone acted as producer.

In 1990, Ronnie Spector published a memoir, Be My Baby: How I Survived Mascara, Miniskirts, and Madness, Or, My Life as a Fabulous Ronette. She was inducted into the Rock and Roll Hall of Fame as a member of the Ronettes in 2007.

In 2018, Spector appeared in the music documentary Amy Winehouse: Back to Black (2018), based on Winehouse and her final studio album Back to Black. The album was inspired by 1960s girl groups Winehouse gathered inspiration from listening to, such as The Ronettes. It contained new interviews as well as archival footage. Spector was a great inspiration for Winehouse, who emulated her hair, as well as vocal style. In return, Ronnie Spector covered “Back to Black”, the Winehouse’s signature song. She recalls that Winehouse turned up at a concert looking just like her while she sang her song. Spector recalled seeing “a tear out of her (Winehouse) eye and it made me cry”.

In September 2020, Deadline reported that actress Zendaya would portray Spector in a biopic adapted from her memoir Be My Baby. In December 2021, the Ronettes returned to the Top 10 for the first time in 58 years with their 1963 recording of “Sleigh Ride“.

A couple of weeks later Ronnie Spector died on 12 January 2022. She was 78.

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Barry Ryan 9/2021

Barry Ryan (72) was born Barry Sapherson on 24 October 1948 in Leeds, England. He was the son of Marion (née Ryan) and Fred Sapherson. Fred left when the boys were two, and Barry and his identical twin brother Paul were brought up by “Nana”, their adored grandmother. While Marion, who had had her boys as a teenager, pursued her singing career. She became a successful performer, rising to prominence in the 1950s with the band leader Ray Ellington, and was a regular on the television musical quiz show Spot the Tune.

By the time the twins were 11, Marion was earning enough as a 50s pop singer to buy Nana a big house and to pay for boarding school. At 16 Marion sent them to a kibbutz in Israel, where they lasted two weeks and were later discovered singing in a Tel Aviv nightclub.

Now they knew what they wanted.

When we came down from Leeds to London we didn’t know what to do with ourselves. We had no skills, we weren’t academic, we came from quite a working class background, so the idea of going to university then was just not an option really so they didn’t really know what to do with us, so mum said “why don’t you guys become singers?” We thought, “Sounds a bit mad that, but why not? Better than working for a living.” 

Through Marion’s husband-to-be, the impresario Harold Davison, Paul and Barry Ryan signed with Decca. The pair belted out catchy, dramatic love ballads, songs that drifted around the UK Top 20, bobbing tantalizingly close to the big time until, in 1968, they had a hit single with Eloise, and with it came the perils, pressures and pleasures of stardom. Soon Paul ceased performing to concentrate solely on songwriting and Barry became a solo artist. His most successful hit, “Eloise“, reached number 2 on the UK Singles Chart in 1968.

Paul had written the track for his brother’s deep, soulful voice; in later life, Barry would tour with Eloise as a tribute to Paul, who died from lung cancer in 1992.

Eloise is mysterious. Its collision of styles – Puccini meets gospel meets Broadway musical – was part of what was being manufactured as “new” in pop. Not everybody warmed to it, with one critic describing the song as “sounding like a man being strangled by a cat”. The orchestral textures and structural intricacies were clearly influenced by Jimmy Webb’s MacArthur Park; and its “popera” owes much to Phil Spector’s Wagnerian overlays on tracks such as Walking in the Rain. Hyper-melodramatic content with soaring male vocals were in vogue. Yet none of this accounts for the enduring allure of Eloise. Freddie Mercury even mentioned that the song had an influence on him writing Bohemian Rhapsody

No one can agree whether it is a sugary madeleine of a song about a man’s idealization of an unobtainable woman, or a melodrama of dark obsession and savage yearning. But everyone does agree that the vocal style and the power of Barry’s voice carries the song. “Singing from the heart,” one critic noted. Barry performed the recording in two takes, with a high degree of professionalism in the production. Jimmy Page,  and John Paul Jones, in the run up to founding Led Zeppelin, were two of the session musicians on the recording. Barry’s life hereafter got its share of Dionysian excess – parties at his flat in Eaton Place were renowned; Jimi Hendrix spent his first night in London there.

In 1969, Barry was injured in a studio fire in Munich. Although he was not physically scarred it had a psychological impact, which may have increased his dependency on alcohol. In 1986 both brothers entered rehab and Barry never drank again.

Years later, in 1986, when the punk rock band the Damned made their cover of Eloise, Peter Barnes, their music publisher, remembered: “Dave Vanian adored the song and mirrored the vocal performance as a tribute.” Barry, in the audience, was heard to say, “I like their version more than my own.”

By the mid-70s the twins had disappeared from the music scene and Barry turned to his lifelong passion, photography. His friendship with the German photojournalist Christa Peters exerted a strong influence and his photographic sensibility developed into an unusual fusion of self-expression and documentation. It surprised no one but him that when he submitted six pictures to the National Portrait Gallery, all were bought.

In 1976 Barry married Miriam, daughter of Sultan Ibrahim of Johor, Southern Malaysia close to Singapore. They divorced amicably in 1980. Barry had a talent for not falling out with people – and that stood him in good stead when, after Paul’s death, he published a memorial book of 80 portraits, donating profits to Cancer Research. Everyone he contacted agreed to pose, including Sting, Paul McCartney, Björk and Stephen Hawking.

He also photographed Margaret Thatcher, who had left office by this time. Mid shoot, noticing the hem of her curtains was adrift, she fetched a needle and thread. Without turning around when he moved his camera, she scolded him: “Don’t even think about it, Mr Ryan.” Thatcher subsequently helped Barry secure a portrait with Ronald Reagan.

Ryan maintained a successful career as a fashion photographer, from the late 1970s, and his photographs appeared in such magazines as Ritz and Zoom. But most of his fame derived from his brief, if meteoric, success as a pop star and teen idol in the mid to late 1960s.

Barry Ryan died on Sept. 28, 2021, aged 72 after complications from a lung disorder.

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Don Everly 8/2021

Don Everly (The Everly Brothers) was born in Brownie, Kentucky on February 1, 1937. He was of German, English and Cherokee descent. His formidable father, “Ike” Everly was a coal miner in Brownie, Ky., and Don was born in Brownie’s coal camp. Ike also was a guitar player, taught by Arnold Schultz, the Black musician who taught Bill Monroe. And when the coal was gone, Ike moved the family to Chicago in the late 1930s in search of a career in music. A second son, Phil, was born there, and the family moved to Shenandoah, Iowa, where Ike had a radio show in the mid-1940s. “Little Donnie” sang the theme, “Free as a Little Bird as I Can Be,” and then Phil was brought in, and with that the Everly Family was on the air. Don and Phil attended Longfellow elementary school in Waterloo. They sang on their father’s radio show and the family entertained and sang around the area.

In 1953, the Everlys moved to Knoxville and both boys attended West High School where Don graduated. While in Knoxville the two high school brothers performed on the Cas Walker Show on TV until they added some early rock and roll to their country music set list. At that point, Cas Walker fired them adding that “Rock and Roll don’t sell groceries.”

The teenage brothers were viewed as long-haired, leather-jacket-wearing toughs. Ike got a meeting for the boys with country music mogul Chet Atkins in Nashville, and Atkins was so impressed with Don’s songwriting that he placed one of his songs with Kitty Wells.

“Don said he was considering college but when Kitty Wells bought his song “Thou Shalt Not Steal” (which Don wrote at WHS) and recorded it, the check came in the mail and he was now a songwriter.” He confirmed the old Knoxville urban legend: seeing the check and knowing that Nashville would be the next step. “That check bought us four tires and we were heading to Nashville,” Everly  recalled.

In 1955, the family moved to Nashville and the boys auditioned for labels as a brother act. A single they made went nowhere. After one difficult session for Columbia, yielding the rare 1956 single Keep A’Lovin’ Me/The Sun Keeps Shining, they signed with the New York label Cadence, later switching to the newly formed Warner Bros Records. From 1957 to 1965 they had 28 hits in the British Top 30, and comparable success in the US.

When they signed with Cadence and were given a tune (Bye Bye Love) to kick around, written by two of the hottest songwriters in town, Felice and Boudleaux Bryant. “Bye Bye Love” topped the country chart and hit No. 2 on the pop chart right behind Elvis Presley’s “(Let Me Be Your) Teddy Bear” and No. 5 on the rhythm and blues chart in 1957. It became the Everly Brothers’ first million-seller. They opened for Buddy Holly on the road for almost 2 years before another Bryant number, “Wake Up Little Susie,” topped the pop charts in 1957. When Chuck Berry was asked what song he most wished he’d written, he declared it was “Susie.” “All I Have to Do Is Dream” followed in 1958.

Rock ‘n’ roll was in ascendance, but if the music was mostly about revolt and rule-breaking, here was a style that felt both pre-rock and yet of the moment, built on family harmony and gentle sadness that seemed innocent even then. The music floated on the brothers’ harmonies, in effortless chromosomal alignment and held in place by the crisp playing of Nashville studio veterans.

The boys were seasoned professionals by the time they poured out their magic vocals on to a run of hits that married hillbilly harmonies and Nashville nous, their full-chorded acoustic guitars embracing Bo Diddley’s exotic rhythms to create the rock’n’roll end of country music’s rich, commercial sounds.

In a five-year span from 1957 to 1962, they had 15 top 10 hits, among them: “Bye Bye Love,” which launched them; “All I Have to Do Is Dream,” written by Boudleaux Bryant; and “Cathy’s Clown,” which was a No. 1 hit in 1960 and a No. 1 country hit for Reba McEntire in 1989. The hits continued: “Devoted to You” and “Bird Dog” in 1958; “(Til’) I Kissed You,” written by Don, in 1959; and “Let It Be Me,” and “When Will I Be Loved” in 1960. “Crying in the Rain” and then “That’s Old Fashioned (That’s the Way Love Should Be)” from 1962 were their final forays into the top 10.

The Everly Brothers were certainly pioneers in rock and folk music and inspired artists like the Beatles, Simon and Garfunkel, They influenced everyone from The Beach Boys to The Rolling Stones and The Beatles, Bee Gees, Buddy Holly and many others. In fact, the Everlys toured with Buddy Holly for two years before his untimely death. Fifteen years later their Appalachian roots inspired country rockers such as Gram Parsons and Linda Ronstadt, who had a hit covering their “When Will I Be Loved” in 1975.

Personal problems (including Don’s addiction to amphetamines) began wearing away on the pair, and in 1973 the Everlys broke up during a concert at Knott’s Berry Farm in Buena Park, California. Mutual dislike and differing temperaments caused Don and Phil Everly to retire and they both went solo. During that time Phil sang backing vocals in Warren Zevon’s debut album. He also recorded for Clint Eastwood’s ‘Every Which Way But Loose’ and ‘Any Which Way You Can’. Don recorded ‘Blue Kentucky Girl’ with Emmylou Harris.

Don found some success on the US country charts in the mid- to late-1970s, in Nashville with his band, Dead Cowboys, and playing with Albert Lee.

Don also performed solo at an annual country music festival in London in mid-1976. His appearance was well received, and he was given “thunderous applause”, even though critics noted that the performance was uneven. Don recorded “Everytime You Leave” with Emmylou Harris on her 1979 album Blue Kentucky Girl.

The Everly Brothers reunited in 1983 for a show at the Royal Albert Hall, London. The following year they released the album ‘EB84’, produced by Dave Edmunds. Paul McCartney wrote the first single ‘On The Wings of a Nightingale’.

Simon & Garfunkel took the Everly Brothers on tour in the 1980s but instead of the brothers opening for them, they appeared in the middle of the Simon & Garfunkel set.  The Everly Brothers also sang backing vocals for Paul Simon’s ‘Graceland’.

Don and his younger brother, Phil, were in the first group to be inaugurated in the Rock & Roll Hall of Fame in 1986, alongside Elvis Presley, Chuck Berry, Little Richard, Buddy Holly and Jerry Lee Lewis. Their family harmonies set them apart from the rest, as did an out-of-time gentleness: the Everly Brothers’ well-crafted songs floated between country and city and moved with the rhythms of a dream.

In the time line of rock & roll they were the heroes of our heroes.

But that became also the reason why their hey days were cut short, way too short actually.

They had the gravitas to cover other artists’ crucial songs, from Little Richard’s Lucille, given a keening, slow-motion vocal fall, to the blues classics Trouble in Mind and Step It Up and Go, and Mickey & Sylvia’s Love Is Strange. Don, taken through the Maxwell Street market in Chicago as a young boy by his father, was ever after aware of gospel and blues. In an era of pretty pop, the Everlys sought a tougher sound on records such as The Price of Love (1965) and their extraordinary revival of the standard Temptation (1961), which pre-figured Phil Spector’s “wall of sound”. But, like Spector’s River Deep, Mountain High, the Everlys’ Temptation was (by their standards) a flop in the US, and The Price of Love a bigger one.

Then there were the Beatles, whose “new” harmonies made the Everlys old-fashioned overnight. Made redundant before they were 30, Don and Phil felt, wrongly, that the Beatles had stolen from them without acknowledgment – John and Paul ‘admitted’ that they had taken inspiration for the harmonies on Please Please Me from Cathy’s Clown.

Sidelined further by prog rock, Don and Phil tried first to sound like Simon and Garfunkel, and then their influential 1968 album Roots which, with the Byrds’ Sweetheart of the Rodeo, marked a step towards the emergence of “country rock”.

Don continued to write songs: Human Race (1970), the cri de coeur I’m Tired of Singing My Song in Las Vegas on the album Stories We Could Tell (1972), and most of the magnificent ignored solo album Don Everly (1971), a compelling collection that sings of human frailty with profound compassion (yet which, Phil told a biographer, he had felt as a betrayal, “like cheating on a marriage”).

These were perilous decades, especially for Don, the more temperamental and creative of the pair, whose drug adventures probably loosened an already shaky grip on reality. After a childhood paraded as a cute novelty item, dressed as if he were a twin, in cowboy clothes, his only sample of “normal life” was a spell in the Marines (of which he was proud) in the middle of being half of a pair of teen idols: one of the world’s most influential, well-loved and successful acts – and then, suddenly, one of the most passé.

The Everly Brothers split up in public acrimony, their last performance together on 14 July 1973, in Buena Park, California, at which Phil hurled down his guitar and stormed off stage, leaving Don to finish the concert alone.

On two other occasions Phil managed without Don. In 1962, on tour in Britain, a drug-fueled Don tried to throw himself from a hotel window and Phil had to perform solo on the remaining dates. And then, recording a solo album in 1983, right at the end of the brothers’ bleak 10 years of separation, Phil brought in Cliff Richard, and on one track they duetted as if Don could somehow be replaced. Phil and Cliff’s She Means Nothing to Me was a Top 10 UK hit, just to compound the enormity of the “betrayal”. Don saw it as nothing less, though it was he who had actually dissolved the brothers’ lifelong professional partnership.

It was a further trauma for both to discover that separately, no one cared that much about either of them. But in 1983 they staged a moving reunion concert at the Royal Albert Hall in London.

They still sang exquisitely, and a small segment of their shows offered songs learned from their father, whom they worshipped, and the Kentucky guitarist Mose Rager: authentic old-time country material. Don played loving, intense guitar, though sparingly in latterday performances. Singing lead, he lived in the spontaneity of the moment, his phrasing inspired, warm and free. He was an artist. But they hardly dared stray from their teenage hits. Besides, to have done so would have meant having to rehearse together, and that was not in the stars in those days.

Off-stage, Don was a glutton for life and a connoisseur. He had always seen the latest film; he read widely; he was interested in modern art and, on a modest scale, collected it. An avid explorer of restaurants, he loved to talk of food and to cook it. On tour, the Anglophile rock star would rise early and roam the towns he found himself in. These explorations made his professional duties tolerable, as he would deftly concede. At showtime in 90s Croydon, he realised he had forgotten to change into his stage clothes. Told he looked fine, he answered: “No, I better change. That suit knows the words.”

In later years the story of the Everly Brothers stranded in time. And when we, the audience, were paying attention again to their revival, they couldn’t get along. And if you were born in the forties and experienced their hits firsthand, this was probably gut-wrenching, much as the Beatles break up in 1969. But to the younger later generation, the Everlys were more cartoons than legends.

But then they had a late victory lap. They opened for Simon & Garfunkel on their 2003 reunion tour. It was a last hurrah for both Simon & Garfunkel and the Everlys. Garfunkel lost his voice and by time it came back Simon no longer wanted to go on the road. As for the Everlys? They still couldn’t get their relationship right.

Don Everly attended the Annual Music Masters as the Rock and Roll Hall of Fame paid homage to the Everly Brothers on October 25, 2014, several months after Phil’s demise. Don took the State Theater stage and performed the Everlys’ classic hit “Bye Bye Love”.

Don stopped performing in 2018. His final performance was a guest appearance with Paul Simon on Simon’s 2018 farewell tour in Nashville. Don and Simon performed “Bye Bye Love”, with Simon on Phil Everly’s original tenor harmony.

In many ways the Everly Brothers were there first. They established the paradigm. I was maybe too young to be there, to be infected, but the people I was listening to ate up all those records. Even in Europe Phil & Don were gods, no matter what they did thereafter, those tracks were just that big and special. The Everlys are truly one of the building blocks of rock and roll. Which meant so much, that the Rock and Roll homage created a Rock and Roll hall of fame and built a museum to contain it, and the Everlys were installed in the first induction ceremony in 1986.

And now Don Everly has also been released from his earthly contract on August 21, 2021, aged 84. His brother Phil had died in 2014. The Everly family matriarch, mother Margaret Embry Everly, died four months later in December, aged 102. 

About their influence on superstars that followed, Paul McCarthy of the Beatles said it best: “They were one of the major influences on the Beatles. When John and I first started to write songs, I was Phil and he was Don.”

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Rusty Young – 4/2021

Rusty Young (75) – Poco – was born  Feb 23, 1946 in Long Beach, California, but grew up in Denver, Colorado. He began playing lap steel guitar at age 6, and taught guitar and steel guitar lessons during his high school years at Jefferson High School, Lakewood, Colorado with George Grantham. By 16 or 17, he was keeping a schedule that would have left adult professionals panting. He taught lessons in a guitar studio in the afternoons and then played country music in bars until the wee hours of the morning. Then he would pack up and head to jam sessions, catching a few hours of sleep before it was time to go to high school. In 1966, he was surprised to get a call from a local rock band, the Boenzee Cryque. “Are you sure you want him?” Young’s mother apparently asked, “He’s in a country band you know.” Boenzee Cryque was about the most popular Denver rock band at the time and had done fairly well with several locally produced singles that were picked up by the psychedelic-obsessed Uni label. He worked with this band for two years, incorporating the pedal steel and utilizing some of his strange effects for the first time.

In the late 1960s, an acquaintance of Young’s, Miles Thomas, became the road manager for Buffalo Springfield. Richie Furay and Jim Messina needed a steel guitarist for the Furay ballad “Kind Woman” on their final album Last Time Around and after Thomas told Young about the opportunity, Young was hired. After Buffalo Springfield broke up Young and Randy Meisner (later of Eagles), Jim Messina (Loggins and Messina) and Richie Furay formed Poco with drummer George Grantham. Meisner quit a year later and was replaced with Timothy B. Schmit, who would also replace Randy later once again in Eagles. Along with Furay and Messina, Young became a founding member of Poco in 1968 upon the former band’s demise. Drummer George Grantham and bass player Randy Meisner rounded out the original Poco lineup.

“Richie had done country-rock with ‘A Child’s Claim to Fame’ and ‘Kind Woman’,” Young said in a 2014 interview. “That was the country part of the Springfield where Neil (Young) and Stephen (Stills) were way more rock ’n’ roll. You have to remember that in 1969, there weren’t synthesizers, so if you actually wanted a certain sound, you had to have a real musician playing. So that’s why I got involved — because I could play steel guitar and Dobro and banjo and mandolin, and pretty much all the country instruments except for fiddle. So I added color to Richie’s country-rock songs, and that was the whole idea, to use country-sounding instruments. Also, I pushed the envelope on steel guitar, playing it with a fuzz tone, because nobody was doing that, and playing it through a Leslie speaker like an organ, and a lot of people thought I was playing an organ, because they didn’t realize I was playing a steel guitar. So we were pushing the envelope in lots of different ways, instrumentally and musically overall.”

The band’s membership fluctuated over the years. After Furay left the group, Young took on more song writing responsibility, along with Paul Cotton and Timothy B. Schmit.

Young credited David Geffen for forcing him to become a singer-songwriter, after he’d initially only contributed a few songs to the band and never done any lead vocals on the early albums.

When it became clear that Furay was leaving to start up the Souther-Hillman-Furay Band, Young said, there was a meeting where Geffen “starts with Tim and says, ‘Now, Tim, you write songs and sing, don’t you?’ And Tim says, ‘Yes.’ So he says, ‘Well, don’t you worry about Richie leaving; you’ll be fine.’ And he looks at Paul, and he says, ‘You play guitar and sing and write songs, don’t you?’ And Paul says, ‘Yes.’ … Then he looked at me and George, and he looked me in the eye, and he said, ‘Now, you don’t sing, and you don’t write songs, do you?’ And I said, ‘No, I don’t.’ So he said, ‘Well, you’re in trouble.’ And that was the day I became a singer-songwriter, and if it weren’t for David Geffen saying that to me, it never would have happened, and I owe him greatly for that.”

Young is best known for writing the Poco songs “Rose of Cimarron” and “Crazy Love“. Actually Young wrote more than a dozen of the group’s most well-known songs. 

“Crazy Love,” was named the No. 1 adult contemporary song of 1979. In a 2008 interview, Young said, “The only reason we’re talking now is ‘Crazy Love’. That was our first hit single. It’s a classic, and it still pays the mortgage.”

A reunion album in 1989, “Legacy,” brought Furay, Messina, Meisner and Grantham back into the Poco fold for a single project. The band was active until the end of the ’80s, but seemed to make less and less use of Young’s instrumental talents as the years went on.

Although based out of Nashville, Young avoided the recording session work that is the bread and butter of most pedal steel players in that area, due to the lack of space for experimentation. He could sometimes be heard playing solo at that city’s Bluebird Cafe in the ’90s and 2000s, but his main venture in the late ’90s was a trio with John Cowan and Bill Lloyd called Sky Kings. The group recorded an album for RCA Nashville in 1992 but the label shelved the record. Sky Kings then moved to Warner, releasing three singles in 1996, but their completed From Out of the Blue never saw release. Rhino Handmade would release the unheard Warner album in 2000, while Sony put out the RCA Nashville album as 1992 in 2014. Starting in the year 2000, a reunited Poco was Young’s main concern. The group released Running Horse in 2002 and toured steadily over the next decade — several live albums were released during this period and 2013’s All Fired Up.

In 2009, a handful of reunion shows saw Furay and Schmit returning, including an appearance at the Stagecoach Festival in California. Otherwise, the group carried on with Young as the sole remnant of the group’s original legacy.

In 2013, Young was inducted into the Steel Guitar Hall of Fame. At the end of 2013, Young announced his, what turned out to be a short-lived, retirement and a desire to write his memoirs. However a few shows were booked into 2014 including three farewell shows in Florida. One of those shows was a performance in a recording studio in front of a live audience for a DVD document of the band’s live show. Young said there could be some one-offs in the future after that, but the band would not be actively touring as before. The final version of the band, which had Young backed by Jack Sundrud, Rick Lonow and Tom Hampton, was still performing more than 100 gigs a year.

The group celebrated its 50th anniversary reunion in 2017. Young released  his first solo album, “Waitin’ For The Sun ” that same year. Young and Jack Sundrud wrote and recorded music for children’s story videos as the “Session Cats”. Young continued to do guest performances with former members of Poco and other country rock artists. Young then released new music “Listen to Your Heart”, in 2019 was released digitally and benefited a local Steelville, Missouri animal charity, Santana’s Hope for Paws (Friends of Steelville, MO Pound) Animal Shelter.

In 2020 Young reflected on his career saying, “I’ve been fortunate to have had a magical career. From the moment I was called to play on the Buffalo Springfield album, all through Poco, and now through my solo projects, things have just fallen into place. I’ve worked really hard to be the best I can be, and I think my music is the proof.”

Poco’s Rusty Young died on April 14, 2021 from a heart attack at age 75.

In a statement Blue Elan Records released, “It is with great sadness that we confirm the passing of Poco co-founder, Rusty Young, at the age of 75. Young suffered a heart attack last night. A beloved member of the Blue Élan Records family, Young was best known as the heart and soul of Poco – the band widely considered to be one of the founders of the classic Southern California country rock sound. Young was an integral member of the band throughout their influential six decade career.”

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Mary Wilson – 2/2021

Mary Wilson (76) was born March 6, 1944, to Sam, a butcher, and Johnnie Mae Wilson in Greenville, Mississippi. She was the eldest of three children including a brother, Roosevelt, and a sister, Cathy. The Wilsons moved to Chicago, part of the Great Migration in which her father joined many African Americans seeking work in the North, but at age three, Mary Wilson was taken in by her aunt Ivory “I.V.” and uncle John L. Pippin in Detroit. Her parents eventually separated and Wilson’s mother and siblings later joined them in Detroit, though by then Wilson had come to believe I.V. was her real mother.

Wilson and her family had settled in the Brewster-Douglass Housing Projects, a housing project in Detroit  where Wilson first met Florence Ballard. The duo became friends while singing in their school’s talent show. In 1959, Ballard asked Wilson to audition for Milton Jenkins, who was forming a sister group to his male vocal trio, the Primes (two members of which were later in The Temptations). Wilson was soon accepted into the group known as The Primettes, with Diana Ross and Betty McGlown, who lived in the same housing project with Wilson and Ballard. In this period, Wilson also met Aretha, Erma and Carolyn Franklin, daughters of the pastor at her local Baptist church. Wilson graduated from Detroit’s Northeastern High School in January 1962.

In 1960, the Primettes signed a contract with Lu Pine Records, issuing two singles from which Wilson sang lead vocals on “Pretty Baby”. Shortly after, McGlown left to get married and was replaced by Barbara Martin. During that year, they kept pursuing a Motown contract and agreed to do anything that was required, including adding handclaps and vocal backgrounds. By the end of the year, Berry Gordy agreed to have the group record songs in the studio. In January 1961, Gordy relented and agreed to sign the girls to his label on the condition they change their name. Motown lyricist Janie Bradford approached Ballard with a list of names to choose from before Ballard chose “Supremes”. Eventually, Gordy agreed to sign them under that name on January 15, 1961.

The group struggled in their early years in comparison to other Motown acts, garnering the nickname “no-hit Supremes” as a result. One track, “Buttered Popcorn”, led by Ballard, was a regional hit, but still failed to chart. Before the release of their 1962 debut album, Meet The Supremes, Martin had become pregnant and subsequently left the group, leaving the Supremes as a trio.
In December 1963, the single “When the Lovelight Starts Shining Through His Eyes” peaked at number 23 on the Billboard Hot 100. Following the single’s success, Gordy assigned Ross as the group’s lead singer. In the spring of 1964, the Supremes released “Where Did Our Love Go”, which became their first number-one hit on the Billboard Hot 100, paving the way for ten number-one hits recorded by Ross, Ballard, and Wilson between 1964 and 1967.

By 1965, the group had become international stars, appearing regularly on television programs such as Hullabaloo, The Hollywood Palace, The Dean Martin Show, and, most notably The Ed Sullivan Show, on which they made 17 appearances. As early as 1966, Florence Ballard‘s chronic alcoholism led to her missing press conferences and recording sessions. To serve as a stand-in for Ballard, Gordy selected Cindy Birdsong, a member of Patti LaBelle and the Blue Belles. In July 1967, following a contentious performance at the Flamingo, Ballard was removed from the Supremes and replaced with Birdsong. Simultaneously, Gordy re-named the group “Diana Ross & the Supremes”, beginning with the single “Reflections”.
The new lineup continued to record hit singles, although several stalled outside the top 20 chart range. Ross left the group in January 1970, and at her farewell performance Jean Terrell was introduced as the replacement for Ross. According to Wilson, Gordy told Wilson that he thought of having Syreeta Wright join the group in a last-minute change, after Terrell had already been introduced as lead singer, to which Wilson refused. From there, Gordy relinquished creative control of the group over to Wilson. With Terrell, the Supremes recorded seven top-40 hit singles in a three-year period, including “River Deep/Mountain High” (with the Four Tops), “Up the Ladder to the Roof”, “Stoned Love”, “Nathan Jones”, and “Floy Joy”. Unlike the latter years with Ross, the single “Automatically Sunshine” succeeded in reaching the top 20 charts, in which it had become the Supremes’ final top 40 U.S. hit.

Mary Wilson gained worldwide recognition as a founding member of The Supremes, the most successful Motown act of the 1960s and the best-charting female group in U.S. chart history, as well as one of the best-selling girl groups of all-time. The trio reached number one on Billboard’s Hot 100 with 12 of their singles, ten of which feature Wilson on backing vocals.

Beginning with the 1974 lineup, Wilson began doing almost half of the group’s lead vocal duties, as she was considered the group’s main attraction and reason for continuing.
In 1975, Wilson sang lead on the Top 10 disco hit “Early Morning Love”. In 1976, the group scored its final hit single with “I’m Gonna Let My Heart Do the Walking”, written and produced by Brian and Eddie Holland and included on the album High Energy. High Energy was well-received, but the follow-up album after another line-up change, Mary, Scherrie & Susaye, released in 1977, would be their last. During a meeting with Motown, Wilson’s husband Pedro Ferrer had notified Motown that Wilson would leave the Supremes to embark on a solo career. On June 12, 1977, Wilson gave her farewell performance with the Supremes at London’s Drury Lane Theatre.

In July 1977, just one month following her farewell performance with the Supremes, Wilson began a touring “Supremes” show with two background singers as the “Mary Wilson of The Supremes” show. The show was the result of Motown’s allowance of the group to go into hiatus despite the fact that there were still several un-cancelled international tour dates to complete. Mary therefore hired former Supreme, Cindy Birdsong and Debbie Sharpe to complete a summer tour of South America to fulfill contracts so venues would not sue. The three-week tour began in Caracas, Venezuela, and was composed of mostly small clubs. Despite the company’s displeasure and the fact that it owned the rights/distribution rights to the name “Supremes,” Motown never cancelled the tour. Later that year, Wilson hired Karen Jackson and Kaaren Ragland to tour with as background singers. She and Cindy rehearsed them for a year end’s tour of Europe, that was composed of dates at officers’ clubs and swank discos. Throughout the mid-1980s, Wilson focused on performances in musical theater productions, including Beehive, Dancing in the Streets, and Supreme Soul.

Wilson was inducted along with Ross and Ballard (as members of the Supremes) into the Rock and Roll Hall of Fame in 1988.

Wilson later became a New York Times best-selling author in 1986 with the release of her first autobiography, Dreamgirl: My Life as a Supreme, which set records for sales in its genre, and later in 1990 for the autobiography Supreme Faith: Someday We’ll Be Together.

Wilson became a frequent guest on several television programs and talk shows and began regularly performing in Las Vegas casinos and resorts. Wilson then recorded a cover version of “Ooh Child” for the Motorcity label in 1990. A year later, she signed with CEO Records and released the album, Walk the Line, in 1992. The label filed for bankruptcy the day after its national release. Wilson maintained that she was deceived about the financial status of the label. The available copies of the album quickly sold out, however, and Wilson continued her success as a concert performer.

In 2001, Wilson starred in the national tour of Leader of the Pack – The Ellie Greenwich Story. A year later, Wilson was appointed by Secretary of State Colin Powell as a “culture-connect ambassador” for the U.S. State Department, appearing at international events arranged by that agency. In 2006, a live concert DVD, Live at the Sands, was released. Four years later, another DVD, Mary Wilson: Live from San Francisco… Up Close, was released. During this period, Wilson became a musical activist, having been part of the Truth in Music Bill, a law proposed to stop impostor groups performing under the names of the 1950s and 1960s rock and roll groups, including Motown groups 

In April 2008, Wilson made a special appearance on 20/20 to participate in a social experiment involving pedestrians reacting to a young woman singing “Stop! In the Name of Love” with intentional amateurishness. Wilson approached the woman and gave her constructive criticism toward her style, in contrast to the pedestrians whose reactions were positive, yet dishonest. On March 5, 2009, she made a special appearance on The Paul O’Grady Show, which ended in a special performance with her, O’Grady, and Graham Norton. 
Wilson released two singles on iTunes, “Life’s Been Good To Me” and “Darling Mother (Johnnie Mae)”, in 2011 and 2013, respectively. In 2015, Wilson released a new single, “Time To Move On”, produced by Sweet Feet Music; the song reached the Top 20 on the Billboard Dance charts history, peaking at No. 17 as of December 26.
On August 15, 2019, Wilson published her fourth book, Supreme Glamour with co-author Mark Bego, dedicated to the history of the Supremes and their fashion. 

On February 8, 2021, Mary Wilson died in her sleep from hypertensive atherosclerotic cardiovascular disease at her home in Henderson, Nevada, at the age of 76. 

Motown founder Berry Gordy said he was “extremely shocked and saddened” by the news of her death and said Wilson was “quite a star in her own right and over the years continued to work hard to boost the legacy of the Supremes.” Diana Ross reflected on Wilson’s death, posting on Twitter: “I am reminded that each day is a gift. I have so many wonderful memories of our time together. ‘The Supremes’ will live on in our hearts.

Mary Wilson’s last single “Why Can’t We All Get Along” was released posthumously on March 5, 2021. The song was featured on a 2021 reissue of Wilson’s 1979 solo debut entitled, Mary Wilson: Expanded Edition.
Another posthumous project, Mary Wilson: Red Hot Eric Kupper Remix EP was released September 3, 2021. The EP featured three new different dance versions of Wilson’s 1979 single “Red Hot” produced by Kupper.

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Leslie West – 12/2020

Leslie West 12/2020 – (75) West was born in Forest Hills, Queens, New York City on October 22, 1945, to Jewish parents. He grew up in Hackensack, New Jersey, and in East Meadow, Forest Hills, and Lawrence, New York. His mother was a hair model, his father the vice president of a rug shampoo company. He grew up in the suburbs. When Leslie was 8, his mother bought him his first instrument, a ukulele, but he became entranced with the guitar after seeing Elvis Presley play one on television. He bought his first guitar with the money given to him for his bar mitzvah. After his parents divorced, he changed his surname to West. 

His professional career began in a band he formed in the mid-1960s with his brother Larry, who played bass. The band, the Vagrants, was a blue-eyed soul group inspired by a hit act from Long Island, the Rascals, one of the few teenage garage rock acts to come out of the New York metropolitan area itself (as opposed to the Bohemian Greenwich Village scene of artists, poets, and affiliates of the Beat Generation, which produced bands like the Fugs and the Velvet Underground) The two bands played the same local clubs, as did Billy Joel’s early group, the Hassles.

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Bones Hillman 11/2020

Bones Hillman (62) – Midnight Oil – was born May 7, 1958 in Auckland, New Zealand as Wayne Stevens. His first band was punk outfit the Masochists and then he went from actually learning his instrument in his Avondale teenage bedroom to joining New Zealand punk rock originals the Suburban Reptiles.“It was the most documented band that did fuck all,” Hillman says with a laugh of the notorious group that gave him the nom de punk the bloke born Wayne Stevens has used since.

“Although it probably reads really well on paper, in reality we never really played that much. With the Suburban Reptiles, I think we did a gig once every six months if we could actually convince someone to let us use their space.”

From the ashes of that short-lived headline-grabbing band came the nervy pop of the Swingers. And sparked by Hillman’s bassline, which came to him during a sound-check at a Christchurch pub, the title Counting the Beat became a transtasman number one in 1981 and perennial advertising jingle.

The Swingers foundered. So did his next band, Coconut Rough. Eventually, while Hillman was painting houses in Melbourne, his landlord, a chap by the name of Neil Finn, recommended him to Midnight Oil drummer Rob Hirst when the band needed a new bassist, replacing Peter Gifford in 1987. Helped by his vocal harmony abilities, Hillman got the gig. Initially, he was offered just an Australian and Canadian tour. But five albums later, he was still there – until frontman Peter Garrett decided he needed to swap political rock for actual politics and the band split in 2002.

‘Hillman later recalled that he was living with Kiwi expatriate musicians Neil and Sharon Finn in a Melbourne share house when Midnight Oil called to say they were looking for a new bassist.
His first thought was that Neil Finn, who passed on the message, was pulling his leg. But a few nights later, drummer Rob Hirst rang back wondering why Hillman had not returned his call and invited him up to Sydney to rehearse.

He played with Midnight Oil for 15 years, performing thousands of gigs and singing on every recording since 1990’s Blue Sky Mining, until the band took a break in 2002 when frontman Peter Garrett moved into federal politics. Hillman returned to New Zealand where he stayed active but bored, before moving with his family in 2007 to Nashville, Tennessee where he worked a lot as a session musician. He re-joined Midnight Oil for its Reunion Tour in 2018.

Midnight Oil were occasionally getting  back together for charity shows, but Hillman had given up on a more ambitious reunion. But then, Garrett having quit politics and delivered a solo album and the band decided to reconvene. After dates in Europe and North and South America, they went to New Zealand in September before shows in Australia.

Hillman said the reunion decision came against the background of a year in which many of rock’s old guard left the stage; the band, whose ages hover around 60, began thinking, “Well, now’s good … Last year was fairly brutal for artists shuffling off this mortal coil from David Bowie and Prince right down to Glenn Frey. I think we saw a lot of people were checking out. We are still in good health and we can still play, we can still walk … so why not embrace this heritage, this great career and music that we have done?”

Hillman knows a thing or two about embracing heritage. After the Oils split, he returned to New Zealand for three years, which included the recording of Dave Dobbyn’s 2005 Available Light and the subsequent album tour.

Then he had another urge: Nashville. But once there, it was time to unplug.

“I had to learn some new tricks. Just being the electric rock bassist had no pull in this town. For some reason, everyone wanted an upright bass. That resurgence of young people playing string band music just came into the culture.” Hillman bought a vintage double bass, listened to a lot of playing by Elvis Presley’s original bassist, Bill Black, and spent six months in the basement getting a new set of calluses on his hands as he learnt the instrument.

In the decade in Nashville, he played on nearly 20 albums by various acts, touring with artists such as prominent country singer-songwriter Elizabeth Cook and appearing on Late Show with David Letterman. “It really was an education. Just a different appreciation about playing,” he says. “I had no idea on that 747 flight out of Auckland I would end up playing upright bass with hillbilly musicians at the Grand Ole Opry.” His double-bass era came to a close after five or so years. He sold the instrument – “that was the end of the love affair” – and went back to electric bass guitar as a sideman to Canadian singer-songwriter Matthew Good.

Then came the call from the old firm in Australia.

The band’s most recent release  The Makarrata Project: a collaborative mini-album with the stated intention of keeping the Uluru Statement from the Heart at the forefront of the national conversation. In 2019 Hillman reconvened with band members Garrett, Rob Hirst, Jim Moginie and Martin Rotsey in a Sydney studio for the project, which came out on October 30 and features Indigenous artists. The album climbed to number one on the Aria charts on Saturday; Midnight Oil’s first chart-topping studio album since 1990.
The band was awarded the Sydney Peace Foundation’s gold medal for human rights, for its “commitment to the pursuit of human rights over an extended period … with a powerful, far-reaching impact”.
“This medal is in recognition of that relentless focus, and in particular for their environmental activism, their humanity and their drive to promote justice through both their music and their actions,” chair Archie Law said.

Bones Hillman, “the bassist with the beautiful voice” never told his band mates that he had cancer. He died November 8, 2020 at age 62 in Milwaukee, Wisconsin.

“We’re grieving the loss of our brother,” the band’s statement said. “He was the bassist with the beautiful voice, the band member with the wicked sense of humor, and our brilliant musical comrade.

Tributes remembered Hillman as “a lovely lovely man”, “a great and kind guy”, with amazing vocals. Actor Russell Crowe praised “what a grand chap he was”.

“We will deeply miss our dear friend and companion and we send our sincerest sympathies to (his wife) Denise, who has been a tower of strength for him.”

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Ken Hensley – 11-2020

Ken Hensley, Uriah Heep, was born on August 24, 1945 in South-east London. He learned how to play guitar at the age of 12 from a Bert Weedon manual. His first gig was at The Mentmore Pen Factory, in Stevenage (September 1960). After that, he played with The Blue Notes, Ken and the Cousins and Kit and the Saracens (1962). In 1963, this band evolved into The Jimmy Brown Sound, and they recorded some now lost songs. At this time, Hensley’s first “professional” opportunity almost came about: they were to back Ben E. King on a British visit, but it never happened.

In early 1965, Hensley formed a band called The Gods, with the young guitarist Mick Taylor, well known later for his work with John Mayall and The Rolling Stones. Hensley wrote most of the material, sang and played the Hammond B3 organ as the band already had Taylor on guitar. The Gods’ line-up included, at one time or another, vocalist and guitar/bass player Greg Lake (later of King Crimson and Emerson, Lake & Palmer), bass player Paul Newton (later the first Uriah Heep bassist), drummer Lee Kerslake (later also of Heep), bassist John Glascock (later of Jethro Tull), and guitarist Joe Konas. In early 1968, they signed with Columbia Records and recorded two LPs and several singles.

Hensley also then played on a one-album side project of The Gods initially planned to become their third album, but was recorded and eventually released in 1969/1970 under the moniker Head Machine’s Orgasm. The album was produced by David Paramor (producer of “The Gods”) and both Hensley and Kerslake featured, along with John Glascock on bass, Brian Glascock on drums, and David Paramor on vocals, all under pseudonyms. Hensley played mostly guitar again, as in the beginning of his career. Although Paramor was credited as composer, the songs bear many of Hensley’s influences. The album was released before Hensley joined Toe Fat, and might almost be considered a prototype for the harder side of his future work in Uriah Heep.

The band eventually split but Cliff Bennett, from the Rebel Rousers, decided to move in a more “progressive” direction and asked The Gods to join him. Under the name Toe Fat they released two LPs, but only the first featured Hensley.

Paul Newton asked Hensley (Christmas 1969) to join forces in Spice, as they were looking for a keyboard player to make their sound less bluesy and more progressive, in keeping with the current trend. In January 1970, Spice changed its name into Uriah Heep.  Also in the line-up were guitarist Mick Box and vocalist David Byron. With Uriah Heep, Hensley found a place to develop and showcase his songwriting and lyrical abilities as well as his keyboard and guitar playing. 

The band’s “classic” line-up featured Hensley, Byron, Box, Kerslake and bassist Gary Thain. During his time with Heep (1970–1980), they recorded 13 studio albums, and the live album Uriah Heep Live – January 1973 along with many compilations and singles. Hensley also recorded his first two solo albums, Proud Words on a Dusty Shelf (1973) and Eager To Please (1975) during this time. He was supported mainly by Mark Clarke and Bugs Pemberton.

After the departure of bassist Gary Thain (who died in 1975) and vocalist David Byron, (who died in 1985) other musicians were brought into the Heep family: John Wetton (FamilyKing CrimsonRoxy Music, later of U.K. and Asia), Trevor Bolder (from Spiders From Mars, later of Wishbone Ash) and John Lawton (Lucifer’s Friend), among others.

In 1980 Hensley left the band, unhappy with the musical direction they had chosen. After trying to put a new band together in the UK (Shotgun), he later moved to the US and played a few gigs in North America as The Ken Hensley Band. Around this time he released his third solo LP, Free Spirit (1980).

In 1982, Hensley joined Blackfoot, a hard rock Jacksonville, Florida-based band. With them, he recorded two albums (1983’s Siogo and 1984’s Vertical Smiles). Although the group had achieved some success, Hensley left after he was informed him of Heep vocalist David Byron’s death in 1985.

After 1985, Hensley lived in semi-retirement in St Louis, Missouri, making a few appearances with W.A.S.P.Cinderella and others. W.A.S.P.’s frontman Blackie Lawless stated that “Ken Hensley wrote the rule book for heavy metal keyboards as far as I’m concerned.” Hensley also owned “The Attic” Recording studio in St. Louis.

In 1994, From Time To Time, a collection of lost recordings, was released featuring rare songs recorded by Hensley between 1971 and 1982, as well as some early versions of Heep’s classic songs, played by Hensley and his roommates at that time, namely guitarist Paul Kossoff and drummer Simon Kirke(both of Free). Other musicians on the songs were bassist Boz Burrell (King Crimson and Bad Company), guitarist Mick Ralphs (Mott the HoopleBad Company), drummers Ian Paice (Deep PurpleWhitesnake) and Kenney Jones(The Small FacesThe FacesThe Who), amongst others.

IIn 1997 Ken established The Upper Room Studios in St. Louis, Missouri where Ken was involved with several projects including A Glimpse of Glory, together with his band Visible Faith produced by Ken and engineered by chief engineer Bud Martin. In 1999, Hensley’s musical activities began to increase, besides his work with St Louis Music.

During the fourth Uriah Heep Annual Convention in London, May 2000, plans were made for a one-off concert by the so-called “Hensley/Lawton Band”. Hensley was joined by former Uriah Heep singer John Lawton, their first public collaboration since the latter’s departure from Uriah Heep in 1979. With them were Paul Newton (the band’s original bassist) and two members of Lawton’s band, Reuben Kane on lead guitar and Justin Shefford on drums. They played a set of old Uriah Heep classics and some of Hensley’s solo songs, and the concert was recorded for a CD release, followed by an extensive tour of Europe during Spring and Summer of 2001 culminating with a concert on 12 May in HamburgGermany, featuring a full orchestra and a new rendition of Heep’s old classic song “Salisbury”. After the tour, both Ken and John returned to their respective solo careers. 

On 7 December 2001, both John Lawton and Ken Hensley appeared on stage with Uriah Heep during the annual Magician’s Birthday Party at the Shepherd’s Bush Empire in London. This concert was recorded and released as a CD/DVD.

Running Blind, his first studio effort in 21 years, was released worldwide in 2002 and followed by a world tour with his band called “Free Spirit”, that included Dave Kilminster (guitar), Andy Pyle (bass) and Pete Riley (drums).

After moving to Spain, Hensley released The Last Dance (with new songs), The Wizard’s Diary (Uriah Heep classics re-recorded in 2004) and Cold Autumn Sunday (Hensley’s solo songs re-recorded in 2005).

Featuring a number of special guests, the rock opera Blood on the Highway was released in May 2007. The story portrays the rise and fall of a rock’n’roll star. Lead vocals role were split between Hensley and Glenn Hughes (ex-Deep PurpleTrapezeBlack Sabbath), Jørn Lande (ex-The SnakesMasterplan), John Lawton and Eve Gallagher.

In September 2008, Hensley went on stage again with former Heep bandmates Lawton, Kerslake and Newton along with ex-Focus guitarist Jan Dumée, for the “Heepvention 2008” fans meeting.

Hensley continued to write and record a series of new albums, beginning with a collection of songs under the title of Love & Other Mysteries, recorded near his home in Spain and followed in 2011 by Faster, his first studio recording of new songs with his live band, Live Fire. A CD of one of his solo concerts was released by Cherry Red Records in 2013, shortly followed by a live CD recorded with Live Fire during a September/October tour. Trouble, an album of 10 new songs recorded with a revised Live Fire line-up, was released, again by Cherry Red, in September the same year.

In later years, Hensley and his wife Monica lived in the village of Agost near Alicante in Spain.

Hensley died on 4 November 2020, at the age of 75 following a short illness. He had finished an album titled My Book of Answers before his death, that was released on 5 March 2021.Ken  Hensley wrote many of the Uriah Heep songs during his tenure from 1970 to 1980, performing guitar and lead vocals on a number of occasions.

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Dave Munden 11/2020

Dave Munden (76) – The Tremeloes – was born Dec. 2, 1943 in Dagenham, Essex, England.

The group started in 1958 as Brian Poole and the Tremoloes, inspired by Buddy Holly and the Crickets. (They soon changed the spelling of their name.) Joining lead singer Poole were lead guitarist Rick West, rhythm guitarist/keyboardist Alan Blakley, bassist Alan Howard and Dave Munden on drums. As legend has it, they auditioned for Decca in 1962 and were signed in favor of another band, the Beatles.
In 1963, their recording of “Do You Love Me” (originally recorded by the Motown group the Contours) topped the British singles chart, replacing the Beatles’ “She Loves You” at #1. More Top 5 U.K. success followed, including their cover of “Twist and Shout.”

Continue reading Dave Munden 11/2020

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Tommy DeVito 9-2020

Gaetano “Tommy” DeVito (The Four Seasons) was born on June 19, 1928, in Belleville,  New Jersey, the youngest of nine children. When he was still too small to hold a guitar, he borrowed an older brother’s and tried playing it while it was lying on the floor. His brother discovered him, he told The Star-Ledger of Newark in 2005, and gave him first a beating and then a counterintuitive warning. “Now that I’ve seen you doing it,” he recalled his brother saying, “every time I come home and I don’t see you practicing, that’s a beating.”  At eight years old, he taught himself to play his brother’s guitar by listening to country music on the radio. By the time he was 12, he was playing for tips in neighborhood taverns. He quit school after the eighth grade. (Belleville High made him an honorary graduate in 2007.) By 16, he had his own R&B band and was making $20 or $25 a night, getting into scrapes with the law from time to time.

The large DeVito family shared a flat with an uncle during the Depression, a difficult time. “You did anything to survive. You’d steal milk off of porches.”

Growing up in difficult circumstances in his native New Jersey, DeVito was, in his own words, “a hell-raiser” as a youth, but he found a purpose with music. He formed a band called the Variety Trio with one of his brothers and Nick Massi, who would become the fourth member of the Four Seasons when that group coalesced in about 1960. Massi died in 2000 at 73.

DeVito became a founding member, lead guitarist and vocalist with the Four Seasons, growing the close-harmony quartet that rocketed to fame  with “Sherry”, Rag Doll” and many other hits that earned new generations of rock and roll fans. The key component with the Four Seasons though, was Frankie Valli, with his falsetto vocals. In a 2008 interview with the music publication Goldmine, DeVito recalled that in the late 1940s his trio performed regularly at a bar in Belleville, N.J., when Frankie, a teenager six years younger than him, would sneak in to watch them play. He and the other band members knew Valli from the neighborhood and knew that he had magnificent pipes.

“I’d call him up to the stage and let him sing,” DeVito recalled. “He’d get off right away, because he wasn’t really supposed to be in there; he was underage.” Before long Frankie Valli was part of the group, which went through name and lineup changes before becoming the Four Seasons. “Sherry,” the group’s breakout hit, topped the charts in 1962, and a stream of hits followed, (27 top 40 hits and number-one hits “Sherry” (1962), “Big Girls Don’t Cry” (1962), “Walk Like a Man” (1963), “Rag Doll” (1964).

DeVito didn’t entirely shed his hell-raiser past; he ran up debts, for one thing, and caused tensions within the group. In 1970 he was either forced out, as some accounts say, or left because the pressures of touring had disagreed with him, as he explained it.

He quickly burned through whatever money he had from the group’s heyday and took jobs working in casinos and cleaning houses to get by.

The actor Joe Pesci, a friend since childhood (whose character in Martin Scorsese’s “Goodfellas” is named for Mr. DeVito), had lived with Mr. DeVito for a time before he was famous, and once Mr. Pesci broke through, he repaid the favor, helping Mr. DeVito out and getting him bit parts in movies, including “Casino” (1995), also directed by Mr. Scorsese. DeVito also had some success as a record producer and recorded an album of Italian folk songs.

Seeing a version of himself portrayed in “Jersey Boys” was startling, he said. But he was comfortable with the show, which he described as “about 85 percent true to life.”

“When you first see yourself being played, you look at the actor, who is Christian Hoff, and say: ‘Do I look like that? Did I talk like that? Was I really a bad guy?’” he told Goldmine. “And I was. I was pretty bad when I was a kid. There’s a lot of things I’d never do today that I did back then as a kid.”

“Jersey Boys” implies that he was somehow connected to organized crime, but that was an exaggeration, he said, done for the sake of the story.

“I was never part of the mob,” he said. “They might have asked me to play a private party or something, but they paid me for it. Mostly they asked me to do benefits.”

“Jersey Boys” opened on Broadway in November 2005 and ran until January 2017, one of the longest runs in Broadway history. (Clint Eastwood directed a film version in 2014.) The show won four Tony Awards, including best musical and best featured actor (Mr. Hoff).

If the musical massaged the truth a bit, Mr. DeVito generally complained about only one thing in the script: a crack about the cleanliness of his underwear. “I was the most cleanest guy in the whole group,” he said. “I’m clean. I’m very clean.”

Frankie Valli and Bob Gaudio, the two surviving original members of the group, announced Tommy DeVito’s death on Sept. 21, 2020. A spokeswoman for Valli said the cause was the Covid 19 coronavirus. 

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Bonnie Pointer 6/2020

June 8, 2020Bonnie Pointer, a Founding member of The Pointer Sisters, was born July 11, 1950 as Patricia Eva Pointer in Oakland California.  All six siblings including the four sisters grew up in Oakland, Calif., where their parents, Elton and Sarah (Salis) Pointer, were pastor and minister and where the sisters honed their vocal skills at the West Oakland Church of God.

Bonnie and June, the two youngest sisters, began performing in 1969 under the name The Pointers — A Pair. Anita Pointer later said she quit her job as a legal secretary after seeing Bonnie and June onstage in San Francisco. “I saw them at the Fillmore West, and I lost my mind,” she said, adding that Bonnie was “the catalyst” in starting their musical career.

Renamed the Pointer Sisters, the three began working as backup singers. Mingling with the San Francisco-area rock scene, they sang with acts like Boz Scaggs, Grace Slick and the gender-bending pioneer Sylvester, and they were briefly signed to Atlantic Records. Their singles for that label failed to chart, although one 1972 B-side, “Send Him Back,” has over time come to be considered a minor funk classic. Continue reading Bonnie Pointer 6/2020

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Rupert Hine 6/2020

Rupert Hine (72) was born on Sep 21, 1947 in Wimbledon, London, England. He was the son of Maurice, a timber merchant, and Joan (née Harris), a Red Cross nurse. He grew up in a house full of music; his mother was an amateur ballet dancer and his father an amateur musician who also played drums in a jazz band when he was young. Hine’s mother was convinced he would be an architect, but Hine’s early ambition was to become a cartographer. Hine started playing in the school band at age 14 and played the mouth organ, mostly because it was the cheapest instrument to buy.

In the early 1960s, Hine formed half of the folk duo Rupert & David with David MacIver. The duo performed in pubs and clubs and occasionally shared the stage with a then-unknown Paul Simon. The duo’s one released single was a cover of Simon’s “The Sound of Silence“. The single was not a success, but was notable for featuring a young Jimmy Page on guitar and Herbie Flowers on bass. For several years Hine wrote songs with MacIver while working at temporary jobs, until he was helped by Deep Purple‘s bassist Roger Glover, whom Hine knew from Glover’s previous band Episode 6. Hine and MacIver were signed to Deep Purple’s Purple label. Glover produced Hine’s first solo album, Pick Up a Bone (1971). Unfinished Picture(1973) followed, but neither album was successful. However, Hine now became increasingly in demand as an independent producer.

As a record producer Rupert Hine worked on ‘The Getaway’ for Chris DeBurgh, Tina Turner’s ‘Private Dancer’ and ‘Break Every Rule’, Howard Jones’ ‘Human Lib’, Bob Geldof’s ‘Deep In The Heart of Nowhere’, Thompson Twins ‘Close To The Bone’, Stevie Nicks ‘The Other Side of the River’ as well as albums by The Fixx, Robert Palmer, Rush, Katey Sagel, Dusty Springfield and Norman Cook.

In 1973, Hine, along with guitarist Mark Warner, formed the band Quantum Jump, releasing two albums, Quantum Jump (1976) and Barracuda (1977). After the re-release of the single “The Lone Ranger” (from Quantum Jump) became an unexpected UK Top five hit in 1979, a third album – Mixing, a reworking of tracks selected from the first two Quantum Jump albums – was released.

After Quantum Jump disbanded, Hine released a trilogy of albums under his own name, including Immunity (1981); Waving Not Drowning (1982); and The Wildest Wish to Fly (1983). The American release of Wildest Wish dropped two tracks, radically reworked two others and incorporated two tracks from 1981’s Immunity – including “Misplaced Love”, which featured a guest vocal by Marianne Faithfull and had been a minor hit in Australia, reaching number 14 on the chart.

But it was as a producer that Hine made the biggest impact in popular culture. While the 1970s were a busy time for Hine, with titles by Camel, Anthony Phillips (ex-Genesis) and Kevin Ayers (ex-Soft Machine) to his credit, it wasn’t until New Wave engulfed the 1980s that he reached international success by becoming the go-to producer for The Fixx and Howard Jones, two of the genre’s biggest acts. Hine helmed the first four studio albums by The Fixx, including 1983’s Reach the Beach and its top-5 hit “One Thing Leads to Another,” and the first two albums by Jones.

Hine also had a hand in crafting Tina Turner’s 1984 juggernaut Private Dancer, having produced the single “Better Be Good to Me,” a top-5 hit on the Billboard Hot 100 that earned a Grammy Award — for best rock vocal performance, female — in 1985. He also co-wrote and produced “Break Every Rule,” the title track to Turner’s 1986 album, and again collaborated with the rock legend on 1989’s Foreign Affair.

In 1985, Hine wrote and produced much of the soundtrack for the black comedy film Better Off Dead. Later he and composer Eric Serra wrote “The Experience of Love”, the end title song for the Bond film GoldenEye. His film soundtrack credits also include The Fifth Element (composed by Serra), and The Addams Family.

Other production credits from the decade include Stevie Nicks’ The Other Side of the Mirror, as well as albums by the Thompson Twins, Underworld, Saga and Chris De Burgh, among others. He also linked up with Canadian progressive rock heroes Rush for a two-album run that included 1989’s Presto and 1991’s Roll the Bones.

In the 1990s, Hine worked on albums with Bob Geldof and French artist Éric Serra, as well as releases by actresses Katey Sagal and Milla Jovovich. One of his biggest hits of the decade arrived in 1996, when he produced the self-titled debut album by Duncan Sheik, which included modern rock radio staples “Barely Breathing” and “She Runs Away.” The pair teamed up again with 1998’s Humming.

Hine continued his work in the 21st Century, producing albums for Suzanne Vega, Ra, Stuart Davis and others. In 2008 he oversaw the benefit album Songs for Tibet: The Art of Peace, which had contributions from Rush, Vega, Sheik, Sting, Alanis Morissette, Ben Harper and Hine himself, among others. A follow-up compilation, meant to mark the Dalai Lama’s 80th birthday, featured Peter Gabriel, Lorde, Kate Bush, Elbow, Sheik and Howard Jones.

Over his 50 years of being active in music, Hine worked on over 130 albums.

“Rupert pioneered electronic musical instrument interfaces with the fledgling MIDI. Invited by Apple in the 90s to help demonstrate the powers of their ground-breaking software engines to the music-world’s creative thinkers, Rupert has consistently championed the incorporation of the digital environment into art and creativity”.

Rupert Hine died June 4, 2020 at the age on 72. He had been battling with cancer since 2011.

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Phil May 5/2020

Phil May (75) – Lead singer for the Pretty Things – was born Philip Dennis Arthur Wadey, later Kattner on 9 November 1944 in Dartford, Kent, England. He was raised by his aunt and uncle, whose surname was May. In childhood, he was sent back to live with his mother and stepfather, whose surname was Kattner, but later decided to change his name to May.

He formed the Pretty Things at Sidcup Art College in 1963 with guitarist Dick Taylor, a former bass player with an early incarnation of The Rolling Stones, when both bands were an integral part of the London blues-rock explosion. Keith Richards had also gone to Sidcup College and May, Taylor and the Stones’ then leader Brian Jones all shared a house.

With May as lead singer, the band became part of the British blues rock scene and quickly gained a recording contract. Initially an energetic R&B outfit, they had a string of hits in the mid-1960s,  “Don’t Bring Me Down” (nr.10) and “I’m a Road Runner Honey”. Playing raw and visceral rhythm and blues, they threatened to upstage the Rolling Stones as the bad boys of rock in those early days, although they never reached a commercial successful level.

In the late 1960s, The Pretty Things started to branch out into psychedelia and May became a prominent counterculture figure, known for his claim of having “the longest hair in Britain”, drug-taking and bisexuality. The 1968 album S.F. Sorrow, which was released on the Motown imprint Rare Earth, was regarded as the first rock opera album. The songs and lyrics were based on stories written by May, which were often composed while the album was being recorded. May later admitted that his usage of LSD had a major impact on the album, saying “”It was like a sharpening of the imagination for me. I don’t think S.F. Sorrow would have been impossible without it, but there’s a lot of acid in the imagery.” The album was not commercially successful at the time, but later became a cult favorite. 

“We thought we were making something special. It was to give you an experience, so you move from cradle to grave with somebody’s life – which they give you in opera all the time,” says Phil May, the singer in The Pretty Things. “In some ways, that added bitterness to the pill when it was ignored.”

They influenced David Bowie, who references them in his song, Oh You Pretty Things, and covered Rosalyn and Don’t Bring Me Down on his 1973 album, Pin Ups. The likes of Jimi Hendrix, Aerosmith and Van Morrison were acolytes of the wild boys of pop, who enjoyed not only chart success but a phenomenal 55-year-long career.

May remained with the Pretty Things until they retired in 2018, following a final concert with guests including David Gilmour and Van Morrison. He was one of the band’s main lyricists. He was the primary lyricist for the album S.F. Sorrow.

This longevity was very much down to the controversial, enigmatic May. In many ways he proved to be the stereotypical pop star, but also a performer who came to define counterculture itself.

In 1976 a new group called the Fallen Angels, led by guitarist Mickey Finn, with Greg Ridley from Spooky Tooth and Humble Pie, Twink from the Pretty Things, and Bob Weston from Fleetwood Mac set out to record an album and for vocals recruited May. However, after they had recorded only eight partially complete songs, all except May abandoned the project. May recruited some more players to complete the album Phil May and the Fallen Angels, which was then only released in the Netherlands.

“Before Led Zeppelin, The Who, or even the Rolling Stones arrived on the scene … the Pretty Things were the acknowledged perpetrators of mayhem, outrage and general carnage. Musically and visually they were well ahead of their time.”

May loved the rock n’roll lifestyle and revelled in friendships with the likes of Jimi Hendrix, with whom he shared a bill on the Parisian student circuit, as well as girlfriends.

When chart success waned in the mid-Seventies, the band continued to tour, having joined Led Zeppelin’s Swansong label. “During our Led Zeppelin years, the Pretty Things played at an infamous LA venue called the Roxy and Iggy Pop came along,” May recalled. “The Stooges were massive fans of The Pretties and we used to hang out together. We thought he was going to sing. But he didn’t, he just ran from one side of the stage to the other and head-butted the wall.”

The Pretties sold fewer records but still packed venues. May continued to have immense fun. “Viv Prince, in his madness, once said to me, ‘We’re going out on a double date, you and me.’ I said, ‘Oh right. Who is it?’ He said, ‘Judy Garland, and she’s bringing somebody for you.’

“So we go down to a club called the Ad Lib, and we’re sitting around and the lift doors open and there’s Judy – a bit gone on the sauce already – and she’s got Rudy Nureyev on her arm. So I say, ‘Thanks, Viv. Is that what you call a double date?’ Everybody wanted to know who slept with whom, but I honestly can’t remember. Wish I could.”

Phil May died on 15 May 2020 at the age of 75 after suffering from complications following hip surgery after a cycling accident. 

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Little Richard 5/2020

Little Richard in performance at B.B. King Blues Club & Grill in New York in 2007. “He was crucial,” one historian said, “in upping the voltage from high-powered R&B into the similar, yet different, guise of rock ’n’ roll.”

Little Richard, was born Richard Wayne Penniman on December 5, 1932. At an early age he already delved deeply into the wellsprings of gospel music and the blues, and screaming as if for his very life, he created something new, thrilling and dangerous, called rock and roll. Richard Penniman, better known as Little Richard, who combined the sacred shouts of the black church and the profane sounds of the blues to create some of the world’s first and most influential rock ’n’ roll records.

Little Richard did not invent rock ’n’ roll. Other musicians had already been mining a similar vein by the time he recorded his first hit, “Tutti Frutti” — a raucous song about sex, its lyrics cleaned up but its meaning hard to miss — in a New Orleans recording studio in September 1955. Chuck Berry and Fats Domino had reached the pop Top 10, Bo Diddley had topped the rhythm-and-blues charts, and Elvis Presley had been making records for a year.

But Little Richard, delving deeply into the wellsprings of gospel music and the blues, pounding the piano furiously and screaming as if for his very life, raised the energy level several notches and created something not quite like any music that had been heard before — something new, thrilling and more than a little dangerous. As the rock historian Richie Unterberger put it, “He was crucial in upping the voltage from high-powered R&B into the similar, yet different, guise of rock ’n’ roll.”

Art Rupe of Specialty Records, the label for which he recorded his biggest hits, called Little Richard “dynamic, completely uninhibited, unpredictable, wild.”

“Tutti Frutti” rocketed up the charts and was quickly followed by “Long Tall Sally” and other records now acknowledged as classics. His live performances were electrifying.

“He’d just burst onto the stage from anywhere, and you wouldn’t be able to hear anything but the roar of the audience,” the record producer and arranger H.B. Barnum, who played saxophone with Little Richard early in his career, recalled in “The Life and Times of Little Richard” (1984), an authorized biography by Charles White. “He’d be on the stage, he’d be off the stage, he’d be jumping and yelling, screaming, whipping the audience on.”

An Immeasurable Influence

Rock ’n’ roll was an unabashedly macho music in its early days, but Little Richard, who had performed in drag as a teenager, presented a very different picture onstage: gaudily dressed, his hair piled six inches high, his face aglow with cinematic makeup. He was fond of saying in later years that if Elvis was the king of rock ’n’ roll, he was the queen. Offstage, he characterized himself variously as gay, bisexual and “omnisexual.”

His influence as a performer was immeasurable. It could be seen and heard in the flamboyant showmanship of James Brown, who idolized him (and used some of his musicians when Little Richard began a long hiatus from performing in 1957), and of Prince, whose ambisexual image owed a major debt to his.

Presley recorded his songs. The Beatles adopted his trademark sound, an octave-leaping exultation: “Woooo!” (Paul McCartney said that the first song he ever sang in public was “Long Tall Sally,” which he later recorded with the Beatles.) Bob Dylan wrote in his high school yearbook that his ambition was “to join Little Richard.”

Little Richard’s impact was social as well.

Little Richard in the mid-1950s, around the time his first hit record, “Tutti Frutti,” was released.
Little Richard in the mid-1950s, around the time his first hit record, “Tutti Frutti,” was released.Michael Ochs Archives/Getty Images

“I’ve always thought that rock ’n’ roll brought the races together,” Mr. White quoted him as saying. “Especially being from the South, where you see the barriers, having all these people who we thought hated us showing all this love.”

Mr. Barnum told Mr. White that “they still had the audiences segregated” at concerts in the South in those days, but that when Little Richard performed, “most times, before the end of the night, they would all be mixed together.”

If uniting black and white audiences was a point of pride for Little Richard, it was a cause of concern for others, especially in the South. The White Citizens Council of North Alabama issued a denunciation of rock ’n’ roll largely because it brought “people of both races together.” And with many radio stations under pressure to keep black music off the air, Pat Boone’s cleaned-up, toned-down version of “Tutti Frutti” was a bigger hit than Little Richard’s original. (He also had a hit with “Long Tall Sally.”)

Still, it seemed that nothing could stop Little Richard’s drive to the top — until he stopped it himself.

He was at the height of his fame when he left the United States in late September 1957 to begin a tour in Australia. As he told the story, he was exhausted, under intense pressure from the Internal Revenue Service and furious at the low royalty rate he was receiving from Specialty. Without anyone to advise him, he had signed a contract that gave him half a cent for every record he sold. “Tutti Frutti” had sold half a million copies but had netted him only $25,000.

One night in early October, before 40,000 fans at an outdoor arena in Sydney, he had an epiphany.

“That night Russia sent off that very first Sputnik,” he told Mr. White, referring to the first satellite sent into space. “It looked as though the big ball of fire came directly over the stadium about two or three hundred feet above our heads. It shook my mind. It really shook my mind. I got up from the piano and said, ‘This is it. I am through. I am leaving show business to go back to God.’”

He had one last Top 10 hit: “Good Golly Miss Molly,” recorded in 1956 but not released until early 1958. By then, he had left rock ’n’ roll behind.

He became a traveling evangelist. He entered Oakwood College (now Oakwood University) in Huntsville, Ala., a Seventh-day Adventist school, to study for the ministry. He cut his hair, got married and began recording gospel music.

For the rest of his life, he would be torn between the gravity of the pulpit and the pull of the stage.

“Although I sing rock ’n’ roll, God still loves me,” he said in 2009. “I’m a rock ’n’ roll singer, but I’m still a Christian.”

He was lured back to the stage in 1962, and over the next two years he played to wild acclaim in England, Germany and France. Among his opening acts were the Beatles and the Rolling Stones, then at the start of their careers.

He went on to tour relentlessly in the United States, with a band that at one time included Jimi Hendrix on guitar. By the end of the 1960s, sold-out performances in Las Vegas and triumphant appearances at rock festivals in Atlantic City and Toronto were sending a clear message: Little Richard was back to stay. But he wasn’t.

‘I Lost My Reasoning’

By his own account, alcohol and cocaine began to sap his soul (“I lost my reasoning,” he would later say), and in 1977, he once again turned from rock ’n’ roll to God. He became a Bible salesman, began recording religious songs again and, for the second time, disappeared from the spotlight.

He did not stay away forever. The publication of his biography in 1984 signaled his return to the public eye, and he began performing again.

By now, he was as much a personality as a musician. In 1986 he played a prominent role as a record producer in Paul Mazursky’s hit movie “Down and Out in Beverly Hills.” On television, he appeared on talk, variety, comedy and awards shows. He officiated at celebrity weddings and preached at celebrity funerals.

He could still raise the roof in concert. In December 1992, he stole the show at a rock ’n’ roll revival concert at Wembley Arena in London. “I’m 60 years old today,” he told the audience, “and I still look remarkable.”

He continued to look remarkable — with the help of wigs and thick pancake makeup — as he toured intermittently into the 21st century. But age eventually took its toll.

By 2007, he was walking onstage with the aid of two canes. In 2012, he abruptly ended a performance at the Howard Theater in Washington, telling the crowd, “I can’t hardly breathe.” A year later, he told Rolling Stone magazine that he was retiring.

“I am done, in a sense,” he said. “I don’t feel like doing anything right now.”

Little Richard onstage at Wembley Stadium in London in 1972, on a bill that also included his fellow rock ’n’ roll pioneers Jerry Lee Lewis and Chuck Berry

Richard Wayne Penniman was born in Macon, Ga., on Dec. 5, 1932, the third of 12 children born to Charles and Leva Mae (Stewart) Penniman. His father was a brick mason who sold moonshine on the side. An uncle, a cousin and a grandfather were preachers, and as a boy he attended Seventh-day Adventist, Baptist and Holiness churches and aspired to be a singing evangelist. An early influence was the gospel singer and guitarist Sister Rosetta Tharpe, one of the first performers to combine a religious message with the urgency of R&B.

By the time he was in his teens, Richard’s ambition had taken a detour. He left home and began performing with traveling medicine and minstrel shows, part of a 19th-century tradition that was dying out. By 1948, billed as Little Richard — the name was a reference to his youth and not his physical stature — he was a cross-dressing performer with a minstrel troupe called Sugarfoot Sam From Alabam, which had been touring for decades.

In 1951, while singing alongside strippers, comics and drag queens on the Decataur Street strip in Atlanta, he recorded his first songs. The records were generic R&B, with no distinct style, and attracted almost no attention.

Around this time, he met two performers whose look and sound would have a profound impact on his own: Billy Wright and S.Q. Reeder, who performed and recorded as Esquerita. They were both accomplished pianists, flashy dressers, flamboyant entertainers and as openly gay as it was possible to be in the South in the 1950s.

Little Richard acknowledged his debt to Esquerita, who he said gave him some piano-playing tips, and Mr. Wright, whom he once called “the most fantastic entertainer I had ever seen.” But however much he borrowed from either man, the music and persona that emerged were his own.

His break came in 1955, when Mr. Rupe signed him to Specialty and arranged for him to record with local musicians in New Orleans. During a break at that session, he began singing a raucous but obscene song that Mr. Rupe thought had the potential to capture the nascent teenage record-buying audience. Mr. Rupe enlisted a New Orleans songwriter, Dorothy LaBostrie, to clean up the lyrics; the song became “Tutti Frutti”; and a rock ’n’ roll star was born.

By the time he stopped performing, Little Richard was in both the Rock & Roll Hall of Fame (he was inducted in the Hall’s first year) and the Songwriters Hall of Fame and the recipient of lifetime achievement awards from the National Academy of Recording Arts and Sciences and the Rhythm and Blues Foundation. “Tutti Frutti” was added to the Library of Congress’s National Recording Registry in 2010.

If Little Richard ever doubted that he deserved all the honors he received, he never admitted it. “A lot of people call me the architect of rock ’n’ roll,” he once said. “I don’t call myself that, but I believe it’s true.”

Little Richard died on Saturday morning May 9, 2020 in Tullahoma, Tennessee. He was 87. The cause was bone cancer. 

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John Prine 4/2020

John Prine (73) was born on October 10, 1946 and raised in Maywood, Illinois. Prine was the son of William Mason Prine, a tool-and-die maker, and Verna Valentine (Hamm), a homemaker, both originally from Muhlenberg County, Kentucky. In summers, they would go back to visit family near Paradise, Kentucky. Prine started playing guitar at age 14, taught by his brother, David. He attended classes at Chicago’s Old Town School of Folk Music, and graduated from Proviso East High School in Maywood, Illinois.

He was drafted into the United States Army during the Vietnam War, serving as a vehicle mechanic in West Germany, before becoming a U.S. Postal Service mailman for five years leading up to  beginning his musical career in Chicago.

“I likened the mail route to being in a library without any books. You just had time to be quiet and think, and that’s where I would come up with a lot of songs,” Prine said later.

While Prine was delivering mail, he began to sing his songs (often first written in his head on the mail route) at open mic nights at the Fifth Peg on Armitage Avenue in Chicago. The bar was a gathering spot for nearby Old Town School of Folk Music teachers and students. Prine was initially a spectator, reluctant to perform, but eventually did so in response to a “You think you can do better?” comment made to him by another performer. After his first open mic, he was offered paying gigs. In 1970, Chicago Sun-Times film critic Roger Ebert heard Prine by chance at the Fifth Peg and wrote his first printed review, “Singing Mailman Who Delivers A Powerful Message In A Few Words”

Roger Ebert Review:

Through no wisdom of my own but out of sheer blind luck, I walked into the Fifth Peg, a folk club on West Armitage, one night in 1970 and heard a mailman from Westchester singing. This was John Prine.  He sang his own songs. That night I heard “Sam Stone,” one of the great songs of the century. And “Angel from Montgomery.” And others. I wasn’t the music critic for the Chicago Sun-Times, but I went to the office and wrote an article. And that, as fate decreed, was the first review Prine ever received.

While “digesting Reader’s Digest” in a dirty book store, John Prine tells us in one of his songs, a patriotic citizen came across one of those little American flag decals. He stuck it on his windshield and liked it so much he added flags from the gas station, the bank and the supermarket, until one day he blindly drove off the road and killed himself. St. Peter broke the news: “Your flag decal won’t get you into heaven anymore; It’s already overcrowded from your dirty little war.”

Lyrics like this are earning John Prine one of the hottest underground reputations in Chicago these days. He’s only been performing professionally since July, he sings at the out-of-the-way Fifth Peg, 858 W. Armitage, and country-folk singers aren’t exactly putting rock out of business. But Prine is good.

He appears on stage with such modesty he almost seems to be backing into the spotlight. He sings rather quietly, and his guitar work is good, but he doesn’t show off. He starts slow. But after a song or two, even the drunks in the room begin to listen to his lyrics. And then he has you.

He does a song called “The Great Society Conflict Veteran’s Blues,” for example, that says more about the last 20 years in America than any dozen adolescent acid-rock peace dirges. It’s about a guy named Sam Stone who fought in Korea and got some shrapnel in his knee. But the morphine eased the pain, and Sam Stone came home “with a Purple Heart and a monkey on his back.” That’s Sam Stone’s story, but the tragedy doesn’t end there. In the chorus, Prine reverses the point of view with an image of stunning power:

“There’s a hole in Daddy’s arm Where all the money goes…”

You hear lyrics like these, perfectly fitted to Priine’s quietly confident style and his ghost of a Kentucky accent, and you wonder how anyone could have so much empathy and still be looking forward to his 24th birthday on Saturday.

So you talk to him, and you find out that Prine has been carrying mail in Westchester since he got out of the Army three years ago. That he was born in Maywood, and that his parents come from Paradise, Ky. That his grandfather was a miner, a part-time preacher, and used to play guitar with Merle Travis and Ike Everly (the Everly brothers’ father). And that his brother Dave plays banjo, guitar and fiddle, and got John started on the guitar about 10 years ago.

Prine’s songs are all original, and he only sings his own. They’re nothing like the work of most young composers these days, who seem to specialize in narcissistic tributes to themselves. He’s closer to Hank Williams than to Roger Williams, closer to Dylan than to Ochs. “In my songs,” he says, “I try to look through someone else’s eyes, and I want to give the audience a feeling more than a message.”

That’s what happens in Prine’s “Old folks,” one of the most moving songs I’ve heard. It’s about an elderly retired couple sitting at home alone all day, looking out the screen door on the back porch, marking time until death. They lost a son in Korea: “Don’t know what for; guess it doesn’t matter anymore.” The chorus asks you, the next time you see a pair of “ancient empty eyes,” to say “hello in there…hello.”

Prine’s lyrics work with poetic economy to sketch a character in just a few words. In “Angel from Montgomery,” for example, he tells of a few minutes in the thoughts of a woman who is doing the housework and thinking of her husband: “How the hell can a person go to work in the morning, come back in the evening, and have nothing to say?”

Prine can be funny, too, and about half his songs are. He does one about getting up in the morning. A bowl of oatmeal tried to stare him down, and won. But “if you see me tonight with an illegal smile – It don’t cost very much, and it lasts a long while. – Won’t you please tell the Man I didn’t kill anyone – Just trying to have me some fun.

”There’s another insightful one, for example, called “The Great Compromise,” about a girl he once dated who was named America. One night at the drive-in movie, while he was going for popcorn, she jumped into a foreign sports car and he began to suspect his girl was no lady. “I could have beat up that fellow,” he reflects in his song, “but it was her that hopped into his car.”

Roger Ebert’s laudatory review set the stage for this remarkable singer/songwriter. Quirky fact aside: “Ebert was being paid to watch and write a review of a film; but as he tells it the film was so bad that he walked out on it half way through, and went looking for a beer to cut the taste of the popcorn. If the film had been any better, Prine’s career might have been entirely different or started a little later”.

Singer-songwriter Kris Kristofferson heard Prine at Steve Goodman’s (City of New Orleans) insistence, and Kristofferson invited Prine to be his opening act. Prine released his eponymous debut album in 1971, featuring such songs as “Paradise”, “Sam Stone” and Angel from Montgomery, giving bittersweet tragic-comic snapshots of American society and also fed into the anti-war movement. The album has been hailed as one of the greatest albums of all time.

The acclaim Prine earned from his debut led to three more albums for Atlantic Records. Common Sense (1975) was his first to chart on the Billboard U.S. Top 100. He then recorded three albums with Asylum Records. In 1981, he co-founded Oh Boy Records, an independent label which released all of his music up until his death. His final album, 2018’s The Tree of Forgiveness, debuted at #5 on the Billboard 200, his highest ranking on the charts.

Indeed, Prine was a rare songwriter with a gift for both melodic and lyrical incisiveness. He didn’t need to pull any verbal sorcery to make you gasp and think “Did he just do that?” The magic was all in how profoundly and bluntly he observed the most mundane details of life and death, even for characters living on the fringe. His melancholic tales were economical and precise in their gut-punches.

Prine’s lyrics work with poetic economy to sketch a character in just a few words. In “Angel from Montgomery,” for example, he tells of a few minutes in the thoughts of a woman who is doing the housework and thinking of her husband: “How the hell can a person go to work in the morning, come back in the evening, and have nothing to say?”

Prine can be funny, too, and about half his songs are. He does one about getting up in the morning. A bowl of oatmeal tried to stare him down, and won. But “if you see me tonight with an illegal smile – It don’t cost very much, and it lasts a long while. – Won’t you please tell the Man I didn’t kill anyone – Just trying to have me some fun.”

At the time John Prine was all over the magazines, but he was nowhere on the radio. But without a radio hit, Prine remained a cult item. Actually, he remained a cult item for his entire career. But it’s funny, cult can supersede major success if you hang in there and do it right.

But after the debut, Prine’s notoriety, his “fame,” the attention he got, seemed to go in the wrong direction, you knew who he was, but most people did not. He had fans who purchased his records, but only fans purchased his records and went to see him live.

Eventually Prine switched labels from Atlantic to Asylum, he worked with his old cohort Steve Goodman, but “Bruised Orange” did not live up to its commercial expectations. It was everywhere in print, I purchased it, but after its initial launch, that’s the last you heard of it. Eventually, after three LPs with the definitive singer-songwriter label, Prine took off on his own, with his Oh Boy Records, partnering with his manager Al Bunetta and their buddy Dan Einstein. It worked. His fans, supporting the project, sent him enough money to cover the costs, in advance, of his next album. Prine continued writing and recording albums throughout the 1980s. His songs continued to be covered by other artists; the country supergroup The Highwaymen recorded “The 20th Century Is Almost Over”, written by Prine and Goodman. Steve Goodman died of leukemia in 1984 and Prine contributed four tracks to A Tribute to Steve Goodman, including a cover version of Goodman’s “My Old Man”.

“How the hell can a person go to work in the morning, And come home in the evening and have nothing to say”

Everybody knew “Angel From Montgomery.” It was never a single, never a radio hit. They knew John Prine had written “Angel From Montgomery.” And the great thing about famous songs is they carry their writers along. So when Bonnie Raitt entered the music scene full force with a number of Grammy Awards in the 1990s, the original recorded version from “Streetlights” was superseded by her live performances, if the song got any airplay, it ended up being the live take from her 1995 double album “Road Tested.”

And as a result of this, suddenly the winds were at John Prine’s back, he was a known quantity, his impact increased, his career rose, and it was all because of this one song.

Of course Prine had songs covered by other famous artists, some of them you could even call hits, but I’m not sure fans of David Allan Coe really cared who’d written his numbers. And it wasn’t only Bonnie Raitt. Over the years other people had covered “Angel From Montgomery,” and Raitt’s success lifted all boats, suddenly “Angel From Montgomery” was part of the American fabric. And this is strange. This is akin to Woody Guthrie’s “This Land Is Your Land,” a song everybody knows that was not featured on the hit parade, but contains the essence of America more than the tracks that are.

Now “Angel From Montgomery” reaches you on the very first listen.

“If dreams were thunder, and lightning were desire

This old house would have burnt down a long time ago”

That kernel, that inner mounting flame, if it goes out, you die.

“Just give me one thing that I can hold on to

To believe in this living is just a hard way to go”

But you wake up one day and you discover this is your life, that you’re trapped, that your dreams didn’t come true, and you’re not only frustrated, you’re angry.

So then there’s someone like John Prine, telling your story. That’s what you resonate with, you’re looking for understanding, someone who gets you. And America discovered this singer/songwriter en masse.

In 1991, Prine released the Grammy-winning The Missing Years, his first collaboration with producer and Heartbreakers bassist Howie Epstein. The title song records Prine’s humorous take on what Jesus did in the unrecorded years between his childhood and ministry. In 1995, Lost Dogs and Mixed Blessings was released, another collaboration with Epstein. On this album is the long track “Lake Marie”, a partly spoken word song interweaving tales over decades centered on themes of “goodbye”. Bob Dylan later cited it as perhaps his favorite Prine song. Prine followed it up in 1999 with In Spite of Ourselves, which was unusual for him in that it contained only one original song (the title track); the rest were covers of classic country songs. All of the tracks are duets with well-known female country vocalists, including Lucinda Williams, Emmylou Harris, Patty Loveless, Dolores Keane, Trisha Yearwood, and Iris DeMent.

In 2001 Prine appeared in a supporting role in the Billy Bob Thornton movie Daddy & Them. “In Spite of Ourselves” is played during the end credits.

Prine recorded a version of Stephen Foster‘s “My Old Kentucky Home” in 2004 for the compilation album Beautiful Dreamer, which won the Grammy for Best Traditional Folk Album.

In 2005, Prine released his first all-new offering since Lost Dogs and Mixed Blessings, the album Fair & Square, which tended toward a more laid-back, acoustic approach. The album contains songs such as “Safety Joe”, about a man who has never taken any risks in his life, and also “Some Humans Ain’t Human”, Prine’s protest piece on the album, which talks about the ugly side of human nature and includes a quick shot at President George W. Bush. Fair & Squarewon the 2005 Grammy Award for Best Contemporary Folk Album.

On June 22, 2010, Oh Boy Records released a tribute album titled Broken Hearts & Dirty Windows: Songs of John Prine.

In 2016, Prine was named winner of the PEN/Song Lyrics Award, given to two songwriters every other year by the PENNew England chapter. Prine also released For Better, or Worse, a follow-up to In Spite of Ourselves. The album features country music covers spotlighting some of the most prominent female voices in the genre, including; Alison Krauss, Kacey Musgraves, and Lee Ann Womack, as well as Iris DeMent, the only guest artist to appear on both compilation albums

On February 8, 2018, Prine announced his first new album of original material in 13 years, titled The Tree of Forgiveness. The album features guest artists Jason Isbell, Amanda Shires, Dan Auerbach, and Brandi Carlile. Alongside the announcement, Prine released the track “Summer’s End”. The album became Prine’s highest-charting album on the Billboard 200.

In 2019, he recorded several tracks including “Please Let Me Go ‘Round Again”—a song which warmly confronts the end of life—with longtime friend and compatriot Swamp Dogg in his final recording session.

Most of today’s music doesn’t even have any melody, they’re based on beats. And pop numbers are cotton candy, they could be written by school kids, they’ve got no depth, despite the industry hyping them. And then there’s someone like John Prine. Who was always about the songs, who never wavered, who grew by being small, by nailing the experience of the average person, struggling to get by, at least emotionally, if not monetarily. And isn’t it funny how Prine’s music survives. Will it be heard forty or fifty years from now? I don’t know, but the odds are greater than those of the songs on the hit parade.

Prine never sold out, he was the genuine article. And he might not have been in the mainstream, but he was always in the landscape. He even survived cancer. He seemed unkillable. And now he’s gone.

Prine underwent cancer surgery on his throat in 2008 – and on his lungs in 2013 – but joked that it had actually improved his singing voice. Grammy-winning singer/songwriter John Prine died on March, 2020, aged 73, due to Covid-19 complications.

Tributes:

Throughout his five-decade career, Prine was often labeled the “songwriter’s songwriter,” not just because his only chart-toppers were scored by other great writers recording his music, but because few songwriters were as universally beloved, admired, and envied by their peers as Prine was.

• Speaking to the Huffington Post in 2009, Dylan – who performed with Prine – described his music as “pure Proustian existentialism”.

• “Midwestern mind trips to the nth degree. And he writes beautiful songs.”

• Robbie Robertson, from The Band – who used to back Dylan – described Prine as “a genius”.

• “His work… a beacon of clear white light cutting through the dark days,” added former Led Zeppelin frontman and solo star Robert Plant. “His charm, humour and irony we shall miss greatly.”

• He won his first of four Grammy Awards in 1991, for The Missing Years, which bagged best contemporary folk album. It was a category he would top again in 2005 for Fair and Square.

“We join the world in mourning the passing of revered country and folk singer/songwriter John Prine,” the Recording Academy wrote in a statement.

• “Widely lauded as one of the most influential songwriters of his generation, John’s impact will continue to inspire musicians for years to come. We send our deepest condolences to his loved ones.”

• “If I can make myself laugh about something I should be crying about, that’s pretty good,” he said.

• “If God’s got a favorite songwriter, I think it’s John Prine,” Kristofferson said at Prine’s 2003 Nashville Songwriter’s Hall of Fame induction.

• “He’s just one of the greats, and an old, old soul,” his friend Rosanne Cash once said of him. Roger Waters declared in 2008 that he prefers the “extra-ordinarily eloquent music” of Prine to the modern bands influenced by Pink Floyd’s work, like Radiohead. Prine’s music, the Floyd bassist/vocalist said, lives on the same plane as icons like John Lennon and Neil Young.

• And the reigning American bard-in-chief Bob Dylan was effusive in one 2009 interview, naming Prine as among his favorite writers, adding: “Prine’s stuff is pure Proustian existentialism. Midwestern mindtrips to the nth degree. And he writes beautiful songs… Nobody but Prine could write like that.”

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Bill Withers 3/2020

Bill Withers was born in 1938 in a West Virginia coal miner’s town, the youngest of six children. His father died when he was a child and he was raised by his mother and grandmother.
His entry to the music world came late – at the age of 29 – after a nine-year stint in the Navy.
He taught himself to play guitar between shifts at his job making toilet seats for the Boeing aircraft company, and used his wages to pay for studio sessions in LA.
“I figured out that you didn’t need to be a virtuoso to accompany yourself,” he told Rolling Stone magazine in 2015.
He recorded his first album, Just As I Am, with Booker T Jones in 1970. It included the mournful ballad Ain’t No Sunshine, which earned him his first Grammy award the subsequent year. Continue reading Bill Withers 3/2020

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Eddy Money 9/2019

Eddie Money was born Edward Joseph Mahoney in Manhattan, New York City on March 21, 1949, to a large family of Irish Catholic descent. His parents were Dorothy Elizabeth (née Keller), a homemaker, and Daniel Patrick Mahoney, a police officer. He grew up in Levittown, New York, but spent some teenage years in Woodhaven, Queens, New York City. Money was a street singer from the age of eleven. As a teenager, he played in rock bands, in part to get dates from cheerleaders. He was thrown out of one high school for forging a report card. In 1967, he graduated from Island Trees High School.

At the age of 18, he tried to follow in the footsteps of his grandfather, father, and brother as a New York City Police Department trainee. However, after working as a clerk and typist, he left in 1968 to pursue a career in music, as the police did not allow him to grow his hair long. “I couldn’t see myself in a police uniform for 20 years of my life, with short hair,” he later said. His bandmates also fired him because they did not want a police officer in the group. His father was not happy with his decision to play music and tore Jimi Hendrix posters from his wall. He never lost sight of his blue-collar upbringing however and even at the height of his career with all the celebrity, millions of albums sold, and large sums of money he made, was one of the few artists who never changed. His ego was always in check, he remained a regular guy–someone you’d really have fun hanging out with. And he treated anyone he met, in any walk of life, exactly the same, with big respect.

‘Once he was traveling with a local music rep in New York–they were late for a radio interview and speeding on the Long Island Expressway. They were pulled over by the cops and it turns out one of the policemen was a guy who was a classmate of Eddie’s when they went through the Police Academy together. “Hey Eddie, you knucklehead, what are you doin’?!! Come on, I’ll give you guys a police escort!” That kind of fun luck used to happen a lot for Eddie.’

He began studying saxophone during a brief stint at junior college, inspired by rock musicians like David Bowie and Van Morrison who occasionally used the instrument.

In 1968, Money moved to Berkeley, California. There, he studied with vocal coach Judy Davis, and took on the stage name Eddie Money, dropping two letters from his last name and sarcastically referring to the fact that he was always broke.

Over the course of the next 8 years, Money became a regular performer at clubs in the San Francisco Bay Area. After gaining the attention of Bill Graham, he secured a recording contract with Columbia Records, releasing his debut album in 1977. He charted with singles such as “Baby Hold On” and “Two Tickets to Paradise”, about visiting his girlfriend despite not having money.

In 1978, Money opened for Santana at Boston’s Music Hall. The following year, he sang backing vocals on the bridge section on “I’m Alright”, a song written and performed by Kenny Loggins. In 2014, Money claimed that Loggins never gave him credit for his contribution.

His ascend started with “Baby Hold On.” The lyrics were not intellectual enough for the cognoscenti. But the music was undeniable, you heard it once and got it whereas so much vaunted stuff, then and now, you listen to over and over again and still don’t get.

Then came “Two Tickets To Paradise.”

Now that was a smash right out of the box. Great title, great track, great, emphatic chorus:

“I’ve got two tickets to paradise, Won’t you pack your bags, we’ll leave tonight”

This was 1978. When airline travel was still expensive. When you didn’t hop on a plane to go to a show or a game, you were stuck at home, dreaming, of what could possibly be, and Eddie Money was opening the top of your brain and filling you with hope

In 1982, Money took advantage of the MTV music video scene with his humorous narrative videos for “Think I’m in Love”, performed at The Mission Inn Hotel & Spa, and “Shakin'”. In the early 1980s, he appeared on The Midnight Special, Fridays, and Solid Gold. In 1978 and 1984, he appeared on American Bandstand.

Money’s career slumped temporarily following the commercially unsuccessful 1983 album Where’s the Party?. However, he made a comeback in 1986 with the album Can’t Hold Back, which received a music recording certification of platinum. “Take Me Home Tonight”, a single from the album, peaked at No. 4 on the Billboard Hot 100 chart in the United States. Money only agreed to perform the song—which included a line from “Be My Baby”, a song Ronnie Spector performed as part of The Ronettes—after Spector agreed to sing the line herself. In 1987, Money was nominated for a Grammy Award for Best Male Rock Vocal Performance for “Take Me Home Tonight”. “I Wanna Go Back” and “Endless Nights”—two other singles from the Can’t Hold Back album—peaked at No. 14 and No. 21, respectively.

In 1988, Money released Nothing to Lose, which featured the Top 10 hit “Walk on Water” and the Top 40 hit “The Love in Your Eyes”.

It was 1992, “Unplugged” was flourishing on the now totally dominant MTV. Not that Eddie Money was cool enough to be featured, but he released his own acoustic live album, that positively ROCKED! “Unplug it in”.

“Gimme Some Water,” the opening cut. This was an album track from Money’s mostly hitless second LP “Life For The Taking.” Oh, “Maybe I’m A Fool” made it to number 22 on the singles chart, but at this point no one was listening to Top Forty, AOR ruled, and you didn’t need a pop hit to go platinum, as “Life For The Taking” did.

Also beginning in 1992, Money opened the summer concert season for the Pine Knob Music Theater in Clarkston, Michigan where he would return to open the venue for 27 consecutive years. In 1996, he wrote the theme music to Quack Pack, a Disney cartoon.

Money was inducted into the Long Island Music Hall of Fame in 2008. In January 2010, he performed a medley of his hit singles during the halftime performance at the Liberty Bowl.

Eddie was a natural frontman and his original guitar player Jimmy Lyon played a role like Ronnie Wood did for Rod Stewart in the Faces – together they killed it onstage. Eddie was a very funny guy with quick wit and often the dumbest jokes.

In the beginning, he was a wild man like many rockers. On his first radio promotional tour he was going to be traveling with Warren Williams, a legendary Columbia rep for the western region. Eddie asked Warren to stop at a local liquor store, “Hey Warren, I just want to run in and get a pack of cigarettes.” About twenty minutes later Eddie emerged with a giant case full of Whiskey, Vodka, Tequila, and Gin – “OK, I’m ready now.”

In later years he toured as a classic rock act with his daughter and other family members in his band. He used to joke–“It’s like the Partridge Family, only with marijuana!”

Money wrote and performed original songs for the films Americathon (1979), Over the Top, Back to the Beach (both 1987), and Kuffs (1992), along with the television series Hardball (1989–1990).

Eddie Money died on Sep. 13, 2019. He was 70 years old.

In the three days following Money’s death, fans streamed “Take Me Home Tonight” more than 3.1 million times, which was an increase of 349 percent compared to the previous three-day period. Fans also streamed his other songs by 931 percent more than the three previous days.

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Scott Walker 3/2019

Scott Walker of the Walker BothersMarch 22, 2019 – Scott Walker (the Walker Brothers) was born January 9, 1943 in Hamilton, Ohio, despite the fact that he was perceived as British. One of the more enigmatic figures in rock history, Scott Walker was known as Scotty Engel when he cut obscure flop records in the late ’50s and early ’60s in the teen idol vein.

He initially found work in Los Angeles as a bass player, but rose to fame in the United Kingdom, after he hooked up with John Maus and Gary Leeds to form the Walker Brothers. They weren’t named Walker, they weren’t brothers, and they weren’t English, but they nevertheless became a part of the British Invasion after moving to the U.K. in 1965. They enjoyed a couple of years of massive success there (and a couple of hits in the U.S.) The Walker Brothers was a well-groomed trio famous for their British Invasion renditions of Brill Building pop. With the help of Scott Walker’s booming baritone, the act topped the British charts with covers of “Make It Easy On Yourself” (1965) and “The Sun Ain’t Gonna Shine (Anymore)” (1966), but in the US, the trio never achieved the superstardom that they enjoyed overseas. As their full-throated lead singer and principal songwriter, Walker was the dominant artistic force in the group, who split in 1967. 

While remaining virtually unknown in his homeland, Walker launched a hugely successful solo career in Britain with a unique blend of orchestrated, almost MOR arrangements with idiosyncratic and morose lyrics. At the height of psychedelia, Walker openly looked to crooners like Sinatra, Jack Jones, and Tony Bennett for inspiration, and to Jacques Brel for much of his material. None of those balladeers, however, would have sung about the oddball subjects — prostitutes, transvestites, suicidal brooders, plagues, and Joseph Stalin — that populated Walker’s songs. His first four albums hit the Top Ten in the U.K. — his second, in fact, reached number one in 1968, in the midst of the hippie era. By the time of 1969’s Scott 4, the singer was writing all of his material. Although this was perhaps his finest album, it was a commercial disappointment, and unfortunately discouraged him from relying entirely upon his own material on subsequent releases.

The ’70s were a frustrating period for Walker, pocked with increasingly sporadic releases and a largely unsuccessful reunion with his “brothers” in the middle of the decade. His work on the Walkers’ final album in 1978 prompted admiration from David Bowie and Brian Eno. After a long period of hibernation, he emerged in 1984 with an album, Climate of Hunter, that drew critical raves for a minimalist, trance-like ambience that showed him keeping abreast of cutting-edge ’80s rock trends.

It would 11 more years before Walker completed his metamorphosis from pop crooner to avant-garde godfather. That would come on 1995’s Tilt, a shocking post-apocalyptic work of art that matched dark, enigmatic songwriting and dissonant orchestral production. Tying it all together was Walker’s inimitable voice, which he pushed to awkward, operatic heights. Tilt was a harrowing listen, but its uncompromising singularity attracted experimental music fans of all types.

Again, it would be 11 years before Walker would release new music, but this time the lag was to no one’s surprise. He had developed a reputation as a perfectionist who operated on his own schedule. When 2006’s The Drift was released on 4AD, Walker again sent shockwaves through the avant-garde community. While Tilt was, in part, adored for its misdirection, The Drift was celebrated for its execution. As the second part of Walker’s late-career trilogy, it took his ornate orchestration to new depths; every second of its nearly 70-minute runtime felt intentional and intricate.

During the next several years, he contributed to soundtracks (To Have and to Hold, The World Is Not Enough, Pola X) and assisted with recordings by Ute Lemper and Pulp. He didn’t release another album until 2006. That year, Walker also contributed the track “Darkness” to Plague Songs for the Margate Exodus project, curated by the British arts organization Artangel. The concept centered around the retelling of the ten plagues of Egypt as recorded in the Book of Exodus in the Old Testament. In early 2007, the documentary film Scott Walker: 30 Century Man, premiered. Later that year, Walker released the limited-edition EP And Who Shall Go to the Ball? And What Shall Go to the Ball? Commissioned as a work for ballet by the Candoco Dance Company, it was comprised of a single piece of instrumental music, 24 minutes in length, performed by the London Sinfonietta and cellist Philip Sheppard.

In November of 2008, the musical theater work Drifting and Tilting: The Songs of Scott Walker was staged at London’s Barbican over three evenings. It was comprised of songs from Tilt and The Drift. Walker did not perform, but directed the work from conception to execution including staging, lighting, and orchestra. The vocals were performed by various singers, including Damon Albarn, Dot Allison, and Jarvis Cocker. In 2009, the album Music Inspired by Scott Walker: 30 Century Man appeared, featuring songs inspired by the film sung by Laurie Anderson and other female Walker devotees. Also in 2009, Walker dueted with British singer Natasha Khan on her Bat for Lashes album Two Suns. In 2012, he released Bish Bosch. He regarded it as the third and final part of the trilogy that began with Tilt and continued on The Drift and then surprised many fans with Soused, a collaboration with doom-metal droners Sunn O))), in 2014. The last recording released during his lifetime was the 2018 score to the Brady Corbet-directed film Vox Lux.

Scott Walker died from cancer at age 76 on March 22, 2019. He influenced everyone from Jarvis Cocker (Pulp) to Thom Yorke (Radiohead), and even newer artists like Bat for Lashes. 

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Mike Harrison 3/2018

Mike Harrison (75) – frontman with Spooky Tooth – was born on 30 September 1942 in Carlisle, in the NW Cumberland area of England.

He began his musical career with the Ramrods, a band originating from Carlisle in the historic county of Cumberland, the northern part of the ceremonial county of Cumbria. This was to develop the foundations of a career that led to him being notable as the lead singer of Spooky Tooth, a band that he initially co-founded, with Mike Kellie, Luther Grosvenor and Greg Ridley and which Gary Wright then joined. Harrison, Grosvenor, Ridley and Kellie had previously been in a Carlisle-based band called The V.I.P.’s, which also included Keith Emerson (Emerson, Lake and Palmer).

When Emerson left in early 1967 to co-found The Nice, the remaining band members changed the band’s name to Art and released one album in late 1967 on Island Records, titled Supernatural Fairy Tales, a psychedelic classic.  

Art lasted only that one LP, but, encouraged by label owner Chris Blackwell the band would soon take on a new member, keyboardist Gary Wright, and changed their name again, this time to Spooky Tooth. They  released four albums between 1968 and 1970, before breaking up for the first time. The band’s sound was considered to be particularly unique in that it involved two keyboard players, Harrison and Wright, whose singing style often involved alternating vocals, similar to the Righteous Brothers or Hall and Oates.

Spooky Tooth first broke up in 1970 and Harrison commenced a solo career in 1971, which was anticipated with The Last Puff, the band’s 1970 breakup album, billed as “Spooky Tooth, featuring Mike Harrison”. Harrison released two solo albums in 1971 and 1972.

In 1971, while still a member of Spooky Tooth, Harrison would issue his first solo album, simply titled Mike Harrison. It showed a different style from his work with Spooky Tooth and stands as one of his finest works. A second record, Smokestack Lightning, arrived the next year and saw him working with the Muscle Shoals Rhythm Section. 

Harrison left  the second coming of Spooky Tooth following 1973’s Witness and a third solo effort, Rainbow Rider, was released in 1975. Spooky Tooth would issue one more album before calling it a day, though they would reunite, with Harrison involved, for one final album in 1999. 

Harrison had discovered that the royalties from his solo albums were being applied, without his knowledge or consent, to debts allegedly owed by Spooky Tooth to Island Records. 

Harrison decided to leave the music industry entirely, and remained largely inactive from 1975 until 1997. 

The reason for his extended departure from music was primarily financial. Beyond a weekly stipend from Island Records, during their active period band members received no further benefits, including royalties. Instead, debts were accumulated and considered to be owed to the record company. During his absence from the music scene, among other occupations, Harrison worked as a barman and drove meat and milk delivery trucks.

During the early 1990s Harrison developed a renewed interest in music, resulting in the recording of three songs with original members Mike Kellie, Luther Grosvenor and Greg Ridley in 1997. Recording continued in 1998, resulting in the release of Cross Purpose in 1999, the first Spooky Tooth album in twenty-five years, following the 1974 release of The Mirror, in which Harrison had not participated. He had left the band in 1973, following the release of Witness. Cross Purpose was also the first Spooky Tooth album to feature four of the five original members since Spooky Two, released in 1969.

In 1999, Harrison was also offered a regular monthly engagement with the Hamburg Blues Band. This led to the release of Touch in 2001. The album featured lyrics by Pete Brown, longtime collaborator with Jack Bruce, with music by the Hamburg Blues Band and vocals by Harrison.

A 2004 reunion and tour with original Spooky Tooth members Gary Wright and Mike Kellie, resulted in the release of the concert DVD Nomad Poets in 2007. And in 2006, Harrison’s fourth solo album, Late Starter, was released.

Harrison, Wright and Kellie continued to perform as Spooky Tooth during 2008, after which Kellie departed and Harrison and Wright continued as Spooky Tooth during 2009.

Harrison continued to perform on occasion after that time, until he died on 25 March 2018 in Carlisle at age 75 of undisclosed causes.

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Tony Joe White 10/2018

Tony Joe White – October 24, 2018 was born on July 23, 1943, in Oak Grove, Louisiana as the youngest of seven children who grew up on a cotton farm. He first began performing music at school dances, and after graduating from high school he performed in night clubs in Texas and Louisiana.

As a singer-songwriter and guitarist, he became best known for his 1969 hit “Polk Salad Annie” and for “Rainy Night in Georgia”, which he wrote but was first made popular by Brook Benton in 1970. He also wrote “Steamy Windows” and “Undercover Agent for the Blues”, both hits for Tina Turner in 1989; those two songs came by way of Turner’s producer at the time, Mark Knopfler, who was a friend of White. “Polk Salad Annie” was also recorded by Elvis Presley and Tom Jones.

In 1967, White signed with Monument Records, which operated from a recording studio in the Nashville suburb of Hendersonville, Tennessee, and produced a variety of sounds, including rock and roll, country and western, and rhythm and blues. Billy Swan was his producer.

Over the next three years, White released four singles with no commercial success in the U.S., although “Soul Francisco” was a hit in France. “Polk Salad Annie” had been released for nine months and written off as a failure by his record label, when it finally entered the U.S. charts in July 1969. It climbed to the Top Ten by early August, and eventually reached No. 8, becoming White’s biggest hit.

White’s first album, 1969’s Black and White, was recorded with Muscle Shoals/Nashville musicians David Briggs, Norbert Putnam, and Jerry Carrigan, and featured “Willie and Laura Mae Jones” and “Polk Salad Annie”, along with a cover of Jimmy Webb’s “Wichita Lineman”. “Willie and Laura Mae Jones” was covered by Dusty Springfield and released as a single, later added to reissues of her 1969 album Dusty in Memphis.

Three more singles quickly followed, all minor hits, and White toured with Steppenwolf, Anne Murray, Sly & the Family Stone, Creedence Clearwater Revival and other major rock acts of the 1970s, playing in France, Germany, Belgium, Sweden and England.

In 1973, White appeared in the film Catch My Soul, a rock-opera adaption of Shakespeare’s Othello. White played and sang four and composed seven songs for the musical.

In late September 1973, White was recruited by record producer Huey Meaux to sit in on the legendary Memphis sessions that became Jerry Lee Lewis’s landmark Southern Roots album. By all accounts, these sessions were a three-day, around-the-clock party, which not only reunited the original MGs (Steve Cropper, Donald “Duck” Dunn and Al Jackson, Jr. of Booker T. and the MGs fame) for the first time in three years, but also featured Carl Perkins, Mark Lindsay (of Paul Revere & the Raiders), and Wayne Jackson plus The Memphis Horns.

From 1976 to 1983, White released three more albums, each on a different label. Trying to combine his own swamp-rock sound with the popular disco music at the time, the results were not met with success and White gave up his career as a singer and concentrated on writing songs. During this time frame, he collaborated with American expat Joe Dassin on his only English-language album, Home Made Ice Cream, and its French-language counterpart Blue Country.

In 1989, White produced one non-single track on Tina Turner’s Foreign Affair album, the rest of the album was produced by Dan Hartman. Playing a variety of instruments on the album, he also wrote four songs, including the title song and the hit single “Steamy Windows”. As a result of this he became managed by Roger Davies, who was Turner’s manager at the time, and he obtained a new contract with Polydor.

The resulting album, 1991’s Closer to the Truth, was a commercial success and put White back in the spotlight. He released two more albums for Polydor; The Path of a Decent Groove and Lake Placid Blues which was co-produced by Roger Davies.

In the 1990s, White toured Germany and France with Joe Cocker and Eric Clapton, and in 1992 he played the Montreux Festival.

In 1996, Tina Turner released the song “On Silent Wings” written by White.

In 2000, Hip-O Records released One Hot July in the U.S., giving White his first new major-label domestic release in 17 years. The critically acclaimed The Beginningappeared on Swamp Records in 2001, followed by Heroines, featuring several duets with female vocalists including Jessi Colter, Shelby Lynne, Emmylou Harris, Lucinda Williams, and Michelle White, on Sanctuary in 2004, and a live Austin City Limits concert, Live from Austin, TX, on New West Records in 2006. In 2004, White was the featured guest artist in an episode of the Legends Rock TV Show and Concert Series, produced by Megabien Entertainment.

In 2007, White released another live recording, Take Home the Swamp, as well as the compilation Introduction to Tony Joe White. Elkie Brooks recorded one of White’s songs, “Out of The Rain”, on her 2005 Electric Lady album. On July 14, 2006, in Magny-Cours, France, White performed as a warm-up act for Roger Waters’ The Dark Side of the Moon concert. White’s album, entitled Uncovered, was released in September 2006 and featured collaborations with Mark Knopfler, Michael McDonald, Eric Clapton, and J.J. Cale.

The song “Elements and Things” from the 1969 album …Continued features prominently during the horse-racing scenes in the 2012 HBO television series “Luck”.

In 2013, White signed to Yep Roc Records and released Hoodoo. Mother Jones called the album “Steamy, Irresistible” and No Depression noted Tony Joe White is “the real king of the swamp.” He also made his Live…with Jools Holland debut in London, playing songs from Hoodoo.

On October 15, 2014, White appeared on The Late Show with David Letterman alongside the Foo Fighters to perform “Polk Salad Annie”. Pointing to White, Letterman told his TV audience, “Holy cow! … If I was this guy, you could all kiss my ass. And I mean that.”

In May 2016, Tony Joe White released Rain Crow on Yep Roc Records. The lead track “Hoochie Woman” was co-written with his wife, Leann. The track “Conjure Child” is a follow up to an earlier song, “Conjure Woman.

The album Bad Mouthin’ was released in September 2018 again on Yep Roc Records. The album contains six self-penned songs and five blues standards written by, amongst others, Charley Patton and John Lee Hooker. On the album White also performs a cover of the Elvis Presley song “Heartbreak Hotel”. White plays acoustic and electric guitar on the album which was produced by his son Jody White and has a signature Tony Joe White laid back sound.

White died of a heart attack on October 24, 2018, at the age of 75

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Marty Balin 9/2018

Marty Balin (76) – Jefferson Airplane – was born Martyn Buchwald in Cincinnati, Ohio, on January 30, 1942. He was the son of Catherine Eugenia “Jean” (née Talbot) and Joseph Buchwald. His paternal grandparents had emigrated from Eastern Europe. His father was Jewish and his mother was Episcopalian. Buchwald attended Washington High School in San Francisco, California. As a child, Balin was diagnosed with what is now called autism.

In 1962, Buchwald changed his name to Marty Balin and began recording with Challenge Records in Los Angeles, releasing the singles “Nobody but You” and “I Specialize in Love”. By 1964, Balin was leading a folk music quartet named The Town Criers and along with the late guitarist Paul Kantner, co-founded Jefferson Airplane in 1965, recruiting vocalist Signe Anderson, who when left was replaced by Grace Slick.

Balin was the primary founder of Jefferson Airplane, which he “launched” from a restaurant-turned-club he created and named The Matrix and was also one of its lead vocalists and songwriters from 1965 to 1971. Balin was one of four Jewish members of the band, including bass player Jack Casady, drummer Spencer Dryden and guitarist Jorma Kaukonen. In the group’s 1966–1971 iteration, Balin served as co-lead vocalist alongside Grace Slick. Balin’s songwriting output diminished after Surrealistic Pillow (1967) as Slick, Paul Kantner, and Kaukonen matured as songwriters, a process compounded by personality clashes. 

Balin’s most enduring songwriting contributions were often imbued with a romantic, pop-oriented lilt that was atypical of the band’s characteristic forays into psychedelic rock. Among Balin’s most notable songs were “Comin’ Back to Me” (a folk rock ballad later covered by Ritchie Havens and Rickie Lee Jones), “Today” (a collaboration with Kantner initially written on spec for Tony Bennett that was prominently covered by Tom Scott), and, again with Kantner, the topical 1969 top-100 hit “Volunteers”. Although uncharacteristic of his oeuvre, the uptempo “3/5 of a Mile in 10 Seconds” and “Plastic Fantastic Lover” (both written for Surrealistic Pillow) remained integral components of the Airplane’s live set throughout the late 1960s.

Balin played with Jefferson Airplane at the Monterey Pop Festival in 1967 and at the Woodstock Festival in 1969. In December 1969, Balin was knocked unconscious by members of the Hells Angels motorcycle club while performing during the infamous Altamont Free Concert, as seen in the 1970 documentary film Gimme Shelter. 

In April 1971, he formally departed Jefferson Airplane after breaking off all communication with his bandmates following the completion of their autumn 1970 American tour. He elaborated upon this decision in a 1993 interview with Jeff Tamarkin of Relix.

I don’t know, just Janis’s death. That struck me. It was dark times. Everybody was doing so much drugs and I couldn’t even talk to the band. I was into yoga at the time. I’d given up drinking and I was into totally different area, health foods and getting back to the streets, working with the American Indians. It was getting strange for me. Cocaine was a big deal in those days and I wasn’t a cokie and I couldn’t talk with everybody who had an answer for every goddamn thing, rationalizing everything that happened. I thought it made the music really tight and constrictive and ruined it. So after Janis died, I thought, I’m not gonna go onstage and play that kind of music; I don’t like cocaine.

Balin remained active in the San Francisco Bay Area rock scene, managing and producing an album for the Berkeley-based sextet Grootna before briefly joining funk-inflected hard rock ensemble Bodacious DF as lead vocalist on their eponymous 1973 debut album. The following year, Kantner asked Balin to write a song for his new Airplane offshoot group, Jefferson Starship. Together, they wrote the early power ballad “Caroline”, which appeared on the album Dragon Fly with Balin as guest lead vocalist.

Rejoining the band he had helped to establish, Balin became a permanent member of Jefferson Starship in 1975; over the next three years, he contributed to and sang lead on four top-20 hits, including “Miracles” (No. 3, a Balin original), “With Your Love” (No. 12, a collaboration between Balin, former Jefferson Airplane drummer Joey Covington, and former Grootna/Bodacious DF lead guitarist Vic Smith), Jesse Barish’s “Count on Me” (No. 8), and N. Q. Dewey’s “Runaway” (No. 12). Ultimately, Balin’s relationship with the band was beleaguered by interpersonal problems and his own reluctance toward live performances. He abruptly left the group in October 1978 shortly after Slick’s departure from the band.

In 1979, Balin produced a rock opera titled Rock Justice, about a rock star who was put in jail for failing to produce a hit for his record company, based on his experiences with the lawsuits fought for years with former Jefferson Airplane manager Matthew Katz. The cast recording was produced by Balin, but it did not feature him in performance.

In 1981, he released his first solo album, Balin, and in 1983 a second solo album, Lucky, along with a Japanese-only EP produced by EMI called There’s No Shoulder.

In 1985, he teamed with former Jefferson Airplane members Paul Kantner and Jack Casady to form the KBC Band. After the breakup of the KBC band, a 1989 reunion album and tour with Jefferson Airplane followed.

In 1989, he participated in a short-lived Jefferson Airplane reunion tour and returned four years later to Jefferson Starship, finally leaving for good in 2008.

Jefferson Airplane was inducted into the Rock and Roll Hall of Fame in 1996 and was presented with the Grammy Lifetime Achievement Award in 2016.

While on tour in March 2016, Balin was taken to Mount Sinai Beth Israel Hospital in New York City after complaining of chest pains. After undergoing open-heart surgery, he was transferred to an intensive-care unit to spend time recovering. In a subsequent lawsuit, Balin alleged that neglect and inadequate care facilities on the hospital’s part had resulted in a paralyzed vocal cord, loss of his left thumb and half of his tongue, bedsores, and kidney damage.

Balin died at his home in Tampa, Florida on September 27, 2018, at the age of 76.

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Otis Rush 9/2018

Otis Rush was born near Philadelphia, Mississippi on April 29, 1934 during the Great Depression, the son of sharecroppers Julia Campbell Boyd and Otis C. Rush. He was one of seven children and worked on the farm throughout his childhood. His mother regularly took him out of school so that he could add to the family income when the cotton was high and white landowners wanted extra labor.

Music was young Otis solace. He sang in gospel choirs and taught himself to play guitar and harmonica, playing on street corners. “This is where my soul came from. This is where my faith started.” He said of Neshoba County.

Determined not to spend his life in the cotton fields, he moved north to Chicago in 1949 at the age of 14, working in stockyards and steel mills and driving a horse drawn coal wagon, hanging out in the city’s blues clubs at night. Continue reading Otis Rush 9/2018

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Aretha Franklin 8/2018

Aretha Franklin 8/2018 (76) was born on March 25, 1942 in Memphis, TN. Her father was a Baptist minister and circuit preacher originally from Shelby, Mississippi, while her mother was an accomplished piano player and vocalist. By age five she had moved with her family to Motor City Detroit.  As a child, young Aretha Franklin was noticed for her gospel singing at New Bethel Baptist Church, where her father was a minister.
Shortly after her mother’s death from a heart attack, Franklin at age 10 began singing solos at New Bethel Baptist Church. When Franklin was 12, shortly after giving birth to her first son, her father, a notorious womanizer, began managing her; he would take her on the road with him, during his “gospel caravan” tours for her to perform in various churches. He also helped her sign her first recording deal with J.V.B. Records. Franklin was featured on vocals and piano. In 1956, J.V.B. released Franklin’s first single, “Never Grow Old”, backed with “You Grow Closer”. “Precious Lord (Part One)” backed with “Precious Lord (Part Two)” followed in 1959.

These four tracks, with the addition of “There Is a Fountain Filled with Blood”, were released on side one of the 1956 album, Spirituals. This was reissued by Battle Records in 1962, under the same title. In 1965, Checker Records released Songs of Faith, featuring the five tracks from the 1956 Spirituals album, with the addition of four previously unreleased recordings. Aretha was only 14 when Songs of Faith was recorded.

During this time, Franklin would occasionally travel with the Soul Stirrers. As a young gospel singer, Franklin spent summers on the gospel circuit in Chicago and stayed with Mavis Staples’ family. According to music producer Quincy Jones, while Franklin was still young, Dinah Washington let him know that “Aretha was the ‘next one'”.  Franklin and her father traveled to California, where she met singer Sam Cooke. At the age of 16, Franklin went on tour with Dr. Martin Luther King Jr., and she would ultimately sing at his funeral in 1968. Other influences in her youth included Marvin Gaye (who was a boyfriend of her sister), as well as Ray Charles and Sam Cooke, “two of Franklin’s greatest influences”. Also important was James Cleveland, known as the King of Gospel music, “who helped to focus her early career as a gospel singer”; Cleveland had been recruited by her father as a pianist for the Southern California Community Choir.

After turning 18, Franklin confided to her father that she aspired to follow Sam Cooke in recording pop music, and moved to New York. Serving as her manager, C. L. Franklin agreed to the move and helped to produce a two-song demo that soon was brought to the attention of Columbia Records, who agreed to sign her in 1960, as a “five-percent” artist (meaning she would receive 5% over all records sold!). Sam Cooke tried to persuade Franklin’s father to sign her with his label, RCA Victor, but she had already decided to go with Columbia. Berry Gordy had also asked Franklin and her elder sister Erma to sign with his Tamla label (Motown), but C.L. Franklin turned Gordy down, as he felt Tamla was not yet an established label. Franklin’s first Columbia single, “Today I Sing the Blues“, was issued in September 1960 and reached the top 10 of the Hot Rhythm & Blues Sellers chart.

But, as her Detroit friends on the Motown label enjoyed hit after hit, Franklin struggled to achieve crossover success. Columbia placed her with a variety of producers who marketed her to both adults (“If Ever You Should Leave Me,” 1963) and teens (“Soulville,” 1964). Without targeting any particular genre, she sang everything from Broadway ballads to youth-oriented rhythm and blues. Critics recognized her talent, but the public remained lukewarm until 1966, when she switched to Atlantic Records, where producer Jerry Wexler helped her to sculpt her own musical identity.

At Atlantic, Franklin returned to her gospel-blues roots, and the results were sensational. “I Never Loved a Man (the Way I Love You)” (1967), recorded at Fame Studios in Florence, Alabama, was her first million-seller. Surrounded by sympathetic musicians, including a young Duane Allman) playing spontaneous arrangements and devising the background vocals herself, Franklin refined a style associated with Ray Charles—a rousing mixture of gospel and rhythm and blues—and raised it to new heights. As a civil-rights-minded nation lent greater support to black urban music, Franklin was crowned the “Queen of Soul.” Respect,” her 1967 cover of Otis Redding’s spirited composition, became an anthem operating on personal, sexual, and racial levels. “Think” (1968), which Franklin wrote herself, also had more than one meaning. For the next half-dozen years, she became a hit maker of unprecedented proportions; she was “Lady Soul.”
In the early 1970s she triumphed at the Fillmore West in San Francisco before an audience of flower children and on whirlwind tours of Europe and Latin America. Amazing Grace (1972), a live recording of her performance with a choir at the New Temple Missionary Baptist Church in Los Angeles, is considered one of the great gospel albums of any era. By the late 1970s disco cramped Franklin’s style and eroded her popularity. But in 1982, with help from singer-songwriter-producer Luther Vandross, she was back on top with a new label, Arista, and a new dance hit, “Jump to It,” followed by “Freeway of Love” (1985). A reluctant interviewee, Franklin kept her private life private, claiming that the popular perception associating her with the unhappiness of singers Bessie Smith and Billie Holiday was misinformed.
In 1987 Franklin became the first woman inducted into the Rock and Roll Hall of Fame. In addition, she received a Kennedy Center Honor in 1994, a National Medal of Arts in 1999, and the Presidential Medal of Freedom in 2005. While her album sales in the 1990s and 2000s failed to approach the numbers of previous decades, Franklin remained the Queen of Soul. In 2009 she electrified a crowd of more than one million with her performance of “My Country ’Tis of Thee” at the presidential inauguration of Barack Obama, and her rendition of Carole King’s “(You Make Me Feel Like) A Natural Woman” during the Kennedy Center Honors ceremony in 2015 was no less breathtaking. The documentary Amazing Grace, which chronicles her recording of the 1972 album, premiered in 2018.

Aretha Franklin, the “Queen of Soul” died August 16th, 2018, the same day that Elvis Presley “The King of Rock ‘n’ Roll” died 41 years earlier.

It is said that Aretha sang the soul from her experiences of becoming a mother at age 12 and then again 14. It is also known that she lived in violent marriages and as a result became alcohol dependent. Her life was often compared to Tina Turner’s life with Ike. A story published in Vanity Fair exposes this wonderful woman.

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Edwin Hawkins 1/2018

Edwin Hawkins was born in Oakland, California, on August 19, 1943. he began singing in his church youth choir while still a toddler, and by age five was playing piano; just two years later, he assumed full-time piano accompaniment duties for the family gospel group, making their recorded debut in 1957.
In May 1967, together with Betty Watson, he founded the Northern California State Youth Choir of the Church of God in Christ (COGIC), which included almost fifty members.  This ensemble recorded its first album Let Us Go into the House of the Lord at the Ephesian Church of God in Christ in Berkeley, California privately (on the Century 70 custom label), hoping to sell 500 copies. “Oh Happy Day” was just one of the eight songs on the album. The choir used this LP to raise funds to travel to the 1968 Youth Congress for COGIC in Washington, D.C. to compete in the Congress’ annual choir competition, representing the Northern California region. The choir finished in second place at the contest, and that was the first of many surprises coming their way. Upon their return to California, their LP found its way into the hands of a KSAN underground rock DJ in San Francisco who happened to pick “Oh Happy Day” to play on his station; the song became an instant hit.
Once “Oh Happy Day” received radio airplay in other parts of the U.S. and the ensemble learned of the song’s rising success, they began to contact people in the recording industry who helped them obtain a major contract. The ensemble signed with the newly created Pavilion label (distributed by Buddah), and released a second LP, entitled He’s A Friend of Mine, in 1969. But it was “Oh Happy Day” that rocketed to sales of more than a million copies within two months. The song crossed over to the pop charts, making U.S. No. 4, UK No. 2, Canada No. 2, No. 2 on the Irish Singles Chart, and No. 1 on the French Singles Charts, the Netherlands and the German Singles Charts in 1969.

It became an international success, selling more than 7 million copies worldwide, and Hawkins was awarded his first Grammy for the recording. His arrangement of the song was eventually covered by The Four Seasons on their 1970 album Half & Half. At this time the choir was rechristened the Edwin Hawkins Singers, although the featured voice on “Oh Happy Day” belonged to singer Dorothy Combs Morrison, who soon exited in pursuit of a solo career. Her loss proved devastating to Hawkins’ long-term commercial fortunes.

The choir’s second LP Top 10 hit on the Billboard Hot 100 charts was the 1970 Melanie single “Lay Down (Candles in the Rain),” on which the label listed the performers as “Melanie with The Edwin Hawkins Singers”. The song peaked at No. 6 in the U.S. and Top 10 in a host of other countries.

Hawkins remained a critical favorite, and in 1972 the Singers won a second Grammy for Every Man Wants to Be Free. Recording prolifically throughout the remainder of the decade, in 1980 they won a third Grammy for Wonderful; a fourth, for If You Love Me, followed three years later. In 1982, Hawkins also founded the Edwin Hawkins Music and Arts Seminar, an annual weeklong convention that offered workshops exploring all facets of the gospel industry and culminating each year with a live performance by the assembled mass choir. Although Hawkins recorded less and less frequently in the years to follow, he continued touring regularly. In 1990, Hawkins, credited as a solo performer, had a number 89 hit on the R&B chart with “If at First You Don’t Succeed (Try Again)”.
In the 1992 movie Leap of Faith, Hawkins is the choir master for the gospel songs. In 1995 he toured extensively with the Swedish choir Svart Pa Vitt. His Music and Arts Seminar continued to grow as well, with the 2002 choir including members from the U.S., Europe, and Japan. Hawkins also recorded throughout the 2000s, releasing All the Angels in 2004 and Have Mercy four years later.

Edwin Hawkins was one of the originators of the urban contemporary gospel sound.  His arrangement of “Oh Happy Day”, which was included on the Songs of the Century list.

Hawkins died of pancreatic cancer on January 15, 2018, in Pleasanton, California, at the age of 74.

Altogether Hawkins has won four Grammy Awards and In 2007, Hawkins was inducted into the Christian Music Hall of Fame and attended the formal awards show in 2009.

The Edwin Hawkins Singers performance of “Oh Happy Day” at the 1969 Harlem Cultural Festival appears in the 2021 music documentary, Summer of Soul.
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Preston Shannon 1/2018

Preston Shannon was born October 23, 1947 in Olive Branch, Miss., Shannon moved to Memphis at the age of 8. While his family was steeped in the culture and music of the Pentecostal church, it was blues and R&B that fired Shannon’s imagination.

Shannon first gained notice in the 1980s as a member of local group Amnesty while still working as a hardware salesman. His big break came after being discovered by soul singer Shirley Brown. Shannon’s distinctive vocals, often described as “a cross between Bobby Womack and Otis Redding”  and supple guitar playing, set him on the path professionally.

In the early-’90s, Shannon stepped out on his own, launching a long run as one of the featured acts on Beale Street. Over the next three decades, Shannon would cut a familiar figure in the clubs on Beale, serving as a kind of musical ambassador to the hundreds of thousands of tourists who would visit each year. His efforts would earn Shannon the nickname “The King of Beale Street.”

In the ’90s, Shannon also began his solo recording career. Signing with indie label Rounder Records in 1994, he released his critically acclaimed debut, “Break the Ice,” featuring contributions from the Memphis Horns.

In 1993, his own Preston Shannon Band played at the Long Beach Blues Festival in Long Beach, California. After being spotted leading his own band in Memphis’ Beale Street clubs, he signed to Rounder Records subsidiary, Bullseye Blues, and released his debut solo effort, Break the Ice in 1994.

After this followed the Willie Mitchell produced efforts, Midnight in Memphis (1996) and All in Time (1999). However, with no immediate follow-up available, Preston lost momentum.Shannon’s next effort, 1996’s “Midnight in Memphis,” was produced by Hi Records legend Willie Mitchell, who would prove a frequent collaborator. The pair reunited for Shannon’s 1999’s record “All in Time.” Shannon would release a number of lauded albums over the years, including his 2014 tribute to Chicago bluesman Elmore James, titled “Dust My Broom.”

Among the songs he wrote are “Beale Street Boogaloo” and “Midnight in Memphis“.He was born in Olive Branch, Mississippi and relocated with his family to nearby Memphis, Tennessee at the age of eight.

After moving to Title Tunes, he released Be with Me Tonight (2006).

Shannon played at Memphis in May in both 2008 and 2011. In February 2012, Shannon appeared on season two of The Voice, singing “In the Midnight Hour”.

He was a regular performer at B.B. King’s Blues Club in Memphis. Shannon’s most recent album release was Dust My Broom (2014).

Preston died of cancer on January 22, 2018 in Memphis, Tennessee, at the age of 70.

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Dolores O’Riordan 1/2018

January 15, 2018 – Dolores O’Riordan (The Cranberries) was born Dolores Mary Eileen O’Riordan on September 6, 1971 brought up in Ballybricken, a town in County Limerick, Ireland. She was the daughter of Terence and Eileen O’Riordan and the youngest of seven children. She attended Laurel Hill Coláiste FCJ school in Limerick.

In 1990 O’Riordan auditioned for and won the role of lead singer for a band called the Cranberry Saw Us (later changed to the Cranberries). The band became a sensation as it released five albums: Everybody Else Is Doing It, So Why Can’t We? (1993), No Need to Argue (1994), To the Faithful Departed (1996), Bury the Hatchet (1999) and Wake Up and Smell the Coffee (2001) and a greatest-hits compilation entitled Stars: The Best of 1992–2002 (2002), before they went on hiatus in 2003.

In 2004, she appeared with the Italian artist Zucchero on the album Zu & Co., with the song “Pure Love”. The album also featured other artists such as Sting, Sheryl Crow, Luciano Pavarotti, Miles Davis, John Lee Hooker, Macy Gray and Eric Clapton. The same year she worked with composer Angelo Badalamenti on the Evilenko soundtrack, providing vocals on several tracks, including “Angels Go to Heaven”, the movie theme.

In 2005, she appeared on the Jam & Spoon’s album Tripomatic Fairytales 3003 as a guest vocalist on the track “Mirror Lover”. O’Riordan also made a cameo appearance in the Adam Sandler comedy Click, released on 23 June 2006, as a wedding singer performing an alternate version of The Cranberries’ song “Linger”, set to strings. Her first single, “Ordinary Day”, was produced by BRIT Awards winner, Youth, whose previous credits include The Verve, Embrace, Primal Scream, U2 and Paul McCartney. O’Riordan made an appearance live on The Late Late Show on 20 April 2007.

Are You Listening? , her first solo album was released in Ireland in 4 May 2007, in Europe on 7 May, and in North America on 15 May. “Ordinary Day” was its first single, released in late April. The video for “Ordinary Day” was shot in Prague. In August “When We Were Young” was released as the second single from the album.

On 19 November 2007, she cancelled the remainder of her European Tour (Lille, Paris, Luxembourg, Warsaw and Prague) due to illness. In December she performed in a few small American clubs, including Des Moines, Nashville, and a well-received free show in Charlottesville, Virginia.

In 2008, O’Riordan won an EBBA Award. Every year the European Border Breakers Awards recognise the success of ten emerging artists or groups who reached audiences outside their own countries with their first internationally released album in the past year.

Dolores O’Riordan was known for her lilting mezzo-soprano voice, her emphasized use of yodeling and for her strong Limerick accent. In January 2009, the University Philosophical Society (Trinity College, Dublin) invited The Cranberries to reunite for a concert celebrating O’Riordan’s appointment as an honorary member of the Society, which led the band members to consider reuniting for a tour and a recording session. On 25 August 2009, while promoting her solo album No Baggage in New York City on 101.9 RXP radio, O’Riordan announced the reunion of the Cranberries for a world tour. The tour began in North America in mid-November, followed by South America in mid-January 2010 and Europe in March 2010. Also touring with the original members of The Cranberries was Denny DeMarchi, who played the keyboard for O’Riordan’s solo albums.

The band played songs from O’Riordan’s solo albums, many of the Cranberries’ classics, as well as new songs the band had been working on. On 9 June 2010 The Cranberries performed at the Special Olympics opening ceremony at Thomond Park in Limerick. This was the first time the band had performed in their native city in over 15 years.

She appeared as a judge on RTÉ’s The Voice of Ireland during the 2013–14 season. Dolores O’Riordan began recording new material with JETLAG, a collaboration between Andy Rourke of The Smiths and Ole Koretsky, in April 2014. They then formed a trio under the name D.A.R.K. Their first album, Science Agrees, was released in September 2016.

On 26 May 2016, the band announced that they planned to start a tour in Europe. The first show was held on 3 June.

On the Personal Note:

On 18 July 1994, O’Riordan married Don Burton, the former tour manager of Duran Duran. The couple had three children. In 1998, the couple bought a 61-hectare (150-acre) stud farm, called Riversfield Stud, located in Kilmallock, County Limerick, selling it in 2004. They then moved to Howth, County Dublin, and spent summers in a log cabin in Buckhorn, Ontario, Canada. In 2009, the family moved full-time to Buckhorn.

In August 2013, she returned to live in Ireland. She and Burton split up in 2014 after 20 years together, and subsequently divorced. She was raised as a Roman Catholic. Her mother was a devout Catholic who chose her daughter’s name in reference to the Lady of the Seven Dolours. Dolores admired Pope John Paul II, whom she met twice, in 2001 and 2002. She performed at the invitation of Pope Francis in 2013 at the Vatican’s annual Christmas concert.

In November 2014, O’Riordan was arrested and charged in connection with air rage on an Aer Lingus flight from New York to Shannon. During the flight she grew verbally and physically abusive with the crew. When police were arresting her after landing, she resisted, reminding them her taxes paid their wages and shouting “I’m the Queen of Limerick! I’m an icon!”, headbutting one Garda officer and spitting at another. Later she told the media that she had been stressed from living in New York hotels following the end of her 20-year marriage. The judge hearing her case agreed to dismiss all charges if she apologised in writing to those she injured and contributed €6,000 to the court poor box.

In May 2017, she publicly discussed her bipolar disorder, which she said had been diagnosed two years earlier. That same month, the Cranberries cited her back problems as the reason for cancelling the second part of the group’s European tour. In late 2017, O’Riordan said she was recovering and performed at a private event.

On 15 January 2018, at the age of 46, while in London for a recording session, Dolores O’Riordan died unexpectedly at the London Hilton on Park Lane hotel in Mayfair. The cause of death was accidental drowning in a bathtub, following sedation by alcohol intoxication.

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Ray Thomas 1/2018

January 4, 2018 – Ray Thomas (the Moody Blues) was born on December 29, 1941 in Stourport-on-Severn, England, of Welsh descent.
In the 1960s Thomas joined the Birmingham Youth Choir then began singing with various Birmingham blues and soul groups including The Saints and Sinners and The Ramblers. Taking up the harmonica he started a band, El Riot and the Rebels, with bass guitarist John Lodge. After a couple of years their friend Mike Pinder joined as keyboardist. El Riot and the Rebels once opened for The Beatles in Tenbury Wells; Thomas and Pinder were later in a band called Krew Cats, formed in 1963, who played in Hamburg and other places in northern Germany.Thomas and Pinder then recruited guitarist Denny Laine, drummer Graeme Edge, and bassist Clint Warwick to form a new, blues-based band, The Moody Blues. Signed to Decca Records, their first album, The Magnificent Moodies, yielded a No. 1 UK hit (No. 10 in the US) with “Go Now”. Thomas sang lead vocals on George and Ira Gershwin’s “It Ain’t Necessarily So” from the musical Porgy and Bess.

When Warwick left the band (followed by Laine a few months later) he was briefly replaced by Rod Clark. Thomas then suggested his and Pinder’s old bandmate John Lodge as a permanent replacement and also recruited Justin Hayward to replace Laine. Hayward had actually given his demo tape to Eric Burden and the Animals, and Burden passed the tape on to the Moodies, as he had already hired a guitarist. With this line-up the band released seven successful albums between 1967 and 1972 and became known for their pioneering orchestral sound.

Although they initially tried to continue singing R&B covers and novelty tunes, they were confronted over this by an audience member, and with their finances deteriorating they made a conscious decision to focus only on their own original material.

Following the lead of Pinder, Hayward, and Lodge, Thomas also started writing songs. The first he contributed to the group’s repertoire were “Another Morning” and “Twilight Time” on the album Days of Future Passed. His flute had featured on three songs on the debut album—”Something You Got”, “I’ve Got a Dream”, and “Let Me Go”—as well as the single “From the Bottom of My Heart”, but it would become an integral part of the band’s music, even as Pinder started to use the Mellotron keyboard. Thomas has stated that a number of his compositions on the band’s earlier albums were made in a studio broom closet, with Thomas writing songs on a glockenspiel. Hayward has spoken of Thomas’s learning transcendental meditation in 1967, along with other members of the group.

Thomas and Pinder both acted as the band’s onstage emcees, as heard on the live album Caught Live + 5 and seen in the Live at the Isle of Wight Festival DVD. Thomas started to become a more prolific writer for the group, penning songs such as “Legend of a Mind”—an ode to LSD guru and friend of the band, Timothy Leary, and a popular live favorite—and “Dr. Livingstone, I Presume” for In Search of the Lost Chord, “Dear Diary” and “Lazy Day” for On the Threshold of a Dream as well as co-writing “Are You Sitting Comfortably?” with Hayward.

The Moody Blues formed their own record label Threshold Records, distributed by Decca in the UK and London in the US, and their first album on the Threshold imprint was To Our Children’s Children’s Children, a concept album about eternal life. Thomas wrote and sang “Floating” and “Eternity Road”.

When the band began to realize that their method of heavy overdubbing in the studio made most of the songs very difficult to reproduce in concert, they decided to use a more stripped-down sound on their next album A Question of Balance, to be able to play as many songs live as possible. It was their second UK No. 1 album. Thomas wrote and sang “And the Tide Rushes In”, reportedly written after having a fight with his wife, and was credited with co-writing the album’s final track “The Balance” with Edge, while Pinder recited the story.

The Moodies went back to their symphonic sound and heavy overdubbing with Every Good Boy Deserves Favour, their third UK No. 1 album, and Thomas wrote and sang “Our Guessing Game” and “Nice to Be Here”, also singing a co-lead vocal with Pinder, Hayward and Lodge on Edge’s “After You Came”. All five members wrote “Procession”.

The final album of the ‘core seven’ was Seventh Sojourn, their first album to reach No. 1 in the USA. By this time, Pinder had replaced his mellotron with the chamberlin, which produced orchestral sounds more realistically and easily than the mellotron. Thomas wrote and sang “For My Lady”.

Thomas released the albums From Mighty Oaks (1975) and Hopes Wishes and Dreams (1976) after the band temporarily broke up in 1974. During this period he earned his nickname ‘The Flute’. Within the band he was also known as ‘Tomo’ (pronounced tOm-O). The band reformed in 1977 for Octave, which was released in 1978. Thomas provided the songs “Under Moonshine” and “I’m Your Man”, and the group continued to release albums throughout the 1980s, with Thomas’s “Veteran Cosmic Rocker” and “Painted Smile” being featured on the album Long Distance Voyager. The former song has often been regarded as a theme song for the band itself as a whole and for Thomas in particular, and it again features his use of the harmonica. After contributing “Sorry” and “I Am” (both on the 1983 album The Present), Thomas temporarily stopped writing new songs for the band, for reasons unknown. He took featured lead vocal on Graeme Edge‘s song “Going Nowhere” (on The Present).

During the group’s synth-pop era, Thomas’s role in the recording studio began increasingly to diminish, partially due to the band’s synth-pop music being unsuitable for his flute and partially because he was also unwell during this period, meaning that his involvement in recording sessions was further limited. Despite contributing backing vocals on The Other Side of Life and Sur la Mer, he took no lead vocal role and it is unclear how much, if any, instrumentation he recorded for these two albums; but in any case, none of his instrumentation or vocals ended up on Sur la Mer. Although he is included in the childhood photos depicted on the album’s inner sleeve and is given an overall ‘group credit’, significantly (unlike the others) he is then not given an actual performing band credit at all. Patrick Moraz, who had replaced Pinder as the band’s keyboardist, objected to Thomas’s exclusion from the album and pushed for the band to return to the deeper sound that they had achieved with Pinder. It is possible that during the sessions for The Other Side of Life Thomas contributed tambourine, harmonica or saxophone, but it is unknown how many, if any, instrumental contributions of his ended up on the released version of the album, and at this point he was largely relegated to the role of a backup singer.

On The Moody Blues’ 1991 release Keys of the Kingdom, Thomas played a substantial role in the studio for the first time since 1983, writing “Celtic Sonant” and co-writing “Never Blame the Rainbows for the Rain” with Justin Hayward. He contributed his first ambient flute piece in eight years; however, his health declined and his last album with the group was Strange Times to which he contributed his final compositions for the group. He also provided a co-lead vocal with Hayward and Lodge on their song “Sooner or Later (Walking On Air)”.

Thomas permanently retired at the end of 2002. In a 2014 interview with Pollstar.com, drummer Graeme Edge stated that Thomas had retired due to illness. The Moody Blues – consisting only of Hayward, Lodge and Edge (Edge being the only remaining original member) plus four long-serving touring band members, including Gordon Marshall on percussion and Norda Mullen who took over Thomas’ flute parts – have released one studio album, December, since his departure from the band.

In July 2009 it became known that Thomas had written at least two of his songs– “Adam and I” and “My Little Lovely”– for his son and his grandson Robert, respectively. It was also revealed that he had married again, to his longtime girlfriend Lee Lightle, in a ceremony at the Church of the Holy Cross in Mwnt, Wales, on 9 July 2009.

Thomas released his two solo albums, remastered, in a boxset on 24 September 2010. The set includes, with the two albums, a remastered quad version of “From Mighty Oaks”, a new song “The Trouble With Memories”, a previously unseen promo video of “High Above My Head” and an interview conducted by fellow Moody Blues founder Mike Pinder. The boxset was released through Esoteric Recordings/Cherry Red Records.

In October 2014, Thomas posted this statement on his website:”After the tragic death of Alvin Stardust and the brave response to Prostate Awareness by his widow, Julie, in following up on what Alvin had intended to say about the disease, I have decided to help in some small way. I was diagnosed in September 2013 with prostate cancer. My cancer was in-operable but I have a fantastic doctor who immediately started me on a new treatment that has had 90% success rate. The cancer is being held in remission but I’ll be receiving this treatment for the rest of my life. I have four close friends who have all endured some kind of surgery or treatment for this cancer and all are doing well. While I don’t like to talk publicly about my health problems, after Alvin’s death, I decided it was time I spoke out. A cancer diagnosis can shake your world and your family’s but if caught in time it can be cured or held in remission. I urge all males to get tested NOW. Don’t put it off by thinking it won’t happen to me. It needs to be caught early. It’s only a blood test – a few minutes out your day to save yourself from this disease. Love and God Bless, Ray.”

Thomas died on 4 January 2018 of prostate cancer, at his home in Surrey, at the age of 76.

Although he most commonly played flute, Thomas was a multi-instrumentalist, who also played piccolo, oboe, harmonica, saxophone, and, on the album In Search of the Lost Chord, the French horn. He frequently played tambourine and also shook maracas during the group’s R&B phase. The 1972 video for “I’m Just a Singer (In a Rock and Roll Band)” features Thomas playing the baritone saxophone, although Mike Pinder says on his website that this was just for effect in the video and that Thomas did not play saxophone on the recording.

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Lord Luther McDaniels 12/2017

December 30, 2017 – Lord Luther McDaniels, lead singer of vocal group the 4 Deuces, was born in Panola County, Texas in 1938. He never knew his father, who was killed in an accident soon after Luther was born. Mostly raised by his grandmother, he joined the Mitchell Brothers gospel group when he was about 11 or 12. While Luther had no musical training, he still traveled with the group all over East Texas, appearing in many gospel group “battles.” Around the end of World War 2, his mother remarried and moved to Salinas, California, about a hundred miles south of San Francisco (his new stepfather was stationed at Fort Ord in Monterey, only a few miles away). Luther went to California, decided he didn’t like it, went back to Texas, decided California wasn’t that bad, and returned to California to stay, settling in the fertile Salinas Valley south of the Bay Area, a region often referred to as America’s Salad Bowl. Continue reading Lord Luther McDaniels 12/2017

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Warrel Dane 12/2017

December 13, 2017 – Warrel Dane (Sanctuary/Nevermore) was born on March 7, 1961 as Warrel G. Baker in Seattle, Washington.

Warell, who first came to fame as the high-pitched singer of Serpent’s Knight, was famed for his vocal range and had originally trained for five years as an opera singer and utilized a very broad vocal range, spanning from notes as low as the G♯ below low C, or G♯1, to notes as high as the B♭ below soprano C, or B♭5. While his high head voice style vocals were much more prominent in the older Sanctuary albums, there were instances where he utilized it in Nevermore as well. Later in his career, Dane became more notable for his distinctively deep, dramatic voice. He cited Judas Priest, Iron Maiden, Black Sabbath, Jefferson Airplane, Simon & Garfunkel, The Beatles, The Doors as his musical influences and Ronnie James Dio, Rob Halford, Bruce Dickinson as his main vocal inspirations. Continue reading Warrel Dane 12/2017

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Pat DiNizio 12/2017

December 12, 2017 – Pat DiNizio (The Smithereens) was born October 12, 1955 in Scotch Plains, New Jersey, where he actually lived his entire life. As a youngster, he was inspired by the pop music emanating from his transistor radio in the ‘60s and the hit tunes being written by his musical idols Buddy Holly, The Beatles, and The Beau Brummels among others.

He began playing music with several local bands in the early 1970s, but got serious around 1975 when he joined three classmates from nearby Cateret High School – guitarist Jim Babjak, bassist Mike Mesaros and drummer Dennis Diken and formed the Smithereens. That lineup would remain in place for nearly 25 years. Continue reading Pat DiNizio 12/2017

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Johnny Halliday 12/2017

December 5, 2017 – Johnny Halliday was born Jean-Philippe Léo Smet on June 15, 1943 in Paris. His father was Belgian and his mother French. took his stage name from A cousin-in-law from Oklahoma, USA who performed as Lee Halliday called Smet “Johnny” and became a father figure, introducing him to American music. And the name Johnny Halliday was born. Continue reading Johnny Halliday 12/2017

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Mitch Margo 11/2017

 

November 24, 2017 – Mitch Margo (The Tokens) was born on May 25, 1947 in New York City. He began singing a cappella at age 9 alongside his brother Phil. 

Young Margo learned to play piano in those early days, but over the years established himself as a multi-instrumentalist, also playing guitar, bass, drums and percussion.

Margo was a student at Abraham Lincoln High School in Brooklyn when he and his brother joined the Linc-Tones, also featuring Neal Sedaka, Hank Mendress and original member Tokens founder Jay Siegel, who soon renamed themselves the Tokens and recorded “The Lion Sleeps Tonight” while Mitch was just 14 years old. Continue reading Mitch Margo 11/2017

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Tommy Keene 11/2017

November 22, 2017 – Tommy Keene was born on June 30, 1958 in Evanston, Illinois and raised and graduated from Walter Johnson High School in Bethesda, Maryland (class of 1976), (which was also the alma mater of fellow musician Nils Lofgren). Keene played drums in one version of Lofgren’s early bands but moved to guitar later when he attended the University of Maryland.

Keene launched his career in the late-‘70s as a guitarist with a series of Washington D.C.-area combos including the Rage and the Razz, before hitting the national scene as a solo act in 1982 with the release of his debut Strange Alliance. He actually first received critical acclaim with his The Razz, who released several local independent singles. Continue reading Tommy Keene 11/2017

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David Cassidy 11/2017

Heartthrob David CassidyNovember 21, 2017 – David Cassidy (The Partridge Family) was born on April 12, 1950 in New York, New York with a silver spoon in his mouth. His father was singer/actor Jack Cassidy and his mother actress Evelyn Ward.

As his parents were frequently touring on the road, he spent his early years being raised by his maternal grandparents in a middle-class neighborhood in West Orange, New Jersey. In 1956, he found out from neighbors’ children that his parents had been divorced for over two years and had not told him. David’s parents had decided because he was at such a young age, it would be better for his emotional stability to not discuss it at that time. They were gone often with theater productions and home life remained the same. Many years later, after his father’s death, he found out that his father was bi-sexual with many homosexual encounters. Continue reading David Cassidy 11/2017

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Wayne Cochran 11/2017

November 21, 2017 – Wayne Cochran (The CC Riders) was born Talvin Wayne Cochran near Macon, Georgia, and grew up in roughly the same environs his idol James Brown and friend Otis Redding had, be it on the other side of the tracks.

After getting his start with various rock’n’roll outfits, in 1959 Cochran cut his first disc and the next five years would witness a succession of releases, most of which only made regional noise at best. One item however, would ultimately become Cochran’s greatest success, though in someone else’s hands. His lightly morbid but undeniably catchy original ‘Last Kiss’ hit the top of the charts in the summer of 1964 in a faithful treatment by Texans J. Frank Wilson & The Cavaliers. This classic “death disc” has since been covered by many, not least Pearl Jam, so at least the healthy royalties from whose versions, would come as an unforeseen blessing for Cochran in later years.

Continue reading Wayne Cochran 11/2017

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Warren “Pete” Moore 11/2017

smokey robinson and the miraclesNovember 19, 2017 – Warren “Pete” Moore (the Miracles) was born on November 19, 1939 in Detroit, Michigan. A childhood friend of Miracles lead singer Smokey Robinson, the two met at a musical event given by the Detroit Public School system, where Moore spotted Robinson singing as part of the show. The two became friends and formed a singing group, which eventually became the Miracles. Besides his work in the Miracles, Moore helped Miracles member Smokey Robinson write several hit songs, including The Temptations’ “It’s Growing” and “Since I Lost My Baby”, and two of Marvin Gaye’s biggest hits, the Top 10 million sellers, “Ain’t That Peculiar” and “I’ll Be Doggone”. Continue reading Warren “Pete” Moore 11/2017

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Della Reese 11/2017

Singer/Actress Della ReeseNovember 19, 2017 – Della Reese, was born Delloreese Patricia Early on July 6, 1931 in the Black Bottom neighborhood of Detroit Michigan. At six years old, Reese began singing in church. From this experience, she became an avid gospel singer. On weekends in the 1940s, she and her mother would go to the movies independently to watch the likes of Joan Crawford, Bette Davis, and Lena Horne portray glamorous lives on screen. Afterwards, Reese would act out the scenes from the films. In 1944, she began her career directing the young people’s choir, after she had nurtured acting plus her obvious musical talent. She was often chosen, on radio, as a regular singer.Delloreese entered Detroit’s popular Cass Technical High School (where she attended the same year as Edna Rae Gillooly, later known as Ellen Burstyn). She also continued with her touring with Jackson.  At the age of 13, she was hired to sing with Mahalia Jackson’s gospel group. With higher grades, she was the first in her family to graduate from high school in 1947, at only 15. Continue reading Della Reese 11/2017

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Chuck Mosley 11/2017

November 9, 2017 – Chuck Mosley (Faith No More) was born December 26, 1959 in Hollywood, California, but raised in South Central Los Angeles and Venice. He was adopted at a very early age, as talked about in the Faith No More biography book, “The Real Story.” In a 2013 interview, Mosley said “My Parents met at some kind of socialist/communist get-together in the ’50s. They were interracial – my mom was Jewish and my dad was black and Native American. So that was something controversial in itself. My dad had a daughter and my mom had two daughters, and all they were missing was a boy, so they went out and adopted one, and it was me.”

Mosley first met Billy Gould in 1977, going to a The Zeros, Johnny Navotnee and Bags show. He then went on to play keyboards in Billy’s first band, The Animated, in 1979. In 1984 he joined Haircuts That Kill, a post-punk band from the San Francisco area, which lasted up until Mosley’s joining of Faith No More. He joined Faith No More in 1985 replacing, among others, Courtney Love (Hole) who had a brief stint as lead singer. AllMusic states that Mosley’s “out of tune” vocals for Faith No More are “an acquired taste to most.” Continue reading Chuck Mosley 11/2017

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Fred Cole 11/2017

November 9, 2017 – Fred Cole was born August 28, 1948 in Tacoma, Washington and he moved with his mother to Las Vegas where he attended high school. Here he began his recording career in 1964,  with his band, the Lords, at the Teenbeat Club, releasing a single titled “Ain’t Got No Self-Respect. “His next single, from 1965, was a promo-only called “Poverty Shack” b/w “Rover,” with a band named Deep Soul Cole.

In 1966 Cole’s band The Weeds gained notice in garage rock circles, and their only single, a 60s punk track called It’s Your Time (b/w Little Girl, Teenbeat Club Records), has become a collectors’ favorite. The A-side appeared on one of the Nuggets anthologies. The band was promised an opening slot on a Yardbirds bill at the Fillmore in San Francisco, but on their arrival found that the venue hadn’t heard of them. Continue reading Fred Cole 11/2017

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Hans Vermeulen – 11/2017

November 9, 2017 – Hans Vermeulen (Sandy Coast) was born on September 18, 1947 in Voorburg, the Hague in the Netherlands. He grew up in what was to become the birthplace of Nederpop, which produced bands like Golden earring (Radar Love) and Shocking Blue (Venus), Q 65, Rob Hoeke and many others.

He scored hits like I See Your Face Again , Capital Punishment and my favorite True Love That’s a Wonder with his first group Sandy Coast which he had formed in 1961.

When the first run of late sixties rock and roll ran dry, Sandy Coast disbanded in the early seventies, and did not reform until 1981, with a big comeback hit.
In 1975 Vermeulen founded Rainbow Train, a open door clearing house formation for musicians, in which he sang with his then-wife Dianne Marchal .
In those years he made impact as a much in demand EMI producer for popular Dutch singers like Margriet Eshuijs (Lucifer) and Anita Meyer. For Meyer he wrote in 1976 the number 1 hit The Alternative Way, on which he also sang and for Eshuijs he produced the still today hugely popular “House for Sale” hit. Continue reading Hans Vermeulen – 11/2017

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Robert Knight 11/2017

one hit wonder robert knightNovember 5, 2017 – Robert Knight, born Robert Peebles on April 24, 1945 grew up in Franklin Tennessee, just south of Nashville’s Music scene. Knight made his professional vocal debut with the Paramounts, a quintet consisting of school friends. Signed to Dot Records in 1960, they recorded “Free Me” in 1961, a US R&B hit single that was somewhat noteworthy as it outsold a rival version by Johnny Preston. Continue reading Robert Knight 11/2017

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Eamonn Campbell 10/2017

October 18, 2017 – Eamonn Campbell was born on November 29, 1946 in Drogheda in County Louth, but later moved to Walkinstown, a suburb of Dublin. He heard Elvis’ That’s All Right for the first time when he was 10; got his first guitar when he was 11 and taught himself how to play it in the next several year. 

He had his first gig at 14 and never really looked back, even though there were early plans to take up accounting. In 1964, he graduated high school with the intention of becoming an accountant. “But his accountant’s brain told him he’d make much more money out of gigging.” So instead he would go on to play for bands such as The Viceroys, The Checkmates and The Delta Boys. He also played locally with the The Bee Vee Five and the Country Gents before joining Dermot O’Brien and the Clubmen and he first met The Dubliners when both acts toured England together in 1967. Over the years that followed he got into production and often sat in with the Dubliners, which had formed in 1962. Continue reading Eamonn Campbell 10/2017

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Jimmy Beaumont 10/2017

October 7, 2017 – Jimmy Beaumont (The Skyliners) was born on October 21, 1940 in the Knoxville neighborhood of Pittsburgh, PA. While in his teens he formed the bebop group the Crescents. Joe Rock, a promo man working with Beaumont’s group, one day jotted down the lyrics to a song as he sat in his car at a series of stoplights, lamenting that his girlfriend was leaving for flight attendant school on the West Coast.

Rock took the lyrics to Jimmy Beaumont, who wrote a melody just as quickly as Rock wrote the words to a magical, tearful ballad that soon topped the Cashbox R&B chart and went to No. 3 on the Billboard R&B chart: the title …..“Since I Don’t Have You.”

“I had been listening to all the doo-wop groups from that period — The Platters, The Moonglows. I guess just from listening the melody just came out of me,” Beaumont told the Pittsburgh Post-Gazette years later.

Thirteen labels rejected the song as a demo, but the record was released in late December 1958. In short order it went to No. 1 in Pittsburgh, prompting an invitation to “American Bandstand.”  Continue reading Jimmy Beaumont 10/2017

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Tom Petty 10/2017

tom petty and the heart breakers front manOctober 2, 2017 – Tom Petty was born on October 20, 1950 in Gainesville Florida. Growing up in the town that houses the University of Florida, music became the young Petty’s refuge from a domineering, abusive father who despised Tom’s sensitivity and creative tendencies—but would later glom on to his son’s rock-star fame for status. In the summer of 1961, his uncle was working on the set of Presley’s film Follow That Dream in nearby Ocala, and invited Petty to come down and watch the shoot. He instantly became an Elvis Presley fan, and when he returned that Saturday, he was greeted by his friend Keith Harben, and soon traded his Wham-O slingshot for a collection of Elvis 45s.

Continue reading Tom Petty 10/2017

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Charles Bradley 9/2017

September 23, 2017 – Charles Bradley was born on November 5, 1948 in Gainesville, Florida
Bradley was raised by his maternal grandmother in Gainesville, Florida until the age of eight when his mother, who had abandoned him at eight months of age, took him to live with her in Brooklyn, New York.

In 1962, his sister took him to the Apollo Theater to see James Brown perform. Bradley was so inspired by the performance that he began to practice mimicking Brown’s style of singing and stage mannerisms at home. Continue reading Charles Bradley 9/2017

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Mark Selby 9/2017

September 18, 2017 – Mark Selby was born in September 2, 1961. Born and raised in Enid, Oklahoma, Selby spent his youth harvesting wheat and playing in bands throughout the Midwest before moving to Hays, Kansas to attend Fort Hays University where he earned a bachelor’s degree in music. 

He was musically gifted in three ways: as a songwriter, a singer with a soulful voice and a guitarist with some impressive chops. His future as a blues rock singer-songwriter, guitarist, multi-instrumentalist and producer started in Germany, where he signed as a solo artist to ZYX Records.  Continue reading Mark Selby 9/2017

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Jessi Zazu 9/2017

September 12, 2017 – Jessi Zazu (Those Darlins) was born Jessi Zazu Wariner in Nashville Tennessee in 1989.

When Jessi Zazu was just a little girl, her mother Kathy says, she would wrap her fingers around the neck of a guitar and strain to play. She would not give up. Though she was the tiniest creature in her remarkable family of drawers, painters, players and all-around makers, Jessi knew she was destined to make a sound that was bigger than all of them. F*** the laws of physics. She was going to play that guitar like ringing a bell. The indie rock band that she fronted from 2006 to 2016 called Those Darlins, was hugely popular for its unique style that mixed genres like garage rock and punk with bluegrass and country. Continue reading Jessi Zazu 9/2017

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Rick Stevens 9/2017

rick stevens tower of powerSeptember 5, 2017 – Rick Stevens (Tower of Power) was born Donald Stevenson on February 23, 1941 in Port Arthur, Texas, but didn’t stay there long, as a few years later his parents moved to Reno, Nevada. Rick first sang in public at the tender age of four, when his family set him up on a chair in front of the congregation at their church.

While growing up Rick was greatly influenced by his uncle, singer Ivory Joe Hunter, who was his mother’s younger brother. There was always a great deal of excitement when Uncle Ivory Joe came to visit on breaks from touring around the country with his band. Rick decided early on that he wanted to be a singer, just like his uncle. Ivory Joe was a not only a ground-breaking performer in what at the time was referred to by the record labels as “race music”, he was also a prolific songwriter with hundreds of songs to his credit.

Elvis Presley invited Ivory Joe to Graceland in 1957, and they spent the day singing together, including Ivory Joe’s hit “I Almost Lost My Mind”, among other songs. Hunter commented, “He is very spiritually minded … he showed me every courtesy, and I think he’s one of the greatest”. Elvis recorded five songs written by Ivory Joe: “My Wish Came True” (Top 20), “I Will be True”“It’s Still Here”“I Need You So”, and “Ain’t That Loving You Baby” (Top 20).

Like many musically talented teenagers in the late 1950’s Rick was interested in doo-wop, and he joined a singing group called the “Magnificent Marcels”. In the early 1960’s Rick performed in nightclubs around Reno, where he was known as “Mr. Twister”.

Having moved to the San Francisco Bay Area in the mid-60’s Rick continued his singing career, fronting various bands that played in local nightclubs. Rick’s bands included “Rick and the Ravens”, and “The Rick Stevens Four” (or Five, depending on how many people were in the band).

Rick joined “Four of a Kind” in 1966, initially in San Francisco, later moving with the band to Seattle. After a short time, Rick moved back to the Bay Area and joined a band called “Stuff”, in which one of the other members was Willie James Fulton (guitar and vocals). Rick and Willie James left “Stuff” and joined Tower of Power at about the same time as drummer David Garibaldi in 1969 and later replaced Rufus Miller as lead vocalist after Rick sang the diamond hit, “Sparkling in the Sand” on Tower of Power’s first album, EAST BAY GREASE. (The only song on that album that made any impact). The next Tower of Power album to hit the charts was BUMP CITY in 1972, and that record features Rick’s signature song, “You’re Still a Young Man”. The album also includes other hits such as “Down to the Night Club” and “You Got to Funkafize”.

Although he is not credited on the third album, the self-titled record, TOWER OF POWER, Rick initially sang all the lead vocals. He also contributed background vocals, which were retained on the record when it was released. The album features several hits such as, “What is Hip”, “Soul Vaccination”, and “Get Your Feet Back on the Ground”, and of course, “So Very Hard to Go”. Rick’s increasing drug dependency lead to Lenny Williams taking over lead vocals, as Rick left the band in 1973 to pursue other avenues of his musical career. After leaving Tower of Power, Rick joined a Bay Area band called “Brass Horizon”, a popular band with a big horn section.

The Stanford Daily – February 25, 1975

Former Tower Singer Heads Brass Horizon
By JOAN E. HINMAN

SAN FRANCISCO – Quick – name Tower of Power’s two biggest hits. Maybe you said “So Very Hard To Go”, the single off Tower’s third album. But if you’re a deranged purist, you named “Sparkling In The Sand”, from East Bay Grease, and “You’re Still A Young Man”, the monster hit off Bump City in 1971.

It was “You’re Still A Young Man” that established Tower as national stars, removing them from the realm of San Francisco funk forever. The song’s amazing success can be explained in two words — Rick Stevens. Stevens emerged as Tower’s lead singer after the success of “Sparkling In The Sand”, the only song on the band’s first album on which he sang lead…

… the excellent set performed by Stevens and his new band, Brass Horizon, Saturday at Yellow Brick Road marks the return of one of the finest vocalists ever to hit the City. The new band, Brass Horizon, is every bit as tight and biting as the famed Tower brass…

…Stevens proved that his voice can still get down and growl on dance tunes, as well as sweep up to carry the pure melody of “You’re Still A Young Man”. … the fine Rick Stevens stage presence that on past occasions made Winterland feel as homey as a living room was evident Saturday. Smiling and jiving with the “mamas” on the dance floor, Stevens was clearly back in the atmosphere he likes best—putting out get-down, good time music.

Then in 1976 it gets quiet around Rick Stevens for the next 36 years as he is sentenced to life in prison for a triple homicide in a drug deal gone wrong. Addicted to drugs he had shot and killed 3 men in a botched deal.

In 2012 Stevens was released on parole. He then formed Rick Stevens & Love Power, which regularly played in Northern California. He also occasionally sat in with Tower of Power, including an appearance at a January 2017 benefit concert for former band members that were hit by a train in Oakland’s Jack London Square.

Rick Stevens passed away on September 5, 2017 after a short battle with liver cancer.

“Rick Stevens went to heaven today to be with the Lord whom he loved with all his heart. Rick was an extremely soulful singer and entertainer who had an engaging personality and a strong faith which he shared with all he came in contact with,” Tower of Power founder Emilio Castillo wrote on the band’s Facebook page.“We loved him and we’ll miss him. I have faith that I’ll see him in heaven someday and together we’ll worship and glorify God together for eternity. Rick is there right now enjoying it!!!”

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Mick Softley 9/2017

September 1, 2017 – Mick Softley was born in 1939 in the countryside of Essex, near Epping Forest.

His mother was of Irish origin (from County Cork) and his father had East Anglian tinker roots, going back to a few generations. Softley first took up trombone in school and became interested in traditional jazz. He was later persuaded to become a singer by one of his school teachers, and this led to him listening to Big Bill Broonzy and promptly changed his attitude to music, to the extent of him buying a mail-order guitar and some tutorial books and teaching himself to play.

By 1959, Mick Softley had left his job and home and spent time traveling around Europe on his motorbike, with a friend, Mick Rippingale. He ended up in Paris, where he came into the company of musicians such as Clive Palmer, Ramblin’ Jack Elliott, and Wizz Jones. Here he improved his guitar skills and spent time busking with friends until his return to England in the early 1960s. Continue reading Mick Softley 9/2017

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Sonny Burgess 8/2017

August 28, 2017 – Sonny Burgess was born Albert Austin Burgess on May 28, 1929 on a farm near Newport, Arkansas to Albert and Esta Burgess. He graduated from Newport High School in 1948.

Burgess, Kern Kennedy, Johnny Ray Hubbard, and Gerald Jackson formed a boogie-woogie band they called the Rocky Road Ramblers and played boogie woogie music in dance halls and bars around Newport.

In 1954, following a stint in the US Army (1951–53), Burgess re-formed the band, calling them the Moonlighters after the Silver Moon Club in Newport, where they performed regularly. After advice from record producer Sam Phillips, the group expanded to form the Pacers. Continue reading Sonny Burgess 8/2017

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Melissa Bell 8/2017

Melissa Bell of Soul II SoulAugust 28, 2017 – Melissa Bell (Soul II Soul) was born Melissa Cecelia Ewen Bell on March 5, 1964 in London, England. Her Jamaican heritage included musical pedigree. From the age of four, music filled every corner of Melissa’s life: she could play the piano, was constantly singing, and even ran her own “radio station” from the upstairs window of the house, calling out to passers-by and begging them to stop and listen. It was when Melissa saw the 14-year-old Lena Zavaroni performing on Opportunity Knocks Continue reading Melissa Bell 8/2017

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Winston Samuels 8/2017

Winston Samuels of Desmond Dekker and the AcesAugust 24, 2017 – Jamaican Ska Authentic Winston Samuels (McInnis), a living legend in Jamaican Music, was born in Kingston, Jamaica to proud parents Winston D. McInnis and Mavis Davis-McInnis in 1944.  From the time he was born he loved to sing.  As a matter of fact his mother, Mavis would have Sunday family discussions followed by songs of worship.  There was such harmony in the household that it drew other tenants who loved to listen to him. Continue reading Winston Samuels 8/2017

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Glen Campbell 8/2017

glen campbell, country pop starAugust 8, 2017 – Glen Campbell was born on April 22, 1936 in Billstown, a tiny community near Delight in Pike County, Arkansas. He was the seventh son of 12 children. His father was a sharecropper of Scottish ancestry.
He received his first guitar when he was four years old. Learning the instrument from various relatives, especially Uncle Boo, he played consistently throughout his childhood, eventually gravitating toward jazz players like Barney Kessel and Django Reinhardt. While he was learning guitar, he also sang in a local church, where he developed his vocal skills. By the time he was 14, he had begun performing with a number of country bands in the Arkansas, Texas, and New Mexico area, including his uncle’s group, the Dick Bills Band. When he was 18, he formed his own country band, the Western Wranglers, and began touring the South with the group. Four years later in 1960, Campbell moved to Los Angeles, California, where he became a session musician. Continue reading Glen Campbell 8/2017

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Michael Johnson 7/2017

July 25, 2017 – Michael Johnson was born on August 8, 1944 in the small town of Alamosa, Colorado and grew up in Denver. He started playing the guitar at 13. In 1963, he began attending Colorado State University to study music but his college career was truncated when he won an international talent contest two years later. First prize included a deal with Epic Records. Epic released the song “Hills”, written and sung by Johnson, as a single. Johnson began extensive touring of clubs and colleges, finding a receptive audience everywhere he went.

Wishing to hone his instrumental skills, he set off for Barcelona, Spain in 1966, to the Liceu Conservatory, studying with the eminent classical guitarists, Graciano Tarragó and Renata Tarragó. Upon his return to the States in late 1967, he joined Randy Sparks in a group called the New Society and did a tour of the Orient. Continue reading Michael Johnson 7/2017

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Kenny Shields 7/2017

July 21, 2017 – Kenny Shields was born in 1947 in the farming community of Nokomis, Saskatchewan, Canada. His passion for music and entertaining emerged at the age of six when he entered and won an amateur talent show. While continuing his interest in music and singing, upon graduation from secondary school he moved to Saskatoon to attend university but was immediately recruited by the city’s premiere band – Witness Incorporated.

Kenny’s lifelong dream began to take shape as the band built a loyal fan base across the country, scoring with a string of national radio hits including “I’ll Forget Her Tomorrow”, “Jezebel” and “Harlem Lady, all featuring Kenny’s unmistakable vocals. After touring with such legendary artists as Roy Orbison and Cream, tragedy struck in 1970 when Shields was critically injured in an automobile accident that sidetracked him from music for several years. Continue reading Kenny Shields 7/2017

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Chester Bennington 7/2017

July 20, 2017 – Chester Bennington (Linkin Park) was born on 20 March 1976 in Phoenix, Arizona. The son of a police detective who worked with child sex abuse cases, Bennington had a troubled youth. “Growing up, for me, was very scary and very lonely,” he told Metal Hammer magazine in 2014.
“I started getting molested when I was about seven or eight,” he said, describing the abuser as an older friend. “I was getting beaten up and being forced to do things I didn’t want to do. It destroyed my self-confidence. Like most people, I was too afraid to say anything. I didn’t want people to think I was gay or that I was lying. It was a horrible experience,” he told the magazine.

His parents divorced when he was 11 years old, and he went to live with his father, whom he described as “not emotionally very stable then”, adding that “there was no-one I could turn to”. Soon after his parents divorced he began abusing marijuana, alcohol, opium, cocaine, methamphetamine and LSD. The abuse and situation at home affected him so much that he felt the urge to kill people and run away. To comfort himself, he drew pictures and wrote poetry and songs. He later revealed the abuser’s identity to his father, but chose not to continue the case after he realized the abuser was a victim himself.

After years of intense drug use as a teenager, he got sober and moved to Los Angeles, where he successfully auditioned to join Linkin Park.

An early line-up of Linkin Park was formed in 1996 and the band’s 2000 debut album, Hybrid Theory, surfed the popular wave of nu-metal, Rolling Stone magazine writes. The album’s canny mix of pop, hip-hop, and melodic alt-rock drove it to sales of more than 11 million copies early on, making it the top-selling rock record of the ’00s. Given the rapid changes to the music industry in the immediate aftermath of Hybrid Theory, it’s plausible to suggest that no rock record will ever come close to achieving those sorts of sales figures ever again. The album single-handedly initiated Bennington into a small (now rapidly shrinking) fraternity of arena-rock vocalists — Bennington was one of the few guys on the planet with the qualifications to front a big-time rock band.
Hybrid Theory eventually sold more than 30 million albums and became one of the top-selling albums since the start of this millennium.

The angst-ridden vocals of Linkin Park frontman Chester Bennington helped lead the group to global critical acclaim.
The frontman’s brooding charisma – added to the group’s blend of rap, metal and electronic music – spawned a string of chart-topping hits.

Later in the 2000s, as the band’s success took off, he again began using drugs before returning to sobriety, telling Spin Magazine in 2009: “It’s not cool to be an alcoholic.
“It’s not cool to go drink and be a dumbass.
“It’s cool to be a part of recovery.
“Most of my work has been a reflection of what I’ve been going through in one way or another,” he added.

The band has sold 70 million albums worldwide and won two Grammy Awards.
Linkin Park had a string of hits including Faint, Numb, What I’ve done, In The End and Crawling, and collaborated with rapper Jay-Z.

Their latest music video for the song ‘Talking to Myself’ was released on the same day this father of six took his life. Another coincidence of his day of departure: Sound Garden’s Chris Cornell, who took his own life in May, would have turned 53. Bennington and Cornell were close for many years. The two had toured together and joined each other onstage, and Bennington even performed Leonard Cohen’s “Hallelujah” at Cornell’s private Los Angeles funeral at Hollywood Forever Cemetery on May 26. He was also the Godfather to Cornell’s son Christopher.

Upon hearing the horrible news of Cornell’s death, the night before Linkin Park’s Kimmel tribute, Bennington posted a heart-wrenching open letter to Cornell, writing:

“I dreamt about the Beatles last night. I woke up with their song ‘Rocky Raccoon’ playing in my head and a concerned look on my wife’s face. She told me my friend has just passed away. Thoughts of you flooded my mind and I wept.

“I’m still weeping, with sadness, as well as gratitude for having shared some very special moments with you and your beautiful family. You have inspired me in many ways you could never have known. Your talent was pure and unrivaled. Your voice was joy and pain, anger and forgiveness, love and heartache all wrapped into one. I suppose that’s what we all are. You helped me understand that.

“I just watched a video of you singing ‘A Day In The Life’ by the Beatles and thought of my dream. I’d like to think you were saying goodbye in your own way. I can’t imagine a world without you in it. I pray you find peace in the next life. Send me love to your wife and children, friends, and family. Thank you for allowing me to be a part of your life.”

With All My Love

Your Friend

In addition to working with Linkin Park, he also sang for the Stone Temple Pilots from 2013-2015 replacing Scott Weiland, for his side project Dead by Sunrise, and Kings of Chaos.

Bennington leaves six children from two marriages and an early relationship as he moves on to another life at 41.

For millennials, who were in their teens when Linkin Park’s blockbuster debut Hybrid Theory was released in 2000, Bennington looms as a defining rock star of the era. A singer capable of both piercing bombast and pained sensitivity, Bennington’s nimble tenor initially played off the rapping of Mike Shinoda, but over time his versatility and soulfulness made him the band’s primary frontman. For kids who found solace in Linkin Park’s music, Bennington was the band member they were most likely to connect with.

 

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Simon Holmes 7/2017

July 13, 2017 – Simon Holmes (The Hummingbirds) was born on March 28, 1963 in the southern beachside suburb of Melbourne, Australia. The family lived in Bentleigh, before shifting to Turramurra in 1967, before going overseas for three years, in upstate New York, where Holmes started school at Myers Corner. The family then moved to Geneva, Switzerland. He spent part of his childhood in Canberra, attending the AME School: an alternative education institution and then Hawker College. Holmes moved to Sydney in the early 1980s. He started studying anthropology and archaeology at the University of Sydney, but left after two years. Continue reading Simon Holmes 7/2017

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Sonny Knight 6/2017

June 17, 2017 – Sonny Knight was born in 1948 in Mississippi and around 1955 moved to Minnesota with his grandmother. He grew up in the Rondo suburb of St.Paul where he was exposed to the urban music of the era such as bepop, soul and r&b.

At age 17 in 1965 he recorded his first (and only) 45rpm single as Little Sonny Knight & The Cymbols, titled “Tears On My Pillow” B/W “Rain Dance”. Shortly thereafter, music took a back seat to a three-year stint in the army. A few more years in the Bay Area followed, before he returned to Minnesota in the mid-1970s and joined the now-cult favorite funk group Haze. By the early ‘80s, Haze had broken up and Sonny walked away from music for a full time job as a truck driver.

Continue reading Sonny Knight 6/2017

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Jimmy LaFave 5/2017

Jimmy LaFave - Red Dirt Music

May 21, 2017 – Jimmy LaFave was born July 12, 1955 in Willis Point, Texas where he was also raised. Music was his destiny from very early on, but he started his journey on drums.

Some years later he moved to Stillwater, Oklahoma and played in the school band but at age 15 LaFave switched to guitar and began writing and singing his own songs in a band called The Night Tribe.

After graduating from high school LaFave played music at night while working during the day. He had a job as the manager of a music club called Up Your Alley and during this period recorded the albums Down Under in 1979 and Broken Line in 1981. Continue reading Jimmy LaFave 5/2017

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Curtis Womack 5/2017

curtis womack of the valentinosMay 21, 2017 – Curtis Womack (The Valentinos) was born on October 22, 1942 in Charleston, West Virginia, U.S.A. He was second oldest of the five Womack Brothers (Friendly, Curtis, Bobby, Harry, Cecil), and started singing together with his siblings at their father’s church in Cleveland. In 1954, they formally were named Curtis Womack and the Womack brothers with Curtis and, occasionally, Bobby singing lead. Continue reading Curtis Womack 5/2017

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Chris Cornell 5/2017

frontman Chris CornellMay 17, 2017 – Chris Cornell (Soundgarden) was born Christopher John Boyle on July 20, 1964 in Seattle, Washington, where he was also raised. He was the fourth of six children. His father, Ed, was a pharmacist; his mother, Karen, was an accountant. Cornell was a loner; he tried to deal with his anxiety around other people through rock music but during his early teenage years, he spiraled into severe depression and almost never left the house. His first favorite band were the Beatles. A noteworthy rumor later was that Cornell spent a two-year period between the ages of nine and eleven solidly listening to the Beatles after finding a large collection of Beatles records abandoned in the basement of a neighbor’s house. Continue reading Chris Cornell 5/2017

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Casey Jones 5/2017

casey jones, chicago blues first call drummerMay 3, 2017 – Casey Jones (Albert Collins/Johnny Winter) was born July 26, 1939  in Nitta Yuma, Mississippi and raised in Greenville. As a kid he played with the Coleman High School band, but claimed he learned more about drumming from Little Milton’s drummer Lonnie Haynes, than from the band director

In 1956 at age 17, his sister Atlean and her husband Otis Luke enticed him with the promise of a drum kit and entry into the musician’s union, if he would move to Chicago to live with them. True to his word, they went to Frank’s Drum Shop on Wabash Ave and from there on Casey Jones played drums  in Otis’s band. His first gig with Otis Luke & the Rhythm Bombers in 1956 made him $5. Continue reading Casey Jones 5/2017

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Matt Holt 4/2017

Matt Holt of NothingfaceApril 15, 2017 – Matt Holt (Nothingface) was born Matthew Francis Holt on May 28, 1977 near Gaithersburg, Maryland and was raised there and in nearby Germantown, just north of Washington DC.

While in high school he met Tommy Sickles through mutual friends. Holt, Sickles, and two other friends formed the band Ingredient 17, in which he played guitar and sang. After playing a show with a band known as Nothingface, the two bands became familiar with one another. A short while later Ingredient 17 was later recording in Nothingface bassist Bill Gaal’s studio when Nothingface’s vocalist, David Gabbard, left the band citing musical differences. One day Holt came in to record a song for Ingredient 17, and the band members of Nothingface liked his voice, so they “took” him from his band and got their new singer. The original NOTHINGFACE lineup included Matt Holt (vocals), Bill Gaal (bass), Chris Houck (drums) and Tom Maxwell (guitar).  Continue reading Matt Holt 4/2017

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Cuba Gooding Sr. 4/2017

cuba gooding sr. and jr.April 20, 2017 – Cuba Gooding Sr. (The Main Ingredient) was born in the Harlem neighborhood of Manhattan, New York City on April 27, 1944. While having moved to Cuba, his Barbados born father had promised his first wife on her deathbed that he would call his first son Cuba after the country they both adored. Gooding Sr. grew up eight blocks away from the Apollo Theater and nineteen blocks away from Carnegie Hall.

After his father, a New York cab driver who spoke 7 languages died when he was 11, the criminal grip of the city and the Harlem neighborhood took a hold of Gooding Sr. for awhile and as a result he spent a couple of years in jail, just before he joined Main Ingredient as a backing singer at first. Continue reading Cuba Gooding Sr. 4/2017

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Brenda Jones 4/2017

brenda jones of the jones girlsApril 3, 2017 – Brenda Jones was born on December 7, 1954 in Detroit, Michigan. The daughter of Detroit-based gospel singer Mary Frazier Jones, she was raised in a gospel singing family. The Jones Girls Valorie, Brenda and Shirley spent the better part of the 60s and 70s as sought-after backing vocalists, first regionally and then on a national basis, between Detroit, Los Angeles, New York and Philadelphia.

The trio first tried making their own records for the tiny Fortune label in Detroit during the ’60s with no success. They moved to Hot Wax-Invictus, the company formed by Holland-Dozier-Holland, during the latter part of the decade, but sales of those records weren’t much more encouraging.

It was during this period that session work came to dominate their activities — the Jones Girls were in heavy demand to sing on other artists’ singles. Aretha Frankling, Lou Rawls, Betty Everett, Peabo Bryson and dozens of other charting soul acts.  In 1973, they were signed to the Curtom Records subsidiary imprint Gemigo, a label that was originally organized as an outlet for Leroy Hutson’s activities as a producer and arranger. Continue reading Brenda Jones 4/2017

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Lonnie Brooks 4/2017

chicago blues manApril 1, 2017 – Lonnie Brooks, Chicago bluesman who achieved fame in the late 70s, was born Lee Baker Jr. on December 18, 1933 in Dubuisson, St. Landry Parish, Louisiana. He learned to play blues from his banjo-picking grandfather but did not think about a career in music until after he moved to Port Arthur, Texas, in the early 1950s. There he heard live performances by Clarence “Gatemouth” Brown, T-Bone Walker, B.B. King, Long John Hunter, Johnny Copeland and others and began to think about making money from music.

He focused on the guitar comparatively late in life, when he was already in his 20s. But he learned fast and a little while later, Award winning Zydeco king Clifton Chenier heard Brooks strumming his guitar on his front porch in Port Arthur and offered him a job in his touring band. Continue reading Lonnie Brooks 4/2017

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James Cotton 3/2017

James Cotton at Monterey in 1981March 16, 2017 – James Cotton was born on July 1, 1935 in Tunica, Mississippi. He was the youngest of eight brothers and sisters who grew up in the cotton fields working beside their mother, Hattie, and their father, Mose. On Sundays Mose was the preacher in the area’s Baptist church. Cotton’s earliest memories include his mother playing chicken and train sounds on her harmonica and for a while he thought those were the only two sounds the little instrument made. His Christmas present one year was a harmonica, it cost 15 cents, and it wasn’t long before he mastered the chicken and the train. King Biscuit Time, a 15-minute radio show, began broadcasting live on KFFA, a station just across the Mississippi River in Helena, Arkansas. The star of the show was the harmonica legend, Sonny Boy Williamson (Rice Miller). The young Cotton pressed his little ear to the old radio speaker. He recognized the harmonica sound AND discovered something – the harp did more!   Continue reading James Cotton 3/2017

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Robert “P-Nut” Johnson 3/2017

robert p-nut johnson and funkMarch 12, 2017 – Robert “P-Nut” Johnson (Parliament Funkadelic) was born in Baltimore on October 16, 1947.

Prior to joining Bootsy’s Rubber Band and P-Funk, P-Nut played with local bands in the Baltimore area.

P-Nut started on the road with Bootsy’s Rubber Band and in the studio with P-Funk in 1976. Continue reading Robert “P-Nut” Johnson 3/2017

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Joni Sledge 3/2017

Joni Sledge of Sister Sledge

March 10, 2017 – Joni (Joan Elise) Sledge (Sister Sledge) was born on Sept. 13, 1956, in Philadelphia to Edwin Sledge, a performer on Broadway, and Florez Sledge, an actress who oversaw her daughters’ careers as their business manager and traveled with them on tours.

Joni and her sisters, Debbie, Kim and Kathy, received voice training from their grandmother Viola Williams, a former operatic soprano, and gained early experience singing at the family church, Williams Temple Christian Methodist Episcopal.

 

Best known for their work with Chic in the late ’70s, siblings Debbie, Kim, Joni, and Kathy Sledge — collectively Sister Sledge — reached the height of their popularity during the disco era, but had been recording since the early ’70s and were still active in the late ’90s. Continue reading Joni Sledge 3/2017

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Valerie Carter 3/2017

Valerie Carter, the muse of our generationMarch 4, 2017 – Valerie Carter was born on February 5, 1953 in Winterhaven, near Orlando, Florida.

Being an “army brat” she moved between many cities in her young years. Her first break in music came while living with her family in Tucson, where she joined a band fronted by Gretchen Ronstadt, sister of Linda Ronstadt.

Next she was off to New York City where she formed the folk band Howdy Moon. They headed to California, released a self-titled album in 1974 and regularly played at the West Hollywood rock club, the Troubadour.

In the early 1970s in Los Angeles, she became known as a songwriter, penning tunes such as Cook With Honey for Judy Collins and Love Needs a Heart for Jackson Browne, who was introduced to her by Lowell George of Little Feat fame.

And here I have to stop and make a confession. Continue reading Valerie Carter 3/2017

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Tommy Page 3/2017

tommy page - one hit house wonderMarch 4, 2017 – Tommy Page was born on May 24, 1970 in Glen Ridge, New Jersey. He began playing the piano at age eight and learned keyboards at age 12, joining his brother in a band. Obviously gifted, he graduated from Highschool at age 15 and found himself in New York attending the Stern School of business at age 16. 

To help support himself during his freshman year at Stern (then 16), Page worked as a cloakroom attendant in a popular New York nightclub called Nell’s. The job gave Page a chance to play his demo tape to the house DJ, who then used the demos as part of his club mixes. The unknown sounds were so impressive that soon Page was introduced to Sire Records founder Seymour Stein. Continue reading Tommy Page 3/2017

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Peter Skellern 2/2017

British pop star Peter SkellernFebruary 17, 2017 – Peter Skellern was born in Bury, Lancashire on March 14, 1947.

He played trombone in a school band and served as organist and choirmaster in a local church before attending the Guildhall School of Music, from which he graduated with honors in 1968. Because “I didn’t want to spend the next 50 years playing Chopin,” he joined the vocal harmony band March Hare which, after changing their name to Harlan County, recorded a country-pop album before disbanding in 1971.

Married with two children, Skellern worked as a hotel porter in Shaftesbury, Dorset, before music struck lucky at the end of 1972 with a self-composed U.K. number three hit, “You’re a Lady.” The record featured the Congregation, who had previously recorded the top ten hit “Softly Whispering I Love You”.

“You’re a Lady” reached number three on the UK Singles Chart and number 50 in the United States Billboard Hot 100 and sold several million copies world wide.  Continue reading Peter Skellern 2/2017

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Al Jarreau 2/2017

Al Jarreau, vocalist extra ordinaireFebruary 12, 2017 – Al Jarreau was born Alwin Lopez Jarreau on March 12, 1940 in Milwaukee, Wisconsin, the fifth in a family of 6 children.

His father was a Seventh-day Adventist Church minister and singer, and his mother was a church pianist. Jarreau and his family sang together in church concerts and in benefits, and he and his mother performed at PTA meetings.

Jarreau went on to attend Ripon College, where he also sang with a group called the Indigos. He graduated in 1962 with a Bachelor of Science in psychology. Two years later, in 1964, he earned a master’s degree in vocational rehabilitation from the University of Iowa. Moving to San Franciso during the 1967 summer of love, Jarreau worked as a rehabilitation counselor and moonlighted with a jazz trio headed by George Duke. In San Francisco, Al’s natural musical gifts began to shape his future and by the late 60s, he knew without a doubt that he would make singing his life. He joined forces with acoustic guitarist Julio Martinez to “spell” up-and-coming comics John Belushi, Bette Midler, Robert Klein, David Brenner, Jimmie Walker and others at the famed comedy venue, THE IMPROV and soon the duo became the star attraction at a small Sausalito night club called Gatsby’s. This success contributed to Jarreau’s decision to make professional singing his life and full-time career. Continue reading Al Jarreau 2/2017

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Sonny Geraci 2/2017

Sonny Geraci, vocalist for the Outsiders and ClimxFebruary 5, 2017 – Sonny Geraci (Outsiders and Climax) was born Emmett Peter Geraci on November 22, 1947 in Cleveland Ohio. Sonny was a street kid, growing up in Cleveland to the music of Motown, the British invasion and all the music that came before.

Still in high school he joined a group called The Starfires. Actually his older brother Mike played sax for a number of groups in the greater Cleveland are and when the Starfires needed a new singer, as theirs was called up for military draft, Mike suggested his brother Sonny. After he joined the group, he pushed the rest of the band to record and change the drummer and change the guitar player and finally change the name to The Outsiders and started to record songs. It was a good move.
The first single “Time Won’t Let Me” was almost an afterthought as they were planning to cut a Beatles song, but instead opted to record an original.

Continue reading Sonny Geraci 2/2017