June 8, 2020 – Bonnie Pointer, a Founding member of The Pointer Sisters, was born July 11, 1950 as Patricia Eva Pointer in Oakland California. All six siblings including the four sisters grew up in Oakland, Calif., where their parents, Elton and Sarah (Salis) Pointer, were pastor and minister and where the sisters honed their vocal skills at the West Oakland Church of God.
Bonnie and June, the two youngest sisters, began performing in 1969 under the name The Pointers — A Pair. Anita Pointer later said she quit her job as a legal secretary after seeing Bonnie and June onstage in San Francisco. “I saw them at the Fillmore West, and I lost my mind,” she said, adding that Bonnie was “the catalyst” in starting their musical career.
Renamed the Pointer Sisters, the three began working as backup singers. Mingling with the San Francisco-area rock scene, they sang with acts like Boz Scaggs, Grace Slick and the gender-bending pioneer Sylvester, and they were briefly signed to Atlantic Records. Their singles for that label failed to chart, although one 1972 B-side, “Send Him Back,” has over time come to be considered a minor funk classic. Continue reading Bonnie Pointer 6/20
May 11, 2020 – John David “Moon” Martin was born on October 31, 1945 (some report 1950 but not true) in Altus, Oklahoma.
If you go to Moon’s Wikipedia page, it says he was born in 1950. But if you read some of the obits, he was born in 1945. Which makes complete sense. If for no other reason than his hair was prematurely gray nearly instantly. And there’s no way he could have played with Hendrix and Joplin if he was only 20, they died in 1970. But Martin did.
His first band, The Disciples, later renamed Southwind, formed in Norman while he was a student at the University of Oklahoma and then relocated to Los Angeles where they attained some success and even toured with Janis Joplin and Jimi Hendrix before calling it quits in 1972. After a brief stint playing with Linda Rondstadt, John focused on session work and songwriting, penning the hit track “Cadillac Walk” which was recorded by Mink DeVille on his debut album.
And then came “Bad Case of Loving You.”
By this time we’d already moved on to the second album, “Escape From Domination,” “Rolene” was heard on KROQ, back when that was a free form station, before the ROQ of the 80s, before the death of rock and the decimation of the station this year. But at this point, Moon Martin was not famous for the Robert Palmer cover, but the Willy DeVille covers.
By 1978 he was recording under the moniker “Moon” Martin due to his multiple song lyrics referring to the moon. He began his solo career with his Victim of Romance EP that included his most successful song “Bad Case of Loving You.” Robert Palmer – Singer would later cover the song, making it a Top 20 hit a year later. Moon’s first solo album, Shots From a Cold Nightmare, remains a Power Pop classic.
Moon Martin sold his soul to rock and roll. He followed the music to the very last note. He died with his guitar strap on, coming out of the studio after a full day’s work on a new album. It wasn’t a fling, something Moon did before law school. He had no desire to work at the bank. (Although let’s not forget Harry Nilsson was a teller!) It was all music, all the time.
It is said they he had lived comfortably off his song royalties, until the day he died. A true exception i rock-n-roll.
He was 74 years old, and he had become a little frail over the last few years…He went to sleep in a big easy chair in his living room with a book in his hand, a blanket in his lap, and a little glass of Coke on the nightstand next to him. He left this world as peacefully as anybody could ever hope to
Little Richard did not invent rock ’n’ roll. Other musicians had already been mining a similar vein by the time he recorded his first hit, “Tutti Frutti” — a raucous song about sex, its lyrics cleaned up but its meaning hard to miss — in a New Orleans recording studio in September 1955. Chuck Berry and Fats Domino had reached the pop Top 10, Bo Diddley had topped the rhythm-and-blues charts, and Elvis Presley had been making records for a year.
But Little Richard, delving deeply into the wellsprings of gospel music and the blues, pounding the piano furiously and screaming as if for his very life, raised the energy level several notches and created something not quite like any music that had been heard before — something new, thrilling and more than a little dangerous. As the rock historian Richie Unterberger put it, “He was crucial in upping the voltage from high-powered R&B into the similar, yet different, guise of rock ’n’ roll.”
Art Rupe of Specialty Records, the label for which he recorded his biggest hits, called Little Richard “dynamic, completely uninhibited, unpredictable, wild.”
“Tutti Frutti” rocketed up the charts and was quickly followed by “Long Tall Sally” and other records now acknowledged as classics. His live performances were electrifying.
“He’d just burst onto the stage from anywhere, and you wouldn’t be able to hear anything but the roar of the audience,” the record producer and arranger H.B. Barnum, who played saxophone with Little Richard early in his career, recalled in “The Life and Times of Little Richard” (1984), an authorized biography by Charles White. “He’d be on the stage, he’d be off the stage, he’d be jumping and yelling, screaming, whipping the audience on.”
An Immeasurable Influence
Rock ’n’ roll was an unabashedly macho music in its early days, but Little Richard, who had performed in drag as a teenager, presented a very different picture onstage: gaudily dressed, his hair piled six inches high, his face aglow with cinematic makeup. He was fond of saying in later years that if Elvis was the king of rock ’n’ roll, he was the queen. Offstage, he characterized himself variously as gay, bisexual and “omnisexual.”
His influence as a performer was immeasurable. It could be seen and heard in the flamboyant showmanship of James Brown, who idolized him (and used some of his musicians when Little Richard began a long hiatus from performing in 1957), and of Prince, whose ambisexual image owed a major debt to his.
Presley recorded his songs. The Beatles adopted his trademark sound, an octave-leaping exultation: “Woooo!” (Paul McCartney said that the first song he ever sang in public was “Long Tall Sally,” which he later recorded with the Beatles.) Bob Dylan wrote in his high school yearbook that his ambition was “to join Little Richard.”
Little Richard’s impact was social as well.
“I’ve always thought that rock ’n’ roll brought the races together,” Mr. White quoted him as saying. “Especially being from the South, where you see the barriers, having all these people who we thought hated us showing all this love.”
Mr. Barnum told Mr. White that “they still had the audiences segregated” at concerts in the South in those days, but that when Little Richard performed, “most times, before the end of the night, they would all be mixed together.”
If uniting black and white audiences was a point of pride for Little Richard, it was a cause of concern for others, especially in the South. The White Citizens Council of North Alabama issued a denunciation of rock ’n’ roll largely because it brought “people of both races together.” And with many radio stations under pressure to keep black music off the air, Pat Boone’s cleaned-up, toned-down version of “Tutti Frutti” was a bigger hit than Little Richard’s original. (He also had a hit with “Long Tall Sally.”)
Still, it seemed that nothing could stop Little Richard’s drive to the top — until he stopped it himself.
He was at the height of his fame when he left the United States in late September 1957 to begin a tour in Australia. As he told the story, he was exhausted, under intense pressure from the Internal Revenue Service and furious at the low royalty rate he was receiving from Specialty. Without anyone to advise him, he had signed a contract that gave him half a cent for every record he sold. “Tutti Frutti” had sold half a million copies but had netted him only $25,000.
One night in early October, before 40,000 fans at an outdoor arena in Sydney, he had an epiphany.
“That night Russia sent off that very first Sputnik,” he told Mr. White, referring to the first satellite sent into space. “It looked as though the big ball of fire came directly over the stadium about two or three hundred feet above our heads. It shook my mind. It really shook my mind. I got up from the piano and said, ‘This is it. I am through. I am leaving show business to go back to God.’”
He had one last Top 10 hit: “Good Golly Miss Molly,” recorded in 1956 but not released until early 1958. By then, he had left rock ’n’ roll behind.
He became a traveling evangelist. He entered Oakwood College (now Oakwood University) in Huntsville, Ala., a Seventh-day Adventist school, to study for the ministry. He cut his hair, got married and began recording gospel music.
For the rest of his life, he would be torn between the gravity of the pulpit and the pull of the stage.
“Although I sing rock ’n’ roll, God still loves me,” he said in 2009. “I’m a rock ’n’ roll singer, but I’m still a Christian.”
He was lured back to the stage in 1962, and over the next two years he played to wild acclaim in England, Germany and France. Among his opening acts were the Beatles and the Rolling Stones, then at the start of their careers.
He went on to tour relentlessly in the United States, with a band that at one time included Jimi Hendrix on guitar. By the end of the 1960s, sold-out performances in Las Vegas and triumphant appearances at rock festivals in Atlantic City and Toronto were sending a clear message: Little Richard was back to stay. But he wasn’t.
‘I Lost My Reasoning’
By his own account, alcohol and cocaine began to sap his soul (“I lost my reasoning,” he would later say), and in 1977, he once again turned from rock ’n’ roll to God. He became a Bible salesman, began recording religious songs again and, for the second time, disappeared from the spotlight.
He did not stay away forever. The publication of his biography in 1984 signaled his return to the public eye, and he began performing again.
By now, he was as much a personality as a musician. In 1986 he played a prominent role as a record producer in Paul Mazursky’s hit movie “Down and Out in Beverly Hills.” On television, he appeared on talk, variety, comedy and awards shows. He officiated at celebrity weddings and preached at celebrity funerals.
He could still raise the roof in concert. In December 1992, he stole the show at a rock ’n’ roll revival concert at Wembley Arena in London. “I’m 60 years old today,” he told the audience, “and I still look remarkable.”
He continued to look remarkable — with the help of wigs and thick pancake makeup — as he toured intermittently into the 21st century. But age eventually took its toll.
By 2007, he was walking onstage with the aid of two canes. In 2012, he abruptly ended a performance at the Howard Theater in Washington, telling the crowd, “I can’t hardly breathe.” A year later, he told Rolling Stone magazine that he was retiring.
“I am done, in a sense,” he said. “I don’t feel like doing anything right now.”
Richard Wayne Penniman was born in Macon, Ga., on Dec. 5, 1932, the third of 12 children born to Charles and Leva Mae (Stewart) Penniman. His father was a brick mason who sold moonshine on the side. An uncle, a cousin and a grandfather were preachers, and as a boy he attended Seventh-day Adventist, Baptist and Holiness churches and aspired to be a singing evangelist. An early influence was the gospel singer and guitarist Sister Rosetta Tharpe, one of the first performers to combine a religious message with the urgency of R&B.
By the time he was in his teens, Richard’s ambition had taken a detour. He left home and began performing with traveling medicine and minstrel shows, part of a 19th-century tradition that was dying out. By 1948, billed as Little Richard — the name was a reference to his youth and not his physical stature — he was a cross-dressing performer with a minstrel troupe called Sugarfoot Sam From Alabam, which had been touring for decades.
In 1951, while singing alongside strippers, comics and drag queens on the Decataur Street strip in Atlanta, he recorded his first songs. The records were generic R&B, with no distinct style, and attracted almost no attention.
Around this time, he met two performers whose look and sound would have a profound impact on his own: Billy Wright and S.Q. Reeder, who performed and recorded as Esquerita. They were both accomplished pianists, flashy dressers, flamboyant entertainers and as openly gay as it was possible to be in the South in the 1950s.
Little Richard acknowledged his debt to Esquerita, who he said gave him some piano-playing tips, and Mr. Wright, whom he once called “the most fantastic entertainer I had ever seen.” But however much he borrowed from either man, the music and persona that emerged were his own.
His break came in 1955, when Mr. Rupe signed him to Specialty and arranged for him to record with local musicians in New Orleans. During a break at that session, he began singing a raucous but obscene song that Mr. Rupe thought had the potential to capture the nascent teenage record-buying audience. Mr. Rupe enlisted a New Orleans songwriter, Dorothy LaBostrie, to clean up the lyrics; the song became “Tutti Frutti”; and a rock ’n’ roll star was born.
By the time he stopped performing, Little Richard was in both the Rock & Roll Hall of Fame (he was inducted in the Hall’s first year) and the Songwriters Hall of Fame and the recipient of lifetime achievement awards from the National Academy of Recording Arts and Sciences and the Rhythm and Blues Foundation. “Tutti Frutti” was added to the Library of Congress’s National Recording Registry in 2010.
If Little Richard ever doubted that he deserved all the honors he received, he never admitted it. “A lot of people call me the architect of rock ’n’ roll,” he once said. “I don’t call myself that, but I believe it’s true.”
October 26, 2019 – Paul Barrere was born on July 3, 1948, the son of Hollywood actors Paul Bryar and Claudia Bryar. He joined celebrated cult band Little Feat in 1973, before the band recorded their third full-length LP, the gold-certified ‘Dixie Chicken’. For the recording of its fourth album, Feats Don’t Fail Me Now (1974), he wrote the title track. As Barrere stayed with the group, he took, along with keyboard player Bill Payne, an increasing role in singing, playing, and writing, as bandleader/founder Lowell Georgeslowly retreated. When the group fragmented following George’s death in 1979, Paul led the group Chicken Legs.
Barrere then did sessions and recorded solo in the 1980s until the re-formation of Little Feat in 1988.
Barrere contracted Hepatitis C in 1994, but had managed to keep it under control, after he took a brief leave of absence. In 2015, he was diagnosed with liver cancer. Earlier this month, Barrere announced he was taking a medical leave of absence, but planned to be back on stage this upcoming January 2020, for the band’s headlining performance at Jamaica’s Ramble on the Island.
In a statement the members of Little feat announced:
It is with great sorrow that Little Feat must announce the passing of our brother guitarist, Paul Barrere, this morning at UCLA Hospital. We ask for your kindest thoughts and best wishes to go out especially to his widow Pam and children Gabriel, Genevieve, and Gillian, and to all the fans who were his extended family.
Paul auditioned for Little Feat as a bassist when it was first being put together—in his words, “as a bassist I make an excellent guitarist”—and three years later joined the band in his proper role on guitar. Forty-seven years later, he was forced to miss the current tour, which will end tomorrow, due to side effects from his ongoing treatment for liver disease.
He promised to follow his doctor’s orders, get back in shape, and rock on the beach at the band’s annual gathering in Jamaica in January 2020. “Until then,” he wrote, “keep your sailin’ shoes close by…if I have my way, you’re going to need them!”
As the song he sang so many times put it, he was always “Willin’,” but it was not meant to be. Paul, sail on to the next place in your journey with our abiding love for a life always dedicated to the muse and the music. We are grateful for the time we have shared.
Yours in music,
Little Feat: Bill Payne, Sam Clayton, Fred Tackett, Kenny Gradney, and Gabe Ford.
Little Feat released 16 studio albums over a span of 41 years, the last being ‘Rooster Rag’, in 2012. Barrere released three solo albums: ‘On My Own Two Feet’ (1983), ‘Real Lies’ (1984) and ‘If the Phone Don’t Ring’ (1986).
He also worked with Robert Palmer, Bob Dylan, Taj Mahal, Jack Bruce, Carly Simon and Nicolette Larson. That is his guitar work on Nicolette’s cover of Neil Young’s ‘Lotta Love’.
Barrere was a swing man as a guitarist who played a wide variety of styles of music including blues, rock, jazz, and cajun music and was proficient as a slide guitarist. Barrere also recorded and toured as an acoustic duo with fellow Little Feat member Fred Tackett. Barrere played several concerts with Phil Lesh and Friends in October 1999 and from March to June 2000. He also toured with Bob Dylan, and had most recently been writing and recording with Roger Cole.
Paul wrote Little Feat’s ‘Feats Don’t Fail Me Now’, ‘All That You Dream’, ‘Time Loves A Hero’ and ‘Down On The Farm’. He joined the band for their third album ‘Dixie Chicken’ was had been a member ever since.
Little Feat guitarist Paul Barrere passed away at the age of 71 on October 26, 2019
July 22, 2019 – Art Neville was born on 17 December 1937 the oldest son in the famous New Orleans blues/funk family that created the Neville Bothers. Art was born in New Orleans to Arthur Neville and his wife, Amelia (nee Landry). His father was a station porter fond of singing tunes by Nat King Cole and the Texan bluesman Charles Brown. His mother was part of a dance act with her brother, George “Big Chief Jolly” Landry.
The oldest of four brothers, his interest in playing keyboards was triggered at the age of three, when his grandmother took him to a New Orleans church where he spotted the organ. “I turned the little switch and hit one of the low keys,” he recalled. “It scared the daylights out of me, but that was the first keyboard I played.” He later began playing the piano and performing with his brothers, and in high school joined (and subsequently led) his first band, the Hawketts. He was the lead singer on their version of Mardi Gras Mambo, a regional hit in 1954. It became a regular fixture at New Orleans’s annual Mardi Gras celebrations. In 1958 he joined the US Navy, emerging in 1962 to continue his musical career. He formed Art Neville and the Neville Sounds, which included Aaron and Cyril before they quit to form their own group. Now a four-piece completed by guitarist Leo Nocentelli, bass player George Porter Jr and drummer Joseph “Zigaboo” Modeliste, they played regularly at New Orleans clubs, backing artists such as the Pointer Sisters and Lee Dorsey.
The Meters Era
In 1965 he was a founder not only of the Meters, whose music in the late 1960s and early 70s helped to define the genre of New Orleans funk, but of the Neville Brothers, who were masters of various soul, blues and gospel styles and were distinguished by their intricate vocal harmonies. The Meters provided the musical backup for innumerable soul and funk artists, including on big-selling classics such as Lee Dorsey’s Working in the Coal Mine (1966) and Labelle’s Lady Marmalade (1974). But they also had hits in their own right, notably in 1969 with Cissy Strut (1969) and Look-Ka Py Py.
The Meters refined the loping, syncopated rhythm called the “second line” which became emblematic of New Orleans funk. Prime examples included the group’s hits Cissy Strut, Look-Ka Py Py, Chicken Strut (1970) and Hey Pocky A-Way (1974). Cissy Strut, which reached No 23 on the mainstream Billboard chart, was inducted into the Grammy Hall of Fame in 2011. The Meters made countless recordings as the house band for the songwriter and producer Allen Toussaint, with highlights including Working in the Coal Mine, which reached No 8 in the UK and the US, Dr John’s album In the Right Place (1973), and Labelle’s US chart-topper Lady Marmalade, a song about a prostitute in the French quarter of New Orleans with the famous line “Voulez-vous coucher avec moi, ce soir?” In 1974 the Meters backed Robert Palmer on his album Sneakin’ Sally Through the Alley, and in 1975 Paul McCartney invited them aboard the Queen Mary ocean liner in Long Beach, California, to play at the launch party of the Wings album Venus and Mars. Also present was Mick Jagger, who invited the Meters to support the Rolling Stones on their tours of the US and Europe in 1975-76. The group now included Cyril, who joined for their album Fire on the Bayou (1975).
Forming the Neville Brothers
Art and Cyril quit the Meters in 1977 and formed the Neville Brothers with Aaron and Charles. The brothers had already gathered the previous year to back their uncle George Landry on the album The Wild Tchoupitoulas. At first the Neville Brothers were slow to gain recognition. Art recalled how when they used to play at Tipitina’s in New Orleans “you could have blown it up and not hurt anyone but the Neville Brothers”. Though Keith Richards hailed their 1981 album Fiyo on the Bayou as the finest of the year, sales were poor. They failed to release another studio album until Uptown (1987), a conscious effort to find a more mainstream sound (with Richards and Carlos Santana guesting) that prompted accusations of a sellout.
Outside the Neville Brothers Art began playing concerts with his former Meters bandmates, following a reunion at the 1989 New Orleans Jazz & Heritage festival. They subsequently formed a new version of the band called the Funky Meters, and Art continued to perform with both outfits. A change of fortune came with Yellow Moon, sympathetically produced by Daniel Lanois, which successfully moulded the group’s collective skills into a coherent whole. In that year the group won a Grammy for best pop instrumental performance for the Yellow Moon track Healing Chant, while the album also contained several landmark tracks including the title song, a version of Dylan’s With God on Our Side, and Sister Rosa, their ode to the civil rights pioneer Rosa Parks.
Art won another Grammy in 1996 with various artists for best rock instrumental performance for SRV Shuffle, a tribute to the guitarist Stevie Ray Vaughan. Their musical groove influenced artists as varied as Little Feat, the Red Hot Chili Peppers, Public Enemy and the Grateful Dead. Art Neville, who was nicknamed Poppa Funk, toured as part of the Neville Brothers and the Meters with major artists, including the Rolling Stones, the Grateful Dead and Tina Turner, and were traditionally the closing act on the final Sunday night of New Orleans’s annual Jazz & Heritage festival.
The Neville Brothers disbanded in 2012, but reunited for a farewell concert in New Orleans in 2015. Three years after Art announced his retirement after more than six decades in the music business.
Art Neville crossed the rainbow to rock and roll paradise on July 22, 2019 at the age of 81.
June 6, 2019 – Dr. John was born Malcolm John Rebennack in New Orleans on November 20, 1941, and early on got the nickname “Mac.”
When he was about 13 years old, Rebennack met blues pianist Professor Longhair (Roy Byrd) and soon began performing with him. At age 16, Rebennack quit high school to focus on playing music. He performed with several local New Orleans bands including Mac Rebennack and the Skyliners, Frankie Ford and the Thunderbirds, and Jerry Byrne and the Loafers. He had a regional hit with a Bo Diddley-influenced instrumental called “Storm Warning” on Rex Records in 1959.
Rebennack became involved in illegal activities in New Orleans in the early sixties, using and selling narcotics and running a brothel. He was arrested on drug charges and sentenced to two years in a federal prison at Fort Worth, Texas. When his sentence ended in 1965, he moved to Los Angeles, adopted the stage name of Dr. John, and collaborated with other New Orleans transplants. He became a “Wrecking Crew” session piano player appearing on works for a variety of artists including Sonny & Cher, Canned Heat on their albums Living the Blues (1968) and Future Blues (1970), and Frank Zappa and the Mothers of Invention on Freak Out! (1966).
Dr. John solo recordings include his debut LP, Gris-Gris (1968), Babylon (1969), Remedies (1970) and The Sun, Moon, and Herbs (1971) and Gumbo (1972). His 1973 release, In the Right Place, produced by Allen Toussaint, included his Top Ten hit “Right Place, Wrong Time.”
For the next three decades, Mac, as friends called him, collaborated with about everyone in rock and blues. Jagger and Richards, Springsteen, John Fogerty, Doc Pomus, Jason Isbell, Irma Thomas and so many more.
In the Movies, Dr. John appears in the Band’s opus, The Last Waltz and the sequel Blues Brothers 2000. Dr. John appears as himself in the second season of NCIS: New Orleans, playing his hit “Right Place, Wrong Time”.
He was the inspiration for Jim Henson’s Muppet character, Dr. Teeth and won 6 Grammy Awards and became a member of the Rock ‘n’ Roll Hall of Fame in 2011.
Dr. John, legendary New Orleans musician, died from a heart attack on June 6, 2019 at age 77.
March 17, 2019 – Bernie Tormé (guitarist for Ozzy, Gillan, Dee Snider and others) was born in Dublin on March 18, 1952, where he learned to play guitar. In 1974 he moved to London, joining bassist John McCoy in heavy rockers Scrapyard. After forming the Bernie Tormé Band two years later, he re-joined McCoy as a member of former Deep Purple singer Ian Gillan’s new solo project, playing on four Gillan albums: Mr. Universe, Glory Road, Future Shock and Double Trouble.
In 1981 Tormé left Gillan, and joined Atomic Rooster as a session guitarist. The following year briefly joined Ozzy Osbourne’s band, stepping in for Randy Rhoads in the aftermath of the guitarist’s tragic death. Ozzy Osbourne told Total Guitar that if it wasn’t for Bernie Tormé he “might never have got back on a stage”.
He then formed Bernie Tormé And The Electric Gypsies, and in 1988 joined Desperado, the band formed by Dee Snider after Twisted Sister were disbanded, playing on their only album, Bloodied, but Unbowed.
Tormé later later reunited with ex-Gillan colleague, John McCoy and drummer Robin Guy in GMT, and returned to solo work in 2013, releasing three acclaimed albums;Flowers & Dirt(2014), Blackheart (2015) and the 3CD set Dublin Cowboy. All three were successfully crowd-funded releases.
Tormé released his latest studio album Shadowland in November last year, but his family reported that PledgeMusic – who say they’re working on a solution to address late payments to artists – still owed the guitarist £16,000, which was due to be sent to him in December.
Bernie Tormé passed away peacefully on March 17, 2019 , one day short of his 67th birthday, surrounded by his family. He had been on life support for the previous four weeks at a London hospital following post-flu complications and suffering from virulent pneumonia in both lungs.
Snider tweeted, “Woke up to find out my friend Bernie Tormé has died. He was a guitar god who played with OzzyOsbourne & Ian Gillan. We worked together for 3 years, writing over 100 songs for the ill-fated Desperado. I loved that man & today my heart is broken. RIP Bernie. Your guitar weeps.”
March 22, 2019 – Scott Walker (the Walker Brothers) was born January 9, 1943 in Hamilton, Ohio, despite the fact that he was perceived as British. One of the more enigmatic figures in rock history, Scott Walker was known as Scotty Engel when he cut obscure flop records in the late ’50s and early ’60s in the teen idol vein.
He initially found work in Los Angeles as a bass player, but rose to fame in the United Kingdom, after he hooked up with John Maus and Gary Leeds to form the Walker Brothers. They weren’t named Walker, they weren’t brothers, and they weren’t English, but they nevertheless became a part of the British Invasion after moving to the U.K. in 1965. They enjoyed a couple of years of massive success there (and a couple of hits in the U.S.) The Walker Brothers was a well-groomed trio famous for their British Invasion renditions of Brill Building pop. With the help of Scott Walker’s booming baritone, the act topped the British charts with covers of “Make It Easy On Yourself” (1965) and “The Sun Ain’t Gonna Shine (Anymore)” (1966), but in the US, the trio never achieved the superstardom that they enjoyed overseas. As their full-throated lead singer and principal songwriter, Walker was the dominant artistic force in the group, who split in 1967.
While remaining virtually unknown in his homeland, Walker launched a hugely successful solo career in Britain with a unique blend of orchestrated, almost MOR arrangements with idiosyncratic and morose lyrics. At the height of psychedelia, Walker openly looked to crooners like Sinatra, Jack Jones, and Tony Bennett for inspiration, and to Jacques Brel for much of his material. None of those balladeers, however, would have sung about the oddball subjects — prostitutes, transvestites, suicidal brooders, plagues, and Joseph Stalin — that populated Walker’s songs. His first four albums hit the Top Ten in the U.K. — his second, in fact, reached number one in 1968, in the midst of the hippie era. By the time of 1969’s Scott 4, the singer was writing all of his material. Although this was perhaps his finest album, it was a commercial disappointment, and unfortunately discouraged him from relying entirely upon his own material on subsequent releases.
The ’70s were a frustrating period for Walker, pocked with increasingly sporadic releases and a largely unsuccessful reunion with his “brothers” in the middle of the decade. His work on the Walkers’ final album in 1978 prompted admiration from David Bowie and Brian Eno. After a long period of hibernation, he emerged in 1984 with an album, Climate of Hunter, that drew critical raves for a minimalist, trance-like ambience that showed him keeping abreast of cutting-edge ’80s rock trends.
It would 11 more years before Walker completed his metamorphosis from pop crooner to avant-garde godfather. That would come on 1995’s Tilt, a shocking post-apocalyptic work of art that matched dark, enigmatic songwriting and dissonant orchestral production. Tying it all together was Walker’s inimitable voice, which he pushed to awkward, operatic heights. Tilt was a harrowing listen, but its uncompromising singularity attracted experimental music fans of all types.
Again, it would be 11 years before Walker would release new music, but this time the lag was to no one’s surprise. He had developed a reputation as a perfectionist who operated on his own schedule. When 2006’s The Drift was released on 4AD, Walker again sent shockwaves through the avant-garde community. While Tilt was, in part, adored for its misdirection, The Drift was celebrated for its execution. As the second part of Walker’s late-career trilogy, it took his ornate orchestration to new depths; every second of its nearly 70-minute runtime felt intentional and intricate.
During the next several years, he contributed to soundtracks (To Have and to Hold, The World Is Not Enough, Pola X) and assisted with recordings by Ute Lemper and Pulp. He didn’t release another album until 2006. That year, Walker also contributed the track “Darkness” to Plague Songs for the Margate Exodus project, curated by the British arts organization Artangel. The concept centered around the retelling of the ten plagues of Egypt as recorded in the Book of Exodus in the Old Testament. In early 2007, the documentary film Scott Walker: 30 Century Man, premiered. Later that year, Walker released the limited-edition EP And Who Shall Go to the Ball? And What Shall Go to the Ball? Commissioned as a work for ballet by the Candoco Dance Company, it was comprised of a single piece of instrumental music, 24 minutes in length, performed by the London Sinfonietta and cellist Philip Sheppard.
In November of 2008, the musical theater work Drifting and Tilting: The Songs of Scott Walker was staged at London’s Barbican over three evenings. It was comprised of songs from Tilt and The Drift. Walker did not perform, but directed the work from conception to execution including staging, lighting, and orchestra. The vocals were performed by various singers, including Damon Albarn, Dot Allison, and Jarvis Cocker. In 2009, the album Music Inspired by Scott Walker: 30 Century Man appeared, featuring songs inspired by the film sung by Laurie Anderson and other female Walker devotees. Also in 2009, Walker dueted with British singer Natasha Khan on her Bat for Lashes album Two Suns. In 2012, he released Bish Bosch. He regarded it as the third and final part of the trilogy that began with Tilt and continued on The Drift andthen surprised many fans with Soused, a collaboration with doom-metal droners Sunn O))), in 2014. The last recording released during his lifetime was the 2018 score to the Brady Corbet-directed film Vox Lux.
Scott Walker died from cancer at age 76 on March 22, 2019. He influenced everyone from Jarvis Cocker (Pulp) to Thom Yorke (Radiohead), and even newer artists like Bat for Lashes.
March 16, 2019 – Dick Dale was born Richard Monsour in Boston on May 4, 1937 1937; his father was Lebanese, his mother Polish. As a child, he was exposed to folk music from both cultures, which had an impact on his sense of melody and the ways string instruments could be picked. He also heard lots of big band swing, and found his first musical hero in drummer Gene Krupa, who later wound up influencing a percussive approach to guitar so intense that Dale regularly broke the heaviest-gauge strings available and ground his picks down to nothing several times in the same song.
He taught himself to play country songs on the ukulele, and soon graduated to guitar, where he was also self-taught. His father encouraged him and offered career guidance, and in 1954, the family moved to Southern California. At the suggestion of a country DJ, Monsour adopted the stage name Dick Dale, and he began performing in local talent shows, where his budding interest in rockabilly made him a popular act. He recorded a demo song, “Ooh-Whee Marie,” for the local Del-Fi label, which was later released as a single on his father’s new Deltone imprint and distributed locally. During the late ’50s, Dale also became an avid surfer, and soon set about finding ways to mimic the surging sounds and feelings of the sport and the ocean on his guitar. He quickly developed a highly distinctive instrumental sound and found an enthusiastic, ready-made audience in his surfer friends. Dale began playing regular gigs at the Rendezvous Ballroom, a once-defunct concert venue near Newport Beach, with his backing band the Del-Tones; as word spread and gigs at other local halls followed, Dale became a wildly popular attraction, drawing thousands of fans to every performance. In September 1961, Deltone released Dale’s single “Let’s Go Trippin’,” which is generally acknowledged to be the very first recorded surf instrumental.
In the space of a few short years, the Boston-born, Southern California transplant had merged the laid-back, sun-blasted lifestyle of the surf scene with a blistering rhythm of rockabilly and early rock-and-roll. As the mad scientist behind what was dubbed surf rock, Dale was, in the words of a 1963 Life magazine profile, a thumping teenage idol who is part evangelist, part Pied Piper and all success. The music Dale and his band the Del-Tones made poured out of radios, sound-tracked popular beach movies starring Frankie Avalon and Annette Funicello, and lit inspirational fires in other musicians like the Beach Boys. Fans crowned him The King of the Surf Guitar. Dick Dale wasn’t nicknamed “King of the Surf Guitar” for nothing: he pretty much invented the style single-handedly, and no matter who copied or expanded upon his blueprint, he remained the fieriest, most technically gifted musician the genre ever produced. Dale’s pioneering use of Middle Eastern and Eastern European melodies (learned organically through his familial heritage) was among the first in any genre of American popular music, and predated the teaching of such “exotic” scales in guitar-shredder academies by two decades. The breakneck speed of his single-note staccato picking technique was unrivaled until it entered the repertoires of metal virtuosos like Eddie Van Halen, and his wild showmanship made an enormous impression on the young Jimi Hendrix. But those aren’t the only reasons Dale was once called the father of heavy metal. Working closely with the Fender company, Dale continually pushed the limits of electric amplification technology, helping to develop new equipment that was capable of producing the thick, clearly defined tones he heard in his head, at the previously undreamed-of volumes he demanded. He also pioneered the use of portable reverb effects, creating a signature sonic texture for surf instrumentals. And, if all that weren’t enough, Dale managed to redefine his instrument while essentially playing it upside-down and backwards — he switched sides in order to play left-handed, but without re-stringing it (as Hendrix later did). “I once made a million dollars a year with my career,” Dale reminisced to the Los Angeles Times magazine in 2001. “I made $10,000 for three minutes work on the ‘Ed Sullivan Show’ in 1963.”
Dale’s signature guitar style was the result of a happy accident. Most guitars are strung for a right-handed player. Dale, a lefty, originally picked up the guitar upside down so he could play naturally without restringing the instrument, leaving the thicker strings on the bottom of the fret board. “Nobody told me I was holding it wrong,” Dale explained to the Orange County Register in 2009. “I just taught myself to play it like that. It was hard at first.”
“Let’s Go Trippin'” was a huge local hit, and even charted nationally. Dale released a few more local singles, including “Jungle Fever,” “Miserlou,” and “Surf Beat,” and in 1962 issued his (and surf music’s) first album, the groundbreaking Surfer’s Choice, on Deltone. Surfer’s Choice sold like hotcakes around Southern California, which earned Dale a contract with Capitol Records and national distribution for the album. Dale was featured in Life magazine in 1963, which led to appearances on The Ed Sullivan Show and the Frankie/Annette film Beach Party. Surf music became a national fad, with groups like the Beach Boys and Jan & Dean offering a vocal variant to complement the wave of instrumental groups, all of which were indebted in some way to Dale, who released the follow-up LP King of the Surf Guitar and went on to issue three more albums on Capitol through 1965. But the British Invasion began to steal much of surf’s thunder, and soon Dale was dropped by Capitol in 1965. He remained a wildly popular local act, but in that same year he was diagnosed with rectal cancer, which forced him to temporarily retire from music.
Doctors told the guitarist that without aggressive surgery, he could be dead in a matter of months. He survived, but the cancer bout whittled Dale from 158 pounds to 98 pounds, and also drained his bank account of his pop star proceeds. He moved to Hawaii and stayed away from music for a number of years. He beat the disease, however, and soon began pursuing other interests: owning and caring for a variety of endangered animals, studying martial arts, designing his parents’ dream house, and learning to pilot planes. In 1979, a puncture wound suffered while surfing off Newport Beach led to a pollution-related infection that nearly cost him his leg; Dick Dale soon added environmental activist to his resume. In addition to all of that, he performed occasionally around Southern California throughout the ’70s and ’80s. In 1986, Dale attempted to mount a comeback. He first recorded a benefit single for the UC-Irvine Medical Center’s burn unit (which had helped him recuperate from potentially serious injuries), and the following year appeared in the beach movie Back to the Beach. The soundtrack featured a duet between Dale and Stevie Ray Vaughan on, which was nominated for a Grammy for Best Rock Instrumental. In 1991, Dale did a guest spot on an album by the San Francisco-based Psychefunkapus, and a successful Bay Area gig got him signed with Hightone Records.
The album Tribal Thunder was released in 1993, but Dale’s comeback didn’t get into full swing until “Miserlou” was chosen as the opening theme to Quentin Tarantino’s blockbuster 1994 film ‘Pulp Fiction’. “Miserlou” became synonymous with Pulp Fiction’s ultra-hip sense of style, and was soon licensed in countless commercials (as were several other Daletracks). As a result, Tribal Thunder and its 1994 follow-up, Unknown Territory, attracted lots of attention, earning positive reviews and surprisingly strong sales. In 1996, he supported the Beggars Banquet album Calling Up Spirits by joining the normally punk- and ska-oriented Warped Tour. Adding his wife and young drum-playing son to his band, Dale refocused on touring over the next few years. He finally returned with a new CD in 2001,’ Spacial Disorientation’, issued on the small Sin-Drome label. Dale stepped away from his recording career after that release, but he continued to play out frequently, even as he struggled with myriad health problems, including diabetes, rectal cancer, and heart and kidney disease. Dale still had a busy schedule of concert dates on his schedule when he died on March 16, 2019, at the age of 81.
Tributes have begun popping up online, with many celebrating his distinctive sound. But the musician’s life story was also a constant struggle against health problems — and to pay medical bills. After his first cancer diagnosis in 1965, Dale continued to battle the disease. Up until the end of his life, Dale was explicit that he toured to fund his treatment.
“I can’t stop touring because I will die. Physically and literally, I will die,” he told the Pittsburgh City Paper in 2015. “Sure, I’d love to stay home and build ships in a bottle and spend time with my wife in Hawaii, but I have to perform to save my life.”
Peter Tork (The Monkees) was born Peter Halsten Thorkelson on February 13, 1942 in Washington DC. His father John taught economics at the University of Connecticut. He began studying piano at the age of nine, showing an aptitude for music by learning to play several different instruments, including the banjo, French horn and both acoustic bass and guitars. Tork attended Windham High School in Willimantic, Connecticut, and was a member of the first graduating class at E. O. Smith High School in Storrs, Connecticut. He attended Carleton College in Minnesota but, after flunking out, moved to New York City, where he became part of the folk music scene in Greenwich Village and with his guitar and five-string banjo he began playing small folk clubs. He billed himself as Tork, a nickname handed down by his father, and reportedly played with members of the soon-to-be formed band Lovin’ Spoonful (Summer in the City). While there, he befriended other up-and-coming musicians such as Stephen Stills (Crosby, Stills Nash and Young).When Tork “failed to break open the folk circuit,” as he later phrased it, he moved to Long Beach, California in mid-1965. Later that summer, he fielded two calls from his friend Stephen Stills (Crosby, Stills, Nash and Young), who had auditioned with more than 400 others for the Monkees. Stills urged Tork to try out. “They told Steve, ‘Your hair and teeth aren’t photogenic, but do you know anyone who looks like you that can sing?’ And Steve told them about me,” Tork told the Washington Post in 1983.
November 3, 2018 –Glenn Schwartz (the James Gang) was born on March 20, 1940 in Cleveland Ohio. While in Los Angeles on tour with the James Gang in 1967, Schwartz strolled onto the infamous Sunset Strip and stopped next to a small group of people listening to street preacher Arthur Blessitt, according to Stevenson’s book. Some time later he professed conversion to Christianity, saying “I was finally blessed by mercy for I heard the Gospel of Christ.”
Following his conversion, his zealous, new-found faith was not accepted well by the band, his family or his friends. As per Stevenson, Schwartz said: “I had some Christian friends who had some round stickers that read ‘Real Peace Is In Jesus’ and we stuck those all over our clothes … We put some on Janis Joplin but she didn’t like it and took them off. I remember she got pretty upset. Continue reading Glenn Schwartz 11/2018
Tony Joe White – October 24, 2018 was born on July 23, 1943, in Oak Grove, Louisiana as the youngest of seven children who grew up on a cotton farm. He first began performing music at school dances, and after graduating from high school he performed in night clubs in Texas and Louisiana.
As a singer-songwriter and guitarist, he became best known for his 1969 hit “Polk Salad Annie” and for “Rainy Night in Georgia”, which he wrote but was first made popular by Brook Benton in 1970. He also wrote “Steamy Windows” and “Undercover Agent for the Blues”, both hits for Tina Turner in 1989; those two songs came by way of Turner’s producer at the time, Mark Knopfler, who was a friend of White. “Polk Salad Annie” was also recorded by Elvis Presley and Tom Jones.
In 1967, White signed with Monument Records, which operated from a recording studio in the Nashville suburb of Hendersonville, Tennessee, and produced a variety of sounds, including rock and roll, country and western, and rhythm and blues. Billy Swan was his producer.
Over the next three years, White released four singles with no commercial success in the U.S., although “Soul Francisco” was a hit in France. “Polk Salad Annie” had been released for nine months and written off as a failure by his record label, when it finally entered the U.S. charts in July 1969. It climbed to the Top Ten by early August, and eventually reached No. 8, becoming White’s biggest hit.
White’s first album, 1969’s Black and White, was recorded with Muscle Shoals/Nashville musicians David Briggs, Norbert Putnam, and Jerry Carrigan, and featured “Willie and Laura Mae Jones” and “Polk Salad Annie”, along with a cover of Jimmy Webb’s “Wichita Lineman”. “Willie and Laura Mae Jones” was covered by Dusty Springfield and released as a single, later added to reissues of her 1969 album Dusty in Memphis.
Three more singles quickly followed, all minor hits, and White toured with Steppenwolf, Anne Murray, Sly & the Family Stone, Creedence Clearwater Revival and other major rock acts of the 1970s, playing in France, Germany, Belgium, Sweden and England.
In 1973, White appeared in the film Catch My Soul, a rock-opera adaption of Shakespeare’s Othello. White played and sang four and composed seven songs for the musical.
In late September 1973, White was recruited by record producer Huey Meaux to sit in on the legendary Memphis sessions that became Jerry Lee Lewis’s landmark Southern Roots album.By all accounts, these sessions were a three-day, around-the-clock party, which not only reunited the original MGs (Steve Cropper, Donald “Duck” Dunn and Al Jackson, Jr. of Booker T. and the MGs fame) for the first time in three years, but also featured Carl Perkins, Mark Lindsay (of Paul Revere & the Raiders), and Wayne Jackson plus The Memphis Horns.
From 1976 to 1983, White released three more albums, each on a different label. Trying to combine his own swamp-rock sound with the popular disco music at the time, the results were not met with success and White gave up his career as a singer and concentrated on writing songs. During this time frame, he collaborated with American expat Joe Dassin on his only English-language album, Home Made Ice Cream, and its French-language counterpart Blue Country.
In 1989, White produced one non-single track on Tina Turner’s Foreign Affair album, the rest of the album was produced by Dan Hartman. Playing a variety of instruments on the album, he also wrote four songs, including the title song and the hit single “Steamy Windows”. As a result of this he became managed by Roger Davies, who was Turner’s manager at the time, and he obtained a new contract with Polydor.
The resulting album, 1991’s Closer to the Truth, was a commercial successand put White back in the spotlight. He released two more albums for Polydor; The Path of a Decent Groove and Lake Placid Blues which was co-produced by Roger Davies.
In the 1990s, White toured Germany and France with Joe Cocker and Eric Clapton, and in 1992 he played the Montreux Festival.
In 1996, Tina Turner released the song “On Silent Wings” written by White.
In 2000, Hip-O Records released One Hot July in the U.S., giving White his first new major-label domestic release in 17 years. The critically acclaimed The Beginningappeared on Swamp Records in 2001, followed by Heroines, featuring several duets with female vocalists including Jessi Colter, Shelby Lynne, Emmylou Harris, Lucinda Williams, and Michelle White, on Sanctuary in 2004, and a live Austin City Limits concert, Live from Austin, TX, on New West Records in 2006. In 2004, White was the featured guest artist in an episode of the Legends Rock TV Show and Concert Series, produced by Megabien Entertainment.
In 2007, White released another live recording, Take Home the Swamp, as well as the compilation Introduction to Tony Joe White. Elkie Brooks recorded one of White’s songs, “Out of The Rain”, on her 2005 Electric Lady album. On July 14, 2006, in Magny-Cours, France, White performed as a warm-up act for Roger Waters’ The Dark Side of the Moon concert. White’s album, entitled Uncovered, was released in September 2006 and featured collaborations with Mark Knopfler, Michael McDonald, Eric Clapton, and J.J. Cale.
The song “Elements and Things” from the 1969 album …Continued features prominently during the horse-racing scenes in the 2012 HBO television series “Luck”.
In 2013, White signed to Yep Roc Records and released Hoodoo.Mother Jones called the album “Steamy, Irresistible” and No Depression noted Tony Joe White is “the real king of the swamp.” He also made his Live…with Jools Holland debut in London, playing songs from Hoodoo.
On October 15, 2014, White appeared on The Late Show with David Letterman alongside the Foo Fighters to perform “Polk Salad Annie”. Pointing to White, Letterman told his TV audience, “Holy cow! … If I was this guy, you could all kiss my ass. And I mean that.”
In May 2016, Tony Joe White released Rain Crow on Yep Roc Records. The lead track “Hoochie Woman” was co-written with his wife, Leann. The track “Conjure Child” is a follow up to an earlier song, “Conjure Woman.
The album Bad Mouthin’ was released in September 2018 again on Yep Roc Records. The album contains six self-penned songs and five blues standards written by, amongst others, Charley Patton and John Lee Hooker. On the album White also performs a cover of the Elvis Presley song “Heartbreak Hotel”. White plays acoustic and electric guitar on the album which was produced by his son Jody White and has a signature Tony Joe White laid back sound.
White died of a heart attack on October 24, 2018, at the age of 75
January 15, 2018 – Dolores O’Riordan (The Cranberries) was born Dolores Mary Eileen O’Riordan on September 6, 1971 brought up in Ballybricken, a town in County Limerick, Ireland. She was the daughter of Terence and Eileen O’Riordan and the youngest of seven children. She attended Laurel Hill Coláiste FCJ school in Limerick.
In 1990 O’Riordan auditioned for and won the role of lead singer for a band called the Cranberry Saw Us (later changed to the Cranberries). The band became a sensation as it released five albums: Everybody Else Is Doing It, So Why Can’t We? (1993), No Need to Argue (1994), To the Faithful Departed (1996), Bury the Hatchet (1999) and Wake Up and Smell the Coffee (2001) and a greatest-hits compilation entitled Stars: The Best of 1992–2002 (2002), before they went on hiatus in 2003.
In 2004, she appeared with the Italian artist Zucchero on the album Zu & Co., with the song “Pure Love”. The album also featured other artists such as Sting, Sheryl Crow, Luciano Pavarotti, Miles Davis, John Lee Hooker, Macy Gray and Eric Clapton. The same year she worked with composer Angelo Badalamenti on the Evilenko soundtrack, providing vocals on several tracks, including “Angels Go to Heaven”, the movie theme.
In 2005, she appeared on the Jam & Spoon’s album Tripomatic Fairytales 3003 as a guest vocalist on the track “Mirror Lover”. O’Riordan also made a cameo appearance in the Adam Sandler comedy Click, released on 23 June 2006, as a wedding singer performing an alternate version of The Cranberries’ song “Linger”, set to strings. Her first single, “Ordinary Day”, was produced by BRIT Awards winner, Youth, whose previous credits include The Verve, Embrace, Primal Scream, U2 and Paul McCartney. O’Riordan made an appearance live on The Late Late Show on 20 April 2007.
Are You Listening? , her first solo album was released in Ireland in 4 May 2007, in Europe on 7 May, and in North America on 15 May. “Ordinary Day” was its first single, released in late April. The video for “Ordinary Day” was shot in Prague. In August “When We Were Young” was released as the second single from the album.
On 19 November 2007, she cancelled the remainder of her European Tour (Lille, Paris, Luxembourg, Warsaw and Prague) due to illness. In December she performed in a few small American clubs, including Des Moines, Nashville, and a well-received free show in Charlottesville, Virginia.
In 2008, O’Riordan won an EBBA Award. Every year the European Border Breakers Awards recognise the success of ten emerging artists or groups who reached audiences outside their own countries with their first internationally released album in the past year.
Dolores O’Riordan was known for her lilting mezzo-soprano voice, her emphasized use of yodeling and for her strong Limerick accent. In January 2009, the University Philosophical Society (Trinity College, Dublin) invited The Cranberries to reunite for a concert celebrating O’Riordan’s appointment as an honorary member of the Society, which led the band members to consider reuniting for a tour and a recording session. On 25 August 2009, while promoting her solo album No Baggage in New York City on 101.9 RXP radio, O’Riordan announced the reunion of the Cranberries for a world tour. The tour began in North America in mid-November, followed by South America in mid-January 2010 and Europe in March 2010. Also touring with the original members of The Cranberries was Denny DeMarchi, who played the keyboard for O’Riordan’s solo albums.
The band played songs from O’Riordan’s solo albums, many of the Cranberries’ classics, as well as new songs the band had been working on. On 9 June 2010 The Cranberries performed at the Special Olympics opening ceremony at Thomond Park in Limerick. This was the first time the band had performed in their native city in over 15 years.
She appeared as a judge on RTÉ’s The Voice of Ireland during the 2013–14 season. Dolores O’Riordan began recording new material with JETLAG, a collaboration between Andy Rourke of The Smiths and Ole Koretsky, in April 2014. They then formed a trio under the name D.A.R.K. Their first album, Science Agrees, was released in September 2016.
On 26 May 2016, the band announced that they planned to start a tour in Europe. The first show was held on 3 June.
On the Personal Note:
On 18 July 1994, O’Riordan married Don Burton, the former tour manager of Duran Duran. The couple had three children. In 1998, the couple bought a 61-hectare (150-acre) stud farm, called Riversfield Stud, located in Kilmallock, County Limerick, selling it in 2004. They then moved to Howth, County Dublin, and spent summers in a log cabin in Buckhorn, Ontario, Canada. In 2009, the family moved full-time to Buckhorn.
In August 2013, she returned to live in Ireland. She and Burton split up in 2014 after 20 years together, and subsequently divorced. She was raised as a Roman Catholic. Her mother was a devout Catholic who chose her daughter’s name in reference to the Lady of the Seven Dolours. Dolores admired Pope John Paul II, whom she met twice, in 2001 and 2002. She performed at the invitation of Pope Francis in 2013 at the Vatican’s annual Christmas concert.
In November 2014, O’Riordan was arrested and charged in connection with air rage on an Aer Lingus flight from New York to Shannon. During the flight she grew verbally and physically abusive with the crew. When police were arresting her after landing, she resisted, reminding them her taxes paid their wages and shouting “I’m the Queen of Limerick! I’m an icon!”, headbutting one Garda officer and spitting at another. Later she told the media that she had been stressed from living in New York hotels following the end of her 20-year marriage. The judge hearing her case agreed to dismiss all charges if she apologised in writing to those she injured and contributed €6,000 to the court poor box.
In May 2017, she publicly discussed her bipolar disorder, which she said had been diagnosed two years earlier. That same month, the Cranberries cited her back problems as the reason for cancelling the second part of the group’s European tour. In late 2017, O’Riordan said she was recovering and performed at a private event.
On 15 January 2018, at the age of 46, while in London for a recording session, Dolores O’Riordan died unexpectedly at the London Hilton on Park Lane hotel in Mayfair. The cause of death was accidental drowning in a bathtub, following sedation by alcohol intoxication.
December 30, 2017 – Lord Luther McDaniels, lead singer of vocal group the 4 Deuces, was born in Panola County, Texas in 1938. He never knew his father, who was killed in an accident soon after Luther was born. Mostly raised by his grandmother, he joined the Mitchell Brothers gospel group when he was about 11 or 12. While Luther had no musical training, he still traveled with the group all over East Texas, appearing in many gospel group “battles.” Around the end of World War 2, his mother remarried and moved to Salinas, California, about a hundred miles south of San Francisco (his new stepfather was stationed at Fort Ord in Monterey, only a few miles away). Luther went to California, decided he didn’t like it, went back to Texas, decided California wasn’t that bad, and returned to California to stay, settling in the fertile Salinas Valley south of the Bay Area, a region often referred to as America’s Salad Bowl. Continue reading Lord Luther McDaniels 12/2017
December 13, 2017 – Warrel Dane (Sanctuary/Nevermore) was born on March 7, 1961 as Warrel G. Baker in Seattle, Washington.
Warell, who first came to fame as the high-pitched singer of Serpent’s Knight, was famed for his vocal range and had originally trained for five years as an opera singer and utilized a very broad vocal range, spanning from notes as low as the G♯ below low C, or G♯1, to notes as high as the B♭ below soprano C, or B♭5. While his high head voice style vocals were much more prominent in the older Sanctuary albums, there were instances where he utilized it in Nevermore as well. Later in his career, Dane became more notable for his distinctively deep, dramatic voice. He cited Judas Priest, Iron Maiden, Black Sabbath, Jefferson Airplane, Simon & Garfunkel, The Beatles, The Doors as his musical influences and Ronnie James Dio, Rob Halford, Bruce Dickinson as his main vocal inspirations. Continue reading Warrel Dane 12/2017
December 12, 2017 – Pat DiNizio (The Smithereens) was born October 12, 1955 in Scotch Plains, New Jersey, where he actually lived his entire life. As a youngster, he was inspired by the pop music emanating from his transistor radio in the ‘60s and the hit tunes being written by his musical idols Buddy Holly, The Beatles, and The Beau Brummels among others.
He began playing music with several local bands in the early 1970s, but got serious around 1975 when he joined three classmates from nearby Cateret High School – guitarist Jim Babjak, bassist Mike Mesaros and drummer Dennis Diken and formed the Smithereens. That lineup would remain in place for nearly 25 years. Continue reading Pat DiNizio 12/2017
December 8, 2017 – Vincent Nguini (Guitarist For Paul Simon) was born in Obala, Cameroon, West Africa in July 1952. Music and the understanding of it was the driving force behind his life’s ambitions from very early on.
He traveled around Africa in the early and mid-1970s, learning many regional guitar styles, before relocating to Paris in 1978. In Paris, long a recording center for music from French-speaking Africa, he studied music and did studio work with many African musicians. He joined the band of the Cameroonian saxophonist Manu Dibango, who had an international hit in 1972 with “Soul Makossa,” and soon became its musical director. Continue reading Vincent Nguini 12/2017
December 5, 2017 – Johnny Halliday was born Jean-Philippe Léo Smet on June 15, 1943 in Paris. His father was Belgian and his mother French. took his stage name from A cousin-in-law from Oklahoma, USA who performed as Lee Halliday called Smet “Johnny” and became a father figure, introducing him to American music. And the name Johnny Halliday was born. Continue reading Johnny Halliday 12/2017
November 30, 2017 – Zé Pedro (Xutos & Pontapés) was born José Amaro dos Santos Reis on September 14, 1956 in Lisbon Portugal.
Times were difficult as Portugal suffered under a right wing dictatorship and personal freedom was of no consequence. Dictator Salazar is firmly in power and crushes anything that does not fit his agenda without mercy: including the arrival of rock and roll. Using his heavy handed censorship and ubiquitous secret police to quell any type of opposition, life in Portugal was a far cry from today’s laid back holiday atmosphere.
November 27, 2017 – Robert Lee (Pops) Popwell (the Young Rascals) was born on the 29th of December 1950 in Daytona Beach, Florida.
Popwell started his career in the ’60s. He quickly got work in the jazz and R&B worlds.
As a member of the house band The Macon Rhythm Section (with Johnny Sandlin, Pete Carr, Paul Hornsby and Jim Hawkins) for the Capricorn Records Studio in Macon Georgia, from 1968 he recorded with Doris Duke, Hubert Laws, Deryll Inman, The Atlanta Disco Band, Johnny Jenkins, and Livingston Taylor. Continue reading Robert Lee (Pops) Popwell 11/2017
November 24, 2017 – Mitch Margo (The Tokens) was born on May 25, 1947 in New York City. He began singing a cappella at age 9 alongside his brother Phil.
Young Margo learned to play piano in those early days, but over the years established himself as a multi-instrumentalist, also playing guitar, bass, drums and percussion.
Margo was a student at Abraham Lincoln High School in Brooklyn when he and his brother joined the Linc-Tones, also featuring Neal Sedaka, Hank Mendress and original member Tokens founder Jay Siegel, who soon renamed themselves the Tokens and recorded “The Lion Sleeps Tonight” while Mitch was just 14 years old. Continue reading Mitch Margo 11/2017
November 22, 2017 – Tommy Keene was born on June 30, 1958 in Evanston, Illinois and raised and graduated from Walter Johnson High School in Bethesda, Maryland (class of 1976), (which was also the alma mater of fellow musician Nils Lofgren). Keene played drums in one version of Lofgren’s early bands but moved to guitar later when he attended the University of Maryland.
Keene launched his career in the late-‘70s as a guitarist with a series of Washington D.C.-area combos including the Rage and the Razz, before hitting the national scene as a solo act in 1982 with the release of his debut Strange Alliance. He actually first received critical acclaim with his The Razz, who released several local independent singles.Continue reading Tommy Keene 11/2017
November 21, 2017 – David Cassidy (The Partridge Family) was born on April 12, 1950 in New York, New York with a silver spoon in his mouth. His father was singer/actor Jack Cassidy and his mother actress Evelyn Ward.
As his parents were frequently touring on the road, he spent his early years being raised by his maternal grandparents in a middle-class neighborhood in West Orange, New Jersey. In 1956, he found out from neighbors’ children that his parents had been divorced for over two years and had not told him. David’s parents had decided because he was at such a young age, it would be better for his emotional stability to not discuss it at that time. They were gone often with theater productions and home life remained the same. Many years later, after his father’s death, he found out that his father was bi-sexual with many homosexual encounters.Continue reading David Cassidy 11/2017
November 21, 2017 – Wayne Cochran (The CC Riders) was born Talvin Wayne Cochran near Macon, Georgia, and grew up in roughly the same environs his idol James Brown and friend Otis Redding had, be it on the other side of the tracks.
After getting his start with various rock’n’roll outfits, in 1959 Cochran cut his first disc and the next five years would witness a succession of releases, most of which only made regional noise at best. One item however, would ultimately become Cochran’s greatest success, though in someone else’s hands. His lightly morbid but undeniably catchy original ‘Last Kiss’ hit the top of the charts in the summer of 1964 in a faithful treatment by Texans J. Frank Wilson & The Cavaliers. This classic “death disc” has since been covered by many, not least Pearl Jam, so at least the healthy royalties from whose versions, would come as an unforeseen blessing for Cochran in later years.
November 19, 2017 – Warren “Pete” Moore (the Miracles) was born on November 19, 1939 in Detroit, Michigan. A childhood friend of Miracles lead singer Smokey Robinson, the two met at a musical event given by the Detroit Public School system, where Moore spotted Robinson singing as part of the show. The two became friends and formed a singing group, which eventually became the Miracles. Besides his work in the Miracles, Moore helped Miracles member Smokey Robinson write several hit songs, including The Temptations’ “It’s Growing” and “Since I Lost My Baby”, and two of Marvin Gaye’s biggest hits, the Top 10 million sellers, “Ain’t That Peculiar” and “I’ll Be Doggone”. Continue reading Warren “Pete” Moore 11/2017
November 16, 2017 – DikMik (Hawkwind) was born Michael Davies in 1943 in Richmond, England.
In 1969, DikMik Davies and friend Nik Turner signed on as roadies for the group that Dave Brock, a childhood friend of theirs, had formed with guitarist Mick Slattery, bassist John Harrison and drummer Terry Ollis.
It was the time of early psychedelics and electronic music and DikMik’s interest in the burgeoning genre of electronic music had led to him being offered a slot in the psychedelic space rock band Hawkwind, before even their first gig of .
Gatecrashing a local talent night at the All Saints Hall, Notting Hill, they were so disorganised as to not even have a name, opting for “Group X” at the last minute, nor any songs, choosing to play an extended 20-minute jam on The Byrds’ “Eight Miles High.” BBC Radio 1 DJ John Peel was in the audience and was impressed enough to tell event organizer, Douglas Smith, to keep an eye on them. Continue reading DikMik 11/2017
November 12, 2017 – Chad Hanks (American Head Charge) was born in 1971 in Los Angeles, California.
With vocalist friend Cameron Heacock he formed American Head Charge in 1997 after they met in 1995 in rehab in Minneapolis and emerged as major players from the late ’90s nu-metal boom. The success of their 1999 indie debut, Trepanation, caught the ear of mega-producer Rick Rubin (Metallica, Beastie Boys, Chili Peppers), who signed the band to his American Recordings label and got the group out to his allegedly haunted Los Angeles mansion to record 2001’s “The War of Art.” Metal magazines Kerang and Rough Edge each gave the album four-star reviews (out of five), and VH1 picked it as one of the “12 Most Underrated Albums of Nü Metal.” Continue reading Chad Hanks 11/2017
November 9, 2017 – Chuck Mosley (Faith No More) was born December 26, 1959 in Hollywood, California, but raised in South Central Los Angeles and Venice. He was adopted at a very early age, as talked about in the Faith No More biography book, “The Real Story.” In a 2013 interview, Mosley said “My Parents met at some kind of socialist/communist get-together in the ’50s. They were interracial – my mom was Jewish and my dad was black and Native American. So that was something controversial in itself. My dad had a daughter and my mom had two daughters, and all they were missing was a boy, so they went out and adopted one, and it was me.”
Mosley first met Billy Gould in 1977, going to a The Zeros, Johnny Navotnee and Bags show. He then went on to play keyboards in Billy’s first band, The Animated, in 1979. In 1984 he joined Haircuts That Kill, a post-punk band from the San Francisco area, which lasted up until Mosley’s joining of Faith No More. He joined Faith No More in 1985 replacing, among others, Courtney Love (Hole) who had a brief stint as lead singer. AllMusic states that Mosley’s “out of tune” vocals for Faith No More are “an acquired taste to most.” Continue reading Chuck Mosley 11/2017
November 9, 2017 – Fred Cole was born August 28, 1948 in Tacoma, Washington and he moved with his mother to Las Vegas where he attended high school. Here he began his recording career in 1964, with his band, the Lords, at the Teenbeat Club, releasing a single titled “Ain’t Got No Self-Respect. “His next single, from 1965, was a promo-only called “Poverty Shack” b/w “Rover,” with a band named Deep Soul Cole.
In 1966 Cole’s band The Weeds gained notice in garage rock circles, and their only single, a 60s punk track called It’s Your Time (b/w Little Girl, Teenbeat Club Records), has become a collectors’ favorite. The A-side appeared on one of the Nuggets anthologies. The band was promised an opening slot on a Yardbirds bill at the Fillmore in San Francisco, but on their arrival found that the venue hadn’t heard of them. Continue reading Fred Cole 11/2017
November 9, 2017 – Hans Vermeulen (Sandy Coast) was born on September 18, 1947 in Voorburg, the Hague in the Netherlands. He grew up in what was to become the birthplace of Nederpop, which produced bands like Golden earring (Radar Love) and Shocking Blue (Venus), Q 65, Rob Hoeke and many others.
He scored hits like I See Your Face Again , Capital Punishment and my favorite True Love That’s a Wonder with his first group Sandy Coast which he had formed in 1961.
When the first run of late sixties rock and roll ran dry, Sandy Coast disbanded in the early seventies, and did not reform until 1981, with a big comeback hit. In 1975 Vermeulen founded Rainbow Train, a open door clearing house formation for musicians, in which he sang with his then-wife Dianne Marchal . In those years he made impact as a much in demand EMI producer for popular Dutch singers like Margriet Eshuijs (Lucifer) and Anita Meyer. For Meyer he wrote in 1976 the number 1 hit The Alternative Way, on which he also sang and for Eshuijs he produced the still today hugely popular “House for Sale” hit.Continue reading Hans Vermeulen – 11/2017
November 7, 2017 – Paul Buckmaster born on June 13, 1946 in London England.
At age four, Buckmaster started attending a small private school in London called the London Violoncello School, and continued studying cello under several private teachers until he was ten. In 1957, his mother, a concert pianist took him and his two siblings to Naples, where he auditioned with cello professor Willy La Volpe, to be assessed as eligible for a scholarship. After Paul’s attending classes over a two-month period, La Volpe determined that Paul was eligible for an Italian State scholarship, and for the next four years, he studied there eight months per year. This was a radically formative period, in which he deepened his love for the music of J. S. Bach, studying the unaccompanied cellos suites. It was during this period in Italy that Paul discovered his love for jazz. He then won a scholarship to study the cello at the Royal Academy of Music, from which he graduated with a performance diploma in 1967.Continue reading Paul Buckmaster 11/2017
November 7, 2017 – Pentti “Whitey” Glan was born on July 8, 1946 in Finland , just after World War II had come to an end and tensions with Russia were high. The family moved to Toronto Canada soon after.
Whitey Glan’s first serious band was the Canadian soul band The Rogues (later called Mandala) which he formed with keyboardist Josef Chirowski and bassist Don Elliot; they had worked together in other teenage bands like Whitey & The Roulettes. Mandala had their first hit single with “Opportunity” with original singer George Oliver, recorded at Chess Records.
In 1966 Glan played several shows with Mandala in Ontario and recorded the first two demo songs of his career (“I Can’t Hold Out No Longer” and “I’ll Make It Up To You”). Roy Kenner had replaced George Oliver. When they played their first shows in the USA they performed at the Whiskey A Go Go. They recorded their only album Soul Crusade in 1968 which produced a hit single (“Loveitis”) but they disbanded in 1969 after several line-up changes and poor album sales. Continue reading Whitey Glan 11/2017
October 22, 2017 – Scott Putesky (Marilyn Manson) aka Daisy Berkowitz was born on April 28, 1968 in Los Angeles, California.
After his high school years Putesky moved to Ft.Lauderdale and enrolled in a Graphic Design College. Putesky and Brian Warner (Marilyn Manson) met at a Fort Lauderdale club called The Reunion Room and later at a local after-party in December 1989. The two started creating the concept of Marilyn Manson & The Spooky Kids poking fun at American media hypocrisy and its obsessions with serial killers and beautiful women. (Marilyn Monroe vs Charles Manson and Daisy Duke vs David Berkowitz)
Putesky, who had at this point developed his own poetry but not yet worked lyrics into his music, began to meet up with Warner and brainstorm character and show/event ideas, after Warner asked for help starting a band as a creative outlet for his poetry writing. Continue reading Scott Putesky 10/2017
October 23, 2017 – George Young (with his bandmate and songwriting partner Harry Vanda-right in the picture) – Easybeats was born on November 6, 1946 in Glasgow Schotland. The lower middle class Young family were all musicians, but when the worst winter on record in Schotland arrived in post Christmas into January 1963, the family split as a result of 15 family members taking the opportunity to emigrate to Australia, including almost 16 year old George. Continue reading George Young 10/2017
October 21, 2017 – Martin Eric Ain was born Martin Stricker in the USA from Swiss parents on July 18, 1967. His mother was a Catholic religion teacher. She taught the catechism. Ain figured that most probably, the reason for him joining up with the arch rebel — Satan himself! — was because that was the most powerful force to oppose his mother.
I remember that traumatic experience being in a church, and there was this life-sized cross with this tormented human figure nailed, its limbs twisted and turned. I must have been about 5 or 6. That was really bizarre, having all those people around me being solemn in a way, but then, on the other hand, really getting joyous toward the end of that ritual about this person dying. And then going to the front of the church and coming back having devoured part of the body of that person. As a child, you take something like that quite literally, you know? And it was never really explained to me in a way that seemed really logical. I had nightmares. For me, religion didn’t have a redemptive quality. It didn’t help me to have a more positive outlook on life. It was a negative, oppressive kind of thing. Christ was a symbol of utter failure and absolute totalitarian control.
October 18, 2017 – Phil Miller (In Cahoots) was born on January 22, 1949 in Barnet, Hertfordshire, to Mavis (nee Dale), a librarian, and David Miller, a wartime lieutenant colonel in the Royal Marines and later head of commodities at the Stock Exchange. He was educated at Blackfriars boarding school, in Laxton, Northamptonshire, from where he occasionally truanted at night, hitch-hiking to London clubs to hear his musical heroes play, and returning unmissed in time for early-morning mass.
A self-taught guitarist, he formed his first band, Delivery, at 17, and played regularly upstairs at Ronnie Scott’s in London, backing visiting blues legends.
In 1971 he became a vital figure on the “Canterbury scene” when Robert Wyatt, who had just left Soft Machine, recruited Phil to join his new band, Matching Mole. The “scene”, noted for the frequent absence of the electric guitar as a lead instrument, boasted Phil as its undisputed exponent. Continue reading Phil Miller 10/2017
October 18, 2017 – Eamonn Campbell was born on November 29, 1946 in Drogheda in County Louth, but later moved to Walkinstown, a suburb of Dublin. He heard Elvis’ That’s All Right for the first time when he was 10; got his first guitar when he was 11 and taught himself how to play it in the next several year.
He had his first gig at 14 and never really looked back, even though there were early plans to take up accounting. In 1964, he graduated high school with the intention of becoming an accountant. “But his accountant’s brain told him he’d make much more money out of gigging.” So instead he would go on to play for bands such as The Viceroys, The Checkmates and The Delta Boys. He also played locally with the The Bee Vee Five and the Country Gents before joining Dermot O’Brien and the Clubmen and he first met The Dubliners when both acts toured England together in 1967. Over the years that followed he got into production and often sat in with the Dubliners, which had formed in 1962. Continue reading Eamonn Campbell 10/2017
October 17, 2017 – Gord Downie was born February 6, 1964 in Amherstview, Ontario, and raised in Kingston, Ontario, along with his two brothers Mike and Patrick. He was the son of Lorna (Neal) and Edgar Charles Downie, a traveling salesman. In Kingston, he befriended the musicians who would become The Tragically Hip, while attending the downtown Kingston high school Kingston Collegiate and Vocational Institute.
Downie formed the Tragically Hip with Rob Baker, Johnny Fay, Davis Manning, and Gord Sinclair in 1983. Saxophone player Davis Manning left the band and guitarist Paul Langlois joined in 1986. Originally, the band started off playing cover songs in bars and quickly became famous once MCA Records president Bruce Dickinson saw them performing at the Horseshoe Tavern in Toronto and offered them a record deal. Continue reading Gord Downie 10/2017
October 7, 2017 – Jimmy Beaumont (The Skyliners) was born on October 21, 1940 in the Knoxville neighborhood of Pittsburgh, PA. While in his teens he formed the bebop group the Crescents. Joe Rock, a promo man working with Beaumont’s group, one day jotted down the lyrics to a song as he sat in his car at a series of stoplights, lamenting that his girlfriend was leaving for flight attendant school on the West Coast.
Rock took the lyrics to Jimmy Beaumont, who wrote a melody just as quickly as Rock wrote the words to a magical, tearful ballad that soon topped the Cashbox R&B chart and went to No. 3 on the Billboard R&B chart: the title …..“Since I Don’t Have You.”
“I had been listening to all the doo-wop groups from that period — The Platters, The Moonglows. I guess just from listening the melody just came out of me,” Beaumont told the Pittsburgh Post-Gazette years later.
Thirteen labels rejected the song as a demo, but the record was released in late December 1958. In short order it went to No. 1 in Pittsburgh, prompting an invitation to “American Bandstand.” Continue reading Jimmy Beaumont 10/2017
October 4, 2017 – Alvin DeGuzman (The Icarus Line) was born in Manila in the Philippines on December 3, 1978.
When he was 4 years old the family moved to the US.He attended Holy Family School in South Pasadena and graduated from Loyola High School in Los Angeles in 1997. He also attended Cal Poly Pomona.
Alvin was a talented musician and passionate artist. While in High School he became a founding member of the indie punk rock band The Icarus Line, where he played the guitar both left and right handed, and also played bass and keys. The Icarus Line was the successor to high school friend Joe Cardamone’s first musical effort named “Kanker Sores”. Continue reading Alvin DeGuzman 10/2017
October 2, 2017 – Skip Haynes was born Eugene Heitlinger in Franklin Park Illinois in 1946. He graduated East Leyden High School in 1963. When it comes to rock music being the sound track to our boomer generation, there are certain songs that stand out and stay a perennial anthem such as Scott McKenzie’s San Francisco (Wear some flowers in your hair), Steve Goodman’s City of New Orleans and the song Skip Haynes wrote and performed about Chicago’s Lake Shore Drive.
Haynes was born Eugene Heitlinger, but a club manager told him early in his career there wasn’t enough room on the marquee for that. Since his grandfather called him Skippy, he decided to take the name Skip Haynes. Continue reading Skip Haynes 10/2017
October 2, 2017 – Tom Petty was born on October 20, 1950 in Gainesville Florida. Growing up in the town that houses the University of Florida, music became the young Petty’s refuge from a domineering, abusive father who despised Tom’s sensitivity and creative tendencies—but would later glom on to his son’s rock-star fame for status. In the summer of 1961, his uncle was working on the set of Presley’s film Follow That Dream in nearby Ocala, and invited Petty to come down and watch the shoot. He instantly became an Elvis Presley fan, and when he returned that Saturday, he was greeted by his friend Keith Harben, and soon traded his Wham-O slingshot for a collection of Elvis 45s.
September 27, 2017 – CeDell Davis was born June 9, 1927 in Helena, Arkansas, where his family worked on the local E.M. Hood plantation. He enjoyed music from a young age, playing harmonica and guitar with his childhood friends.
When he was 10, he contracted severe polio which left him little control over his left hand and restricted use of his right. He had been playing guitar prior to his polio and decided to continue in spite of his handicap, which led to his development of the “knife” method. Davis played guitar using a table knife in his fretting hand in a manner similar to slide guitar. Like Sister Rosetta Tharpe before him or Joni Mitchell after, he developed his own logic when it came to tuning the guitar, a style that Robert Palmer wrote, “resulted in a welter of metal-stress harmonic transients and a singular tonal plasticity.” Continue reading CeDell Davis 9/2017
September 23, 2017 – Charles Bradley was born on November 5, 1948 in Gainesville, Florida Bradley was raised by his maternal grandmother in Gainesville, Florida until the age of eight when his mother, who had abandoned him at eight months of age, took him to live with her in Brooklyn, New York.
In 1962, his sister took him to the Apollo Theater to see James Brown perform. Bradley was so inspired by the performance that he began to practice mimicking Brown’s style of singing and stage mannerisms at home. Continue reading Charles Bradley 9/2017
September 18, 2017 – Mark Selby was born in September 2, 1961. Born and raised in Enid, Oklahoma, Selby spent his youth harvesting wheat and playing in bands throughout the Midwest before moving to Hays, Kansas to attend Fort Hays University where he earned a bachelor’s degree in music.
He was musically gifted in three ways: as a songwriter, a singer with a soulful voice and a guitarist with some impressive chops. His future as a blues rock singer-songwriter, guitarist, multi-instrumentalist and producer started in Germany, where he signed as a solo artist to ZYX Records. Continue reading Mark Selby 9/2017
September 17, 2017 – Laudir de Oliveira was born January 6, 1940 in Rio de Janeiro. de Oliveira started out as a percussionist in Brazil, working with Sergio Mendes and Marcos Valle. He moved to the United States in 1968 and caught the eye of rock musicians and producers. Credited simply as “Laudir”, he also appeared on Joe Cocker’s 1969 debut album, playing on his hit single “Feelin’ Alright”.
In 1973, Chicago invited de Oliveira to play on their album “Chicago VI.” After playing on the albums Chicago VI and Chicago VII as a sideman, de Oliveira officially joined the band in 1975. Continue reading Laudir de Oliveira 9/2017
September 13, 2017 – GrantHart (Hüsker Dü) was born in St. Paul, MN on March 18, 1961 and at the age of 10, he inherited his older brother’s drum set and records, after he was killed by a drunk driver. Hart described his family as a “typical American dysfunctional family. Not very abusive, though. Nothing really to complain about.” He soon began playing in a number of makeshift bands throughout high school. Continue reading Grant Hart 9/2017
September 11, 2017 – Virgil Howe was born on September 23, 1975 in London, England, the second son to Yes founding member/ guitarist Steve Howe. He played on several of his father’s projects: he performed on keys, alongside his brother Dylan Howe on drums, for the Steve Howe solo albums The Grand Scheme of Things (1993) and Spectrum (2005). He was in Steve Howe’s Remedy band, who released an album Elements (2003), toured the UK and then released a live DVD. He wrote and performed on a piece on his father’s 2011 release Time. He also plays drums on 11 tracks of Steve Howe’s Anthology 2: Groups and Collaborations that were largely recorded in the 1980s. Under the name The Verge, Virgil Howe produced the Yes Remixes album, released 2003.
Nexus, due November 2017, is a joint album by Virgil & Steve Howe, due on InsideOut. Father Steve described the album: “Most of the credit goes to Virgil on this; it’s Virgil’s bed and melodies but I’ve come in to add a little bit more.” Continue reading Virgil Howe 9/2017
September 5, 2017 – Rick Stevens (Tower of Power) was born Donald Stevenson on February 23, 1941 in Port Arthur, Texas, but didn’t stay there long, as a few years later his parents moved to Reno, Nevada. Rick first sang in public at the tender age of four, when his family set him up on a chair in front of the congregation at their church.
While growing up Rick was greatly influenced by his uncle, singer Ivory Joe Hunter, who was his mother’s younger brother. There was always a great deal of excitement when Uncle Ivory Joe came to visit on breaks from touring around the country with his band. Rick decided early on that he wanted to be a singer, just like his uncle. Ivory Joe was a not only a ground-breaking performer in what at the time was referred to by the record labels as “race music”, he was also a prolific songwriter with hundreds of songs to his credit.
Elvis Presley invited Ivory Joe to Graceland in 1957, and they spent the day singing together, including Ivory Joe’s hit “I Almost Lost My Mind”, among other songs. Hunter commented, “He is very spiritually minded … he showed me every courtesy, and I think he’s one of the greatest”. Elvis recorded five songs written by Ivory Joe: “My Wish Came True” (Top 20), “I Will be True”, “It’s Still Here”, “I Need You So”, and “Ain’t That Loving You Baby” (Top 20).
Like many musically talented teenagers in the late 1950’s Rick was interested in doo-wop, and he joined a singing group called the “Magnificent Marcels”. In the early 1960’s Rick performed in nightclubs around Reno, where he was known as “Mr. Twister”.
Having moved to the San Francisco Bay Area in the mid-60’s Rick continued his singing career, fronting various bands that played in local nightclubs. Rick’s bands included “Rick and the Ravens”, and “The Rick Stevens Four” (or Five, depending on how many people were in the band).
Rick joined “Four of a Kind” in 1966, initially in San Francisco, later moving with the band to Seattle. After a short time, Rick moved back to the Bay Area and joined a band called “Stuff”, in which one of the other members was Willie James Fulton (guitar and vocals). Rick and Willie James left “Stuff” and joined Tower of Power at about the same time as drummer David Garibaldi in 1969 and later replaced Rufus Miller as lead vocalist after Rick sang the diamond hit, “Sparkling in the Sand” on Tower of Power’s first album, EAST BAY GREASE. (The only song on that album that made any impact). The next Tower of Power album to hit the charts was BUMP CITY in 1972, and that record features Rick’s signature song, “You’re Still a Young Man”. The album also includes other hits such as “Down to the Night Club” and “You Got to Funkafize”.
Although he is not credited on the third album, the self-titled record, TOWER OF POWER, Rick initially sang all the lead vocals. He also contributed background vocals, which were retained on the record when it was released. The album features several hits such as, “What is Hip”, “Soul Vaccination”, and “Get Your Feet Back on the Ground”, and of course, “So Very Hard to Go”. Rick’s increasing drug dependency lead to Lenny Williams taking over lead vocals, as Rick left the band in 1973 to pursue other avenues of his musical career. After leaving Tower of Power, Rick joined a Bay Area band called “Brass Horizon”, a popular band with a big horn section.
The Stanford Daily – February 25, 1975
Former Tower Singer Heads Brass Horizon By JOAN E. HINMAN
SAN FRANCISCO – Quick – name Tower of Power’s two biggest hits. Maybe you said “So Very Hard To Go”, the single off Tower’s third album. But if you’re a deranged purist, you named “Sparkling In The Sand”, from East Bay Grease, and “You’re Still A Young Man”, the monster hit off Bump City in 1971.
It was “You’re Still A Young Man” that established Tower as national stars, removing them from the realm of San Francisco funk forever. The song’s amazing success can be explained in two words — Rick Stevens. Stevens emerged as Tower’s lead singer after the success of “Sparkling In The Sand”, the only song on the band’s first album on which he sang lead…
… the excellent set performed by Stevens and his new band, Brass Horizon, Saturday at Yellow Brick Road marks the return of one of the finest vocalists ever to hit the City. The new band, Brass Horizon, is every bit as tight and biting as the famed Tower brass…
…Stevens proved that his voice can still get down and growl on dance tunes, as well as sweep up to carry the pure melody of “You’re Still A Young Man”. … the fine Rick Stevens stage presence that on past occasions made Winterland feel as homey as a living room was evident Saturday. Smiling and jiving with the “mamas” on the dance floor, Stevens was clearly back in the atmosphere he likes best—putting out get-down, good time music.
Then in 1976 it gets quiet around Rick Stevens for the next 36 years as he is sentenced to life in prison for a triple homicide in a drug deal gone wrong. Addicted to drugs he had shot and killed 3 men in a botched deal.
In 2012 Stevens was released on parole. He then formed Rick Stevens & Love Power, which regularly played in Northern California. He also occasionally sat in with Tower of Power, including an appearance at a January 2017 benefit concert for former band members that were hit by a train in Oakland’s Jack London Square.
Rick Stevens passed away on September 5, 2017 after a short battle with liver cancer.
“Rick Stevens went to heaven today to be with the Lord whom he loved with all his heart. Rick was an extremely soulful singer and entertainer who had an engaging personality and a strong faith which he shared with all he came in contact with,” Tower of Power founder Emilio Castillo wrote on the band’s Facebook page.“We loved him and we’ll miss him. I have faith that I’ll see him in heaven someday and together we’ll worship and glorify God together for eternity. Rick is there right now enjoying it!!!”
September 5, 2017 – Holger Czukay was born on March 24, 1938 in the Free City of Danzig (since 1945 Gdańsk, Poland), from which his family was expelled after World War II. Due to the turmoil of the war, Czukay’s primary education was limited. One pivotal early experience, however, was working, when still a teenager, at a radio repair-shop, where he became fond of the aural qualities of radio broadcasts (anticipating his use of shortwave radio broadcasts as musical elements) and became familiar with the rudiments of electrical repair and engineering.
Czukay studied music under Karlheinz Stockhausen from 1963 to 1966 and then worked for a while as a music teacher. Initially Czukay had little interest in rock music, but this changed, when a student played him the Beatles’ 1967 song “I Am the Walrus”, a 1967 psychedelic rock single with an unusual musical structure and blasts of AM radio noise. This opened his ears to music by rock experimentalists such as The Velvet Underground and Frank Zappa. Continue reading Holger Czukay 9/2017
September 4, 2017 – Earl Lindo was born Earl Wilberforce “Wire” Lindo on January 7, 1953 in Kingston, Jamaica. His nickname “wire” over time became “Wya”.
While attending Excelsior High School in the late sixties, he played bass and classical piano, before he became interested in the jazz sounds of Lee Dorsey and Jimmy Smith. With Barry Biggs, Mikey “Boo” Richards, and Ernest Wilson he then played in the Astronauts. Continue reading Earl Lindo 9/2017
September 3, 2017 – Dave Hlubek was born on August 28, 1951 in Jacksonville, Florida. At the age of 5 or 6, Hlubek and his family moved to the naval base in Oahu, Hawaii, where he attended Waikiki Elementary School. From there, Hlubek’s father was transferred and the family moved to Sunnyvale, California, then to Mountain View, and finally settling in San Jose. It was the South Bay that Dave called home during the next few years, before moving back to Jacksonville, Florida, around 1965. There he attended and graduated from Forrest High School.
Hlubek, founded the band Molly Hatchet in 1971. Vocalist Danny Joe Brown joined in 1974, along with Steve Holland, guitarist in 1974. Duane Roland, Banner Thomas and Bruce Crump completed the line up in 1976. Continue reading Dave Hlubek 9/2017
September 3, 2017 – Walter Becker (Steely Dan) was born February 20, 1950 in Queens, New York. Becker was raised by his father and grandmother, after his parents separated when he was a young boy and his mother, who was British, moved back to England. They lived in Queens and as of the age of five in Scarsdale, New York. Becker’s father sold paper-cutting machinery for a company which had offices in Manhattan.
He graduated from Stuyvesant High School in Manhattan in the class of 1967. After starting out on saxophone, he switched to guitar and received instruction in blues technique from neighbor Randy Wolfe, better known as Randy California of the psychedelic westcoast sensation “Spirit”, a nickname he got from Jimi Hendrix while playing with him in New York in the mid sixties.
September 1, 2017 – Mick Softley was born in 1939 in the countryside of Essex, near Epping Forest.
His mother was of Irish origin (from County Cork) and his father had East Anglian tinker roots, going back to a few generations. Softley first took up trombone in school and became interested in traditional jazz. He was later persuaded to become a singer by one of his school teachers, and this led to him listening to Big Bill Broonzy and promptly changed his attitude to music, to the extent of him buying a mail-order guitar and some tutorial books and teaching himself to play.
By 1959, Mick Softley had left his job and home and spent time traveling around Europe on his motorbike, with a friend, Mick Rippingale. He ended up in Paris, where he came into the company of musicians such as Clive Palmer, Ramblin’ Jack Elliott, and Wizz Jones. Here he improved his guitar skills and spent time busking with friends until his return to England in the early 1960s. Continue reading Mick Softley 9/2017
September 1, 2017 – Hedley Jones (the Wailers) was born on November 12, 1917 in near Linstead, Jamaica, the son of David and Hettie Jones, and started making music as a child. He made his own cello at the age of 14, as well as a banjo. In 1935 he moved to Kingston, where he heard Marcus Garvey speak, and worked as a tailor, cabinet maker, bus conductor, repairing sewing machines, radios and gramophones. He said: “I was what people called a jack of all trades. I could fix everything.” His main work was as a proofreader, with the Gleaner and Jamaica Times.
He also played banjo in a Hawaiian jazz band, before forming his own Hedley Jones Sextet. Inspired by the recordings of Charlie Christian, but unable to afford an imported guitar, he built himself a solid-bodied electric guitar, and was featured with it on the front page of The Gleaner in September 1940, at about the same time that Les Paul was doing similar pioneering work in the US. Jones continued to build guitars for other Jamaican musicians in the years that followed. Continue reading Hedley Jones 9/2017
August 28, 2017 – Sonny Burgess was born Albert Austin Burgess on May 28, 1929 on a farm near Newport, Arkansas to Albert and Esta Burgess. He graduated from Newport High School in 1948.
Burgess, Kern Kennedy, Johnny Ray Hubbard, and Gerald Jackson formed a boogie-woogie band they called the Rocky Road Ramblers and played boogie woogie music in dance halls and bars around Newport.
In 1954, following a stint in the US Army (1951–53), Burgess re-formed the band, calling them the Moonlighters after the Silver Moon Club in Newport, where they performed regularly. After advice from record producer Sam Phillips, the group expanded to form the Pacers. Continue reading Sonny Burgess 8/2017
August 24, 2017 – Jamaican Ska Authentic Winston Samuels (McInnis), a living legend in Jamaican Music, was born in Kingston, Jamaica to proud parents Winston D. McInnis and Mavis Davis-McInnis in 1944. From the time he was born he loved to sing. As a matter of fact his mother, Mavis would have Sunday family discussions followed by songs of worship. There was such harmony in the household that it drew other tenants who loved to listen to him. Continue reading Winston Samuels 8/2017
August 1, 2017– Goldy McJohn (Steppenwolf) was born John Raymond Goadsby in Toronto, Canada on May 2, 1945. He was raised by middle class parents in Toronto, Canada. They put him into piano lessons at a young age and with this foundation he became a pioneer in the use of the electronic organ in rock and roll. “I was classically trained,” said Goldy. He also stated that no one else in rock and roll was doing was he was at the time. “I played on a Lowrey,” he said. And this is part of what he said gave songs such as “Born to be Wild” and “Magic Carpet Ride” their unique sound. “I was up at 4 a.m. daily to practice from the age of seven until…I got stupid,” Goldy said. While school in general was not his thing, (he was suspended from high school for three months,) he always did exceptionally well in music. “I got 100 in music, which brought my average up to maybe 14,” Goldy said. His parents could not afford private school that could have catered more to the needs of a student like him.Continue reading Goldy McJohn 8/2017
July 25, 2017 – Michael Johnson was born on August 8, 1944 in the small town of Alamosa, Colorado and grew up in Denver. He started playing the guitar at 13. In 1963, he began attending Colorado State University to study music but his college career was truncated when he won an international talent contest two years later. First prize included a deal with Epic Records. Epic released the song “Hills”, written and sung by Johnson, as a single. Johnson began extensive touring of clubs and colleges, finding a receptive audience everywhere he went.
Wishing to hone his instrumental skills, he set off for Barcelona, Spain in 1966, to the Liceu Conservatory, studying with the eminent classical guitarists, Graciano Tarragó and Renata Tarragó. Upon his return to the States in late 1967, he joined Randy Sparks in a group called the New Society and did a tour of the Orient.Continue reading Michael Johnson 7/2017
July 21, 2017 – Kenny Shields was born in 1947 in the farming community of Nokomis, Saskatchewan, Canada. His passion for music and entertaining emerged at the age of six when he entered and won an amateur talent show. While continuing his interest in music and singing, upon graduation from secondary school he moved to Saskatoon to attend university but was immediately recruited by the city’s premiere band – Witness Incorporated.
Kenny’s lifelong dream began to take shape as the band built a loyal fan base across the country, scoring with a string of national radio hits including “I’ll Forget Her Tomorrow”, “Jezebel” and “Harlem Lady, all featuring Kenny’s unmistakable vocals. After touring with such legendary artists as Roy Orbison and Cream, tragedy struck in 1970 when Shields was critically injured in an automobile accident that sidetracked him from music for several years. Continue reading Kenny Shields 7/2017
July 14, 2017 – David Z (Zablidowski) was born in Brooklyn, New York in 1979.
He formed his first band, Legend, as a freshman at Franklin Delano Roosevelt High School and attended Brooklyn College.
“I was in music class at FDR and spotted a few kids with long hair and we formed a band,” David Z said, adding that his older brother Pauli joined the band six months later.
They played at city nightclubs and bars, but the band fell apart shortly after high school. Then, the Z brothers approached drummer Joey Cassata to join their band. Z02 was born. David by that time had already joined the early incarnations of TSO (Trans Siberian Orchestra) as they started performing their Christmas shows. This exposure opened many doors for him. In 2004, the guys, who where in their early and middle 20s, scraped together money to release their first album, and soon were touring with the likes of Kiss, Stone Temple Pilots, Poison and Alice Cooper on the VH1 Rock the Nation tour. Continue reading David Z(ablidowski) 7/2017
July 13, 2017 – Simon Holmes (The Hummingbirds) was born on March 28, 1963 in the southern beachside suburb of Melbourne, Australia. The family lived in Bentleigh, before shifting to Turramurra in 1967, before going overseas for three years, in upstate New York, where Holmes started school at Myers Corner. The family then moved to Geneva, Switzerland. He spent part of his childhood in Canberra, attending the AME School: an alternative education institution and then Hawker College. Holmes moved to Sydney in the early 1980s. He started studying anthropology and archaeology at the University of Sydney, but left after two years. Continue reading Simon Holmes 7/2017
July 12, 2017 – Ray Phiri (Paul Simon) was born March 23, 1947 near Nelspruit in the then Eastern Transvaal, now Mpumalanga Province, in South Africa to a Malawian immigrant worker and South African guitarist nicknamed “Just Now” Phiri. His stepfather, who was from Malawi, played guitar but gave it up after losing three fingers in an accident. Mr. Phiri took that guitar and largely taught himself to play. He moved to Johannesburg in 1967 to work as a musician.
July 9, 2017 – Erik Cartwright (FOGHAT) was born on July 10, 1950 in New York City and grew up in Minisink Hills, Pennsylvania. A 1968 graduate of East Stroudsburg High School, he became one of the area’s prominent rock guitarists, alongside his friend G.E. Smith. Erik’s first gig as a professional musician was with the band Dooley in Allentown, PA.
In 1970-1971 he studied at the famous Berklee School of music before His early guitar work is featured on singer Dan Hartman’s It Hurts to Be in Love (1981). His first album as a co-leader was the self-titled debut of Tears (1979), with Nils Lofgren on piano. Right after he had just recorded the Tears album the invitation to join Foghat, and replace original lead guitarist Rod Price, came. Continue reading Erik Cartwright 7/2017
July 6, 2017 – Melvyn “Deacon” Jones was born December 12, 1943 in Richmond Indiana. By the time he was a teenager, Deacon was proficient on trumpet and performed with his brother Harold in the high school band. Harold Jones later became a famed jazz drummer.
After graduating in 1962, Jones was a founding member of Baby Huey and the Babysitters with Johnny Ross and James Ramey. After paying a few dues in the Gary area, Deacon and the band set up shop in Chicago where they played five nights a week for five years, according to USA Today. During that time, Jones managed to further his musical education at the prestigious American Conservatory of Music.Continue reading Melvyn Deacon Jones 7/2017
June 3o, 2017 – Nic Ritter (Warbringer) was born Nicholas Dieter Ritter on April 13, 1981 in Tulsa, Oklahoma.
There is very little published about Nic Ritter beyond the little over 2 years that he played drums for Southern California metal trash band “Warbringer” and another short stint in 2008 with the band Prototype.
July 4, 2017 – John Blackwell was born on September 9, 1973 and raised in Columbia, South Carolina, and started playing drums at age 3. He learned from his father, John Blackwell Sr., a drummer himself, who played with Mary Wells, King Curtis, Joe Simon, J.J. Jackson, The Drifters, The Spinners, and others. Blackwell stated that he experienced synesthesia since he was a child, seeing colors for musical notes, and was identified as having perfect pitch while in high school.
As a teenager, Blackwell played in both his high-school jazz and marching bands. He began playing in jazz clubs at age 13. At 17, he landed his first professional gig backing jazz singer and bandleader Billy Eckstine. After high school, he attended Berklee College of Music and worked steadily in local Boston jazz clubs. He left Berklee in 1995 to play with the funk band Cameo, a gig which lasted for three years.Continue reading John Blackwell 7/2017
June 27, 2017 – Dave Rosser (Afghan Whigs) was born David Clark Rosser in St.Louis, Missouri on August 3, 1966. Raised in Gadsden, Alabama is where he first learned to play guitar and started what became a lifelong passion. After high school, David attended college and eventually moved to Memphis, where he worked in the family business for a short time. His calling as a career musician was apparent, and it led him to Auburn, Alabama, then finally to New Orleans in 1992.
He adopted New Orleans as his beloved city, and here his career took shape. He spent many years with the band Metal Rose, played throughout the French Quarter, and did studio work with many area musicians.Continue reading Dave Rosser 6/2017
June 25, 2017 – Jimmy Nalls (Sea Level) was born James Albert Nalls III on May 31, 1951 in Washington DC. In 1970, he moved from the suburbs of his home in Arlington, Virginia, to New York City to play with Australian folk singer Gary Shearston and Noel Paul Stookey of Peter, Paul & Mary. Jimmy Nalls quickly became an in-demand session guitarist at New York’s famed Record Plant studio, and played with several musicians and bands with ties to then up-and-coming Capricorn Records in Macon, Georgia, such as singer/songwriter Alex Taylor’s band while Taylor was a Capricorn Records label mate of the Allmans’.
It was during this period that Nalls first worked with future Allmans keyboardist Chuck Leavell, an association that would prove fruitful for both musicians after the Allmans’ 1976 split.
June 19, 2017 – Noel Neal (James Cotton Band) was born in Baton Rouge, Louisiana in 1963. The Neal family from Baton Rouge is known nationwide as a blues family with numerous performers, Kenny probably being the most famous one.
Neal journeyed to Chicago early on where he played with James Cotton for over 30 years, touring and recording for the late Chicago blues star and harmonica virtuoso James Cotton, who also recently passed on March 16 of this year. He also recorded with his late father, Raful Neal, and his brother, Kenny Neal.Continue reading Noel Neal 6/2017
June 17, 2017 – Sonny Knight was born in 1948 in Mississippi and around 1955 moved to Minnesota with his grandmother. He grew up in the Rondo suburb of St.Paul where he was exposed to the urban music of the era such as bepop, soul and r&b.
At age 17 in 1965 he recorded his first (and only) 45rpm single as Little Sonny Knight & The Cymbols, titled “Tears On My Pillow” B/W “Rain Dance”. Shortly thereafter, music took a back seat to a three-year stint in the army. A few more years in the Bay Area followed, before he returned to Minnesota in the mid-1970s and joined the now-cult favorite funk group Haze. By the early ‘80s, Haze had broken up and Sonny walked away from music for a full time job as a truck driver.
June 2, 2017 – Aamir Zaki was born on April 8, 1968 in Saudi Arabia from Pakistani parents.
Music was part of his home education with both parents sharing classical, jazz, blues and rock with their children. Aamir became an instant admirer of Rhandy Rhoads, metal guitar virtuoso with Ozzy Osborne.
Playing guitar since the age of 14, he became known for his melodic phrasing, feel, and tone.
The first mainstream musician to recognise Zaki as a teenage prodigy was Alamgir, who got in touch with him to tour India, Dubai, England and the U.S.A. Continue reading Aamir Zaki 6/2017
May 27, 2017 – Gregory LeNoir “Gregg” Allman was born December 8th, 1947 in Nashville, TN, a little more than a year after his older brother Duane. In 1949, his dad offered a hitchhiker a ride home and was subsequently shot and killed. After that tragedy his mother Geraldine moved to Nashville with her two sons, and she never remarried. Lacking money to support her two sons, she enrolled in college to become a Certified Public Accountant (CPA). State laws at the time required students to live on-campus and as a consequence, Gregg and his older brother Duane were sent to Castle Heights Military Academy in nearby Lebanon. A young Gregg interpreted these actions as evidence of his mother’s dislike for him, though he later came to understand the reality: “She was actually sacrificing everything she possibly could—she was working around the clock, getting by just by a hair, so as to not send us to an orphanage, which would have been a living hell.”Continue reading Gregg Allman 5/2017
May 21, 2017 – Jimmy LaFave was born July 12, 1955 in Willis Point, Texas where he was also raised. Music was his destiny from very early on, but he started his journey on drums.
Some years later he moved to Stillwater, Oklahoma and played in the school band but at age 15 LaFave switched to guitar and began writing and singing his own songs in a band called The Night Tribe.
After graduating from high school LaFave played music at night while working during the day. He had a job as the manager of a music club called Up Your Alley and during this period recorded the albums Down Under in 1979 and Broken Line in 1981. Continue reading Jimmy LaFave 5/2017
May 21, 2017 – Curtis Womack (The Valentinos) was born on October 22, 1942 in Charleston, West Virginia, U.S.A. He was second oldest of the five Womack Brothers (Friendly, Curtis, Bobby, Harry, Cecil), and started singing together with his siblings at their father’s church in Cleveland. In 1954, they formally were named Curtis Womack and the Womack brothers with Curtis and, occasionally, Bobby singing lead. Continue reading Curtis Womack 5/2017
May 21, 2017 – Kenny Cordray was born on July 21, 1954 in Dallas Texas and moved to Houston, Texas in 1966 where he learned to play guitar on British invasion songs from the Animals and Them (Gloria etc).
In 1968 he went to see a gig of the Children where the guitar player didn’t show up. He sat in and soon signed up.
Subsequently Cordray became the lead guitarist for THE CHILDREN under the ATCO label and later on ODE records produced by Lou Adler. He co-wrote the ZZ-Top hit song “Francine,” which peaked at 69 on the Billboard Hot 100, with Steve Perron for ZZ Top’s album “Rio Grande Mud.” Continue reading Kenny Cordray 5/2017
May 17, 2017 – Chris Cornell (Soundgarden) was born Christopher John Boyle on July 20, 1964 in Seattle, Washington, where he was also raised. He was the fourth of six children. His father, Ed, was a pharmacist; his mother, Karen, was an accountant. Cornell was a loner; he tried to deal with his anxiety around other people through rock music but during his early teenage years, he spiraled into severe depression and almost never left the house. His first favorite band were the Beatles. A noteworthy rumor later was that Cornell spent a two-year period between the ages of nine and eleven solidly listening to the Beatles after finding a large collection of Beatles records abandoned in the basement of a neighbor’s house. Continue reading Chris Cornell 5/2017
May 13, 2017 – Jimmy Copley was born in London on December 29, 1953.
Jimmy started playing drums at the age of 5 years old, accompanying his Mother’s (Nina) Jazz piano at parties. Jimmy turned professional joining the band ‘Spreadeagle’ who had just signed to Charisma Records and performed live, opening for various headlining acts such as ‘Genesis’, ‘Lindisfarne’ and ‘Audience’. Jim recorded the Spreadeagle album ‘The Piece of Paper, produced by Kinks and Who producer: Shel Talmy. Continue reading Jimmy Copley 5/2017
May 11, 2017 – Corki Casey O’Dell was born Vivian J. Ray Casey on May 13, 1936 in Phoenix, Arizona where she grew up as teenage guitarists with the likes of Lee Hazlewood, Sanford Clark and Duane Eddy.
In 1956, she joined then-husband, guitarist Al Casey, playing rhythm guitar on Sanford Clark’s country, pop and R&B hit “The Fool,” which would later be recorded by Elvis Presley, among others. The tune was penned by songwriter-producer Lee Hazelwood, who would use O’Dell on several of the sessions he produced. Continue reading Corki Casey O’Dell 5/2017
9 May 2017 – Robert Miles was born Roberto Concina on 3 November 1969 in Fleurier Switzerland to an Italian military family stationed there. He did not return to Italian soil until the age of ten, settling in the town of Fagagna. Raised primarily on the classic American soul sound of the 1970s, Miles began studying piano as a teen, and at 13 began DJ’ing local house parties. By the late ’80s he was regularly spinning hardcore trance sets at Venice area clubs under the name Robert Milani, eventually adopting the name Miles as symbolic of the musical journey awaiting him. In time, he assembled a basic studio system comprising a sampler, mixer, keyboard, and 32-track digital board, accepting production work with the Italian label Metromaxx. In 1990, he used his savings to establish his own recording studio and a pirate radio station. Continue reading Robert Miles 5/2017
May 5, 2017 – Clive Brooks was born on December 28, 1949 in Bow, East London where he was also raised.
Answering a Melody Maker ad in early 1968, Brooks joined Uriel, a blues-rock group in the style of Hendrix / Cream / blues / psychedelic group original formed by three City of London School pupils Dave Stewart (keyboards), Mont Campbell (bass and lead vocals) and Steve Hillage (guitar and vocals). The band re-grouped later under the name Arzachel and released one album in 1969, after they had already changed musical direction.Continue reading Clive Brooks 5/2017
May 3, 2017 – Casey Jones (Albert Collins/Johnny Winter) was born July 26, 1939 in Nitta Yuma, Mississippi and raised in Greenville. As a kid he played with the Coleman High School band, but claimed he learned more about drumming from Little Milton’s drummer Lonnie Haynes, than from the band director
In 1956 at age 17, his sister Atlean and her husband Otis Luke enticed him with the promise of a drum kit and entry into the musician’s union, if he would move to Chicago to live with them. True to his word, they went to Frank’s Drum Shop on Wabash Ave and from there on Casey Jones played drums in Otis’s band. His first gig with Otis Luke & the Rhythm Bombers in 1956 made him $5.Continue reading Casey Jones 5/2017
May 1, 2018 – Bruce Hampton (born Gustav Valentine Berglund III was born on April 30, 1947 in Knoxville, Tennessee.
Hampton first popped onto the music scene in 1967s, fronting the avant garde, Delta blues-influenced Hampton Grease Band in Atlanta Georgia. The band became a staple on the infamous Peachtree Street Strip, which rivaled Haight-Ashbury in San Francisco as a hippie hub. The Grease Band soon became known for its over-the-top performances. A good portion of this came from Hampton himself, who liberally broke rules with boundary-pushing sensibilities years before punk rock and Andy Kaufman. Continue reading Col. Bruce Hampton 5/2017
April 23, 2017 – Kerry Turman (long time bass player for the Temptations) was born in Detroit, Michigan on September 28, 1957.
Kerry left Detroit, Michigan at the age of 19 to pursue his passion in music and further develop his “chops” in Los Angeles, California. He cut his teeth as part of the killer band that Roy Ayers (King of Neo Soul) put together in the late 1970s.
In the 1970s and 80s he traveled the world playing the bass for many artists, including, Roy Ayers, Evelyn “Champagne” King and legendary drummer Gene Dunlap. Continue reading Kerry Turman 4/2017
April 25, 2017 – Calep Emphrey (played blues with all 3 Kings) was born on May 1, 1949 in Greenville, Mississippi. He started out playing a whole range of wind instruments such as French horn, saxophone, baritone horn and a lot of other brass instruments in the Coleman High School band while growing up. The high school band director Wynchester Davis had a band called the Green Tops, which went all around the state. He went on to play in a concert band in college at Mississippi Valley State, where he was a music major in 1967-1968.
Professionally, he started off with Little Milton about ’69 in Greenville. (Milton was from the Greenville area and Emphrey used to hang around him a lot.) Milton needed somebody to fill the drummer position and he called Calep, who admitted, “I couldn’t make no money with the French horn.” Continue reading Calep Emphrey 4/2017
April 15, 2017 – Matt Holt (Nothingface) was born Matthew Francis Holt on May 28, 1977 near Gaithersburg, Maryland and was raised there and in nearby Germantown, just north of Washington DC.
While in high school he met Tommy Sickles through mutual friends. Holt, Sickles, and two other friends formed the band Ingredient 17, in which he played guitar and sang. After playing a show with a band known as Nothingface, the two bands became familiar with one another. A short while later Ingredient 17 was later recording in Nothingface bassist Bill Gaal’s studio when Nothingface’s vocalist, David Gabbard, left the band citing musical differences. One day Holt came in to record a song for Ingredient 17, and the band members of Nothingface liked his voice, so they “took” him from his band and got their new singer. The original NOTHINGFACE lineup included Matt Holt (vocals), Bill Gaal (bass), Chris Houck (drums) and Tom Maxwell (guitar). Continue reading Matt Holt 4/2017
April 15, 2017 – Allan Holdsworth was born on August 6, 1946 in Bradford, Yorkshire, England. Holdsworth was originally taught music by his father, who was a pianist. First a saxophone player, he gravitated to the guitar at the age of 17 and caught on quickly. Entirely self-taught, his protean, virtuosic style became a source of amazement even to his more famous peers. He began working professionally as a musician in his early 20s, inspired by the likes of Django Reinhardt, Jimmy Raney, Charlie Christian, Joe Pass and John Coltrane. Continue reading Allan Holdsworth 4/2017
April 20, 2017 – Cuba Gooding Sr. (The Main Ingredient) was born in the Harlem neighborhood of Manhattan, New York City on April 27, 1944. While having moved to Cuba, his Barbados born father had promised his first wife on her deathbed that he would call his first son Cuba after the country they both adored. Gooding Sr. grew up eight blocks away from the Apollo Theater and nineteen blocks away from Carnegie Hall.
After his father, a New York cab driver who spoke 7 languages died when he was 11, the criminal grip of the city and the Harlem neighborhood took a hold of Gooding Sr. for awhile and as a result he spent a couple of years in jail, just before he joined Main Ingredient as a backing singer at first. Continue reading Cuba Gooding Sr. 4/2017
April 14, 2017 – Bruce Langhorne was born on May 14, 1938 in Tallahassee, Florida.
At age 4 he moved with his mother to Spanish Harlem, New York. When he was a 12-year old violin prodigy living in Harlem in the fifties, he accidentally blew several of his finger tips off with a cherry bomb that he held onto for too long. In the ambulance on the way to the hospital, Bruce looked up at his distraught mom and said, “At least I don’t have to play violin anymore.” In a gang fight, he got involved in a stabbing and left the country for Mexico for 2 years. By age 17 he started to pick the guitar. Continue reading Bruce Langhorne 4/2017
April 12, 2017 – Barry “Frosty” Smith (Soulhat/Sweathog) was born Barry Eugene Smith on March 20, 1946 in Bellingham, Washington.
Smith was raised in the California Bay Area, where he proved a tap dancing prodigy. He was a professional tap dancer from age 3 to 12. Obviously rhythm was part of him. He received schooling in classical piano before taking to the drum kit, due to their natural feel. After playing in dive clubs and strip bars in the San Francisco – San José area, he moved to Los Angeles in the early 70s where he got his first big break, as drummer for organist Lee Michaels with whom he toured nationally and internationally. Continue reading Barry “Frosty” Smith 4/2017
April 11, 2017 – Toby Smith (Jamiroquai) was born Toby Grafftey-Smith on October 29, 1970.
Growing up he received classical training on piano and early on developed a keen interest in the “nerdy” side of music. At age 14 he started recording his own tunes on a Tascam and produced his first record at 17, then signed his track “Kleptomaniacs” to London Records. At about the same time his sister took him clubbing in London and he developed an interest in house (dance) music. Continue reading Toby Smith 4/2017
April 10, 2017 – Banner Thomas – bass for Molly Hatchet, was born on September 6, 1954 in Savannah, Georgia.
About his musical ambitions during childhood he said: “There was always some kind of music to listen to in my house when I was a child. Unfortunately, it was all either on the radio or on records. There were no musicians in my family. I still got exposed to a lot of good music, from Nat King Cole and Al Hirt through Elvis and Johnny Horton to Tennessee Ernie Ford. Then the Beatles came along. By the time the sixties were halfway over, I had a guitar and was learning songs by the Monkees and Donovan, the Beatles and the Stones. Then I discovered Hendrix and Cream, and by the time Led Zeppelin and Black Sabbath came out, I was hopelessly addicted. By the time I graduated high school, I had already been in a few bands. I was a music major at college for about a year or so, then I dropped out and joined an early version of Molly Hatchet. Who knows where I would be now if I had finished school? Probably not talking to you now.”Continue reading Banner Thomas 4/2017
April 9, 2017 – Alan Henderson (bass for Them) was born in Belfast, Northern Ireland, on November 26, 1944. He caught the music bug during his teenage years and set his sights on becoming a professional musician.
In 1962, he was recruited into the Gamblers, a Belfast-based band founded by guitarist Billy Harrison. With Ronnie Millings as their drummer and pianist Eric Wrixon coming aboard a little later, the group specialized in hard American-style rock & roll and R&B, with a repertory that included both Elvis Presley and Little Willie John. It was sometime after Wrixon joined that he and Harrison crossed paths with songwriter/singer/sax-player Van Morrison, and not long after that – depending on whose story carries more logic – either Morrison joined the Gamblers or they agreed to become his backing band. Continue reading Alan Henderson 4/2017
April 8, 2017 – Keni Richards was born in 1956 in Des Moines, Iowa but spent his high school years Village Park California. As a youth he learned to play the piano and picked up the drums.
Keni Richards on how it all started:
I was working with A&M for a band called The TUBES at the time and had played with Steve Plunkett (Autograph singer) in a band around 1980 called John Doe. We had not been a part of that whole Gazarris, Whisky club thing going on with all the metal bands. We did however, have a gig working on a demo at Record Plant with Andy Johns (Led Zeppelin) and we were really invested in that. I had gotten an invitation from my good friend then and jogging buddy David Lee Roth to go out on the road with him in 1984…..to just go out and party basically and I explained to him that I couldn’t and I had this gig doing a demo and that was it. The next day I go down to The Troubadour club with Dave and he goes hey I got a surprise for you, Edward’s on the phone for you. So I get on the phone with Eddie Van Halen and he’s like “Hey, we need a T-shirt band” and of course I’m like “Well, what’s a T-shirt band” and Eddie Van Halen’s like “It’s a band that goes out on the road with us and people boo you cuz they don’t like you and they go buy one of our t-shirts” (laughs).Continue reading Keni Richards 4/2017
April 6, 2017 – David Peel, born David Michael Rosario on August 3, 1942 in New York City. After his fulfilling his national duty in the US military, he became a New York City-based street musician and social activist, who first recorded in the late 1960s with Harold Black, Billy Joe White, George Cori and Larry Adam performing as David Peel and The Lower East Side Band. His raw, acoustic “street rock” with lyrics about marijuana and “bad cops” appealed mostly to hippies and the disenfranchised.
Brooklyn-born Peel had been performing in the blossoming counter-culture that awakened in the early 1960s, since forsaking a potential job on Wall Street in favor of becoming a hippie in the mid-60s, soaking up the vibes in San Francisco’s Haight Ashbury before taking his stoner street activist ethos to Washington Square Park. (At this point it should be pointed out that, apart from the more dullard factions, punk was essentially propagated by hippies with shorter hair).Continue reading David Peel 4/2017
April 5, 2017 – Paul O’Neill (Trans Siberian Orchestra) was born in Flushing, Queens, New York City on February 23, 1956.
The second born child in a household with ten children he was raised in a home filled with art and literature. “Back then, in the 60s, it was OK to be smart and artistic,” he said. “I loved books. I loved music. I loved Broadway — and I had it right down the street, y’know? It really was a special, magical time.” He learned to play guitar and became a rock fan and began playing guitar with a number of rock bands in high school and quickly graduated to folk guitar gigs at downtown clubs. Continue reading Paul O’Neill 4/2017
April 3, 2017 – Brenda Jones was born on December 7, 1954 in Detroit, Michigan. The daughter of Detroit-based gospel singer Mary Frazier Jones, she was raised in a gospel singing family. The Jones Girls Valorie, Brenda and Shirley spent the better part of the 60s and 70s as sought-after backing vocalists, first regionally and then on a national basis, between Detroit, Los Angeles, New York and Philadelphia.
The trio first tried making their own records for the tiny Fortune label in Detroit during the ’60s with no success. They moved to Hot Wax-Invictus, the company formed by Holland-Dozier-Holland, during the latter part of the decade, but sales of those records weren’t much more encouraging.
It was during this period that session work came to dominate their activities — the Jones Girls were in heavy demand to sing on other artists’ singles. Aretha Frankling, Lou Rawls, Betty Everett, Peabo Bryson and dozens of other charting soul acts. In 1973, they were signed to the Curtom Records subsidiary imprint Gemigo, a label that was originally organized as an outlet for Leroy Hutson’s activities as a producer and arranger. Continue reading Brenda Jones 4/2017
April 1, 2017 – Lonnie Brooks, Chicago bluesman who achieved fame in the late 70s, was born Lee Baker Jr. on December 18, 1933 in Dubuisson, St. Landry Parish, Louisiana. He learned to play blues from his banjo-picking grandfather but did not think about a career in music until after he moved to Port Arthur, Texas, in the early 1950s. There he heard live performances by Clarence “Gatemouth” Brown, T-Bone Walker, B.B. King, Long John Hunter, Johnny Copeland and others and began to think about making money from music.
He focused on the guitar comparatively late in life, when he was already in his 20s. But he learned fast and a little while later, Award winning Zydeco king Clifton Chenier heard Brooks strumming his guitar on his front porch in Port Arthur and offered him a job in his touring band. Continue reading Lonnie Brooks 4/2017
March 22, 2017 – Sib Hashian – John Thomas “Sib” Hashian, (drummer for Boston) was born August 17, 1949, in Boston, Massachusetts.
Hashian was of Armenian/Italian ancestry and grew up in Boston’s North Shores area, where he collaborated with most of his Boston band members in a variety of bands during his teenage years.
“I started playing with Sib back in Lynn English High School, and he’s one of a few drummers I’ve ever worked with,” Boston lead guitarist Barry Goudreau told the Globe in 1980, explaining why he turned to his Boston bandmates while preparing a solo outing. Continue reading Sib Hashian 3/2017
March 18, 2017 – Charles Edward Anderson “Chuck” Berry was born on October 18, 1926 in St. Louis Missouri. Chuck was the fourth child in a family of six. He grew up in the north St. Louis neighborhood known as The Ville, an area where many middle-class people lived at the time. His father, Henry, was a contractor and deacon of a nearby Baptist church; his mother, Martha, was a certified public school principal. His upbringing allowed him to pursue his interest in music from an early age. He gave his first public performance in 1941 while still a student at Sumner High School. In 1944, while still a student at Sumner High School, he was arrested for armed robbery after robbing three shops in Kansas City, Missouri, and then stealing a car at gunpoint with some friends.Continue reading Chuck Berry 3/2017
Buy the 2017 Tribute Book
Rock-n-Roll Music by The Beatles in Paris 1965
R.I.P. NEIL PEART – RUSH
R.I.P. JOHN PRINE
R.I.P. BILL WITHERS
R.I.P. LITTLE RICHARD
R.I.P. CHARLIE DANIELS
R.I.P. PETER GREEN – FLEETWOOD MAC
R.I.P. EDDIE VAN HALEN
2018 VIDEO TRIBUTES
R.I.P. Ed King – Lynyrd Skynyrd – Sweet Home Alabama 1974
Aretha Franklin Singing The Weight with Duane Allman on Slide 1967
R.I.P.Mike Harrison – Spooky Tooth – Wrong Time 1968
R.I.P.Dolores o’Riordan – The Cranberries – Linger
R.I.P. France Gall Poupée de cire, Poupé de son 1965
R.I.P. Ray Thomas – The Moody Blues – Nights in White Satin 1967