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Ginger Baker 10/2019

Peter ‘Ginger’ Baker – Cream/Blind Faith – was born on 19 August 1939 in Lewisham, South London. His mother, Ruby May worked in a tobacco shop. His father, Frederick Louvain Formidable Baker, was a bricklayer employed by his own father, who owned a construction  business and was a lance corporal in the Royal Corps of Signals in World War II; he died in the 1943 Dodecanese campaign. Baker went to Pope Street School, where he was considered “one of the better players” in the football team, and then to Shooter’s Hill Grammar School. Here he was nicknamed “Ginger” for his shock of flaming red hair.
While at school he joined Squadron 56 of the Air Training Corps, based at Woolwich and stayed with them for two or three years.

Ginger Baker began playing drums at around 15 years of age. In the early 1960s he took lessons from Phil Seamen, one of the leading British jazz drummers of the post-war era.
In the early 1960s he joined Blues Incorporated, where he met bassist Jack Bruce. The two clashed often, but would be rhythm section partners again in the Graham Bond Organization, a rhythm and blues group with strong jazz leanings. Their relationship was so volatile that Baker once attacked Bruce with a knife during a concert. Despite this volatile relationship, Baker and Bruce reunited in 1966 when they formed Cream with guitarist Eric Clapton, which became one of the first Supergroups of the 60s. He was the first guy we saw with two bass drums and the first guy to do an extended drum solo on record.

Cream played a fusion of blues, psychedelic rock and hard rock. The band released four albums in a little over two years before breaking up in late 1968.
“Disraeli Gears” was released in November ’67, the year underground FM radio began to burgeon, with KMPX in San Francisco joining the aforementioned WOR.
And then, during the summer of ’68, “Sunshine Of Your Love” crossed over to AM and the band and the scene exploded.

Now “Fresh Cream”‘s production was credited to Robert Stigwood, it’s unclear who really twisted the dials, who was really responsible for the sound, but it didn’t have the edge of what came after, it was almost like a blanket was thrown over the speakers.
But Felix Pappalardi produced “Disraeli Gears,” and it was a much better representation of the band’s sound. This was back when stereo was stereo, when instruments were in different channels, when we sat in front of the speakers, put on headphones to get the full effect. This was also when there was so much less on the records, you could hear all the instruments. You could hear Jack Bruce’s voice on “Sunshine Of You Love,” but the key to the track’s success, it’s infectiousness, was that guitar. It was the year we saw Jimi Hendrix‘s “Axis: Bold As Love” came out in January of ’68, so Cream was no longer alone, “Purple Haze” sat along “Sunshine Of Your Love” at the apex of riff-rock that started with the Stones’ “I can get no satisfaction. And then came “Piece Of My Heart,” by Big Brother and the Holding Company. Janis Joplin got a lot of ink, she was a dynamic performer, she could not be denied and when people purchased “Cheap Thrills,” with its R. Crumb cover, we were not in Kansas anymore, the screw had turned, it was a whole new world in music.

And “Wheels Of Fire” was released in August of that same year, double albums were not unknown, but this one came in silver foil and the second record was a live one.
The visual energy in Cream all came from the man behind the kit, Ginger Baker. Clapton just stood there being “Slowhand”. As did Jack Bruce, albeit a massive voice. You couldn’t help but focus on the drummer, who seemed on the verge of losing control as he stoked this freight train down the track. The sheer power impacted your gut.

And then “White Room” became a hit and the word got out. Suddenly everybody was talking about Cream. People you thought were decidedly unhip, out of the loop, got the message. And “Wheels Of Fire” started to explode. And on side four, there was a sixteen minute drum solo entitled “Toad.”
Yup, blame “Toad” for that execrable five to twenty minutes in every live show where everybody takes a pee break and the drummer flails on. They were all inspired by Ginger Baker, he was the progenitor, they all wanted to BE Ginger Baker, suddenly the drummer was no longer an afterthought, but a virtuoso who could express himself.
And then the band said it was breaking up and went on a final tour.

And the victory lap, “Goodbye Cream,” had a bigger impact in the public’s consciousness than anything that came before, it was the zeitgeist, people bought it after the band broke up, lamenting they’d never gotten to see the act. “Goodbye” resurrected “I’m So Glad” from the first LP. “Sitting On Top Of The World” was definitive. And “Badge” was a gift for those who’d been there all along.
It was like not only the band, but its members had died, there were posthumous live records, everybody wanted more of what they could never get again.
But they did get the short-lived “supergroup” Blind Faith, comprising of Eric Clapton, bassist Ric Grech from Family, and Steve Winwood from Traffic on keyboards and vocals and Ginger Baker on drums. They released only one album, Blind Faith, before breaking up.

Blind Faith was the first supergroup. That was the definition back then, they had to coin it for this concoction, an act made up of the stars of other acts, come together to make something new and triumphant.
But of course Blind Faith imploded, but the album gets short shrift, the first side is phenomenal, everyone knows the cuts, from the explosive opener “Had To Cry Today” to Clapton’s first shining solo moment, “Presence Of The Lord” and the cover of Buddy Holly’s “Well All Right” to Winwood’s piece-de-resistance, “Can’t Find My Way Home.”
The second side had Ginger Baker’s fifteen minute opus “Do What You Like.” Filler or a nod to Baker’s genius, who knows?
And when Blind Faith broke up, Winwood tried to go solo but got back together with Traffic. Clapton decided to play small, with Delaney & Bonnie, Ric Grech disappeared, and Ginger Baker formed his Air Force in 1970, yup, he was gonna continue to play for all the marbles.
Baker’s Air Force album sold, but then the act faded away, there was great playing but no songs.

After the demise of both groups Baker built a recording studio in Lagos, Nigeria. Paul McCartney & Wings recorded ‘Band On the Run’ at Baker’s Batakota Studios. The studio went bust not long after and its failure sent Baker to drugs.

Ginger Baker withdrew from the music industry throughout most of the 80s. He had developed a heroin addiction and withdrew to Italy where he lived on an olive farm until he overcame the addiction.

Eventually Baker played with the Masters Of Reality, in the nineties, which seemed a step down, but the truth was there was no band big enough to contain him. He had an edgy personality and still an original. He was the original Keith Richards, nothing could kill him. Everybody knew who Ginger Baker was, it’s just that we didn’t hear his playing that much. He was drunk, he was stoned, he played polo, he was involved in shenanigans, but the legend always exceeded the present.

And yes, there were the Cream reunion shows in 2005. A triumph in London’s Royal Albert Hall, an almost queasy afterthought in New York’s Madison Garden. He was still Ginger Baker, he could still do it, but this was nostalgia.

A decade later, living in South Africa, Baker revealed he had ‘serious heart issues.

Ginger Baker died 6 October, 2019 at the age 80.

But if you talk about legacy…
Ginger Baker is right up there. He was the first. He showed what could be done with the drumkit. He was a trailblazer, a true rocker, one who couldn’t be contained, there was nothing corporate about him. He was a beacon, may he continue to shine.

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Eddy Money 9/2019

Eddie Money was born Edward Joseph Mahoney in Manhattan, New York City on March 21, 1949, to a large family of Irish Catholic descent. His parents were Dorothy Elizabeth (née Keller), a homemaker, and Daniel Patrick Mahoney, a police officer. He grew up in Levittown, New York, but spent some teenage years in Woodhaven, Queens, New York City. Money was a street singer from the age of eleven. As a teenager, he played in rock bands, in part to get dates from cheerleaders. He was thrown out of one high school for forging a report card. In 1967, he graduated from Island Trees High School.

At the age of 18, he tried to follow in the footsteps of his grandfather, father, and brother as a New York City Police Department trainee. However, after working as a clerk and typist, he left in 1968 to pursue a career in music, as the police did not allow him to grow his hair long. “I couldn’t see myself in a police uniform for 20 years of my life, with short hair,” he later said. His bandmates also fired him because they did not want a police officer in the group. His father was not happy with his decision to play music and tore Jimi Hendrix posters from his wall. He never lost sight of his blue-collar upbringing however and even at the height of his career with all the celebrity, millions of albums sold, and large sums of money he made, was one of the few artists who never changed. His ego was always in check, he remained a regular guy–someone you’d really have fun hanging out with. And he treated anyone he met, in any walk of life, exactly the same, with big respect.

‘Once he was traveling with a local music rep in New York–they were late for a radio interview and speeding on the Long Island Expressway. They were pulled over by the cops and it turns out one of the policemen was a guy who was a classmate of Eddie’s when they went through the Police Academy together. “Hey Eddie, you knucklehead, what are you doin’?!! Come on, I’ll give you guys a police escort!” That kind of fun luck used to happen a lot for Eddie.’

He began studying saxophone during a brief stint at junior college, inspired by rock musicians like David Bowie and Van Morrison who occasionally used the instrument.

In 1968, Money moved to Berkeley, California. There, he studied with vocal coach Judy Davis, and took on the stage name Eddie Money, dropping two letters from his last name and sarcastically referring to the fact that he was always broke.

Over the course of the next 8 years, Money became a regular performer at clubs in the San Francisco Bay Area. After gaining the attention of Bill Graham, he secured a recording contract with Columbia Records, releasing his debut album in 1977. He charted with singles such as “Baby Hold On” and “Two Tickets to Paradise”, about visiting his girlfriend despite not having money.

In 1978, Money opened for Santana at Boston’s Music Hall. The following year, he sang backing vocals on the bridge section on “I’m Alright”, a song written and performed by Kenny Loggins. In 2014, Money claimed that Loggins never gave him credit for his contribution.

His ascend started with “Baby Hold On.” The lyrics were not intellectual enough for the cognoscenti. But the music was undeniable, you heard it once and got it whereas so much vaunted stuff, then and now, you listen to over and over again and still don’t get.

Then came “Two Tickets To Paradise.”

Now that was a smash right out of the box. Great title, great track, great, emphatic chorus:

“I’ve got two tickets to paradise, Won’t you pack your bags, we’ll leave tonight”

This was 1978. When airline travel was still expensive. When you didn’t hop on a plane to go to a show or a game, you were stuck at home, dreaming, of what could possibly be, and Eddie Money was opening the top of your brain and filling you with hope

In 1982, Money took advantage of the MTV music video scene with his humorous narrative videos for “Think I’m in Love”, performed at The Mission Inn Hotel & Spa, and “Shakin'”. In the early 1980s, he appeared on The Midnight Special, Fridays, and Solid Gold. In 1978 and 1984, he appeared on American Bandstand.

Money’s career slumped temporarily following the commercially unsuccessful 1983 album Where’s the Party?. However, he made a comeback in 1986 with the album Can’t Hold Back, which received a music recording certification of platinum. “Take Me Home Tonight”, a single from the album, peaked at No. 4 on the Billboard Hot 100 chart in the United States. Money only agreed to perform the song—which included a line from “Be My Baby”, a song Ronnie Spector performed as part of The Ronettes—after Spector agreed to sing the line herself. In 1987, Money was nominated for a Grammy Award for Best Male Rock Vocal Performance for “Take Me Home Tonight”. “I Wanna Go Back” and “Endless Nights”—two other singles from the Can’t Hold Back album—peaked at No. 14 and No. 21, respectively.

In 1988, Money released Nothing to Lose, which featured the Top 10 hit “Walk on Water” and the Top 40 hit “The Love in Your Eyes”.

It was 1992, “Unplugged” was flourishing on the now totally dominant MTV. Not that Eddie Money was cool enough to be featured, but he released his own acoustic live album, that positively ROCKED! “Unplug it in”.

“Gimme Some Water,” the opening cut. This was an album track from Money’s mostly hitless second LP “Life For The Taking.” Oh, “Maybe I’m A Fool” made it to number 22 on the singles chart, but at this point no one was listening to Top Forty, AOR ruled, and you didn’t need a pop hit to go platinum, as “Life For The Taking” did.

Also beginning in 1992, Money opened the summer concert season for the Pine Knob Music Theater in Clarkston, Michigan where he would return to open the venue for 27 consecutive years. In 1996, he wrote the theme music to Quack Pack, a Disney cartoon.

Money was inducted into the Long Island Music Hall of Fame in 2008. In January 2010, he performed a medley of his hit singles during the halftime performance at the Liberty Bowl.

Eddie was a natural frontman and his original guitar player Jimmy Lyon played a role like Ronnie Wood did for Rod Stewart in the Faces – together they killed it onstage. Eddie was a very funny guy with quick wit and often the dumbest jokes.

In the beginning, he was a wild man like many rockers. On his first radio promotional tour he was going to be traveling with Warren Williams, a legendary Columbia rep for the western region. Eddie asked Warren to stop at a local liquor store, “Hey Warren, I just want to run in and get a pack of cigarettes.” About twenty minutes later Eddie emerged with a giant case full of Whiskey, Vodka, Tequila, and Gin – “OK, I’m ready now.”

In later years he toured as a classic rock act with his daughter and other family members in his band. He used to joke–“It’s like the Partridge Family, only with marijuana!”

Money wrote and performed original songs for the films Americathon (1979), Over the Top, Back to the Beach (both 1987), and Kuffs (1992), along with the television series Hardball (1989–1990).

Eddie Money died on Sep. 13, 2019. He was 70 years old.

In the three days following Money’s death, fans streamed “Take Me Home Tonight” more than 3.1 million times, which was an increase of 349 percent compared to the previous three-day period. Fans also streamed his other songs by 931 percent more than the three previous days.

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Robert Hunter 9/2019

Robert Hunter (78) – the Grateful Dead – was born on June 23, 1941 in Arroyo Grande CA. Hunter’s father was an alcoholic, who deserted the family when Hunter was seven, according to Grateful Dead chronicler Dennis McNally. Hunter spent the next few years in foster homes before returning to live with his mother. These experiences drove him to seek refuge in books, and he wrote a 50-page fairy tale before he was 11. His mother married again, to Norman Hunter, whose last name Robert took. The elder Hunter was a publisher, who gave Robert lessons in writing. Hunter attended high school in Palo Alto, learning to play several instruments as a teenager. His family moved to Connecticut, where he attended the University of Connecticut. He played trumpet in a band called the Crescents. Hunter left the university after a year, and returned to Palo Alto. He enlisted in the National Guard, and spent six months training, before doing a six-month tour of duty.

Upon his return to Palo Alto, in 1961 he was introduced to Jerry Garcia by Garcia’s then-girlfriend, who had previously been in a relationship with Hunter. Garcia was 18 and Hunter 19. The duo began to perform together, spending their time in “what passed for Palo Alto’s 1961 bohemian community”, including a bookstore run by Roy Kepler. They formed a short-lived duo called “Bob and Jerry” that debuted at the graduation ceremony of the Quaker Peninsula School on May 5, 1961.

According to McNally, the group did not last because of “Hunter’s limits as a guitarist and Garcia’s ravenous drive to get better,” but the two remained friendly. Garcia became involved with bluegrass groups in the area such as the Thunder Mountain Tub Thumpers and the Wildwood Boys; Hunter sometimes played the mandolin with these groups, but was more interested in writing. By 1962, he had written a book, The Silver Snarling Trumpet, described by McNally as a roman à clef. McNally writes that it shows Hunter’s “skill at storytelling and his fantastic ear for dialogue”. Recordings of folk and bluegrass bands that included Hunter and Garcia were later released on two albums – Folk Time (2016) and Before the Dead (2018).

Though he’d never play onstage with the Grateful Dead, he became not only a genuine band member but its secret Ace in the hole. Most of the band’s early verbal efforts would not count or stand the test of time; it was Hunter’s work that would elevate their songs from ditties to rich, complete stories set to song.

Try explicating some of Hunter’s early lyrics for the songs he wrote with Jerry Garcia, and pretty soon into your exegesis you’re going to fall back on a sort of “you had to be there” argument. Explaining “China Cat Sunflower” or “Dark Star” was like explaining an acid trip to someone who’s never taken acid. No surprise to learn that Hunter wrote a lot of those early lyrics while he was tripping. 

Of course, if you can write a song, any song, while you’re tripping, that puts you way out in front of most everyone else. In this respect, it helps to know that Hunter was not just some hippy-dippy poet (although he was reportedly the great-great-grandson of Robert Burns). He was also an actual musician—he partnered with Garcia long before the formation of the Dead, when both were part of California’s bluegrass/coffee house scene, and what he didn’t know about how songs worked, Garcia was there to teach him. He was a fast learner. 

Even before the Dead entered their folky/country phase with Workingman’s Dead, Hunter was writing songs that drew on traditional music in the best way. “Dupree’s Diamond Blues” does not flat out copy songs like “Frankie and Johnny,” but Hunter had plainly put in his time absorbing old blues and folk songs that told stories about thieves, jellyroll, wayward lovers, and betrayal. In the same way, “Mountains of the Moon,” which is simply one of the most haunting, mysterious songs written in the last century, tipped its hat to old English balladry and then went its own way. Hunter plainly loved traditions, but he wasn’t bound by them.

Probably the best example of this is “Cumberland Blues,” off Workingman’s Dead. The story has circulated for years about the kid who played the song for his grandfather, who didn’t give a hoot for rock and roll but said that old traditional bluegrass song the Dead played was the real deal, having no idea that the tune was a Hunter/Garcia original. (Extra bonus [no lyrical content]: listen to how the song begins played on electric instruments and morphs into an acoustic version by song’s end.)
Hunter, so far as I know, never appeared on stage with the Dead, but his lyrics are as much a part of their identity as anything actually played by the other musicians. His words, which managed to be both concrete and elliptical, force a listener to become part collaborator: you finish what he started in your head. Your version is your own, and yet you are part of something larger. Robert Hunter was the master when it came to creating songs that are intensely personal and communal. 

When the Grateful Dead were inducted into the Rock and Roll Hall of Fame in 1994, Hunter was included as a band member, the only non-performer to ever be so honored.
After Garcia died in 1995, Hunter went on to collaborate with any number of other songwriters, but none as famous as Bob Dylan, who respected Hunter so much that he was the one writing partner who Dylan allowed to change things. “He’s got a way with words and I do too,” Dylan told Rolling Stone. “We both write a different type of song than what passes today for songwriting.” Indeed.

The Dead never entirely escaped their Haight Ashbury, hippie origins, but anyone who’s ever listened closely knows that’s merely where they started. There was always more to the music, some solid core that bespeaks joy, intelligence, and a full-throated love of rock and roll, and no one had more to do with that than Hunter. There was nothing sentimental or mushwitted about anything he wrote “New Speedway Boogie’s” conjuring of Altamont and its fallout is as dark as songs get. At his best, and he was at his best more often than not, he and Garcia wrote songs that sound as old as time and shone as bright as a new dime. They stick in your head in the best way possible: you can’t forget them and you wouldn’t want to—they’ll see you through life.

Robert Hunter, the principal lyricist for the Grateful Dead died on Sept. 23, 2019 at the age of 78, in his own bed, surrounded by family, who have not released a cause of death. So, peaceful, but with a little unresolved mystery, exactly like a Hunter lyric in other words.

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Ric Ocasek 9/2019

Ric Ocasek (75) – The Cars – was born in Baltimore on March 23, 1944. His paternal side was of Czech descent. When he was 16 years old, his father moved the family back to the Otcasek hometown of Cleveland, Ohio, where his father worked as a systems analyst with NASA at the Lewis Research Center. Ocasek graduated from Maple Heights High School in 1963. He briefly attended Antioch College and Bowling Green State University, but dropped out to pursue a career in music.

Ocasek met future Cars bassist Benjamin Orr in Cleveland in 1965 after Ocasek saw Orr performing with his band the Grasshoppers on the Big 5 Show, a local musical variety program.

After performing in various bands in Columbus and Ann Arbor, Michigan, Ocasek and Orr relocated to Boston in the early 1970s. There they formed a Crosby, Stills and Nash-style folk rock band called Milkwood. They released one album, How’s the Weather,  in early 1973 but it failed to chart. Future Cars keyboardist Greg Hawkes played on Milkwood’s album. After Milkwood, Ocasek formed the group Richard and the Rabbits, which included Orr and Hawkes. Ocasek and Orr also performed as an acoustic duo during this period. Some of the songs they played became early Cars songs. Later, Ocasek and Orr teamed up with guitarist Elliot Easton in the band Cap’n Swing. Cap’n Swing soon came to the attention of WBCN disc jockey Maxanne Sartori, who began playing songs from their demo tape on her show. After Cap’n Swing was rejected by several record labels, Ocasek got rid of the bass player and drummer and decided to form a band that better fit his style of writing. Orr took over on bass and David Robinson, best known for his career with the Modern Lovers, became the drummer. Hawkes returned to play keyboards and the band became “the Cars” in late 1976 with their first official live gig on New Year’s Eve of that year.

The concept behind the band’s name was born out of a modern search for keywords.

“Shortly after I joined,” drummer David Robinson told the Wall Street Journal, “Ric wanted to change the band’s name,” because “Cap’n Swing sounded like the name of a bar band.” So, the musicians sat around and devised a list of possible band names. It was Robinson who mentioned the Cars, the entry that everybody seemed to like. “It was easy to remember and it wasn’t pegged to a specific decade or sound,” Robinson said. “The name was meaningless and conjured up nothing, which was perfect.” Furthermore, Ocasek liked the Cars because it fell at the beginning of the alphabet, which would earn the band good placement in record stores, and also that it was easy to spell.

1977  was the year of earning their stripes as they gigged all over the Northeast. The repeated return of their demo songs on local radio finally convinced record company Elektra to offer the band a contract that worked for both and resulted in a partnership that produced 6 platinum and/or golden albums, selling more than 23 million copies in the US alone.

In 1978, the Cars self-titled debut album reached nr. 18 on the Billboard 200 chart and three singles reached the top 40 – including “Just What I needed”, sung by Ben Orr, which became #4 in Billboard’s records of the year. Their next album Candy-O went to #3 in the Billboard 200 and successive singles hit high on the Hot 100. The band cut 4 more albums with Elektra in the next 8  years, 3 platinum and 1 gold, while over time the band members started going solo. One of the reasons for the band to ultimately break up in 1988 was Ric’s distaste for touring and being on the road. In his own words he said:

I guess you could blame it on me. I toured a lot in the early years when we were the Cars, the five of us. I saw the world. I’ve always been more of a songwriter than a performer. I produce and I love the studio. I’ve always not so much liked touring. That’s kind of the reason. Also, I didn’t want to do things like, “Hey, let’s do some casinos and some boats.” I didn’t want to get into that. That’s just a different reason to do it. That’s really just being mechanical and playing your songs for whatever it is.

Ric’s first solo project was the album Beatitude in January 1983, which features a more minimal and sparse interpretation of the Cars’ new wave rock sound. On some tracks Ocasek played all of the instruments. A more synthesizer-heavy follow-up, This Side of Paradise, was released in 1986; and featured Greg Hawkes, Elliot Easton and Benjamin Orr. Hit single, “Emotion in Motion” accompanied the album.

Now the strange thing is if you play the Cars’ records today in the 2020s…you’re shocked, too much old stuff you have to apologize for, you wonder why you once liked it, but not this music, it sounds as fresh as ’78, ’84, as a matter of fact it sounds even better. Radio always muffled the lyrics, now lyrics stand out and their wisdom and insight and humor stick out. But even better is that sound, an amalgamation of the old and new filtered through a hit record sensibility, the Cars didn’t want to stretch out and noodle, they wanted to get it right, in a compact fashion, anything unnecessary was excised.

The Cars disbanded in 1988, and Ocasek disappeared from the public eye for a couple of years. His 25 year close friendship with Benjamin Orr estranged until shortly before Orr’s death in 2000. His 17 year old marriage to second wife Suzanne ended, no doubt as the result of his growing relation with supermodel Paulina Porizkova, whom he married in August 1989. He resurfaced in 1990 with his own album, Fireball Zone. One track, “Rockaway”, enjoyed a brief stay on the charts, but his solo albums realized disappointing sales, especially compared to his success with the Cars. He subsequently released other solo works during the decade.  In the 1990s and 2000s he was very active as producer, writer and occasional movie performer. For many years Ocasek also had a hobby of making drawings, photo collages, and mixed-media art works which, in 2009, were shown at a gallery in Columbus, Ohio, as an exhibition called “Teahead Scraps”.

In 2010, Ocasek reunited with the surviving original members of the Cars to record their first album in 24 years. The album, entitled Move Like This, was released on May 10, 2011. Not long after the album’s release and its 2 week supporting tour in May, with a final show at Lollapaloosa in August, the Cars resumed their hiatus, and reunited once again in April 2018 for a performance at the ceremony of their induction into the Rock and Roll Hall of Fame.

Ric Ocasek wasn’t friends with everybody, he wasn’t the life of the party, he suffered no fools, he spoke through his music, that was enough, it was less emotion than intellect, the tracks were all you got, the band members were not individual stars, all you got was this vision, unique in the landscape, direct and oftentimes ironic, it kept you guessing, but the music did not. His relationship carried this reservation, whether it’d be towards wives, partners or children. It must have been a lonely life, as possibly witnessed by the fact that he died alone during the night of September 15, 2019, to be found by his ex-wife, who later learned that she and her children with him had been written out of his last will.

Sometimes life seems just a cruel confirmation of misplacing arrogance for talent.

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Ian Gibbons – 8/2019

Ian Gibbons (67) – the Kinks – was born on18 July 1952 

Gibbons began playing the accordion at the age of nine, playing in the school band, and solo at music festivals, competitions and charity events. At the age of 14, he started a school rock band, playing guitar and singing. He changed to organ after leaving school and played in local and resident bands until 1972, when he joined Moonstone, which released three singles. He was a founder member of what was known in London as the  ‘Southend Musical Mafia’ which contained a great many talented musicians who were born in sight of Southend Pier. In time he played for Moonshine, the Feelgoods, Maggie Bell, the Love Affair, the Kursaal Flyers, the Nashville Teens, Samson, Ian Hunter, Suzie Quattro, Andy Scot, Chris Farlow, Roger Chapman and, rumor has it, Martha and the Vandellas to name but a few.

When Punk and new wave came along Gibbons worked with rock based and new wave bands until an audition for the Kinks in 1979.

Of that audition Kinks Co-founder Ray Davies said:

“When he auditioned for the band, he only played a few chords before I knew he was the right guy to have on keyboard, he seemed to know the right voicing to musically slot in between the other members of the band. And with the Kinks, that took some doing!” 

He was asked to join, and stayed with them during the band’s late-career resurgence, playing on such popular tunes as “Come Dancing,” “Better Things,” “Destroyer,” “Don’t Forget to Dance,” “State of Confusion” and “Do It Again.” until 1989. It’s possibly a measure of the esteem Ian Gibbons was held in by fellow musicians that he rejoiced (?) in the nicknames Stubz, Stubzie, Gibbo and even Little legs! In the Kinks though he was one of two diminutive people known collectively, and with great affection as the two little sods!

Gibbons worked with Love Affair and the Nashville Teens, whilst also working with Dr. Feelgood, the Kursaal Flyers, Ken Hensley, Mike Vernon, Samson, Randy California and others, mainly recording. Other artists he worked with were Roger Chapman, the Sweet, Suzi Quatro and Ian Hunter. He rejoined the Kinks again in 1993, staying with them until their break-up in 1997.

He continued to record and perform with Chapman and Hunter, along with Chris Farlowe, Maggie Bell, Andy Scott, the Chicago Blues Brothers and on Ray Davies choir and and contributed to some solo projects by guitarist Dave Davies. He was also an actor and writer, known for Halloween: The Night He Came Back (2010), Return to Waterloo (1984) and The Kinks: Don’t Forget to Dance (1983).

In 2008, Gibbons joined The Kast Off Kinks, a band that has featured various former Kinks members, including original drummer Mick Avory, keyboardist John Gosling and bassists John Dalton and Jim Rodford. Rodford died in January 2018 at age 76.

Ian Gibbons died from bladder cancer at home, on 1 August 2019, at the age of 67

Kinks guitarist Dave Davies issued a statement regarding Gibbons’ death that reads, “It was a great shock to hear about Ian Gibbons passing. He worked with the Kinks throughout the ’80s. He was always such a positive and optimistic guy. He was the perfect professional. I never had any problems with him and we got on really well. My heart goes out to his family and friends at this difficult time. He added a lot of color to the Kinks music. I’m devastated and he’ll be badly missed.”

Co-founder Ray Davies said: ‘On the road, he could always be guaranteed to give a smile of encouragement from his side of the stage and buy a round in the bar after the show so we could have a party in Ian’s noisy room,’ the frontman added. ‘Being in a band is like being in a family and today it is as though we have lost family member.’ ‘He was also was a brilliant accordion player and, apparently, a bit of a childhood prodigy on that instrument. In the studio, he would willingly try out the most random musical idea I would throw at him.’

The Kinks music with songs like Waterloo Sunset, You Really Got Me, Sunny Afternoon, See My Friend, a.o. has gone down as one of the defining sounds of the flower power generation, and has since been made into a musical, Sunny Afternoon, by the Davies brothers.

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Art Neville 7/2019

art neville, keyboard in the neville brothersJuly 22, 2019 – Art Neville was born on 17 December 1937 the oldest son in the famous New Orleans blues/funk family that created the Neville Bothers. Art was born in New Orleans to Arthur Neville and his wife, Amelia (nee Landry). His father was a station porter fond of singing tunes by Nat King Cole and the Texan bluesman Charles Brown. His mother was part of a dance act with her brother, George “Big Chief Jolly” Landry.

The oldest of four brothers, his interest in playing keyboards was triggered at the age of three, when his grandmother took him to a New Orleans church where he spotted the organ. “I turned the little switch and hit one of the low keys,” he recalled. “It scared the daylights out of me, but that was the first keyboard I played.”
He later began playing the piano and performing with his brothers, and in high school joined (and subsequently led) his first band, the Hawketts. He was the lead singer on their version of Mardi Gras Mambo, a regional hit in 1954. It became a regular fixture at New Orleans’s annual Mardi Gras celebrations.
In 1958 he joined the US Navy, emerging in 1962 to continue his musical career. He formed Art Neville and the Neville Sounds, which included Aaron and Cyril before they quit to form their own group. Now a four-piece completed by guitarist Leo Nocentelli, bass player George Porter Jr and drummer Joseph “Zigaboo” Modeliste, they played regularly at New Orleans clubs, backing artists such as the Pointer Sisters and Lee Dorsey.

The Meters Era

In 1965 he was a founder not only of the Meters, whose music in the late 1960s and early 70s helped to define the genre of New Orleans funk, but of the Neville Brothers, who were masters of various soul, blues and gospel styles and were distinguished by their intricate vocal harmonies.
The Meters provided the musical backup for innumerable soul and funk artists, including on big-selling classics such as Lee Dorsey’s Working in the Coal Mine (1966) and Labelle’s Lady Marmalade (1974). But they also had hits in their own right, notably in 1969 with Cissy Strut (1969) and Look-Ka Py Py.

The Meters refined the loping, syncopated rhythm called the “second line” which became emblematic of New Orleans funk. Prime examples included the group’s hits Cissy Strut, Look-Ka Py Py, Chicken Strut (1970) and Hey Pocky A-Way (1974). Cissy Strut, which reached No 23 on the mainstream Billboard chart, was inducted into the Grammy Hall of Fame in 2011.
The Meters made countless recordings as the house band for the songwriter and producer Allen Toussaint, with highlights including Working in the Coal Mine, which reached No 8 in the UK and the US, Dr John’s album In the Right Place (1973), and Labelle’s US chart-topper Lady Marmalade, a song about a prostitute in the French quarter of New Orleans with the famous line “Voulez-vous coucher avec moi, ce soir?”
In 1974 the Meters backed Robert Palmer on his album Sneakin’ Sally Through the Alley, and in 1975 Paul McCartney invited them aboard the Queen Mary ocean liner in Long Beach, California, to play at the launch party of the Wings album Venus and Mars. Also present was Mick Jagger, who invited the Meters to support the Rolling Stones on their tours of the US and Europe in 1975-76. The group now included Cyril, who joined for their album Fire on the Bayou (1975).

Forming the Neville Brothers

Art and Cyril quit the Meters in 1977 and formed the Neville Brothers with Aaron and Charles. The brothers had already gathered the previous year to back their uncle George Landry on the album The Wild Tchoupitoulas. At first the Neville Brothers were slow to gain recognition. Art recalled how when they used to play at Tipitina’s in New Orleans “you could have blown it up and not hurt anyone but the Neville Brothers”. Though Keith Richards hailed their 1981 album Fiyo on the Bayou as the finest of the year, sales were poor. They failed to release another studio album until Uptown (1987), a conscious effort to find a more mainstream sound (with Richards and Carlos Santana guesting) that prompted accusations of a sellout.

Outside the Neville Brothers Art began playing concerts with his former Meters bandmates, following a reunion at the 1989 New Orleans Jazz & Heritage festival.
They subsequently formed a new version of the band called the Funky Meters, and Art continued to perform with both outfits.
A change of fortune came with Yellow Moon, sympathetically produced by Daniel Lanois, which successfully moulded the group’s collective skills into a coherent whole. In that year the group won a Grammy for best pop instrumental performance for the Yellow Moon track Healing Chant, while the album also contained several landmark tracks including the title song, a version of Dylan’s With God on Our Side, and Sister Rosa, their ode to the civil rights pioneer Rosa Parks. 

Art won another Grammy in 1996 with various artists for best rock instrumental performance for SRV Shuffle, a tribute to the guitarist Stevie Ray Vaughan. Their musical groove influenced artists as varied as Little Feat, the Red Hot Chili Peppers, Public Enemy and the Grateful Dead.
Art Neville, who was nicknamed Poppa Funk, toured as part of the Neville Brothers and the Meters with major artists, including the Rolling Stones, the Grateful Dead and Tina Turner, and were traditionally the closing act on the final Sunday night of New Orleans’s annual Jazz & Heritage festival.

The Neville Brothers disbanded in 2012, but reunited for a farewell concert in New Orleans in 2015. Three years after Art announced his retirement after more than six decades in the music business.

Art Neville crossed the rainbow to rock and roll paradise on July 22, 2019 at the age of 81.

 

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Dr. John 6/2019

June 6, 2019 – Dr. John was born Malcolm John Rebennack in New Orleans on November 20, 1941, and early on got the nickname “Mac.”

When he was about 13 years old, Rebennack met blues pianist Professor Longhair (Roy Byrd) and soon began performing with him. At age 16, Rebennack quit high school to focus on playing music. He performed with several local New Orleans bands including Mac Rebennack and the Skyliners, Frankie Ford and the Thunderbirds, and Jerry Byrne and the Loafers. He had a regional hit with a Bo Diddley-influenced instrumental called “Storm Warning” on Rex Records in 1959.

Rebennack became involved in illegal activities in New Orleans in the early sixties, using and selling narcotics and running a brothel. He was arrested on drug charges and sentenced to two years in a federal prison at Fort Worth, Texas. When his sentence ended in 1965, he moved to Los Angeles, adopted the stage name of Dr. John, and collaborated with other New Orleans transplants. He became a “Wrecking Crew” session piano player appearing on works for a variety of artists including Sonny & Cher, Canned Heat on their albums Living the Blues (1968) and Future Blues (1970), and Frank Zappa and the Mothers of Invention on Freak Out! (1966).

Dr. John solo recordings include his debut LP, Gris-Gris (1968), Babylon (1969), Remedies (1970) and The Sun, Moon, and Herbs (1971) and Gumbo (1972). His 1973 release, In the Right Place, produced by Allen Toussaint, included his Top Ten hit “Right Place, Wrong Time.”

For the next three decades, Mac, as friends called him, collaborated with about everyone in rock and blues. Jagger and Richards, Springsteen, John Fogerty, Doc Pomus, Jason Isbell, Irma Thomas and so many more.

In the Movies, Dr. John appears in the Band’s opus, The Last Waltz and the sequel Blues Brothers 2000. Dr. John appears as himself in the second season of NCIS: New Orleans, playing his hit “Right Place, Wrong Time”.

He was the inspiration for Jim Henson’s Muppet character, Dr. Teeth and won 6 Grammy Awards and became a member of the Rock ‘n’ Roll Hall of Fame in 2011.

Dr. John, legendary New Orleans musician, died from a heart attack on June 6, 2019 at age 77.

 

 

 

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Gary Duncan 6/2019

Gary Duncan (72) – Quicksilver Messenger Service – was born on 4 September 1946 in San Diego, California as Eugene Duncan, Jr., but adopted at birth and named Gary Ray Grubb.

He grew up in Ceres, California, where (as Gary Grubb) he played guitar for the Ratz until they finished their performance itinerary as an opening act for the Byrds and the Rolling Stones at the War Memorial Auditorium in San Jose, California. It was in 1965 when, as Gary Cole, he joined the Brogues, in Merced, California, and met future Quicksilver Messenger Service drummer Greg Elmore. It was with the Brogues that he adopted the stage name Gary Duncan. He stayed with them until they broke up later that year.

In late 1965 Duncan received a call from John Cipollina offering an audition for himself and fellow Brogues member Greg Elmore to join Quicksilver Messenger Service. The group first performed in December 1965 at The Matrix. The complex guitar interplay between Duncan and John Cipollina had a big influence on the sound of psychedelic rock. In early 1969, after recording two albums “Quicksilver Messenger Service” and “Happy Trails”, Duncan left Quicksilver and as he describes it, “I left for a year and rode motorcycles and lived in New York City and Los Angeles and just kind of went crazy for about a year.” Continue reading Gary Duncan 6/2019

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Paul Raymond 4/2019

Paul Raymond (73) – UFO – was born November 16, 1945 in Hertfordshire, England. At the young age of 17 he was determined to make career in the music business by putting an ad in the music papers and going to all the pubs that had live jazz on. He began sitting in on a few numbers with the older, more experienced musicians.

Raymond began his musical career in January 1964 as a jazz musician. His first professional group was also in 1964, as a member of Tony Jackson and The Vibrations, a group formed by Tony Jackson of The Searchers when he left in mid 1964.

He later joined Plastic Penny in 1967 as their keyboardist/vocalist. Plastic Penny was formed with Brian Keith on vocals, Nigel Olson on drums, Mick Graham on guitar and Tony Murray on bass. They released two albums, ‘Two Sides Of A Penny’and ‘Currency’ and had a top-ten hit with a cover of the ‘Box-Tops’ song ‘Everything I Am’ before splitting up in late 1968 after appearing at the Isle of Wright Festival in August of that year.

Then, after he heard that Christine Perfect was leaving Chicken Shack to marry John McVie and later join Fleetwood Mac, Paul answered their ad in Melody Maker, and auditioned for her place. Nigel Olson was kind enough to help manhandle the Hammond organ to the audition and Paul was subsequently offered the job.

After recording the album ‘100 Ton Chicken’ it was decided that the band should take a new direction, but the resulting album ‘Accept’ was not successful and the band was dropped by their record company Blue Horizon. Paul left Chicken Shack and both Andy Silvester and Dave Bidwell followed on shortly afterwards to join him in blues band Savoy Brown. They were filling the gap that was left by former members Dave Peverett, Tony Stevens and Roger Earl who had deserted guitarist Kim Simmonds to form the band Foghat. His tenor with Savoy Brown lasted from 1971-1976 encompassing 6 albums, including ‘Street Corner Talking’ & ‘Hellbound Train’. During this period of relentless tour schedules and various line-up changes the band enjoyed major success in the USA, breaking into the Billboard Top 100 and playing prestigious venues such as Madison Square Garden.

He also recorded with the former Fleetwood Mac guitarist Danny Kirwan, appearing on his first album, Second Chapter, released in 1975.

Raymond was recruited by UFO in 1976 to replace their first keyboardist, Danny Peyronel.

“Then, one magical night in Saginaw, Michigan, during a tour of the States, I met Pete Way!” “We were playing on the same bill with UFO, who were opening the show. Nazareth were headlining and Savoy Brown were somewhere in the middle. Danny Peyronel was playing the keyboards for UFO back then, and after the show, Pete and I got talking. He said that they were looking to make a change in the line-up because Danny didn’t play guitar and they needed someone to play rhythm guitar as well as keyboards to enhance their live sound, so he asked me if I would be interested in joining the band.”

Raymond played on the classic albums Lights Out, Obsession, and No Place to Run, and on the live album Strangers In The Night. He wrote songs for UFO, but because of a previous publishing deal, was not credited for these songs until years later. When Michael Schenker left UFO, Raymond joined Schenker’s new band, MSG, in 1981 and 2 years later later joined UFO bassist Pete Way‘s band, Waysted, in 1983.

But two years later, following a non music-related altercation with Michael Schenker, Paul found himself ‘surplus to requirements’ and set out to look for other suitable musical collaborations. He spent a year working on a project with vocalist Terry Reid, using his own finances to help getting the project off the ground.  But unfortunately there was no interest from any of the record companies.

Coincidentally during that same time frame, Pete Way who had also parted ways with U.F.O. had secured a record deal with Chrysalis for his solo project, Waysted. He approached Paul to see if he was interested in joining him.

“It was a really tough decision for me to make; whether to keep going with Terry because at that time he still didn’t have a record deal, or go back and play with Pete again. Well the gut feeling at the time was that I should go with Pete. So I joined Waysted in 1983, but I’m not sure if I made the right decision.

Sometime in 1984, after the demise of Waysted, Paul was approached by Phil Mogg to see if he was interested in re-joining U.F.O. as he wanted to put the band back on the road. With the backing of staging company Light and Sound Design, who provided the PA system and an impressively large lighting rig, the band hit the road with new material and a video recording was released of the show in Oxford, UK entitled ‘Misdemeanor’. This sparked renewed interest from U.F.O.’s original record company, Chrysalis and the resulting album also called ‘Misdemeanor’ was released in 1985. It was a complete departure from U.F.O.’s signature guitar-oriented sound, as midi keyboards and sequencers were the order of the day in the mid ’80s. The band toured for a couple of years but all was not well. The ongoing, well documented problems of over-indulgence in the band and lack of communication was causing relationships to get strained. Mid-way through a particularly gruelling US tour, Paul couldn’t take it anymore, he just snapped, and bailed out.

After moving to Japan with his Japanese girlfriend and starting a new life out there, he put together his own band the Paul Raymond Project initially comprised of ex-Angel vocalist Frank DiMino, bassist Masayoshi Yamashita (ex-Loudness) and guitarist Reibun Ohtani (ex-Marino). They recorded the 6-track mini-album ‘Under The Rising Sun’ in 1989 for Teichi Ku Records.

The obvious geographical distance between Frank DiMino and Paul unfortunately meant that this line-up was not suitable in the long-term and eventually Paul established a touring band in 1991 with singer Aki Fukasawa and went on to record some more songs which eventually became the album ‘Raw Material’.

In 1993 Paul once again got the call to come back to U.F.O., this time for a reunion of the classic line-up. Michael Schenker had come back and wanted to reform the band. Japanese record company Zero Corporation offered them a recording contract and the result was the album ‘Walk On Water’, produced again by Ron Nevison in California. Initially the album was only released in Japan in 1995, but was subsequently repackaged and re-released worldwide in 1997. Paul did not contribute to the song writing on this album due to the death of his father in London at the time the album was being written. And by the time he returned the recording had already started.

The band started touring with ex-AC/DC drummer Simon Wright who was replacing Andy Parker on the drums, as Andy had business commitments in the UK. But during a tour of the US, Michael Schenker once again quit the band. There was a period of downtime and then he came back begged forgiveness and asked if he could give it another shot. Manager, Bill Elson, stepped in to take control of the business side of things and once again the band started touring.

Unfortunately, things again unravelled, this time at the Nakano Sun Plaza in Tokyo as Michael stormed off stage in the middle of a show in front of 3,000 people.  The concert was cancelled and the promoter was livid. Paul decided it was the end of the road for him too.

“It was a real low point.” “I’ve never been able to find out the reason why he did what he did. It was so embarrassing, Pete & I had to go out on stage and apologise to the audience. The promoter had to refund all the ticket money and that was the end of it for me, I just didn’t want to do it anymore, it was unforgivable and unprofessional and it did the band’s reputation such a damage.”

All in all Raymond worked with Phil Mogg, Andy Parker, and on occasion with Schenker and Way, in UFO from 1976–1980, 1984–1986, 1993–1998 and 2003–2019. In in-between time Raymond frequently toured with his own group, Paul Raymond Project.

After three successful US-tours between 2016 and 2017, numerous tours in Europe and the release of their covers album “The Salentino Cuts” U.F.O. remained inactive during all of 2018. This was the perfect time for Paul to work on his very own covers album “HIGH DEFINITION”. During the working process for “The Salentino Cuts” Paul became really inspired to put a new spin on some songs that he always liked or thought it would be interesting to record them in a rock’n’roll way. Of course he had more ideas or even different visions than his U.F.O. band mates so with the help of his PRP partners in crime, Andy Simmons and Dave Burn, he decided to make his own covers album named “High Definition”, which he was so very proud of. It was released on February 15th, 2019.

Paul Raymond unexpectedly died of a heart attack at 73 on April 13, 2019. At the time of his death, UFO had just completed the first leg of what they referred to as their final world tour, dubbed “Last Orders: 50th Anniversary”. For the remainder of the tour, Raymond was replaced by Neil Carter, who had also replaced him from 1980 to 1983.

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Bernie Tormé 3/19

Bernie Tormé - guitaristMarch 17, 2019 – Bernie Tormé (guitarist for Ozzy, Gillan, Dee Snider and others) was born in Dublin on March 18, 1952, where he learned to play guitar. In 1974 he moved to London, joining bassist John McCoy in heavy rockers Scrapyard. After forming the Bernie Tormé Band two years later, he re-joined McCoy as a member of former Deep Purple singer Ian Gillan’s new solo project, playing on four Gillan albums: Mr. Universe, Glory Road, Future Shock and Double Trouble.

In 1981 Tormé left Gillan, and joined Atomic Rooster as a session guitarist. The following year briefly joined Ozzy Osbourne’s band, stepping in for Randy Rhoads in the aftermath of the guitarist’s tragic death. Ozzy Osbourne told Total Guitar that if it wasn’t for Bernie Tormé he “might never have got back on a stage”.

He then formed Bernie Tormé And The Electric Gypsies, and in 1988 joined Desperado, the band formed by Dee Snider after Twisted Sister were disbanded, playing on their only album, Bloodied, but Unbowed.

Tormé later later reunited with ex-Gillan colleague, John McCoy and drummer Robin Guy in GMT, and returned to solo work in 2013, releasing three acclaimed albums; Flowers & Dirt (2014), Blackheart (2015) and the 3CD set Dublin Cowboy. All three were successfully crowd-funded releases.

Tormé released his latest studio album Shadowland in November last year, but his family reported that PledgeMusic – who say they’re working on a solution to address late payments to artists – still owed the guitarist £16,000, which was due to be sent to him in December. 

Bernie Tormé passed away peacefully on March 17, 2019 , one day short of his 67th birthday, surrounded by his family. He had been on life support for the previous four weeks at a London hospital following post-flu complications and suffering from virulent pneumonia in both lungs. 

Snider tweeted, “Woke up to find out my friend Bernie Tormé has died. He was a guitar god who played with OzzyOsbourne & Ian Gillan. We worked together for 3 years, writing over 100 songs for the ill-fated Desperado. I loved that man & today my heart is broken. RIP Bernie. Your guitar weeps.”

 

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Stephan Ellis 3/2019

Stephan Ellis (69) – Survivor – was born on June 10, 1951 in Los Angeles County, California.

Survivor formed in 1978, but Ellis didn’t join the band until the early Eighties. The bassist arrived in time to help the group record their 1981 album, Premonition, which featured their first Top 40 hit, “Poor Man’s Son.” One year later, Sylvester Stallone approached Survivor to record a song for Rocky III, resulting in the band’s signature smash, “Eye of the Tiger.”
“Eye of the Tiger” peaked at No. 1 on the Billboard Hot 100 in July 1982, spending six weeks at the position and 25 weeks on the charts, while the band’s 1982 LP of the same name peaked at Number Two on the albums chart. The track won the Grammy for Best Rock Performance by a Duo or Group and was even nominated for Best Original Song at the 1982 Oscars.

Ellis continued to record and perform with Survivor throughout their prolific Eighties heyday. Between 1983 and 1987 Survivor released three more albums and notched a string of Top 10 hits including “High On You,” “The Search Is Over,” “Is This Love” and “Burning Heart.” The latter – off the Rocky IV soundtrack – became the band’s second biggest hit, peaking at Number Two.

While Ellis performed on ‘Eye of The Tiger’, he also contributed on hits such as ‘Burning Heart’ (from the Rocky IV soundtrack), ‘The Search Is Over’, ‘High on You’, and more. He was a member of the band from 1981 until 1987, when Ellis was forced to leave the group for medical reasons, during which period, the band released three albums, earning chart-topping hits “High On You,” “The Search Is Over,” “Is This Love,” and “Burning Heart.”

Guitarist Sullivan and singer Dave Bickler reminiscing on how Ellis joined the band said the following:

When Frankie and I traveled to the west coast soon after our first album in late 1980 to audition a new rhythm section, our pal, the late great Fergie Fredericksen suggested we cool our heels at Flipper’s Roller Disco on La Cienega just off of Sunset Strip. As we had a beer and watched the gals in satin short shorts skate around we noticed a band playing in the center of the rink. It was a band called Baxter playing good original music.

Frankie leaned over to me and said “That’s the kind of bass player we need”. I said “How ’bout that bass player?” Stephan was the genuine rock & Roll article: he had the look, the attitude and his aggressive style on his Fender Precision bass that helped define what would become the signature sound of Survivor.

We waited till Baxter took a break and I dodged the skaters to reach the band. I introduced myself to the blond bass player who was taking off his bass. I told him that me and Frankie were holding auditions for Survivor at SIR tomorrow morning, would he like to come? He had never heard of us, but when I told him we were signed to Scotti Brothers/Atlantic he readily agreed. He mentioned that he had just auditioned for the Babys but “there was not enough pixie dust on it” and he didn’t get the gig.

Next morning he showed up promptly at 9:30 along with the drummer Frankie had set up to audition – Marc Droubay. What a fortunate coincidence because from the downbeat of a new song we were working on called “Hearts of Stone” we knew we had found in this rhythm section the sound we were looking for: solid, pounding and totally locked as a unit. We soon started working up songs that became the pivotal album in Survivor’s history, the one that famously caught the attention of one Sylvester Stallone. It was called ‘Premonition’. It was indeed.

Stephan was a true rocker. Nothing mattered to him as much as his bass guitar and a cold Heineken in his hand. His unflappable countenance was a lesson to us all. He weathered every storm with us through the next 5 Survivor albums.

After leaving Survivor, Ellis and the band’s ex drummer, Marc Droubay, formed a group with guitarist Rod McClure called Club M.E.D. that released an album, Sampler, in 1990. In 1996, Ellis and Droubay rejoined the group, though the bassist left again in 1999. Over the next few decades, Ellis would periodically play a few shows with Survivor, but otherwise remained busy with other projects. Per AllMusic, he played bass on David Glen Eisley’s 2000 album, Stranger for the Past, while he also produced British singer Samantha Fox’s 2005 LP Angel With an Attitude.

He died on February 28, 2019 in Venice, California, He will be remembered for his musicianship, his dedication to the art of Rock & Roll, his mischievous smile and the friend he was to so many. Stephan Ellis – you are a classic. Rock in Peace.

“This was Stephan Ellis to me –Underrated yet never dated. Well dressed and on a consistent basis. Gargoyles and all and he was cool enough to pull off. Stephan was well-coifed, always ready and Stephan Ellis lived his own life in his own way and on his own terms. “We Love you Steph!”

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Scott Walker 3/2019

Scott Walker of the Walker BothersMarch 22, 2019 – Scott Walker (the Walker Brothers) was born January 9, 1943 in Hamilton, Ohio, despite the fact that he was perceived as British. One of the more enigmatic figures in rock history, Scott Walker was known as Scotty Engel when he cut obscure flop records in the late ’50s and early ’60s in the teen idol vein.

He initially found work in Los Angeles as a bass player, but rose to fame in the United Kingdom, after he hooked up with John Maus and Gary Leeds to form the Walker Brothers. They weren’t named Walker, they weren’t brothers, and they weren’t English, but they nevertheless became a part of the British Invasion after moving to the U.K. in 1965. They enjoyed a couple of years of massive success there (and a couple of hits in the U.S.) The Walker Brothers was a well-groomed trio famous for their British Invasion renditions of Brill Building pop. With the help of Scott Walker’s booming baritone, the act topped the British charts with covers of “Make It Easy On Yourself” (1965) and “The Sun Ain’t Gonna Shine (Anymore)” (1966), but in the US, the trio never achieved the superstardom that they enjoyed overseas. As their full-throated lead singer and principal songwriter, Walker was the dominant artistic force in the group, who split in 1967. 

While remaining virtually unknown in his homeland, Walker launched a hugely successful solo career in Britain with a unique blend of orchestrated, almost MOR arrangements with idiosyncratic and morose lyrics. At the height of psychedelia, Walker openly looked to crooners like Sinatra, Jack Jones, and Tony Bennett for inspiration, and to Jacques Brel for much of his material. None of those balladeers, however, would have sung about the oddball subjects — prostitutes, transvestites, suicidal brooders, plagues, and Joseph Stalin — that populated Walker’s songs. His first four albums hit the Top Ten in the U.K. — his second, in fact, reached number one in 1968, in the midst of the hippie era. By the time of 1969’s Scott 4, the singer was writing all of his material. Although this was perhaps his finest album, it was a commercial disappointment, and unfortunately discouraged him from relying entirely upon his own material on subsequent releases.

The ’70s were a frustrating period for Walker, pocked with increasingly sporadic releases and a largely unsuccessful reunion with his “brothers” in the middle of the decade. His work on the Walkers’ final album in 1978 prompted admiration from David Bowie and Brian Eno. After a long period of hibernation, he emerged in 1984 with an album, Climate of Hunter, that drew critical raves for a minimalist, trance-like ambience that showed him keeping abreast of cutting-edge ’80s rock trends.

It would 11 more years before Walker completed his metamorphosis from pop crooner to avant-garde godfather. That would come on 1995’s Tilt, a shocking post-apocalyptic work of art that matched dark, enigmatic songwriting and dissonant orchestral production. Tying it all together was Walker’s inimitable voice, which he pushed to awkward, operatic heights. Tilt was a harrowing listen, but its uncompromising singularity attracted experimental music fans of all types.

Again, it would be 11 years before Walker would release new music, but this time the lag was to no one’s surprise. He had developed a reputation as a perfectionist who operated on his own schedule. When 2006’s The Drift was released on 4AD, Walker again sent shockwaves through the avant-garde community. While Tilt was, in part, adored for its misdirection, The Drift was celebrated for its execution. As the second part of Walker’s late-career trilogy, it took his ornate orchestration to new depths; every second of its nearly 70-minute runtime felt intentional and intricate.

During the next several years, he contributed to soundtracks (To Have and to Hold, The World Is Not Enough, Pola X) and assisted with recordings by Ute Lemper and Pulp. He didn’t release another album until 2006. That year, Walker also contributed the track “Darkness” to Plague Songs for the Margate Exodus project, curated by the British arts organization Artangel. The concept centered around the retelling of the ten plagues of Egypt as recorded in the Book of Exodus in the Old Testament. In early 2007, the documentary film Scott Walker: 30 Century Man, premiered. Later that year, Walker released the limited-edition EP And Who Shall Go to the Ball? And What Shall Go to the Ball? Commissioned as a work for ballet by the Candoco Dance Company, it was comprised of a single piece of instrumental music, 24 minutes in length, performed by the London Sinfonietta and cellist Philip Sheppard.

In November of 2008, the musical theater work Drifting and Tilting: The Songs of Scott Walker was staged at London’s Barbican over three evenings. It was comprised of songs from Tilt and The Drift. Walker did not perform, but directed the work from conception to execution including staging, lighting, and orchestra. The vocals were performed by various singers, including Damon Albarn, Dot Allison, and Jarvis Cocker. In 2009, the album Music Inspired by Scott Walker: 30 Century Man appeared, featuring songs inspired by the film sung by Laurie Anderson and other female Walker devotees. Also in 2009, Walker dueted with British singer Natasha Khan on her Bat for Lashes album Two Suns. In 2012, he released Bish Bosch. He regarded it as the third and final part of the trilogy that began with Tilt and continued on The Drift and then surprised many fans with Soused, a collaboration with doom-metal droners Sunn O))), in 2014. The last recording released during his lifetime was the 2018 score to the Brady Corbet-directed film Vox Lux.

Scott Walker died from cancer at age 76 on March 22, 2019. He influenced everyone from Jarvis Cocker (Pulp) to Thom Yorke (Radiohead), and even newer artists like Bat for Lashes. 

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Dick Dale 3/2019

Dick Dale, king of the surf guitarMarch 16, 2019 – Dick Dale was born Richard Monsour in Boston on May 4, 1937 1937; his father was Lebanese, his mother Polish. As a child, he was exposed to folk music from both cultures, which had an impact on his sense of melody and the ways string instruments could be picked. He also heard lots of big band swing, and found his first musical hero in drummer Gene Krupa, who later wound up influencing a percussive approach to guitar so intense that Dale regularly broke the heaviest-gauge strings available and ground his picks down to nothing several times in the same song.

He taught himself to play country songs on the ukulele, and soon graduated to guitar, where he was also self-taught. His father encouraged him and offered career guidance, and in 1954, the family moved to Southern California.
At the suggestion of a country DJ, Monsour adopted the stage name Dick Dale, and he began performing in local talent shows, where his budding interest in rockabilly made him a popular act. He recorded a demo song, “Ooh-Whee Marie,” for the local Del-Fi label, which was later released as a single on his father’s new Deltone imprint and distributed locally. During the late ’50s, Dale also became an avid surfer, and soon set about finding ways to mimic the surging sounds and feelings of the sport and the ocean on his guitar. He quickly developed a highly distinctive instrumental sound and found an enthusiastic, ready-made audience in his surfer friends. Dale began playing regular gigs at the Rendezvous Ballroom, a once-defunct concert venue near Newport Beach, with his backing band the Del-Tones; as word spread and gigs at other local halls followed, Dale became a wildly popular attraction, drawing thousands of fans to every performance. In September 1961, Deltone released Dale’s single “Let’s Go Trippin’,” which is generally acknowledged to be the very first recorded surf instrumental.

In the space of a few short years, the Boston-born, Southern California transplant had merged the laid-back, sun-blasted lifestyle of the surf scene with a blistering rhythm of rockabilly and early rock-and-roll. As the mad scientist behind what was dubbed surf rock, Dale was, in the words of a 1963 Life magazine profile, a thumping teenage idol who is part evangelist, part Pied Piper and all success. The music Dale and his band the Del-Tones made poured out of radios, sound-tracked popular beach movies starring Frankie Avalon and Annette Funicello, and lit inspirational fires in other musicians like the Beach Boys. Fans crowned him The King of the Surf Guitar.
Dick Dale wasn’t nicknamed “King of the Surf Guitar” for nothing: he pretty much invented the style single-handedly, and no matter who copied or expanded upon his blueprint, he remained the fieriest, most technically gifted musician the genre ever produced. Dale’s pioneering use of Middle Eastern and Eastern European melodies (learned organically through his familial heritage) was among the first in any genre of American popular music, and predated the teaching of such “exotic” scales in guitar-shredder academies by two decades. The breakneck speed of his single-note staccato picking technique was unrivaled until it entered the repertoires of metal virtuosos like Eddie Van Halen, and his wild showmanship made an enormous impression on the young Jimi Hendrix. But those aren’t the only reasons Dale was once called the father of heavy metal. Working closely with the Fender company, Dale continually pushed the limits of electric amplification technology, helping to develop new equipment that was capable of producing the thick, clearly defined tones he heard in his head, at the previously undreamed-of volumes he demanded. He also pioneered the use of portable reverb effects, creating a signature sonic texture for surf instrumentals. And, if all that weren’t enough, Dale managed to redefine his instrument while essentially playing it upside-down and backwards — he switched sides in order to play left-handed, but without re-stringing it (as Hendrix later did).
“I once made a million dollars a year with my career,” Dale reminisced to the Los Angeles Times magazine in 2001. “I made $10,000 for three minutes work on the ‘Ed Sullivan Show’ in 1963.”

Dale’s signature guitar style was the result of a happy accident. Most guitars are strung for a right-handed player. Dale, a lefty, originally picked up the guitar upside down so he could play naturally without restringing the instrument, leaving the thicker strings on the bottom of the fret board. “Nobody told me I was holding it wrong,” Dale explained to the Orange County Register in 2009. “I just taught myself to play it like that. It was hard at first.”

“Let’s Go Trippin'” was a huge local hit, and even charted nationally. Dale released a few more local singles, including “Jungle Fever,” “Miserlou,” and “Surf Beat,” and in 1962 issued his (and surf music’s) first album, the groundbreaking Surfer’s Choice, on Deltone. Surfer’s Choice sold like hotcakes around Southern California, which earned Dale a contract with Capitol Records and national distribution for the album. Dale was featured in Life magazine in 1963, which led to appearances on The Ed Sullivan Show and the Frankie/Annette film Beach Party. Surf music became a national fad, with groups like the Beach Boys and Jan & Dean offering a vocal variant to complement the wave of instrumental groups, all of which were indebted in some way to Dale, who released the follow-up LP King of the Surf Guitar and went on to issue three more albums on Capitol through 1965.  But the British Invasion began to steal much of surf’s thunder, and soon Dale was dropped by Capitol in 1965. He remained a wildly popular local act, but in that same year he was diagnosed with rectal cancer, which forced him to temporarily retire from music.

Doctors told the guitarist that without aggressive surgery, he could be dead in a matter of months. He survived, but the cancer bout whittled Dale from 158 pounds to 98 pounds, and also drained his bank account of his pop star proceeds. He moved to Hawaii and stayed away from music for a number of years. He beat the disease, however, and soon began pursuing other interests: owning and caring for a variety of endangered animals, studying martial arts, designing his parents’ dream house, and learning to pilot planes. In 1979, a puncture wound suffered while surfing off Newport Beach led to a pollution-related infection that nearly cost him his leg; Dick Dale soon added environmental activist to his resume. In addition to all of that, he performed occasionally around Southern California throughout the ’70s and ’80s.
In 1986, Dale attempted to mount a comeback. He first recorded a benefit single for the UC-Irvine Medical Center’s burn unit (which had helped him recuperate from potentially serious injuries), and the following year appeared in the beach movie Back to the Beach. The soundtrack featured a duet between Dale and Stevie Ray Vaughan on, which was nominated for a Grammy for Best Rock Instrumental. In 1991, Dale did a guest spot on an album by the San Francisco-based Psychefunkapus, and a successful Bay Area gig got him signed with Hightone Records.

The album Tribal Thunder was released in 1993, but Dale’s comeback didn’t get into full swing until “Miserlou” was chosen as the opening theme to Quentin Tarantino’s blockbuster 1994 film ‘Pulp Fiction’. “Miserlou” became synonymous with Pulp Fiction’s ultra-hip sense of style, and was soon licensed in countless commercials (as were several other Daletracks). As a result, Tribal Thunder and its 1994 follow-up, Unknown Territory, attracted lots of attention, earning positive reviews and surprisingly strong sales. In 1996, he supported the Beggars Banquet album Calling Up Spirits by joining the normally punk- and ska-oriented Warped Tour.
Adding his wife and young drum-playing son to his band, Dale refocused on touring over the next few years. He finally returned with a new CD in 2001,’ Spacial Disorientation’, issued on the small Sin-Drome label. Dale stepped away from his recording career after that release, but he continued to play out frequently, even as he struggled with myriad health problems, including diabetes, rectal cancer, and heart and kidney disease. Dale still had a busy schedule of concert dates on his schedule when he died on March 16, 2019, at the age of 81.

Tributes have begun popping up online, with many celebrating his distinctive sound. But the musician’s life story was also a constant struggle against health problems — and to pay medical bills. After his first cancer diagnosis in 1965, Dale continued to battle the disease. Up until the end of his life, Dale was explicit that he toured to fund his treatment.

“I can’t stop touring because I will die. Physically and literally, I will die,” he told the Pittsburgh City Paper in 2015. “Sure, I’d love to stay home and build ships in a bottle and spend time with my wife in Hawaii, but I have to perform to save my life.”

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Peter Tork 2/2019

Peter Tork, bass player for the Monkees

Peter Tork, bass player for the MonkeesPeter Tork (The Monkees) was born Peter Halsten Thorkelson on February 13, 1942 in Washington DC. His father John taught economics at the University of Connecticut. He began studying piano at the age of nine, showing an aptitude for music by learning to play several different instruments, including the banjo, French horn and both acoustic bass and guitars. Tork attended Windham High School in Willimantic, Connecticut, and was a member of the first graduating class at E. O. Smith High School in Storrs, Connecticut. He attended Carleton College in Minnesota but, after flunking out, moved to New York City, where he became part of the folk music scene in Greenwich Village and with his guitar and five-string banjo he began playing small folk clubs. He billed himself as Tork, a nickname handed down by his father, and reportedly played with members of the soon-to-be formed band Lovin’ Spoonful (Summer in the City). While there, he befriended other up-and-coming musicians such as Stephen Stills (Crosby, Stills Nash and Young).When Tork “failed to break open the folk circuit,” as he later phrased it, he moved to Long Beach, California in mid-1965. Later that summer, he fielded two calls from his friend Stephen Stills (Crosby, Stills, Nash and Young), who had auditioned with more than 400 others for the Monkees. Stills urged Tork to try out. “They told Steve, ‘Your hair and teeth aren’t photogenic, but do you know anyone who looks like you that can sing?’ And Steve told them about me,” Tork told the Washington Post in 1983.

Continue reading Peter Tork 2/2019

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Glenn Schwartz 11/2018

Glenn Schwartz, torn between rock and religionNovember 3, 2018 – Glenn Schwartz (the James Gang) was born on March 20, 1940 in Cleveland Ohio. While in Los Angeles on tour with the James Gang in 1967, Schwartz strolled onto the infamous Sunset Strip and stopped next to a small group of people listening to street preacher Arthur Blessitt, according to Stevenson’s book. Some time later he professed conversion to Christianity, saying “I was finally blessed by mercy for I heard the Gospel of Christ.”

Following his conversion, his zealous, new-found faith was not accepted well by the band, his family or his friends. As per Stevenson, Schwartz said: “I had some Christian friends who had some round stickers that read ‘Real Peace Is In Jesus’ and we stuck those all over our clothes … We put some on Janis Joplin but she didn’t like it and took them off. I remember she got pretty upset. Continue reading Glenn Schwartz 11/2018

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Tony Joe White 10/2018

Tony Joe White – October 24, 2018 was born on July 23, 1943, in Oak Grove, Louisiana as the youngest of seven children who grew up on a cotton farm. He first began performing music at school dances, and after graduating from high school he performed in night clubs in Texas and Louisiana.

As a singer-songwriter and guitarist, he became best known for his 1969 hit “Polk Salad Annie” and for “Rainy Night in Georgia”, which he wrote but was first made popular by Brook Benton in 1970. He also wrote “Steamy Windows” and “Undercover Agent for the Blues”, both hits for Tina Turner in 1989; those two songs came by way of Turner’s producer at the time, Mark Knopfler, who was a friend of White. “Polk Salad Annie” was also recorded by Elvis Presley and Tom Jones.

In 1967, White signed with Monument Records, which operated from a recording studio in the Nashville suburb of Hendersonville, Tennessee, and produced a variety of sounds, including rock and roll, country and western, and rhythm and blues. Billy Swan was his producer.

Over the next three years, White released four singles with no commercial success in the U.S., although “Soul Francisco” was a hit in France. “Polk Salad Annie” had been released for nine months and written off as a failure by his record label, when it finally entered the U.S. charts in July 1969. It climbed to the Top Ten by early August, and eventually reached No. 8, becoming White’s biggest hit.

White’s first album, 1969’s Black and White, was recorded with Muscle Shoals/Nashville musicians David Briggs, Norbert Putnam, and Jerry Carrigan, and featured “Willie and Laura Mae Jones” and “Polk Salad Annie”, along with a cover of Jimmy Webb’s “Wichita Lineman”. “Willie and Laura Mae Jones” was covered by Dusty Springfield and released as a single, later added to reissues of her 1969 album Dusty in Memphis.

Three more singles quickly followed, all minor hits, and White toured with Steppenwolf, Anne Murray, Sly & the Family Stone, Creedence Clearwater Revival and other major rock acts of the 1970s, playing in France, Germany, Belgium, Sweden and England.

In 1973, White appeared in the film Catch My Soul, a rock-opera adaption of Shakespeare’s Othello. White played and sang four and composed seven songs for the musical.

In late September 1973, White was recruited by record producer Huey Meaux to sit in on the legendary Memphis sessions that became Jerry Lee Lewis’s landmark Southern Roots album. By all accounts, these sessions were a three-day, around-the-clock party, which not only reunited the original MGs (Steve Cropper, Donald “Duck” Dunn and Al Jackson, Jr. of Booker T. and the MGs fame) for the first time in three years, but also featured Carl Perkins, Mark Lindsay (of Paul Revere & the Raiders), and Wayne Jackson plus The Memphis Horns.

From 1976 to 1983, White released three more albums, each on a different label. Trying to combine his own swamp-rock sound with the popular disco music at the time, the results were not met with success and White gave up his career as a singer and concentrated on writing songs. During this time frame, he collaborated with American expat Joe Dassin on his only English-language album, Home Made Ice Cream, and its French-language counterpart Blue Country.

In 1989, White produced one non-single track on Tina Turner’s Foreign Affair album, the rest of the album was produced by Dan Hartman. Playing a variety of instruments on the album, he also wrote four songs, including the title song and the hit single “Steamy Windows”. As a result of this he became managed by Roger Davies, who was Turner’s manager at the time, and he obtained a new contract with Polydor.

The resulting album, 1991’s Closer to the Truth, was a commercial success and put White back in the spotlight. He released two more albums for Polydor; The Path of a Decent Groove and Lake Placid Blues which was co-produced by Roger Davies.

In the 1990s, White toured Germany and France with Joe Cocker and Eric Clapton, and in 1992 he played the Montreux Festival.

In 1996, Tina Turner released the song “On Silent Wings” written by White.

In 2000, Hip-O Records released One Hot July in the U.S., giving White his first new major-label domestic release in 17 years. The critically acclaimed The Beginningappeared on Swamp Records in 2001, followed by Heroines, featuring several duets with female vocalists including Jessi Colter, Shelby Lynne, Emmylou Harris, Lucinda Williams, and Michelle White, on Sanctuary in 2004, and a live Austin City Limits concert, Live from Austin, TX, on New West Records in 2006. In 2004, White was the featured guest artist in an episode of the Legends Rock TV Show and Concert Series, produced by Megabien Entertainment.

In 2007, White released another live recording, Take Home the Swamp, as well as the compilation Introduction to Tony Joe White. Elkie Brooks recorded one of White’s songs, “Out of The Rain”, on her 2005 Electric Lady album. On July 14, 2006, in Magny-Cours, France, White performed as a warm-up act for Roger Waters’ The Dark Side of the Moon concert. White’s album, entitled Uncovered, was released in September 2006 and featured collaborations with Mark Knopfler, Michael McDonald, Eric Clapton, and J.J. Cale.

The song “Elements and Things” from the 1969 album …Continued features prominently during the horse-racing scenes in the 2012 HBO television series “Luck”.

In 2013, White signed to Yep Roc Records and released Hoodoo. Mother Jones called the album “Steamy, Irresistible” and No Depression noted Tony Joe White is “the real king of the swamp.” He also made his Live…with Jools Holland debut in London, playing songs from Hoodoo.

On October 15, 2014, White appeared on The Late Show with David Letterman alongside the Foo Fighters to perform “Polk Salad Annie”. Pointing to White, Letterman told his TV audience, “Holy cow! … If I was this guy, you could all kiss my ass. And I mean that.”

In May 2016, Tony Joe White released Rain Crow on Yep Roc Records. The lead track “Hoochie Woman” was co-written with his wife, Leann. The track “Conjure Child” is a follow up to an earlier song, “Conjure Woman.

The album Bad Mouthin’ was released in September 2018 again on Yep Roc Records. The album contains six self-penned songs and five blues standards written by, amongst others, Charley Patton and John Lee Hooker. On the album White also performs a cover of the Elvis Presley song “Heartbreak Hotel”. White plays acoustic and electric guitar on the album which was produced by his son Jody White and has a signature Tony Joe White laid back sound.

White died of a heart attack on October 24, 2018, at the age of 75

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Charles Aznavour 10/2018

Charles Aznavour (94) – world famous French chansonnier, actor, songwriter, activist – was born May 22, 1924 in Paris, France. In fact it was quite by chance that young Charles was born in the French capital. He should have been born in the United States, but his parents, Armenian immigrants, were temporarily based in France awaiting an American visa when their son unexpectedly arrived in the world.

Charles came from an interestingly mixed cultural background. His father Micha Aznavourian, had been born in Georgia; his mother, Anar, came from a family of Armenian tradesmen who were based in Turkey.

It was not long before Micha, a talented baritone whose father had been a chef to Czar Nicholas II, opened a small Armenian restaurant in Paris. Every evening he would perform to audiences of Central European exiles nostalgic for their homeland, while his wife Anar, an actress, attended to the guests. Charles and his elder sister, Aïda, thus grew up in the magical atmosphere of the restaurant in la rue de la Huchette, which became a favorite haunt for musicians and actors from the local theaters. Charles’s parents introduced him to performing at an early age, and he dropped out of school at age nine, and took the stage name “Aznavour”.

But the great recession in 1929 forced the Aznavourians to abandon their restaurant because of lack of clientele. The family moved to a flat in the rue Cardinal-Lemoine right across the road from the famous stage school where they enrolled their son Charles in 1933.

Charles’s greatest ambition at the time was to become an actor and he threw himself into drama classes with a veritable passion. It was not long before he began getting work as a film extra and he soon went on to land a few minor roles in the theatre as well as in several films. In 1939 his father Micha volunteered to join the French army and Charles left his drama school to start earning a living. Two years later he would meet a young songwriter and composer by the name of Pierre Roche. This encounter was to change Charles’s entire career, for he and Roche teamed up as a double act and began performing the songs they had written together on the cabaret circuit. Aznavour wrote his first song entitled J’ai Bu in 1944. The partnership’s first successes were in French speaking Quebec-Canada, as the pair proved to be an instant hit.

By 1946 Aznavour and Roche were rubbing shoulders with the great music-hall stars of the day. Aznavour met his great hero, Charles Trenet, and the duo also met Edith Piaf who would open doors in America for them. 1946 also proved to be a momentous year in Aznavour’s personal life, for he married his girlfriend Micheline and the following year the couple had their first child, a daughter called Séda. By the end of the 40’s Aznavour and Roche’s career had really taken off and the pair flew off to tour the States, flying on to Montreal where they performed headlining concerts for several months.

In 1952 Aznavour returned to France alone, his partner Pierre Roche staying behind in Montreal with his new wife. Aznavour continued performing on the cabaret circuit, but his solo act was not a great success. However, he did begin to make a name for himself as a songwriter, composing material for famous music-hall stars such as Mistinguett and Patachou. Juliette Gréco also had a hit with Aznavour’s song “Je hais les dimanches”(which went on to win “le Prix de la Sacem”). Aznavour also began working for Edith Piaf, writing an adaptation of the American hit “Jezebel” which proved to be a great success for her. During these stages of his career, Aznavour opened for Edith Piaf at the Jora Shahinyan. Piaf then advised him to pursue a career in singing. Piaf helped Aznavour develop a distinctive voice that stimulated the best of his abilities.

In 1952 Aznavour’s wife Micheline gave birth to a son named Charles. Two years later Aznavour embarked upon a tour of North Africa, and this time round his solo act proved a great success. The singer, who had a repertoire of at least thirty songs to his name now, landed a contract at the Alhambra when he returned to Paris, and followed this with a popular run at the legendary Olympia. While the critics were often rather harsh with Aznavour, audiences were charmed by his charismatic stage presence and traditional chanson style.

In 1956 Aznavour married his second wife Evelyne Plessis and later that year the couple had a son named Patrick. By this stage in his career Aznavour had established himself as one of the top names of French chanson, scoring huge hits with his songs “Sur ma vie”, “Parce que” and the controversial “Après l’amour” (which was considered far too explicit to play on the nation’s airwaves).

1957 was a year of triumph for Aznavour. The singer gave a series of phenomenally successful concerts at the Alhambra, then followed this with a headlining stint at the Olympia. His international tour later that year proved equally successful.

Meanwhile Aznavour’s acting career was also taking off in a major way. In 1958 he starred in Jean Pierre Mocky’s film “Les dragueurs”, then landed a role in Georges Frange’s “La tête contre les murs” (for which he scooped that year’s Best Male Actor award).

In 1960 François Truffaut offered Aznavour a major role in his film “Tirez sur le pianiste”. Truffaut’s film soon proved a box office smash in the States, and Aznavour was suddenly catapulted to fame in America. Indeed, he was soon invited to perform at the prestigious Carnegie Hall in New York. Following rave reviews from the critics, Aznavour embarked upon an extensive international tour, playing dates in Turkey, Lebanon, Greece, Africa and the USSR. The singer would also return to his roots in Erevan, Armenia, where he performed his legendary song “La Mamma” which would go on to become an absolute classic in the Aznavour repertoire.

When Aznavour finally returned to France in 1965 he took his successful “One Man Show” to the Olympia, performing his repertoire of 30 songs to a packed auditorium for a full twelve weeks. That summer Aznavour went on to star in Pierre Granier-Deferre’s film “Paris au mois d’août” and at the end of the year he staged his famous musical “Monsieur Carnaval” (“La bohême”, the hit song from this musical would go on to become the best-known song of his entire career).

The following year Aznavour set off on the next leg of his world tour, performing in Canada and the French Antilles. The singer then went on to score a massive hit throughout Latin America with the Spanish version of his famous song “Avec”.

Over the next few years Aznavour would alternate his concert tours of France with international performances. The singer had lost none of his popularity in Paris, performing no less than three shows a day at the Olympia (at 5pm, 9pm and midnight !).

In 1968 Aznavour married his third wife, Swedish-born Ulla Thorsell, in Las Vegas. The couple would hold a traditional religious wedding at the Armenian Church in Paris when they returned to France the following year. 1969 was also a momentous year in Aznavour’s professional career, being the year that he won an award from the Association of American Songwriters and Composers and La Médaille Vermeil in Paris for his song “Hier encore”. Later that year Aznavour celebrated another happy event in his personal life, his new wife Ulla giving birth to a daughter named Katia.

In the early 70’s, with more then 20 years of career behind him, Aznavour began writing his memoirs (published as “Aznavour par Aznavour”) and moved to the United States. The 70’s also marked a subtle change in Aznavour’s songwriting. No longer concerned with purely personal issues or being afraid of public resistance, the singer began to turn his attention to what was happening in the world around him. His new material included “Le temps des loups” (a song about urban violence in 1970), “Mourir d’aimer” (taken from the 1971 film of the same name inspired by a famous fait divers) and “Comme ils disent” (a song about homosexuality).

1970 turned out to be the year of Aznavour’s triumph in the States, the singer giving numerous concerts in West Coast universities then performing a sell-out show on Broadway. At the start of 1971 Aznavour returned to Paris for another successful run at the Olympia. A few months later he flew to Italy to receive a coveted “Lion d’Or” at the Venice Film Festival for the Italian version of the theme song from “Mourir d’aimer”. In May of that year the singer celebrated another happy event in his personal life when his wife Ulla gave birth to the couple’s second child, a son named Misha.

At the start of 1972 Aznavour returned to the Olympia for another immensely popular series of concerts, and proved equally successful later that year when he performed at the legendary Paris music-hall for a full six weeks in November/December. Meanwhile his song “Les plaisirs démodés” went rocketing to the top of the charts. At the end of 1972 Aznavour was laid up for several months after a serious skiing accident. Yet he continued his prodigious output even during his convalescence, writing the operetta “Douchka” with his brother-in-law (the composer Georges Garvarentz).

1974 was the year of Aznavour’s famous hit single “She”, which earned the singer a platinum disc in Britain (while, ironically, failing to sell at all in France). In 1975 Aznavour, whose lyrics had become increasingly committed to social and political causes, wrote the moving ballad “Ils sont tombés” to mark the 60th anniversary of the Armenian genocide. Later that year he turned his attention back to his acting career, starring in Claude Chabrol’s “Folies Bourgeoises” (Aznavour would work with the famous French director again in 1983, playing a lead role in “Le Fantôme du Chapelier”).

Aznavour had by now achieved international star status and his songs were covered by the greatest singers of the day, including Ray Charles (“La Mamma”), Fred Astaire (who recorded his own version of “Les plaisirs démodés” in 1976) and Bing Crosby who recorded “Hier encore” in 1977, shortly before his death. Later in 77 Aznavour celebrated two further happy events in his personal life, when his son Nicholas was born and he also became a grandfather for the first time.

Grandfather or not, Aznavour, now in his 50’s, continued his hectic touring schedule, embarking upon another major international tour in 1978 and triumphing on Broadway once again.

The following year Aznavour devoted more time and energy to his acting career, starring in Volker Schloendorff’s legendary film “The Tin Drum” (which scooped the “Palme d’Or” at Cannes in 1979). In 1980 he concentrated his efforts on his singing career, performing several immensely popular concerts at the Olympia and embarking on a new series of international tours.

1983 was marked by Aznavour’s split from his record company Barclay. The singer would not sign another recording deal until two years later, when he signed with the Trema label who promised to re-release his early albums. The re-release of Aznavour’s early work in 1986 coincided with the release of the singer’s brand new album, entitled “Les Emigrants” – an extremely successful work which went on to sell 180,000 copies. Later that year the multi-talented Aznavour tried his hand at writing a film script for the first time, working on Paul Boujenah’s film “Yiddish Connection” (a film in which Aznavour also played one of the lead roles).

1987 was another year of non-stop touring, Aznavour embarking upon another immensely successful American tour with the American singer Pia Zadora. On his return to Paris, Aznavour performed in front of a packed auditorium at the Palais des Congrès before setting off on an extensive tour of the French provinces at the end of the year.

In 1988 Aznavour returned to the Palais des Congrès in Paris, performing his old hits and new material to rapturous applause. At the end of the year news reached Aznavour of a catastrophic earthquake in Armenia (Leninakan and Spitak), which had killed 50,000 people. Aznavour, who had always remained firmly attached to his Armenian roots, immediately launched a fund-raising campaign to help his stricken homeland. The singer founded “Aznavour pour l’Arménie”, a humanitarian association which was involved in sending food and clothes to the earthquake victims. At the start of 1989 Aznavour also teamed up with the Armenian-born film director Henri Verneuil to enlist the help of French singers, actors and musicians in their Aid for Armenia campaign. 90 French actors and singers ended up making a special single and video (“Pour Toi l’Arménie”) which sold over 1 million copies.

As a result of his committed fund-raising work UNESCO appointed Aznavour as their permanent ambassador to Armenia. That same year Aznavour flew to London to re-record his greatest hits, which were released as a special triple album.

Throughout the early 90’s Aznavour continued to devote a great deal of time and energy to his acting career, starring in a number of television and feature films. In 1991 he also published another book, “Des mots à l’affiche”, a collection of his song lyrics and other short texts. At the end of 1990 Aznavour performed a legendary concert with his lifelong friend Liza Minelli at the Palais des Congrès in Paris.

In 1992 Aznavour invested some of his earnings in buying the back catalogue of Raoul Breton’s music publishing company. Aznavour, who appointed himself as director of the Raoul Breton collection, thus went on to own the copyright to some of the most famous songs in French music history (including the work of some of the greatest French chanson stars such as Edith Piaf and Charles Trenet).

In 1994 Aznavour signed a new deal with EMI, authorising the re-release of his life’s recording work (i.e. over 1,000 songs, more than half of which the singer had written himself). This resulted in the ‘complete works’ of Aznavour being released as a series of 30 CDs in 1996. In October American music magazine “Billboard” paid tribute to the French star, featuring him on their cover (a rare feat for a French artist !)

In 1997 Aznavour was honored in France at the “Victoires de la Musique” awards ceremony, where record industry professionals voted him Best Male Singer of the Year. Later that year the French president Jacques Chirac paid tribute to the singer, making him an Officier de la Légion d’Honneur at an official ceremony in Paris.

Meanwhile Aznavour continued to record new material, releasing a new album entitled “Plus bleu” (named after a famous song he had written for Edith Piaf in 1951). Benefiting from the latest technology, Aznavour was even able to record a new version of the song as a ‘virtual’ duet with Piaf, mixing his vocals with original Piaf recordings.

On Saturday July 12 1997 Aznavour celebrated his 50 anniversary in the music business at the Montreux Festival in Switzerland. The singer opened the show with his legendary hit “Après l’amour”, then handed over to a number of famous jazz musicians (including Rachelle Ferrell, Bobby McFerrin and Manu Dibango) who performed cover versions of his most famous songs in French and English. Aznavour returned to the stage for the grand finale, giving a rousing performance of his classic “Emmenez-moi”.

The Farewell Concerts

Following a series of health problems and a major shake-up in a car accident, Aznavour decided to call a halt to his touring activities. Announcing his “retirement” from the live scene, the singer embarked on one last round of concerts, bidding farewell to his fans worldwide. In November 1999 Aznavour brought the house down when he bid adieu to fans in Quebec. Shortly afterwards, Aznavour announced that he would play his very final concerts in Paris in October 2000. But between Quebec and Paris the indefatigable French star is planning to squeeze in another 180 concerts! The word “retirement” did not sit well with him.

After trying his hand at operettas in the 60s, the singer has written a musical about the life of French painter Toulouse-Lautrec. “Lautrec” premiered at the Shaftesbury Theatre in London in April 2000 and, following good reviews in the UK, it may well end up on Broadway. Aznavour, who was responsible for both the words and music in “Lautrec”, claims he has discovered a new calling in life, declaring in a recent interview that he was “made to write musicals!

Aznavour returned to the forefront of the French music scene in the autumn of 2000, releasing an album entitled “Aznavour 2000” which features twelve bitter-sweet ‘chansons‘ in his usual style. Following the release of “Aznavour 2000”, the French chanson star announced he was to retire from the live scene and told reporters his current tour will be the last of his career. After playing a series of concerts in Switzerland and Belgium, Aznavour performed the first of his farewell concerts at the Palais des Congrès in Paris on October 24th, playing to a packed house. After performing at the Palais des Congrès until December 17th, Aznavour continued his farewell tour in 2001, playing a series of concerts all over France. Meanwhile, the singer was also busy in front of the cameras, playing a lead role in an Atom Egoyan film. On October 8th 2001, Aznavour received another prestigious award to add to his collection when President Jacques Chirac made him a “Commandeur de l’Ordre national du mérite” at a special ceremony at the Elysée Palace.

Aznavour continued to defend social and political causes throughout his career. In January 2001, the singer voiced his appreciation of the French government’s recognition of the Armenian genocide. In April 2002, when far-right leader Jean-Marie Le Pen made it through to the second round of the French presidential elections, Aznavour joined other celebrities in signing the “Vive la France” petition, urging members of the public to go out and “sing the ‘Marseillaise’ for the Republic” as a protest. Later that same year, “Ararat,” a film about the Armenian genocide made by Atom Egoyan (a Canadian director of Armenian origin), hit French cinema screens. Aznavour played a starring role in it. In April 2003, the singer also attended a special ceremony marking the erection of a commemorative statue in Paris in memory of the genocide victims.

In September 2003, Aznavour published his memoirs, “Le temps des avants” (Flammarion) then, three months later, went on to release a new album entitled “Je voyage.” The album, on which Aznavour’s daughter, Katia, provided guest vocals on the title track, featured a rich mix of styles, the singer salsa-ing on “Il y a des trains,” swinging on “Quelqu’un de different” and waxing fado lyrical on “Lisboa.”

After taking a short break to play a role in a TV adaptation of Balzac’s novel, “Le père Goriot” (filmed in Bucharest), Aznavour made a stage comeback in Paris. The singer celebrated his 80th birthday with a successful run at the ‘Palais des Congrès’ (16 April – 22 May 2004).

In the course of an impressively long career, spanning six decades, Aznavour wrote more than 1,000 and recorded a staggering 740 songs (including 350 in French and 150 in English, not to mention eight albums in Spanish and seven albums in German). In 1999, voters in an Internet poll organised by CNN and Time magazine nominated Aznavour as one of the top singers of the 20th century, alongside Elvis Presley and Bob Dylan. Judging by his on-going success, it looks like the French ‘chanson’ star may well triumph in 21st-century polls, as well!

The singer’s 80th birthday was marked in style with the release of a double album featuring the greatest hits of his career recorded as duets with French music stars including Florent Pagny, Line Renaud, Catherine Ringer, Nana Mouskouri, Corneille – and even American superstar Liza Minelli!

In 2005, Aznavour resurfaced on the French music scene with “Insolitement vôtre”, a studio album featuring songs from “Lautrec” (the singer’s musical based on the life of artist Toulouse-Lautrec which has never been staged in France). The album featured an impressive list of guest stars duetting with the great Charles. These included Annie Cordy, Serge Lama, Lio, the Cape Verdean singer Maria Andrade, Isabelle Boulay and his own daughter, Katia Aznavour.

Later that year, the director Edmond Bensimon paid his own cinematic tribute to the singer with “Emmenez moi”, a fictional film about the adventures of a Charles Aznavour fan. What’s more, Aznavour got to play himself in the film.

2006 was largely taken up with Aznavour’s farewell tour outside France. Even though the singer is still ridiculously sprightly for 80, the pressures of international touring were beginning to take their toll on him and he had decided to start calming things down. His international farewell tour included dates in Germany in February and concerts in North America in September (Montreal, Toronto, Washington, New York, Boston, Los Angeles, etc.).

On 30 September 2006, Aznavour performed a major concert in the Armenian capital, Yerevan, inaugurating the cultural season “Arménie mon amie” in France. The French president Jacques Chirac, who was on an official visit to Armenia at the time, and the Armenian president Robert Kotcharian were in front-row attendance. Warm-up acts at the mega-show included many of Aznavour’s closest friends such as Nana Mouskouri, Line Renaud, Danny Brillant, Isabelle Boulay, also Hélène Ségara and Michel Legrand (both of whom are themselves of Armenian origin). Aznavour has remained deeply attached to his homeland throughout his career and his compatriots have returned his love, adopting him as their national hero.

While Aznavour had once again, officially embarked upon his farewell tour, bidding adieu to fans outside France, the singer showed no sign of stopping his formidable recording career. Far from it, in fact. In October 2006, Aznavour flew out to Cuba to record a new album, spending an intensive ten-day period at the legendary Egrem Studio in Havana. Here, he worked with the renowned Cuban pianist and composer Jesus “Chucho” Valdès who took care of orchestration and arrangement on the album. Recording in the studio with Chucho’s quartet, the pair perfected twelve vibrant upbeat tracks alternating between cha-cha-cha, calypso, mambo and Latin jazz. Aznavour’s warm, generous vocals worked wonderfully well with this mix of Caribbean rhythms.

Aznavour’s new album, “Colore ma vie”, released in February 2007, featured a series of ‘songs with a message’. On a haunting ballad entitled “J’abdiquerai” (I’ll Abdicate), the singer railed against death, “that filthy whore”. Meanwhile, he proved he was also perfectly in touch with topical social issues, raising the subject of immigration and integration on “Moi, je vis en banlieue” (Me, I Live in the Suburbs) and the idea of accepting personal responsibility for environmental problems on “La terre meurt” (The Earth is Dying). Aznavour remained true to two of his favorite themes, evoking the three phases of love on “Avant, Pendant, Après” (Before, During and Afterwards) and paying tribute to his native Armenia on “Tendre Arménie.”

The singer paid homage to Armenia once again on 17 February 2007, taking to the stage at the Opéra Garnier in Paris for another fundraising concert on behalf of his homeland. The show, entitled “Aznavour et ses amis” (Aznavour and Friends), aimed at raising funds for “Jeunes Ambassadeurs pour l’Arménie” – an organisation which invites Armenian children studying French to spend time in France – featured appearances by a number of major music stars including Patrick Bruel, Florent Pagny, Grand Corps Malade and Bénabar.

In December 2008, Aznavour released a bumper double album of duets with international music stars. The two-volume album, “Duos” – based on an idea by the singer’s artistic advisor and personal manager, Lévon Sayan – fell neatly into two linguistic halves. Volume I featured duets of French hits while volume II revolved around songs in English, German, Spanish and Italian. A star-studded cast joined the famous French chanson crooner in the studio including Elton John, Sting, Laura Pausini, Herbert Grönemeyer, Johnny Hallyday, Paul Anka, Liza Minnelli, Nana Mouskouri, Josh Groban, Julio Iglesias, Carole King and the opera singer Placido Domingo. Aznavour also recorded three ‘virtual’ posthumous duets with Frank Sinatra, Dean Martin and Edith Piaf.

In a career as a singer and songwriter, spanning over 70 years, he recorded more than 1,200 songs interpreted in 9 languages. Moreover, he wrote or co-wrote more than 1,000 songs for himself and others. Aznavour is regarded as one of the greatest songwriters in history and an icon of 20th-century pop culture.

He wrote the words: Yesterday when I was young, I knew the words to every song, which stayed in the forefront of my mind as a singer/guitarist growing older.

Between 1974 and 2016, Aznavour received around sixty gold and platinum records around the world. According to his record company, the total sales of Aznavour’s recordings were over 180 million units.

He started his last world tour at age 90 in 2014, never being able to retire from what he loved.

On October 1, 2018 French Chansonnier Charles Aznavour passed in his bath tub from cardiorespiratory arrest.

Tributes : When Bob Dylan was asked who some of his favorite musicians are, he stated, “I like Charles Aznavour a lot. I saw him in sixty-something at Carnegie Hall, and he just blew my brains out.”

Sting has stated that “To me he [Aznavour] is an icon. Not only as a singer, but as an actor, as a personality, as a master of ‘chanson’.”[94]

Aznavour was also highly regarded by Frank Sinatra, Celine Dion, Edith Piaf, and Liza Minnelli, with whom he performed and recorded. Minnelli has said of the singer, “He changed my entire life.”

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Otis Rush 9/2018

Otis Rush was born near Philadelphia, Mississippi on April 29, 1934 during the Great Depression, the son of sharecroppers Julia Campbell Boyd and Otis C. Rush. He was one of seven children and worked on the farm throughout his childhood. His mother regularly took him out of school so that he could add to the family income when the cotton was high and white landowners wanted extra labor.

Music was young Otis solace. He sang in gospel choirs and taught himself to play guitar and harmonica, playing on street corners. “This is where my soul came from. This is where my faith started.” He said of Neshoba County.

Determined not to spend his life in the cotton fields, he moved north to Chicago in 1949 at the age of 14, working in stockyards and steel mills and driving a horse drawn coal wagon, hanging out in the city’s blues clubs at night. Continue reading Otis Rush 9/2018

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Maarten Allcock 9/2018

Maarten Allcock (61) – multi instrumentalist with Fairport Convention and Jethro Tull,  was born on January 5, 1957 in North Manchester, England.

After an apprenticeship in folkclubs and dancebands, he ran away to join the Bully Wee Band, a Celtic folk group, which led on to an 11-year stint with folk-rock legends Fairport Convention, four years with rock band Jethro Tull and a session career which has included over 300 albums. A fretless bass player and guitarist, Maartin had an interesting youth.

After studying music at Huddersfield and Leeds he played on his first tour with Mike Harding in 1977. He moved to Brittany for a while, where he learned to cook. He then trained as a chef and worked in the Shetland Islands.

In 1981 he returned to music with The Bully Wee Band. After they broke up he toured in UK, Ireland and Europe with Kieran Halpin until he was invited to join the re-forming Fairport Convention as lead guitarist in 1985, touring extensively in UK, USA, Europe, Australia, Turkey, Hong Kong & Bermuda until 1996.

In 1988 he was asked to concurrently join Jethro Tull on keyboard, which he stayed with for four years, touring in North & South America, Western & Eastern Europe, Turkey and Estonia. In summer 1991 he also played keyboards for The Mission (known as Mission UK in the USA).

In October 1999 Maart, as his friends called him, recorded his second solo album, OX15, with guest appearances from Ian Anderson of Jethro Tull, Indian girl singer Najma Akhtar and other past and present members of both Jethro Tull and Fairport Convention.

In 2000 Maart moved to mountainous Snowdonia in North Wales and studied Welsh at Coleg Harlech.

In 2002, Maart toured with Blue Tapestry, Kieran Halpin, Orchard (featuring Dave Swarbrick, Beryl Marriott and Kevin Dempsey) as well as performing with Gilly Darbey and touring the UK, Germany, Switzerland and the Netherlands with The (new) John Wright Band.

In 2003 there were eleven albums, 2 TV series and tours of Holland, Germany and Italy. Plus the Dave Swarbrick Fiddlecase Tunebook and the recording of the third solo album, ‘Serving Suggestion’.

In 2004 there was a Danish tour with John Wright, the Kieran Halpin Songbook Two, the Fairport Convention Songbook One v2.0, an album with Mairi Armstrong, a couple of Blue Tapestry gigs, Ralph McTell’s 60th birthday concert and a UK tour with Beth Nielsen Chapman. Also the setting up of Squiggle Records.

In 2005 there was more session work for Yusuf Islam (Cat Stevens), albums with Miranda Sykes Band, Kieran Halpin, Ken Nicol, and Ian McCalman & friends, and Maart and his old chum Des Friel got two songs in a movie, Irish Jam, starring Anna Friel. Also Maart produced albums from top Welsh traditional band Crasdant and harpist Gwenan Gibbard. An educational DVD band came together as The Working Party and the new trio Swarb’s Lazarus was formed.

In 2006 Swarb’s Lazarus began touring and Maart married his wife Jan in Snowdonia. More production work for Sain Recordiau with Heather Jones, Sarah Louise and Robin Huw Bowen. Festival appearances with Gwenan Gibbard, Sarah Louise, The Paperboys, Swarb’s Lazarus, Fairport Convention with guest Glenn Tilbrook.

In 2007 there was some recording with Ralph McTell for the Steve Tilston boxset, two UK tours with Beth Nielsen Chapman, more recording and production work and ongoing dates with Swarb’s Lazarus.

In 2008 there was recording with Ian McCalman, gigs with Gwenan Gibbard, Netherlands and Belgium dates with Swarb’s Lazarus, recording with the late John Wright, a TV appearance with Heather Jones, and a lot of notation work, including work for Sain Recordiau and the start of the Dave Swarbrick Fiddle Tunes book. A lot of production work for Sain Recordiau too, including the debut album from young Welsh traditional band Calan and the second album for Gwenan Gibbard. There were a couple of visits to Rome and Barcelona for Jethro Tull Fan club conventions.
The Bad Shepherds was formed along with Ade Edmondson and Troy Donockley. After a few false starts including a week’s rehearsal in St. Lucia (Caribbean), the lineup finally came together with fiddler Andy Dinan and a lot of work started to come in for the band. In October Maart took part in Yr Arbrawf Mawr – The Big Experiment, a three day course in traditional music at Coleg Harlech. Another UK tour with Beth Nielsen Chapman followed in November and the year finished on the run up to Xmas with dates with The Bad Shepherds, who also started recording their album.

2009 started with a new album with Kieran Halpin, and a Burns Night supper in Stockholm for RBS with Mairi Armstrong. Most of the year was taken up with The Bad Shepherds, but Maart left at the end of the summer to concentrate on various other projects, including more production work for Sain Recordiau and transcription work for both Richard Thompson and Dave Swarbrick. In May Maartin Alcock was the subject of a half hour documentary on the BBC Radio Wales Arts Show, and he now has a monthly column in Acoustic magazine. In October, he was once again a guest of Rome-based Tull tribute act OAK.

2010 included two UK tours with Beth Nielsen Chapman, and a songbook of the new album, Back To Love, transcribed in time for the tour. More session work and a special concert of John Martyn’s music at Birmingham Town Hall with Danny Thompson, JM’s band and guest singers Eddi Reader, Beth Orton, Krystal Warren, Ian McNabb and Beverley Martyn.

Allcock later released several solo albums and worked as a multi-instrumentalist, session man and record producer on over 200 recordings by artists including Robert Plant, Beverley Craven, Judith Durham, Breton guitarist Dan Ar Braz (six albums), Ralph McTell, Dave Swarbrick, Cat Stevens, and Dafydd Iwan.

Maartin Allcock died in a Welsh hospital on September 16, 2018. He was 61 and had been suffering from inoperable liver cancer.

His approach to his terminal illness was serene and philosophical. After his diagnosis he wrote to fans: “I will go with dignity, good humour and good grace. “I just have to wait now for transport back to my own planet. I only came for the curry anyway.”

This year was meant to be my travel gap year. I was going to revisit friends and favourite places around the world before slowing down to enjoy the evening of my years. I made it as far as Madeira in January for some heat, a place I’d never considered before, but I loved it. Such a beautiful fragrant isle, truly a paradise.

A week after my return, I developed jaundice, and had to go to hospital. Scans and tests revealed that there were more sinister things happening inside me. Now the race is run and the final chapter has begun, and my liver cancer is terminal. I am in absolutely no pain or discomfort at this time. For the time being, to look at, you wouldn’t think there was much wrong with me. I am fully mobile, with energy, eating and sleeping well, and totally at peace with what the future holds. How long that future lasts is anyone’s guess, but I probably won’t make it to next summer. I shall play my final live performance at the Fairport Cropredy Convention this August, but I shall continue to make music while I draw breath. My main priority now is to finish the autobiography I began in January, and which now has an additional final chapter. I had no idea the deadline was so strict then.

So, do not be sad. I achieved everything I ever wanted to do from daydreaming in a council house in north Manchester to traveling the world with my heroes, playing to thousands and thousands of people, and getting paid for it. I have lived a lot, laughed a lot and loved a lot, and I shall leave this planet with eternal love and gratitude for my wife Jan, my three children Madeleine, Jered and Jane, and their mum Gill, and all of you who took any interest in this mad northerner. Thank you all so much. Be happy and shower the people you love with love.

What a giant of a man!

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Marty Balin 9/2018

Marty Balin (76) – Jefferson Airplane – was born Martyn Buchwald in Cincinnati, Ohio, on January 30, 1942. He was the son of Catherine Eugenia “Jean” (née Talbot) and Joseph Buchwald. His paternal grandparents had emigrated from Eastern Europe. His father was Jewish and his mother was Episcopalian. Buchwald attended Washington High School in San Francisco, California. As a child, Balin was diagnosed with what is now called autism.

In 1962, Buchwald changed his name to Marty Balin and began recording with Challenge Records in Los Angeles, releasing the singles “Nobody but You” and “I Specialize in Love”. By 1964, Balin was leading a folk music quartet named The Town Criers and along with the late guitarist Paul Kantner, co-founded Jefferson Airplane in 1965, recruiting vocalist Signe Anderson, who when left was replaced by Grace Slick.

Balin was the primary founder of Jefferson Airplane, which he “launched” from a restaurant-turned-club he created and named The Matrix and was also one of its lead vocalists and songwriters from 1965 to 1971. Balin was one of four Jewish members of the band, including bass player Jack Casady, drummer Spencer Dryden and guitarist Jorma Kaukonen. In the group’s 1966–1971 iteration, Balin served as co-lead vocalist alongside Grace Slick. Balin’s songwriting output diminished after Surrealistic Pillow (1967) as Slick, Paul Kantner, and Kaukonen matured as songwriters, a process compounded by personality clashes. 

Balin’s most enduring songwriting contributions were often imbued with a romantic, pop-oriented lilt that was atypical of the band’s characteristic forays into psychedelic rock. Among Balin’s most notable songs were “Comin’ Back to Me” (a folk rock ballad later covered by Ritchie Havens and Rickie Lee Jones), “Today” (a collaboration with Kantner initially written on spec for Tony Bennett that was prominently covered by Tom Scott), and, again with Kantner, the topical 1969 top-100 hit “Volunteers”. Although uncharacteristic of his oeuvre, the uptempo “3/5 of a Mile in 10 Seconds” and “Plastic Fantastic Lover” (both written for Surrealistic Pillow) remained integral components of the Airplane’s live set throughout the late 1960s.

Balin played with Jefferson Airplane at the Monterey Pop Festival in 1967 and at the Woodstock Festival in 1969. In December 1969, Balin was knocked unconscious by members of the Hells Angels motorcycle club while performing during the infamous Altamont Free Concert, as seen in the 1970 documentary film Gimme Shelter. 

In April 1971, he formally departed Jefferson Airplane after breaking off all communication with his bandmates following the completion of their autumn 1970 American tour. He elaborated upon this decision in a 1993 interview with Jeff Tamarkin of Relix.

I don’t know, just Janis’s death. That struck me. It was dark times. Everybody was doing so much drugs and I couldn’t even talk to the band. I was into yoga at the time. I’d given up drinking and I was into totally different area, health foods and getting back to the streets, working with the American Indians. It was getting strange for me. Cocaine was a big deal in those days and I wasn’t a cokie and I couldn’t talk with everybody who had an answer for every goddamn thing, rationalizing everything that happened. I thought it made the music really tight and constrictive and ruined it. So after Janis died, I thought, I’m not gonna go onstage and play that kind of music; I don’t like cocaine.

Balin remained active in the San Francisco Bay Area rock scene, managing and producing an album for the Berkeley-based sextet Grootna before briefly joining funk-inflected hard rock ensemble Bodacious DF as lead vocalist on their eponymous 1973 debut album. The following year, Kantner asked Balin to write a song for his new Airplane offshoot group, Jefferson Starship. Together, they wrote the early power ballad “Caroline”, which appeared on the album Dragon Fly with Balin as guest lead vocalist.

Rejoining the band he had helped to establish, Balin became a permanent member of Jefferson Starship in 1975; over the next three years, he contributed to and sang lead on four top-20 hits, including “Miracles” (No. 3, a Balin original), “With Your Love” (No. 12, a collaboration between Balin, former Jefferson Airplane drummer Joey Covington, and former Grootna/Bodacious DF lead guitarist Vic Smith), Jesse Barish’s “Count on Me” (No. 8), and N. Q. Dewey’s “Runaway” (No. 12). Ultimately, Balin’s relationship with the band was beleaguered by interpersonal problems and his own reluctance toward live performances. He abruptly left the group in October 1978 shortly after Slick’s departure from the band.

In 1979, Balin produced a rock opera titled Rock Justice, about a rock star who was put in jail for failing to produce a hit for his record company, based on his experiences with the lawsuits fought for years with former Jefferson Airplane manager Matthew Katz. The cast recording was produced by Balin, but it did not feature him in performance.

In 1981, he released his first solo album, Balin, and in 1983 a second solo album, Lucky, along with a Japanese-only EP produced by EMI called There’s No Shoulder.

In 1985, he teamed with former Jefferson Airplane members Paul Kantner and Jack Casady to form the KBC Band. After the breakup of the KBC band, a 1989 reunion album and tour with Jefferson Airplane followed.

In 1989, he participated in a short-lived Jefferson Airplane reunion tour and returned four years later to Jefferson Starship, finally leaving for good in 2008.

Jefferson Airplane was inducted into the Rock and Roll Hall of Fame in 1996 and was presented with the Grammy Lifetime Achievement Award in 2016.

While on tour in March 2016, Balin was taken to Mount Sinai Beth Israel Hospital in New York City after complaining of chest pains. After undergoing open-heart surgery, he was transferred to an intensive-care unit to spend time recovering. In a subsequent lawsuit, Balin alleged that neglect and inadequate care facilities on the hospital’s part had resulted in a paralyzed vocal cord, loss of his left thumb and half of his tongue, bedsores, and kidney damage.

Balin died at his home in Tampa, Florida on September 27, 2018, at the age of 76.

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Ed King 8/2018

Ed King, guitarist for Lynyrd SkynyrdEd King, ( Lynyrd Skynyrd/Strawberry Alarm Clock) – September 14, 1949 – August 22, 2018 was born in Glendale California and a guitar prodigy from early on in his life. Not even 18 years old, he became a founding member of the Los Angeles band Strawberry Alarm Clock, remembered for their 1967 #1 single “Incense and Peppermints.”

King met members of the future Lynyrd Skynyrd when they were opening for Strawberry Alarm Clock in early 1968. When Strawberry Alarm Clock disbanded, he became an official member of Lynyrd Skynyrd in 1972, replacing Leon Wilkeson on bass when Leon had left the band briefly. When Wilkeson rejoined the band King switched to lead guitar turning Skynyrd into the “guitar army” band, famous for its guitar fireworks.

He helped write “Sweet Home Alabama” in 1974; the song became one of Skynyrd’s strongest hits and a staple of rock guitarists everywhere. It is King’s voice heard counting off 1-2-3 at the beginning of “Sweet Home Alabama.” Other songs that King wrote or co-wrote include “Poison Whiskey”, “Saturday Night Special”, “Whiskey Rock-a-Roller” and “Workin’ For MCA”. He appeared on the band’s first three albums, Pronounced Leh-Nerd Skin-Nerd, Second Helping, and Nuthin’ Fancy.

Ed King quit Lynyrd Skynyrd pretty much at the peak of their fame, mainly because he finally got fed up with Ronnie Van Zant’s mercurial ways.

Skynyrd had three guitarists — at that point, King and founding members Gary Rossington and Allen Collins — but King was an outsider from the start. All of the other band members had grown up in the same part of Jacksonville, Florida, while King wasn’t even a Southerner, but a native of Glendale, California. He was marvelously talented — that riff in “Sweet Home Alabama”? That was King’s creation — and he was valued for his abilities as both a musician and a songwriter, but he was never really “one of the gang”.

Of writing the song with bandmate Ronnie Van Zant, King claimed, “we wrote that song in half an hour, but it took us about a half a day to put it together. The song came real quick. I started off with that riff and Ronnie was sitting on the edge of the couch, making this signal to me to just keep rolling it over and over.”

In an interview shortly before his death from cancer in 2018, King pointed to the below photo as being illustrative of his place in the band — all by himself to the left, with the other guys all standing side by side:

In March of 1975, during a show in Ann Arbor, Michigan, King snapped two guitar strings while playing “Free Bird”, throwing off his performance. According to King, his guitar tech had not been around to change his strings because he had been thrown in jail, along with Van Zant, following an altercation with police.

Ronnie didn’t care why King’s strings broke; all he knew was that Ed had fucked up. He unleashed a torrent of verbal abuse on King, including such colorful pronouncements as “you don’t amount to a pimple on Allen’s ass”.

Following the incident, King said he returned to his hotel room, thinking “what the hell am I doing here?”, packed his belongings, and left without a word, leaving his bandmates to wake up the next morning to find out he was gone (and Rossington and Collins to scramble to rearrange the songs to make up for King’s absence).

About the decision to leave the band, King said “well, I was out of my mind for quitting. But it was the best thing I ever did. It just got a little too nutty for me. So, in the middle of the night, I just walked out. It had been a bad night the night before. I had gotten fed up with frankly all the violence. I had good reason to leave.”

King was ultimately replaced by Steve Gaines in 1976; Gaines would die in the 1977 plane crash that also killed his sister Cassie and Van Zant. King said he visited the cemetery after the crash to pay his respects, and it was then that he discovered that he and Steve had been born on exactly the same day: September 14, 1949. He felt he had dodged a huge bullet by quitting when he did.

King would later reconcile with the other band members, and rejoined them when they reformed Skynyrd in 1987, but had to leave the band due to to congestive heart failure problems in 1996. He had a heart transplant surgery in 2011. Both he and Gaines were among the band members inducted into the Rock and Roll Hall of Fame in 2006.

He died, presumably from cancer at his Nashville home on August 22, 2018.

Founding member of Lynyrd Skynyrd Gary Rossington released a message on Twitter: ” I’ve just found out about Ed’s passing and I’m shocked and saddened. Ed was our brother, and a great Songwriter and Guitar player. I know he will be reunited with the rest of the boys in Rock & Roll Heaven.”

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Aretha Franklin 8/2018

Aretha Franklin 8/2018 (76) was born on March 25, 1942 in Memphis, TN. Her father was a Baptist minister and circuit preacher originally from Shelby, Mississippi, while her mother was an accomplished piano player and vocalist. By age five she had moved with her family to Motor City Detroit.  As a child, young Aretha Franklin was noticed for her gospel singing at New Bethel Baptist Church, where her father was a minister.
Shortly after her mother’s death from a heart attack, Franklin at age 10 began singing solos at New Bethel Baptist Church. When Franklin was 12, shortly after giving birth to her first son, her father, a notorious womanizer, began managing her; he would take her on the road with him, during his “gospel caravan” tours for her to perform in various churches. He also helped her sign her first recording deal with J.V.B. Records. Franklin was featured on vocals and piano. In 1956, J.V.B. released Franklin’s first single, “Never Grow Old”, backed with “You Grow Closer”. “Precious Lord (Part One)” backed with “Precious Lord (Part Two)” followed in 1959.

These four tracks, with the addition of “There Is a Fountain Filled with Blood”, were released on side one of the 1956 album, Spirituals. This was reissued by Battle Records in 1962, under the same title. In 1965, Checker Records released Songs of Faith, featuring the five tracks from the 1956 Spirituals album, with the addition of four previously unreleased recordings. Aretha was only 14 when Songs of Faith was recorded.

During this time, Franklin would occasionally travel with the Soul Stirrers. As a young gospel singer, Franklin spent summers on the gospel circuit in Chicago and stayed with Mavis Staples’ family. According to music producer Quincy Jones, while Franklin was still young, Dinah Washington let him know that “Aretha was the ‘next one'”.  Franklin and her father traveled to California, where she met singer Sam Cooke. At the age of 16, Franklin went on tour with Dr. Martin Luther King Jr., and she would ultimately sing at his funeral in 1968. Other influences in her youth included Marvin Gaye (who was a boyfriend of her sister), as well as Ray Charles and Sam Cooke, “two of Franklin’s greatest influences”. Also important was James Cleveland, known as the King of Gospel music, “who helped to focus her early career as a gospel singer”; Cleveland had been recruited by her father as a pianist for the Southern California Community Choir.

After turning 18, Franklin confided to her father that she aspired to follow Sam Cooke in recording pop music, and moved to New York. Serving as her manager, C. L. Franklin agreed to the move and helped to produce a two-song demo that soon was brought to the attention of Columbia Records, who agreed to sign her in 1960, as a “five-percent” artist (meaning she would receive 5% over all records sold!). Sam Cooke tried to persuade Franklin’s father to sign her with his label, RCA Victor, but she had already decided to go with Columbia. Berry Gordy had also asked Franklin and her elder sister Erma to sign with his Tamla label (Motown), but C.L. Franklin turned Gordy down, as he felt Tamla was not yet an established label. Franklin’s first Columbia single, “Today I Sing the Blues“, was issued in September 1960 and reached the top 10 of the Hot Rhythm & Blues Sellers chart.

But, as her Detroit friends on the Motown label enjoyed hit after hit, Franklin struggled to achieve crossover success. Columbia placed her with a variety of producers who marketed her to both adults (“If Ever You Should Leave Me,” 1963) and teens (“Soulville,” 1964). Without targeting any particular genre, she sang everything from Broadway ballads to youth-oriented rhythm and blues. Critics recognized her talent, but the public remained lukewarm until 1966, when she switched to Atlantic Records, where producer Jerry Wexler helped her to sculpt her own musical identity.

At Atlantic, Franklin returned to her gospel-blues roots, and the results were sensational. “I Never Loved a Man (the Way I Love You)” (1967), recorded at Fame Studios in Florence, Alabama, was her first million-seller. Surrounded by sympathetic musicians, including a young Duane Allman) playing spontaneous arrangements and devising the background vocals herself, Franklin refined a style associated with Ray Charles—a rousing mixture of gospel and rhythm and blues—and raised it to new heights. As a civil-rights-minded nation lent greater support to black urban music, Franklin was crowned the “Queen of Soul.” Respect,” her 1967 cover of Otis Redding’s spirited composition, became an anthem operating on personal, sexual, and racial levels. “Think” (1968), which Franklin wrote herself, also had more than one meaning. For the next half-dozen years, she became a hit maker of unprecedented proportions; she was “Lady Soul.”
In the early 1970s she triumphed at the Fillmore West in San Francisco before an audience of flower children and on whirlwind tours of Europe and Latin America. Amazing Grace (1972), a live recording of her performance with a choir at the New Temple Missionary Baptist Church in Los Angeles, is considered one of the great gospel albums of any era. By the late 1970s disco cramped Franklin’s style and eroded her popularity. But in 1982, with help from singer-songwriter-producer Luther Vandross, she was back on top with a new label, Arista, and a new dance hit, “Jump to It,” followed by “Freeway of Love” (1985). A reluctant interviewee, Franklin kept her private life private, claiming that the popular perception associating her with the unhappiness of singers Bessie Smith and Billie Holiday was misinformed.
In 1987 Franklin became the first woman inducted into the Rock and Roll Hall of Fame. In addition, she received a Kennedy Center Honor in 1994, a National Medal of Arts in 1999, and the Presidential Medal of Freedom in 2005. While her album sales in the 1990s and 2000s failed to approach the numbers of previous decades, Franklin remained the Queen of Soul. In 2009 she electrified a crowd of more than one million with her performance of “My Country ’Tis of Thee” at the presidential inauguration of Barack Obama, and her rendition of Carole King’s “(You Make Me Feel Like) A Natural Woman” during the Kennedy Center Honors ceremony in 2015 was no less breathtaking. The documentary Amazing Grace, which chronicles her recording of the 1972 album, premiered in 2018.

Aretha Franklin, the “Queen of Soul” died August 16th, 2018, the same day that Elvis Presley “The King of Rock ‘n’ Roll” died 41 years earlier.

It is said that Aretha sang the soul from her experiences of becoming a mother at age 12 and then again 14. It is also known that she lived in violent marriages and as a result became alcohol dependent. Her life was often compared to Tina Turner’s life with Ike. A story published in Vanity Fair exposes this wonderful woman.

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Eddie Willis 8/2018

Eddie “Chank” Willis (82) was born June 3, 1936 in Grenada, Mississippi where he also learned to play the guitar. Completely self-taught, Willis moved to Detroit from Mississippi in the early ’50s. He was fresh out of high school when Motown’s first recording star, Marv Johnson (“Come to Me”), brought him into the fledgling label started by songwriter/producer Berry Gordy. The year was 1959, and Berry Gordy Jr. gathered the best musicians from Detroit’s thriving jazz and blues scene to begin cutting songs for his new record company.

Eddie Willis was one-third of the guitar trio that was part of the classic Motown studio band dubbed the Funk Brothers. Along with Joe Messina and Robert White, the threesome created the catchy guitar-laced rhythmic interplay heard on a slew of ’60s/’70s hits from the then Detroit-based independent label. Eddie Willis helped create some of the most distinguished soul music to hit the charts. His guitar playing was heard worldwide on countless Motown Records classics, including the Marvelettes’ ‘Please Mr. Postman’ and Stevie Wonder‘s ‘I Was Made To Love Her.’ Willis’ guitar work also appears on numerous recordings including: “The Way You Do the Things You Do” by The Temptations. Some other Motown hits that feature Willis are “Friendship Train” by Gladys Knight and the Pips and Stevie Wonder‘s “My Cherie Amour” and playing in unison (doubling) an octave lower than White’s telegraph-like line on the Supremes‘ “Keep Me Hangin’ On”. It was Willis or Messina who usually played the backbeat, a key ingredient of the Motown sound that was later used in reggae music (“chunk…chunk”).

He was known for his signature muted guitar riffs which added a distinctive tone to the beat, often timed with the snare drum. Over the next fourteen year period the Funk Brothers were the heartbeat on every hit from Motown’s Detroit era, but when Gordy moved his Motown Company to Los Angeles, he began using top L.A. session musicians (including members of the Crusaders). Even though Willis and the Funk Brothers would occasionally be sent tapes from L.A. to overdub their parts, with the death of Funk Brothers‘ drummer Benny Benjamin, the migration of James Jamerson to L.A., and the retirement of Messina from the music business, the classic studio band soon faded into history. By the end of their phenomenal run however, this unheralded group of musicians had played on more number ones hits than the Beach Boys, the Rolling Stones, Elvis and the Beatles combined – which makes them the greatest hit machine in the history of popular music.

Willis later toured for two decades with the Four Tops and still recorded around Detroit, most notably with producer Don Davis (Rated X-Traordinaire-Best of Johnnie Taylor from Sony Legacy, Albert King‘s Albert King:The Ultimate Collection from Rhino, and David Ruffin‘s ’80s Warner Bros. LPs). Willis also worked as a touring guitarist for Eddie Kendricks.

In 2003 at the 45th GRAMMY Awards, Willis, along with the Funk Brothers, emerged into the spotlight as the movie they were featured in, Standing In The Shadows Of Motown, won Best Compilation Soundtrack Album For A Motion Picture, Television Or Other Visual Media. That same year, their track “What’s Going On” sung by Chaka Khan won Best Traditional R&B Vocal Performance.

Eddie Willis died of complications of polio on August 20, 2018, aged 82 years, at his home in Gore Springs, Mississippi.

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Danny Kirwan – 6/2018

Daniel David Kirwan (guitarist for Fleetwood Mac) was born on May 13, 1950 as Daniel David Langran and grew up in Brixton, South London. His parents separated when he was young. His mother, Phyllis Rose Langran then married Aloysious J. Kirwan in 1958 when Danny was eight. Kirwan left school in 1967 with six O-levels and worked for a year as an insurance clerk in Fenchurch Street in the City of London.

His mother was a singer and as a consequence he grew up listening to the music of jazz musicians such as Eddie Lang, Joe Venuti, Belgian gypsy guitarist Django Reinhardt and 1930s–40s groups such as the Ink Spots. He began learning guitar at the relative late age of 15 and quickly became an accomplished self-taught guitarist and musician, influenced by guitarists such as Hank Marvin of the Shadows, Django Reinhardt, Jimi Hendrix, and particularly by Eric Clapton’s playing in the Bluesbreakers. Kirwan was 17 when he came to the attention of the newly formed blues band Fleetwood Mac in London while fronting his first band Boilerhouse, a blues three-piece with Trevor Stevens on bass guitar and Dave Terrey on drums. Boilerhouse played support slots for Fleetwood Mac at London venues such as the Nag’s Head in Battersea and John Gee’s Marquee Club in Wardour Street.

Danny Kirwan was a natural guitarist, much in the same vein as Peter Green, who could make a string sing and a note come alive without any pedal support, just his fingers. Officially the story is that Peter Green in search for a more melodic blues direction for the band, saw Danny as his perfect counterpart and Mick Fleetwood later said: “Danny was a huge force in our early years … Danny’s true legacy, in my mind, will forever live on in the music he wrote and played so beautifully as a part of the foundation of Fleetwood Mac, that has now endured for over fifty years. Danny was a quantum leap ahead of us creatively … He is the lost component. In many ways, Danny is a forgotten hero.”

Danny Kirwan himself however downplayed his contributions to Fleetwood Mac’s sound and ethos. “I was lucky to have played for the band at all,” Kirwan told the British paper. “I just started off following them around, but I could play the guitar a bit and Mick felt sorry for me and put me in. I did it for about four years, to about 1972, but … I couldn’t handle the lifestyle and the women and the traveling.”

Danny’s guitar playing was very melodic, much in the style of the Incredible Stringband and some California Commune bands like Mad River and Love in the late sixties, which was styled as psychedelic underground. Danny did vibrato bends and pull-offs that were until then hardly ever heard.
Danny had joined the band in 1968, barely 18 years old. He appeared on five of Fleetwood Mac’s albums: 1969’s Then Play On and Blues Jam at Chess; 1970’s Kiln House; 1971’s Future Games; and finally on 1972’s Bare Trees. His compositions clearly made an impact on everyone of those albums. But Danny became the second “victim” of Fleetwood Mac after his buddy Peter Green left the band in 1970. You see in those early days, the members in Fleetwood Mac were hard partying rockers. They had fun and were living the high-life. Peter Green out of a growing mental illness pushed by drug abuse was the first one to leave and young Danny Kirwan had lost his mentor and music partner.
When American westcoast guitarist Bob Welch was brought in to replace Peter Green, Danny entered a vacuum, as band victim #3, slide guitarist Jeremy Spencer was already translating their hard charging life style into a religious obsession. (He was supposed to tour North America with the band in early 1971, but he went missing shortly before Fleetwood Mac was to play a concert in Los Angeles. Spencer supposedly left the hotel he and the group were staying at to get some groceries, but he never returned.)

left to right: John McVie, Danny Kirwan, Mick Fleetwood, Peter Green and Jeremy Spencer

In 1999 Welch said Kirwan had been “a talented, gifted musician, almost equal to Peter Green in his beautiful guitar playing and faultless string bends,” but commented in a later interview: “Danny wasn’t a very lighthearted person, to say the least. He probably shouldn’t have been drinking as much as he did, even at his young age. He was always very intense about his work, as I was, but he didn’t seem to ever be able to distance himself from it and laugh about it.”
Before a concert on a US tour in August 1972, a backstage argument between a drunken Kirwan and Welch resulted in Kirwan smashing his guitar, trashing the dressing room and refusing to go on stage. Having reportedly smashed his head bloody on a wall, Kirwan watched the band struggle through the set without him, with Welch trying to cover his guitar parts. Welch remembered, “I was extremely pissed off, and the set seemed to drag on forever.” The band fired Kirwan, and the artistic direction of Fleetwood Mac was left in the hands of Welch and Christine McVie. Fleetwood said later that the pressure had become too much for Kirwan, and he had suffered a breakdown.

Danny Kirwin released three albums as a solo artist from 1975 to 1979, during which years he also recorded albums with Otis Spann, Chris Youlden, and Tramp, as well as worked with his former Fleetwood Mac colleagues Jeremy Spencer and Christine McVie on some of their solo projects. As a member of Fleetwood Mac, he was inducted into the Rock and Roll Hall of Fame in 1998, even though he did not come to the induction.

For most of the 1980s and 90s he battled mental illness, alcoholism and homelessness. It emerged that he had been living in basements and shelters, making ends meet through social security and small royalty payments.

In 1993, after Mick Fleetwood made inquiries about his well-being, the London paper The Independent and the U.K.’s Missing Persons Bureau tracked him down in a homeless shelter in London’s West End, where Kirwan had been living for the past four years in reasonable comfort, arranged for by his family.

Danny Kirwan died Friday June 8, 2018 in London at the age of 68, presumably according to his ex-wife from pro-longed pneumonia.

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Vinnie Paul 6/2018

Vinnie Paul (54) – drummer with metal band Pantera/Damageplan – was born March 11, 1964  in Abilene, Texas. His parents were Jerry, a country music songwriter and producer, and Carolyn Abbott. Abbott originally played the tuba after being assigned to it in school band class, but he was directed towards the drums by his father, who said there were no career prospects for a tuba player. His father bought him his first drum kit.

Paul formed Pantera in 1981 with his brother Dimebag Darrell and Terry Glaze on guitars, bassist Tommy D. Bradford, and vocalist Donnie Hart. Pantera recruited vocalist Phil Anselmo in 1987.

Pantera’s breakthrough album was Cowboys from Hell (1990, Atco Records). They went on to release four more studio records, a live album and a greatest hits compilation. A dispute between singer/frontman Phil Anselmo and the Abbott brother caused the band to slowly fall apart and after the informal breakup of Pantera in 2003, the Abbott brothers formed the heavy metal band Damageplan and recorded one album, New Found Power. Sadly Damageplan broke up after the on stage murder of Vinnie’s bother, lead guitar player Darrell on December 8, 2004.

After an 18-month hiatus, Vinnie Paul joined with the heavy metal supergroup Hellyeah, which also features vocalist Chad Gray and guitarist Greg Tribbett from Mudvayne, guitarist Tom Maxwell from Nothingface, and bassist Bob Zilla from Damageplan. He recorded six albums with Hellyeah, including 2016’s Undeniable and the final album “Welcome Home”.  In May 2019, it was announced that Hellyeah would tour for the first time since Abbott’s death to support the final album he recorded with the band.

Vinnie Paul died in his Las Vegas home on June 22, 2018 at age 54. A coroner’s report determined that his death was from complications of an enlarged heart and severe coronary artery disease.

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Matt ‘Guitar’ Murphy 6/2018

Matt ‘Guitar’ Murphy (88) – blues guitar great – was born on March 15, 1931 in Sunflower, Mississippi, and was raised and educated in Memphis, Tennessee, where his father worked at the famous Peabody Hotel. Murphy learned to play guitar when he was a child. Alongside his brother Floyd Murphy, he became a fixture on the Memphis blues scene when they were teenagers.

In 1948, Murphy moved to Chicago, where he joined the Howlin’ Wolf Band, which at the time featured Little Junior Parker. In 1952, Murphy recorded with Little Junior Parker and Ike Turner, resulting in the release, “You’re My Angel”/“Bad Women, Bad Whiskey”, credited to Little Junior Parker and the Blue Flames.
Murphy worked often with blues pioneer Memphis Slim, including on his debut album At the Gate of Horn (1959). Murphy recorded two albums and many singles with Chuck Berry and was also featured in works by Koko Taylor, Sonny Boy Williamson II, Buddy Guy, Etta James, and Otis Rush. He also performed with Willie Dixon. Freddie King is said to have once admitted that he based his “Hide Away” (1960) on Murphy’s playing.

He also gave a very memorable performance in 1963 on the American Folk Blues Festival tour of Europe with his “Matt’s Guitar Boogie”.

After years of session work in the late 60s and early 70s, Murphy joined the Blues Brothers band, which was based on a Belushi-Aykroyd sketch on “Saturday Night Live.” There, Murphy played alongside noted session musicians Donald “Duck” Dunn on bass, Steve Jordan on drums, Steve Cropper on guitar and Paul Shaffer on keyboards. The Blues Brothers’ album “Briefcase Full of Blues,” released at the height of the disco era on Atlantic Records, was a surprise No. 1 Billboard hit upon its release in November 1978, with its live, revisionist blues material. Murphy was an essential element of the album’s two Top 40 singles, “Soul Man” and “Rubber Biscuit.”

He recorded solo albums Way Down South in 1990 and the Blues Don’t Bother Me in 1996. Lucky Charm was Murphy’s third solo album, first released in 2000 with Roesch. It included contributions by his fellow Blues Brothers musicians Lou Marini and Alan Rubin, credited as The Blues Brothers Horns.

In the 1970s, Murphy associated with harmonica great James Cotton, recording over six albums. Dan Aykroyd and John Belushi attended one of their performances and subsequently asked Murphy to join the touring band of The Blues Brothers. Murphy appeared in the films The Blues Brothers (1980) and Blues Brothers 2000 (1998), playing the husband of Aretha Franklin. He performed with the Blues Brothers Band until the early 2000s.

He played the soul food chef and husband to waitress Aretha Franklin. The couple spar over his desire to reunite with his ne’er-do-well pals, Jake and Elwood Blues, who are on “a mission from God” to put their Blues Brothers band back together again to raise money for a Catholic orphanage in Chicago.

Murphy was inducted into the Blues Hall of Fame in 2012.

He died on June 15, 2018

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Mike Harrison 3/2018

Mike Harrison (75) – frontman with Spooky Tooth – was born on 30 September 1942 in Carlisle, in the NW Cumberland area of England.

He began his musical career with the Ramrods, a band originating from Carlisle in the historic county of Cumberland, the northern part of the ceremonial county of Cumbria. This was to develop the foundations of a career that led to him being notable as the lead singer of Spooky Tooth, a band that he initially co-founded, with Mike Kellie, Luther Grosvenor and Greg Ridley and which Gary Wright then joined. Harrison, Grosvenor, Ridley and Kellie had previously been in a Carlisle-based band called The V.I.P.’s, which also included Keith Emerson (Emerson, Lake and Palmer).

When Emerson left in early 1967 to co-found The Nice, the remaining band members changed the band’s name to Art and released one album in late 1967 on Island Records, titled Supernatural Fairy Tales, a psychedelic classic.  

Art lasted only that one LP, but, encouraged by label owner Chris Blackwell the band would soon take on a new member, keyboardist Gary Wright, and changed their name again, this time to Spooky Tooth. They  released four albums between 1968 and 1970, before breaking up for the first time. The band’s sound was considered to be particularly unique in that it involved two keyboard players, Harrison and Wright, whose singing style often involved alternating vocals, similar to the Righteous Brothers or Hall and Oates.

Spooky Tooth first broke up in 1970 and Harrison commenced a solo career in 1971, which was anticipated with The Last Puff, the band’s 1970 breakup album, billed as “Spooky Tooth, featuring Mike Harrison”. Harrison released two solo albums in 1971 and 1972.

In 1971, while still a member of Spooky Tooth, Harrison would issue his first solo album, simply titled Mike Harrison. It showed a different style from his work with Spooky Tooth and stands as one of his finest works. A second record, Smokestack Lightning, arrived the next year and saw him working with the Muscle Shoals Rhythm Section. 

Harrison left  the second coming of Spooky Tooth following 1973’s Witness and a third solo effort, Rainbow Rider, was released in 1975. Spooky Tooth would issue one more album before calling it a day, though they would reunite, with Harrison involved, for one final album in 1999. 

Harrison had discovered that the royalties from his solo albums were being applied, without his knowledge or consent, to debts allegedly owed by Spooky Tooth to Island Records. 

Harrison decided to leave the music industry entirely, and remained largely inactive from 1975 until 1997. 

The reason for his extended departure from music was primarily financial. Beyond a weekly stipend from Island Records, during their active period band members received no further benefits, including royalties. Instead, debts were accumulated and considered to be owed to the record company. During his absence from the music scene, among other occupations, Harrison worked as a barman and drove meat and milk delivery trucks.

During the early 1990s Harrison developed a renewed interest in music, resulting in the recording of three songs with original members Mike Kellie, Luther Grosvenor and Greg Ridley in 1997. Recording continued in 1998, resulting in the release of Cross Purpose in 1999, the first Spooky Tooth album in twenty-five years, following the 1974 release of The Mirror, in which Harrison had not participated. He had left the band in 1973, following the release of Witness. Cross Purpose was also the first Spooky Tooth album to feature four of the five original members since Spooky Two, released in 1969.

In 1999, Harrison was also offered a regular monthly engagement with the Hamburg Blues Band. This led to the release of Touch in 2001. The album featured lyrics by Pete Brown, longtime collaborator with Jack Bruce, with music by the Hamburg Blues Band and vocals by Harrison.

A 2004 reunion and tour with original Spooky Tooth members Gary Wright and Mike Kellie, resulted in the release of the concert DVD Nomad Poets in 2007. And in 2006, Harrison’s fourth solo album, Late Starter, was released.

Harrison, Wright and Kellie continued to perform as Spooky Tooth during 2008, after which Kellie departed and Harrison and Wright continued as Spooky Tooth during 2009.

Harrison continued to perform on occasion after that time, until he died on 25 March 2018 in Carlisle at age 75 of undisclosed causes.

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Fast Eddie Clarke 1/2018

Fast Eddie Clarke (Motorhead/Fastway) was born on 5 October, 1950 in Twickenham, Middlesex, England. He got his first guitar in 1965 when his father had “a win on the horses”.

And a little later in that year when he turned fifteen years old, he had already been through several local bands, one of which was called The Bitter End. Of his “Fast” moniker, Clarke has said “I didn’t get the name Fast Eddie because of any sex thing, and it wasn’t even because I could play fast. It was just that I could play one note in a solo really fast,” referring to his skillful tremolo picking. He became a proficient guitarist, honing his chops with various other bands, playing local gigs until 1973, when he turned professional by joining Curtis Knight’s blues prog rock band, Zeus, as lead guitarist.

In 1974, the band recorded an album called The Second Coming at Olympic Studios. Clarke wrote the music to Knight’s lyrics on a track entitled “The Confession”.
Clarke also recorded the album Sea of Time with Zeus. Later, with guitarist friend Allan Callan, keyboard player Nicky Hogarth, and drummer Chris Perry, Clarke attended a recorded jam session at Command Studios in Piccadilly. As a result of the tracks from this session, the quartet secured a deal with Anchor Records, and called the band Blue Goose. With a recording contract secured, Clarke, Hogarth and Perry left Zeus to focus on their own project with Callan.
But Clarke soon formed another band with Be-Bop Deluxe bassist Charlie Tumahai, vocalist Ann McCluskie and drummer Jim Thompson. Called Continuous Performance, this line up lasted until early 1975, when their demo tracks failed to secure them a record deal and the band split up. Still out to secure a record deal, Clarke then formed a group with Nicky Hogarth from Blue Goose, bass player Tony Cussons and drummer Terry Slater. Their efforts to get a deal were also unsuccessful, and Clarke temporarily gave up the music industry.

While re-fitting a houseboat, he met drummer Phil Taylor, who had recently joined Motörhead. However, according to Lemmy Kilmister‘s authorized biography, it appears that Clarke was introduced to Lemmy by a receptionist at the rehearsal studio, Gertie, who was romantically involved with Clarke at the time.

So the threesome (Lemmy, Clarke, Taylor) are considered the classic Motörhead line-up and have the Motörhead, Overkill, Ace of Spades, Bomber, No Sleep ’til Hammersmith and Iron Fist albums plus a string of hit singles to their credit.

Eddie was a member of Motörhead for the most successful five years of their career following the release of the Chiswick album.

And then in 1982, whilst on tour in the US he was unexpectedly kicked out of the band over musical differences with Lemmy and Phil Taylor. Clarke himself later said:

“[Philthy] was the main instigator in my being excluded from the band. Notice I do not call it leaving, as it was not my choice. I had imagined dying onstage with Motörhead, so it was a blow when they didn’t want me in the band any longer.”

But soon after, Eddie got together with UFO bass player Pete Way to form Fastway, an amalgamation of their own two names. Added by ex-Humble Pie drummer Jerry Shirley and vocalist Dave King. Just as the band signed a deal with CBS Records, Way left the band to be replaced by former Taste bassist Charlie McCracken. CBS however had faith in Fastway and decided to sign them despite this setback. Fastway went on to record a total of nine albums over 25 years with Eddie Clarke the only permanent member of the band and with numerous contributions from amateurs and professional musicians.

Just like during the excessive rock and roll lifestyle during the Motorhead years, the candle kept burning on both sides and there was a price to pay.
By 1993 Clarke was being admitted to a hospital for quite a while. After a slow recovery, Clarke released a solo album, It Ain’t Over Till It’s Over, which blends Motörhead and Fastway styles. Lemmy also helped out on the album by writing and singing the track “Laugh at the Devil”. The double CD release, Fast Eddie Clarke Anthology, on Sanctuary Records showcased a collection of Clarke’s music spanning his career before and after Motörhead. It also marked a return to live performances with a re-formed Fastway, including an appearance in the UK at the Download Festival in summer 2007.

Eddie’s inspirational driving guitar-playing kept fans interested and Fastway toured and played festivals all over the world, but gradually sales spiraled down and “Dog Eat Dog” for the German Steamhammer label in 2011 was the band’s final album.

Eddie had a home studio and continued playing guitar and his final album was “Make My Day – Back To Blues” in 2014; a collaboration between Clarke and the keyboardist from Shakatak, Bill Sharpe. Clarke reunited with Lemmy on 6 November 2014 at the National Indoor Arena in Birmingham to play the Motörhead track “Ace of Spades”.

Fast Eddie Clarke died on 10 January 2018, aged 67, in a hospital where he was being treated for pneumonia. He suffered from emphysema.

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Edwin Hawkins 1/2018

Edwin Hawkins was born in Oakland, California, on August 19, 1943. he began singing in his church youth choir while still a toddler, and by age five was playing piano; just two years later, he assumed full-time piano accompaniment duties for the family gospel group, making their recorded debut in 1957.
In May 1967, together with Betty Watson, he founded the Northern California State Youth Choir of the Church of God in Christ (COGIC), which included almost fifty members.  This ensemble recorded its first album Let Us Go into the House of the Lord at the Ephesian Church of God in Christ in Berkeley, California privately (on the Century 70 custom label), hoping to sell 500 copies. “Oh Happy Day” was just one of the eight songs on the album. The choir used this LP to raise funds to travel to the 1968 Youth Congress for COGIC in Washington, D.C. to compete in the Congress’ annual choir competition, representing the Northern California region. The choir finished in second place at the contest, and that was the first of many surprises coming their way. Upon their return to California, their LP found its way into the hands of a KSAN underground rock DJ in San Francisco who happened to pick “Oh Happy Day” to play on his station; the song became an instant hit.
Once “Oh Happy Day” received radio airplay in other parts of the U.S. and the ensemble learned of the song’s rising success, they began to contact people in the recording industry who helped them obtain a major contract. The ensemble signed with the newly created Pavilion label (distributed by Buddah), and released a second LP, entitled He’s A Friend of Mine, in 1969. But it was “Oh Happy Day” that rocketed to sales of more than a million copies within two months. The song crossed over to the pop charts, making U.S. No. 4, UK No. 2, Canada No. 2, No. 2 on the Irish Singles Chart, and No. 1 on the French Singles Charts, the Netherlands and the German Singles Charts in 1969.

It became an international success, selling more than 7 million copies worldwide, and Hawkins was awarded his first Grammy for the recording. His arrangement of the song was eventually covered by The Four Seasons on their 1970 album Half & Half. At this time the choir was rechristened the Edwin Hawkins Singers, although the featured voice on “Oh Happy Day” belonged to singer Dorothy Combs Morrison, who soon exited in pursuit of a solo career. Her loss proved devastating to Hawkins’ long-term commercial fortunes.

The choir’s second LP Top 10 hit on the Billboard Hot 100 charts was the 1970 Melanie single “Lay Down (Candles in the Rain),” on which the label listed the performers as “Melanie with The Edwin Hawkins Singers”. The song peaked at No. 6 in the U.S. and Top 10 in a host of other countries.

Hawkins remained a critical favorite, and in 1972 the Singers won a second Grammy for Every Man Wants to Be Free. Recording prolifically throughout the remainder of the decade, in 1980 they won a third Grammy for Wonderful; a fourth, for If You Love Me, followed three years later. In 1982, Hawkins also founded the Edwin Hawkins Music and Arts Seminar, an annual weeklong convention that offered workshops exploring all facets of the gospel industry and culminating each year with a live performance by the assembled mass choir. Although Hawkins recorded less and less frequently in the years to follow, he continued touring regularly. In 1990, Hawkins, credited as a solo performer, had a number 89 hit on the R&B chart with “If at First You Don’t Succeed (Try Again)”.
In the 1992 movie Leap of Faith, Hawkins is the choir master for the gospel songs. In 1995 he toured extensively with the Swedish choir Svart Pa Vitt. His Music and Arts Seminar continued to grow as well, with the 2002 choir including members from the U.S., Europe, and Japan. Hawkins also recorded throughout the 2000s, releasing All the Angels in 2004 and Have Mercy four years later.

Edwin Hawkins was one of the originators of the urban contemporary gospel sound.  His arrangement of “Oh Happy Day”, which was included on the Songs of the Century list.

Hawkins died of pancreatic cancer on January 15, 2018, in Pleasanton, California, at the age of 74.

Altogether Hawkins has won four Grammy Awards and In 2007, Hawkins was inducted into the Christian Music Hall of Fame and attended the formal awards show in 2009.

The Edwin Hawkins Singers performance of “Oh Happy Day” at the 1969 Harlem Cultural Festival appears in the 2021 music documentary, Summer of Soul.
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Preston Shannon 1/2018

Preston Shannon was born October 23, 1947 in Olive Branch, Miss., Shannon moved to Memphis at the age of 8. While his family was steeped in the culture and music of the Pentecostal church, it was blues and R&B that fired Shannon’s imagination.

Shannon first gained notice in the 1980s as a member of local group Amnesty while still working as a hardware salesman. His big break came after being discovered by soul singer Shirley Brown. Shannon’s distinctive vocals, often described as “a cross between Bobby Womack and Otis Redding”  and supple guitar playing, set him on the path professionally.

In the early-’90s, Shannon stepped out on his own, launching a long run as one of the featured acts on Beale Street. Over the next three decades, Shannon would cut a familiar figure in the clubs on Beale, serving as a kind of musical ambassador to the hundreds of thousands of tourists who would visit each year. His efforts would earn Shannon the nickname “The King of Beale Street.”

In the ’90s, Shannon also began his solo recording career. Signing with indie label Rounder Records in 1994, he released his critically acclaimed debut, “Break the Ice,” featuring contributions from the Memphis Horns.

In 1993, his own Preston Shannon Band played at the Long Beach Blues Festival in Long Beach, California. After being spotted leading his own band in Memphis’ Beale Street clubs, he signed to Rounder Records subsidiary, Bullseye Blues, and released his debut solo effort, Break the Ice in 1994.

After this followed the Willie Mitchell produced efforts, Midnight in Memphis (1996) and All in Time (1999). However, with no immediate follow-up available, Preston lost momentum.Shannon’s next effort, 1996’s “Midnight in Memphis,” was produced by Hi Records legend Willie Mitchell, who would prove a frequent collaborator. The pair reunited for Shannon’s 1999’s record “All in Time.” Shannon would release a number of lauded albums over the years, including his 2014 tribute to Chicago bluesman Elmore James, titled “Dust My Broom.”

Among the songs he wrote are “Beale Street Boogaloo” and “Midnight in Memphis“.He was born in Olive Branch, Mississippi and relocated with his family to nearby Memphis, Tennessee at the age of eight.

After moving to Title Tunes, he released Be with Me Tonight (2006).

Shannon played at Memphis in May in both 2008 and 2011. In February 2012, Shannon appeared on season two of The Voice, singing “In the Midnight Hour”.

He was a regular performer at B.B. King’s Blues Club in Memphis. Shannon’s most recent album release was Dust My Broom (2014).

Preston died of cancer on January 22, 2018 in Memphis, Tennessee, at the age of 70.

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Hugh Masekela 1/2018

Hugh Masekela (78) – Virtuoso Multi wind instrument player – was born on April 4, 1939 in KwaGuqa Township, Witbank, South Africa to Thomas Selena Masekela, who was a health inspector and sculptor and his wife, Pauline Bowers Masekela, a social worker. As a child, he began singing and playing piano and largely was raised by his grandmother, who ran an illegal bar for miners. At the age of 14, after seeing the film Young Man with a Horn (in which Kirk Douglas plays a character modelled on American jazz cornetist Bix Beiderbecke), Masekela took up playing the trumpet. His first trumpet, from Louis Armstrong, was given to him by Archbishop Trevor Huddleston, the anti-apartheid chaplain at St. Peter’s Secondary School now known as St. Martin’s School (Rosettenville).

“Father Huddleston… met my idol Louis Armstrong and told him about our band. Louis’s response was: ‘Well‚ I got to send them one of my horns‚’ and he did. What this did for the band was get us on the front page of every major newspaper and magazine in South Africa—a first for a black group,” he told TimesLive.

Huddleston asked the leader of the then Johannesburg “Native” Municipal Brass Band, Uncle Sauda, to teach Masekela the rudiments of trumpet playing. Masekela quickly mastered the instrument. Soon, some of his schoolmates also became interested in playing instruments, leading to the formation of the Huddleston Jazz Band, South Africa’s first youth orchestra. By 1956, after leading other ensembles, Masekela joined Alfred Herbert’s African Jazz Revue.

From 1954, Masekela played music that closely reflected his life experience. The agony, conflict, and exploitation South Africa faced during the 1950s and 1960s inspired and influenced him to make music and also spread political change. He was an artist who in his music vividly portrayed the struggles and sorrows, as well as the joys and passions of his country. His music protested about apartheid, slavery, government; the hardships individuals were living. Masekela reached a large population that also felt oppressed due to the country’s situation.

Following a Manhattan Brothers tour of South Africa in 1958, Masekela wound up in the orchestra of the musical King Kong, written by Todd Matshikiza. King Kong was South Africa’s first blockbuster theatrical success, touring the country for a sold-out year with Miriam Makeba and the Manhattan Brothers’ Nathan Mdledle in the lead. The musical later went to London’s West End for two years.

At the end of 1959, Dollar Brand (later known as Abdullah Ibrahim), Kippie Moeketsi, Makhaya Ntshoko, Johnny Gertze and Hugh formed the Jazz Epistles, the first African jazz group to record an LP. They performed to record-breaking audiences in Johannesburg and Cape Town through late 1959 to early 1960.

Following the 21 March 1960 Sharpeville massacre—where 69 protestors were shot dead in Sharpeville, and the South African government banned gatherings of ten or more people—and the increased brutality of the Apartheid state, Masekela left the country. He was helped by Trevor Huddleston and international friends such as Yehudi Menuhin and John Dankworth, who got him admitted into London’s Guildhall School of Music. During that period, Masekela visited the United States, got acquainted with fellow South African Miriam Makeba, who was befriended with Harry Belafonte. He attended Manhattan School of Music in New York, where he studied classical trumpet from 1960 to 1964. In 1964, Makeba and Masekela were married, divorcing two years later.

He had hits in the United States with the pop jazz tunes “Up, Up and Away” (1967) and the number-one smash “Grazing in the Grass” (1968), which sold four million copies. He performed at the Monterey Pop Festival in 1967 alongside Otis Redding, The Who, Jimi Hendrix, Ravi Shankar, and Janis Joplin. He released over 40 albums during his five-decade career, and worked with artists such as Belafonte, Marvin Gaye, Paul Simon, and Stevie Wonder. He was subsequently featured in the film Monterey Pop by D. A. Pennebaker. In 1974, Masekela and friend Stewart Levine organized the Zaire 74 music festival in Kinshasa set around the Rumble in the Jungle (Muhammad Ali / George Foreman) boxing match.

He played primarily in jazz ensembles, with guest appearances on recordings by The Byrds (“So You Want to Be a Rock ‘n’ Roll Star” and “Lady Friend”) and Paul Simon (“Further to Fly”). In 1984, Masekela released the album Techno Bush; from that album, a single entitled “Don’t Go Lose It Baby” peaked at number two for two weeks on the dance charts. In 1987, he had a hit single with “Bring Him Back Home”. The song became enormously popular, and turned into an unofficial anthem of the anti-apartheid movement and an anthem for the movement to free Nelson Mandela.

A renewed interest in his African roots led Masekela to collaborate with West and Central African musicians, and finally to reconnect with Southern African players when he set up, with the help of Jive Records, a mobile studio in Botswana, just over the South African border, from 1980 to 1984. Here he re-absorbed and re-used mbaqanga strains, a style he continued to use following his return to South Africa in the early 1990s.

In 1985 Masekela founded the Botswana International School of Music (BISM), which held its first workshop in Gaborone in that year. The event, still in existence, continues as the annual Botswana Music Camp, giving local musicians of all ages and from all backgrounds the opportunity to play and perform together. Masekela taught the jazz course at the first workshop, and performed at the final concert.

Also in the 1980s, Masekela toured with Paul Simon in support of Simon’s album Graceland, which featured other South African artists such as Ladysmith Black Mambazo, Miriam Makeba, Ray Phiri, and other elements of the band Kalahari, with which Masekela recorded in the 1980s. He also collaborated in the musical development for the Broadway play, Sarafina! and recorded with the band Kalahari.

In 2003, he was featured in the documentary film Amandla!: A Revolution in Four-Part Harmony. In 2004, he released his autobiography, Still Grazing: The Musical Journey of Hugh Masekela, co-authored with journalist D. Michael Cheers, which detailed Masekela’s struggles against apartheid in his homeland, as well as his personal struggles with alcoholism from the late 1970s through to the 1990s. In this period, he migrated, in his personal recording career, to mbaqanga, jazz/funk, and the blending of South African sounds, through two albums he recorded with Herb Alpert, and solo recordings, Techno-Bush (recorded in his studio in Botswana), Tomorrow (featuring the anthem “Bring Him Back Home”), Uptownship (a lush-sounding ode to American R&B), Beatin’ Aroun de Bush, Sixty, Time, and Revival. His song “Soweto Blues”, sung by his former wife, Miriam Makeba, is a blues/jazz piece that mourns the carnage of the Soweto riots in 1976. He also provided interpretations of songs composed by Jorge Ben, Antônio Carlos Jobim, Caiphus Semenya, Jonas Gwangwa, Dorothy Masuka and Fela Kuti.

In 2006 Masekela was described by Michael A. Gomez, professor of history and Middle Eastern and Islamic studies at New York University as “the father of South African jazz.”

In 2009, Masekela released the album Phola (meaning “to get well, to heal”), his second recording for 4 Quarters Entertainment/Times Square Records. It includes some songs he wrote in the 1980s but never completed, as well as a reinterpretation of “The Joke of Life (Brinca de Vivre)”, which he recorded in the mid-1980s. From October 2007, he was a board member of the Woyome Foundation for Africa.

In 2010, Masekela was featured, with his son Selema Masekela, in a series of videos on ESPN. The series, called Umlando – Through My Father’s Eyes, was aired in 10 parts during ESPN’s coverage of the FIFA World Cup in South Africa. The series focused on Hugh’s and Selema’s travels through South Africa. Hugh brought his son to the places he grew up. It was Selema’s first trip to his father’s homeland.

On 3 December 2013, Masekela guested with the Dave Matthews Band in Johannesburg, South Africa. He joined Rashawn Ross on trumpet for “Proudest Monkey” and “Grazing in the Grass”.

In 2016, at Emperors Palace, Johannesburg, Masekela and Abdullah Ibrahim performed together for the first time in 60 years, reuniting the Jazz Epistles in commemoration of the 40th anniversary of the historic 16 June 1976 youth demonstrations.

Masekela was involved in several social initiatives, and served as a director on the board of the Lunchbox Fund, a non-profit organization that provides a daily meal to students of township schools in Soweto.

Hugh Masekela died in Johannesburg on the early morning of 23 January 2018 from prostate cancer, aged 78.

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Billy Hancock 1/2018

Billy Hancock (71) – multi instrumentalist session player – was born November 4, 1946 in Washington, D.C., and raised in Alexandria, Virginia, where he lived most of his life. He attended George Washington High School in Alexandria, graduating in 1964.

He came from a musical family. His maternal grandmother Katie sang with Minstrel shows in black face accompanying herself on piano and harmonica. Two of his aunts Eileen and Anita were a singing duo in the 1940s who sang at two or three Washington DC radios stations on a regular basis. His paternal grandfather Mitchell (Mitch) Hancock played mandolin from about 1897 until 1902. He often played on River Boats in New Orleans and recorded for the Edison Label. Billy’s father worked for the Southern Railway and his mother worked for Waxie Maxie’s, a local record store chain, and other record stores. The records his mother brought home from work, primarily rhythm and blues from the late 1940s, played a large and influential role in his musical development.

Hancock began his career playing in bands around Washington, D.C., while still a teenager. After graduating from high school, he played with bands in Rhode Island and New York before returning to the Washington area. In 1968, he moved to Baltimore to attend the Peabody Conservatory, and continued to play in bands in the Baltimore area.

In the early 1970s, Hancock began a collaboration with Danny Gatton and they formed Danny and the Fat Boys with Hancock (bass, vocals), Gatton (guitars), and Dave Elliott (drums, vocals). In 1975, the group released American Music on a label owned by Hancock and his brother. The album’s title was taken from a rhythm and blues song Hancock had written. It was later re-issued on CD.

In 1978, Hancock recorded four rockabilly songs under the name Billy Hancock and the Tennessee Rockets for Ripsaw Records, a small independent label. He continued to record rockabilly for Ripsaw under that name for two years. Ripsaw released four singles during that time and licensed those and other titles to larger labels both in the U.S. and France. It is these rockabilly recordings for which Hancock is known internationally.

In 1983, Hancock recorded another rockabilly record, “Hey! Little Rock And Roller”, that was released in France on the Big Beat Label. Later that year, he returned to Ripsaw to record various rock and roll songs, six of which Ripsaw released in 1985. All of the Ripsaw material was later released on CDs by Finnish Bluelight Records.

Throughout his career, Hancock played in backing bands for prominent musicians, including Fats Domino, Gene Vincent, blues guitarist Roy Buchanan, rockabilly Charlie Feathers, the Clovers, Amos Milburn, and country musicians Dottie West and Jean Shepard. He co-produced and played guitar on Tex Rubinowitz’s rockabilly song “Hot Rod Man.”

In 2002, Hancock and his brother the television director, Dale Hancock founded Turkey Mountain Records, an independent record label. The label was formed to find and promote talented artists of all genres who, for whatever reasons, have been ignored by other record labels. Their Archival Series re-released material on artists of the past whose works have been unavailable until now. Turkey Mountain Records roster of artists included: Danny Gatton, The British Walkers (featuring Roy Buchanan), Bobbie (The Kid) Howard with Link Wray and The Ray Men, Charlie Feathers, The Fallen Angels and Billy Hancock himself.

In 2005, the Washington Area Music Association WAMA awarded Hancock a Special Recognition Award for his 40-plus years as a vocalist, musician, songwriter, producer, promoter, and label owner. In 2006, WAMA presented him two “Wammie” awards for 2005 Roots Rock Vocalist and Roots Rock Recording. In 2012, WAMA presented Hancock as one of “The Fallen Angels” a special recognition award.

In 2010, Hancock was inducted into the Southern Legends Hall of Fame. He was already a member of three other International Halls of Fame.Hancock was also the television host for American Music in Arlington, Virginia, where he interviewed and showcased songwriters, and a music historian.

He was also a member of the resurrected art rock group from the sixties, The Fallen Angels. On November 4, 2012 Hancock was inducted into The Northern Virginia Blues Society, Blues Hall of Fame in Mannassas, Va.

He appeared on more than 17 albums and he performed live primarily in the Washington, D.C., area, but also played regularly at European roots music festivals.

 Billy Hancock died on January 22, 2018 at the age of 71.

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Jim Rodford 1/2018

Jim Rodford (76) – bass player with Argent, the Zombies and the Kinks – was born July 7, 1941 in St Albans, Hertfordshire, England.
In the late 1950s and early 1960s he was a member of the Bluetones, the biggest band in St Albans at the time. Although he did not become a band member at this stage, Rodford was instrumental in helping his younger cousin Rod Argent form the Zombies in 1964. Rodford later joined the Mike Cotton Sound as a bass guitarist.
He played bass guitar for several British rock groups. He was a founding member of Argent, which was led by his cousin Rod Argent, and performed with them from their formation in 1969 until their disbanding in 1976. He was the bass guitarist for The Kinks from 1978 until they disbanded in 1996. In 2004, he joined The Zombies reunited, whom he had been closely associated with since the early 1960s, and remained a member until his death in 2018. He was also a member of The Swinging Blue Jeans and The Kast Off Kinks.

Along with Rod Argent, Rodford was one of the founding members of Argent. When Rod Argent quit the band, the remaining three members (Rodford, Bob Henrit, and John Verity) formed the short-lived band Phoenix. Two years later, Rodford joined the Kinks as bass guitarist in 1978 and played with them until their final disintegration in 1996. From 1999–2001 Rodford appeared in a band that ex-Animals guitarist Hilton Valentine formed, The Animals II, which also featured former Animals drummer John Steel, and keyboardist Dave Rowberry. Rodford continued with this band (which changed its working name to “The Animals and Friends” after Valentine left) until joining Argent and Colin Blunstone in the revival of the Zombies.

Rodford never played with the Zombies in the 1960s, despite having been closely involved with them. However, he began to play the bass guitar with the band’s reincarnation in the early years of the 21st century, with his son Steve on drums.

In 2008, Rodford joined the Kast Off Kinks, on the retirement of John Dalton, whom he had followed into the Kinks after Andy Pyle. In 2009, Jim Rodford regularly played in “The Rodford Files” along with Steve Rodford (Blunstone/Argent band) on drums, Russ Rodford on guitar, and Derik Timms (mOOn Dogs) on guitar, lap steel, slide and vocals.

In 2010, the original line-up of Argent reformed and resumed playing in concert. They mounted a short tour including gigs in Frome, Southampton, Wolverhampton, Leamington Spa and London.

Jim Rodford died after a fall from the stairs on 20 January 2018, at age 76.

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Dolores O’Riordan 1/2018

January 15, 2018 – Dolores O’Riordan (The Cranberries) was born Dolores Mary Eileen O’Riordan on September 6, 1971 brought up in Ballybricken, a town in County Limerick, Ireland. She was the daughter of Terence and Eileen O’Riordan and the youngest of seven children. She attended Laurel Hill Coláiste FCJ school in Limerick.

In 1990 O’Riordan auditioned for and won the role of lead singer for a band called the Cranberry Saw Us (later changed to the Cranberries). The band became a sensation as it released five albums: Everybody Else Is Doing It, So Why Can’t We? (1993), No Need to Argue (1994), To the Faithful Departed (1996), Bury the Hatchet (1999) and Wake Up and Smell the Coffee (2001) and a greatest-hits compilation entitled Stars: The Best of 1992–2002 (2002), before they went on hiatus in 2003.

In 2004, she appeared with the Italian artist Zucchero on the album Zu & Co., with the song “Pure Love”. The album also featured other artists such as Sting, Sheryl Crow, Luciano Pavarotti, Miles Davis, John Lee Hooker, Macy Gray and Eric Clapton. The same year she worked with composer Angelo Badalamenti on the Evilenko soundtrack, providing vocals on several tracks, including “Angels Go to Heaven”, the movie theme.

In 2005, she appeared on the Jam & Spoon’s album Tripomatic Fairytales 3003 as a guest vocalist on the track “Mirror Lover”. O’Riordan also made a cameo appearance in the Adam Sandler comedy Click, released on 23 June 2006, as a wedding singer performing an alternate version of The Cranberries’ song “Linger”, set to strings. Her first single, “Ordinary Day”, was produced by BRIT Awards winner, Youth, whose previous credits include The Verve, Embrace, Primal Scream, U2 and Paul McCartney. O’Riordan made an appearance live on The Late Late Show on 20 April 2007.

Are You Listening? , her first solo album was released in Ireland in 4 May 2007, in Europe on 7 May, and in North America on 15 May. “Ordinary Day” was its first single, released in late April. The video for “Ordinary Day” was shot in Prague. In August “When We Were Young” was released as the second single from the album.

On 19 November 2007, she cancelled the remainder of her European Tour (Lille, Paris, Luxembourg, Warsaw and Prague) due to illness. In December she performed in a few small American clubs, including Des Moines, Nashville, and a well-received free show in Charlottesville, Virginia.

In 2008, O’Riordan won an EBBA Award. Every year the European Border Breakers Awards recognise the success of ten emerging artists or groups who reached audiences outside their own countries with their first internationally released album in the past year.

Dolores O’Riordan was known for her lilting mezzo-soprano voice, her emphasized use of yodeling and for her strong Limerick accent. In January 2009, the University Philosophical Society (Trinity College, Dublin) invited The Cranberries to reunite for a concert celebrating O’Riordan’s appointment as an honorary member of the Society, which led the band members to consider reuniting for a tour and a recording session. On 25 August 2009, while promoting her solo album No Baggage in New York City on 101.9 RXP radio, O’Riordan announced the reunion of the Cranberries for a world tour. The tour began in North America in mid-November, followed by South America in mid-January 2010 and Europe in March 2010. Also touring with the original members of The Cranberries was Denny DeMarchi, who played the keyboard for O’Riordan’s solo albums.

The band played songs from O’Riordan’s solo albums, many of the Cranberries’ classics, as well as new songs the band had been working on. On 9 June 2010 The Cranberries performed at the Special Olympics opening ceremony at Thomond Park in Limerick. This was the first time the band had performed in their native city in over 15 years.

She appeared as a judge on RTÉ’s The Voice of Ireland during the 2013–14 season. Dolores O’Riordan began recording new material with JETLAG, a collaboration between Andy Rourke of The Smiths and Ole Koretsky, in April 2014. They then formed a trio under the name D.A.R.K. Their first album, Science Agrees, was released in September 2016.

On 26 May 2016, the band announced that they planned to start a tour in Europe. The first show was held on 3 June.

On the Personal Note:

On 18 July 1994, O’Riordan married Don Burton, the former tour manager of Duran Duran. The couple had three children. In 1998, the couple bought a 61-hectare (150-acre) stud farm, called Riversfield Stud, located in Kilmallock, County Limerick, selling it in 2004. They then moved to Howth, County Dublin, and spent summers in a log cabin in Buckhorn, Ontario, Canada. In 2009, the family moved full-time to Buckhorn.

In August 2013, she returned to live in Ireland. She and Burton split up in 2014 after 20 years together, and subsequently divorced. She was raised as a Roman Catholic. Her mother was a devout Catholic who chose her daughter’s name in reference to the Lady of the Seven Dolours. Dolores admired Pope John Paul II, whom she met twice, in 2001 and 2002. She performed at the invitation of Pope Francis in 2013 at the Vatican’s annual Christmas concert.

In November 2014, O’Riordan was arrested and charged in connection with air rage on an Aer Lingus flight from New York to Shannon. During the flight she grew verbally and physically abusive with the crew. When police were arresting her after landing, she resisted, reminding them her taxes paid their wages and shouting “I’m the Queen of Limerick! I’m an icon!”, headbutting one Garda officer and spitting at another. Later she told the media that she had been stressed from living in New York hotels following the end of her 20-year marriage. The judge hearing her case agreed to dismiss all charges if she apologised in writing to those she injured and contributed €6,000 to the court poor box.

In May 2017, she publicly discussed her bipolar disorder, which she said had been diagnosed two years earlier. That same month, the Cranberries cited her back problems as the reason for cancelling the second part of the group’s European tour. In late 2017, O’Riordan said she was recovering and performed at a private event.

On 15 January 2018, at the age of 46, while in London for a recording session, Dolores O’Riordan died unexpectedly at the London Hilton on Park Lane hotel in Mayfair. The cause of death was accidental drowning in a bathtub, following sedation by alcohol intoxication.

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Eddie Shaw 1/2018

Eddie Shaw was born on March 20, 1937 in Stringtown, Mississippi. In his teenage years, Shaw played tenor saxophone with local blues musicians, such as Little Milton and Willie Love. At the age of 14, he played in a jam session in Greenville, Mississippi, with Ike Turner’s band. At a gig in Itta Bena, Mississippi, when the then 20-year-old Shaw performed, Muddy Waters invited him to join his Chicago-based band.

In Waters’s band, Shaw divided the tenor saxophone position with A.C. Reed. In 1972 he joined Howlin’ Wolf, leading his band, the Wolf Gang, and writing half the songs on The Back Door Wolf (1973). After the singer’s death in 1976 he took over the band and its residency at the 1815 Club, renamed Eddie’s Place. Shaw led the band on Living Chicago Blues Vol. 1 and Have Blues – Will Travel (1980) and recorded albums with different backing for Isabel Records, Rooster Blues, and Wolf Records.

Shaw’s own recording career started in the late 1970s, with an appearance on the Alligator Records anthology Living Chicago Blues (1978) and his own LPs for Evidence and Rooster Blues, and more recent discs for Rooster Blues (In the Land of the Crossroads) and Wolf (Home Alone).

Shaw’s many contributions to the blues included arranging tracks for The London Howlin’ Wolf Sessions (which featured Eric Clapton, Bill Wyman, Ringo Starr and others) and performing with blues notables, including Hound Dog Taylor, Freddie King, Otis Rush and Magic Sam (on his Black Magic album).

In 2013 and 2014, Shaw won the Blues Music Award in the category Instrumentalist – Horn. May 3 is Eddie Shaw Day in Chicago, by proclamation of Mayor Rahm Emanuel.

Shaw died on January 29, 2018, at the age of 80.
One of his sons, Eddie “Vaan” Shaw Jr. (born November 6, 1955), joined the Wolf Gang and played on some of his father’s recordings. A disciple of Wolf’s protégé Hubert Sumlin who passed away on December 4, 2011, he has recorded two albums of his own – Morning Rain and The Trail of Tears.

Another son, Stan Shaw (born 1952), is a character actor based in Hollywood, California. (this made him father at the age of 15!)

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Ray Thomas 1/2018

Ray Thomas (76) -The Moody Blues- was born in Stourport-on-Severn, England on December 29, 1941.
His father taught him at the age of nine to play harmonica, and this sparked his interest in music. He joined the school choir a year later. He quit schooling at the age of 14, and briefly left music to work as a toolmaking trainee at Lemarks. By the age of 16 he had embarked on a search for a music band, and within two years had left his trade to pursue a career in music.

In the 1960s, Thomas joined the Birmingham Youth Choir then began singing with various Birmingham blues and soul groups including The Saints and Sinners and The Ramblers. Thomas began his true musical career with El Riot and the Rebels where he met future Moody Blues bandmate John Lodge. Mike Pinder also joined a couple of years later. On Easter Monday 1963 they opened for the Beatles at the Bridge Hotel, Tenbury Wells.
The band however broke up when Lodge went to college and Pinder entered the army. After his release, Thomas and Pinder began playing together again in the Krew Kuts, eventually bringing in Denny Laine, Graeme Edge and Clint Warwick to form the Moody Blues.
This original version of the band had an international monster hit in 1965 with their second single “Go Now” and followed with their debut album, The Magnificent Moodies but subsequent releases did not do well and, when Warwick retired from music and Laine left the group, they effectively disbanded.

In November 1966, a second version of the Moody Blues formed with the addition of Lodge and Justin Hayward and the head of Decca Records charged them with recording a rock version of Dvorak’s New World Symphony. While that project was never completed, it did set the band on the road to orchestral accompanied rock which came to fruition with their album Days of Future Passed.
Thomas began writing music for the band around this time with the new album including his songs “Another Morning” and “Twilight Time”. He would go on to write other group favorites including “Legend of a Mind”, “Dr. Livingstone, I Presume”, “Dear Diary”, “Are You Sitting Comfortably?” and “For My Lady”.

Between 1967 and 1972, the Moody Blues released seven albums that have gone on to become classics of progressive and orchestral rock including In Search of the Lost Chord, A Question of Balance, Every Good Boy Deserves Favour and Seventh Sojourn but, in 1974, they broke up, allowing Thomas to test the solo waters with the albums From Mighty Oaks (1975) and Hopes, Wishes and Dreams (1976).
The Moody Blues reformed in 1977 and continued to release albums but Thomas’ contributions began to diminish as they moved to a more modern sound in the 80’s. Ray did contribute to their albums during the 90’s but, due to failing health, Thomas stopped touring around the millennium and he left the band in 2002. Hayward and Lodge continued along with Edge, but somehow the magic’s been lost, if only the Moody Blues had all died in a plane crash, they’d be legendary today, living to old age kills your career.

But the Moodys not only had a long run, they also started their own genre, which could be labeled, “symphonic rock,” “art rock,” “classical rock”? They were not limited by trends, so they went their own way, and won. In spite of the fact that they could not be pigeonholed. The band could not be categorized. The band was not destroying hotel rooms. There was little personal mystery, few shenanigans, only music.

Ray Thomas’ contributions were overshadowed by the giants Justin Hayward and John Lodge became. Still he was the dignified guy who played the flute… But in hindsight, he was an integral member of the Moody Blues, and provided leavening no other member could, his compositions were not only for royalties, they added flavor.

Although Thomas most commonly played flute, he was a multi-instrumentalist, who also played piccolo, oboe, harmonica, saxophone, and, on the album In Search of the Lost Chord, the French horn. He frequently played tambourine and also shook maracas during the group’s R&B phase. The 1972 video for “I’m Just a Singer (In a Rock and Roll Band)” features Thomas playing the baritone saxophone, but it is unclear if he actually did play on the recording.

In October 2013, Thomas announced that he had been diagnosed with inoperable prostate cancer and was being treated with an experimental drug.

It is not sure if the Moody Blues will ever have a renaissance, they really haven’t even gotten their victory lap, but if you were a fan, and they were legion, the band holds a special place in your heart, there was no competition, they set your mind free, took you on an adventure, AND IT ALL SOUNDED SO GOOD!

Ray Thomas was not a footnote. The Moody Blues were not an also-ran. They were part of the fabric when music drove the culture and ruled the world. And in the eyes and ears of those who were there…

Ray Thomas, the singer and multi-instrumentalist for the Moody Blues, died from a heart attack on Thursday January 4, 2018 after a multi-year battle with prostate cancer. He was 76. He was inducted in the Rock and Roll Hall of Fame, as a member of the Moody Blues, just a few months after his death.

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Lord Luther McDaniels 12/2017

December 30, 2017 – Lord Luther McDaniels, lead singer of vocal group the 4 Deuces, was born in Panola County, Texas in 1938. He never knew his father, who was killed in an accident soon after Luther was born. Mostly raised by his grandmother, he joined the Mitchell Brothers gospel group when he was about 11 or 12. While Luther had no musical training, he still traveled with the group all over East Texas, appearing in many gospel group “battles.” Around the end of World War 2, his mother remarried and moved to Salinas, California, about a hundred miles south of San Francisco (his new stepfather was stationed at Fort Ord in Monterey, only a few miles away). Luther went to California, decided he didn’t like it, went back to Texas, decided California wasn’t that bad, and returned to California to stay, settling in the fertile Salinas Valley south of the Bay Area, a region often referred to as America’s Salad Bowl. Continue reading Lord Luther McDaniels 12/2017

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Warrel Dane 12/2017

December 13, 2017 – Warrel Dane (Sanctuary/Nevermore) was born on March 7, 1961 as Warrel G. Baker in Seattle, Washington.

Warell, who first came to fame as the high-pitched singer of Serpent’s Knight, was famed for his vocal range and had originally trained for five years as an opera singer and utilized a very broad vocal range, spanning from notes as low as the G♯ below low C, or G♯1, to notes as high as the B♭ below soprano C, or B♭5. While his high head voice style vocals were much more prominent in the older Sanctuary albums, there were instances where he utilized it in Nevermore as well. Later in his career, Dane became more notable for his distinctively deep, dramatic voice. He cited Judas Priest, Iron Maiden, Black Sabbath, Jefferson Airplane, Simon & Garfunkel, The Beatles, The Doors as his musical influences and Ronnie James Dio, Rob Halford, Bruce Dickinson as his main vocal inspirations. Continue reading Warrel Dane 12/2017

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Pat DiNizio 12/2017

December 12, 2017 – Pat DiNizio (The Smithereens) was born October 12, 1955 in Scotch Plains, New Jersey, where he actually lived his entire life. As a youngster, he was inspired by the pop music emanating from his transistor radio in the ‘60s and the hit tunes being written by his musical idols Buddy Holly, The Beatles, and The Beau Brummels among others.

He began playing music with several local bands in the early 1970s, but got serious around 1975 when he joined three classmates from nearby Cateret High School – guitarist Jim Babjak, bassist Mike Mesaros and drummer Dennis Diken and formed the Smithereens. That lineup would remain in place for nearly 25 years. Continue reading Pat DiNizio 12/2017

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Vincent Nguini 12/2017

December 8, 2017 – Vincent Nguini (Guitarist For Paul Simon) was born in Obala, Cameroon, West Africa in July 1952. Music and the understanding of it was the driving force behind his life’s ambitions from very early on.

He traveled around Africa in the early and mid-1970s, learning many regional guitar styles, before relocating to Paris in 1978. In Paris, long a recording center for music from French-speaking Africa, he studied music and did studio work with many African musicians. He joined the band of the Cameroonian saxophonist Manu Dibango, who had an international hit in 1972 with “Soul Makossa,” and soon became its musical director.  Continue reading Vincent Nguini 12/2017

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Johnny Halliday 12/2017

December 5, 2017 – Johnny Halliday was born Jean-Philippe Léo Smet on June 15, 1943 in Paris. His father was Belgian and his mother French. took his stage name from A cousin-in-law from Oklahoma, USA who performed as Lee Halliday called Smet “Johnny” and became a father figure, introducing him to American music. And the name Johnny Halliday was born. Continue reading Johnny Halliday 12/2017

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Zé Pedro 11/2017

November 30, 2017 – Zé Pedro (Xutos & Pontapés) was born José Amaro dos Santos Reis on September 14, 1956 in Lisbon Portugal.

Times were difficult as Portugal suffered under a right wing dictatorship and personal freedom was of no consequence. Dictator Salazar is firmly in power and crushes anything that does not fit his agenda without mercy: including the arrival of rock and roll. Using his heavy handed censorship and ubiquitous secret police to quell any type of opposition, life in Portugal was a far cry from today’s laid back holiday atmosphere.

But rock and roll was driving the culture in much of the western world and Portuguese youth were no different. Continue reading Zé Pedro 11/2017

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Robert Lee (Pops) Popwell 11/2017

November 27, 2017 – Robert Lee (Pops) Popwell (the Young Rascals) was born on the 29th of December 1950 in Daytona Beach, Florida.

Popwell started his career in the ’60s. He quickly got work in the jazz and R&B worlds.

As a member of the house band The Macon Rhythm Section (with Johnny Sandlin, Pete Carr, Paul Hornsby and Jim Hawkins) for the Capricorn Records Studio in Macon Georgia, from 1968 he recorded with Doris Duke, Hubert Laws, Deryll Inman, The Atlanta Disco Band, Johnny Jenkins, and Livingston Taylor. Continue reading Robert Lee (Pops) Popwell 11/2017

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Mitch Margo 11/2017

 

November 24, 2017 – Mitch Margo (The Tokens) was born on May 25, 1947 in New York City. He began singing a cappella at age 9 alongside his brother Phil. 

Young Margo learned to play piano in those early days, but over the years established himself as a multi-instrumentalist, also playing guitar, bass, drums and percussion.

Margo was a student at Abraham Lincoln High School in Brooklyn when he and his brother joined the Linc-Tones, also featuring Neal Sedaka, Hank Mendress and original member Tokens founder Jay Siegel, who soon renamed themselves the Tokens and recorded “The Lion Sleeps Tonight” while Mitch was just 14 years old. Continue reading Mitch Margo 11/2017

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Tommy Keene 11/2017

November 22, 2017 – Tommy Keene was born on June 30, 1958 in Evanston, Illinois and raised and graduated from Walter Johnson High School in Bethesda, Maryland (class of 1976), (which was also the alma mater of fellow musician Nils Lofgren). Keene played drums in one version of Lofgren’s early bands but moved to guitar later when he attended the University of Maryland.

Keene launched his career in the late-‘70s as a guitarist with a series of Washington D.C.-area combos including the Rage and the Razz, before hitting the national scene as a solo act in 1982 with the release of his debut Strange Alliance. He actually first received critical acclaim with his The Razz, who released several local independent singles. Continue reading Tommy Keene 11/2017

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David Cassidy 11/2017

Heartthrob David CassidyNovember 21, 2017 – David Cassidy (The Partridge Family) was born on April 12, 1950 in New York, New York with a silver spoon in his mouth. His father was singer/actor Jack Cassidy and his mother actress Evelyn Ward.

As his parents were frequently touring on the road, he spent his early years being raised by his maternal grandparents in a middle-class neighborhood in West Orange, New Jersey. In 1956, he found out from neighbors’ children that his parents had been divorced for over two years and had not told him. David’s parents had decided because he was at such a young age, it would be better for his emotional stability to not discuss it at that time. They were gone often with theater productions and home life remained the same. Many years later, after his father’s death, he found out that his father was bi-sexual with many homosexual encounters. Continue reading David Cassidy 11/2017

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Wayne Cochran 11/2017

November 21, 2017 – Wayne Cochran (The CC Riders) was born Talvin Wayne Cochran near Macon, Georgia, and grew up in roughly the same environs his idol James Brown and friend Otis Redding had, be it on the other side of the tracks.

After getting his start with various rock’n’roll outfits, in 1959 Cochran cut his first disc and the next five years would witness a succession of releases, most of which only made regional noise at best. One item however, would ultimately become Cochran’s greatest success, though in someone else’s hands. His lightly morbid but undeniably catchy original ‘Last Kiss’ hit the top of the charts in the summer of 1964 in a faithful treatment by Texans J. Frank Wilson & The Cavaliers. This classic “death disc” has since been covered by many, not least Pearl Jam, so at least the healthy royalties from whose versions, would come as an unforeseen blessing for Cochran in later years.

Continue reading Wayne Cochran 11/2017

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Warren “Pete” Moore 11/2017

smokey robinson and the miraclesNovember 19, 2017 – Warren “Pete” Moore (the Miracles) was born on November 19, 1939 in Detroit, Michigan. A childhood friend of Miracles lead singer Smokey Robinson, the two met at a musical event given by the Detroit Public School system, where Moore spotted Robinson singing as part of the show. The two became friends and formed a singing group, which eventually became the Miracles. Besides his work in the Miracles, Moore helped Miracles member Smokey Robinson write several hit songs, including The Temptations’ “It’s Growing” and “Since I Lost My Baby”, and two of Marvin Gaye’s biggest hits, the Top 10 million sellers, “Ain’t That Peculiar” and “I’ll Be Doggone”. Continue reading Warren “Pete” Moore 11/2017

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DikMik 11/2017

November 16, 2017 – DikMik (Hawkwind) was born Michael Davies in 1943 in Richmond, England.

In 1969, DikMik Davies and friend Nik Turner signed on as roadies for the group that Dave Brock, a childhood friend of theirs, had formed with guitarist Mick Slattery, bassist John Harrison and drummer Terry Ollis.

It was the time of early psychedelics and electronic music and DikMik’s interest in the burgeoning genre of electronic music had led to him being offered a slot in the psychedelic space rock band Hawkwind, before even their first gig of .

Gatecrashing a local talent night at the All Saints Hall, Notting Hill, they were so disorganised as to not even have a name, opting for “Group X” at the last minute, nor any songs, choosing to play an extended 20-minute jam on The Byrds’ “Eight Miles High.” BBC Radio 1 DJ John Peel was in the audience and was impressed enough to tell event organizer, Douglas Smith, to keep an eye on them. Continue reading DikMik 11/2017

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Chad Hanks 11/2017

November 12, 2017 – Chad Hanks (American Head Charge) was born in 1971 in Los Angeles, California.

With vocalist friend Cameron Heacock he formed American Head Charge in 1997 after they met in 1995 in rehab in Minneapolis and emerged as major players from the late ’90s nu-metal boom. The success of their 1999 indie debut, Trepanation, caught the ear of mega-producer Rick Rubin (Metallica, Beastie Boys, Chili Peppers), who signed the band to his American Recordings label and got the group out to his allegedly haunted Los Angeles mansion to record 2001’s “The War of Art.” Metal magazines Kerang and Rough Edge each gave the album four-star reviews (out of five), and VH1 picked it as one of the “12 Most Underrated Albums of Nü Metal.” Continue reading Chad Hanks 11/2017

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Chuck Mosley 11/2017

November 9, 2017 – Chuck Mosley (Faith No More) was born December 26, 1959 in Hollywood, California, but raised in South Central Los Angeles and Venice. He was adopted at a very early age, as talked about in the Faith No More biography book, “The Real Story.” In a 2013 interview, Mosley said “My Parents met at some kind of socialist/communist get-together in the ’50s. They were interracial – my mom was Jewish and my dad was black and Native American. So that was something controversial in itself. My dad had a daughter and my mom had two daughters, and all they were missing was a boy, so they went out and adopted one, and it was me.”

Mosley first met Billy Gould in 1977, going to a The Zeros, Johnny Navotnee and Bags show. He then went on to play keyboards in Billy’s first band, The Animated, in 1979. In 1984 he joined Haircuts That Kill, a post-punk band from the San Francisco area, which lasted up until Mosley’s joining of Faith No More. He joined Faith No More in 1985 replacing, among others, Courtney Love (Hole) who had a brief stint as lead singer. AllMusic states that Mosley’s “out of tune” vocals for Faith No More are “an acquired taste to most.” Continue reading Chuck Mosley 11/2017

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Fred Cole 11/2017

November 9, 2017 – Fred Cole was born August 28, 1948 in Tacoma, Washington and he moved with his mother to Las Vegas where he attended high school. Here he began his recording career in 1964,  with his band, the Lords, at the Teenbeat Club, releasing a single titled “Ain’t Got No Self-Respect. “His next single, from 1965, was a promo-only called “Poverty Shack” b/w “Rover,” with a band named Deep Soul Cole.

In 1966 Cole’s band The Weeds gained notice in garage rock circles, and their only single, a 60s punk track called It’s Your Time (b/w Little Girl, Teenbeat Club Records), has become a collectors’ favorite. The A-side appeared on one of the Nuggets anthologies. The band was promised an opening slot on a Yardbirds bill at the Fillmore in San Francisco, but on their arrival found that the venue hadn’t heard of them. Continue reading Fred Cole 11/2017

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Hans Vermeulen – 11/2017

November 9, 2017 – Hans Vermeulen (Sandy Coast) was born on September 18, 1947 in Voorburg, the Hague in the Netherlands. He grew up in what was to become the birthplace of Nederpop, which produced bands like Golden earring (Radar Love) and Shocking Blue (Venus), Q 65, Rob Hoeke and many others.

He scored hits like I See Your Face Again , Capital Punishment and my favorite True Love That’s a Wonder with his first group Sandy Coast which he had formed in 1961.

When the first run of late sixties rock and roll ran dry, Sandy Coast disbanded in the early seventies, and did not reform until 1981, with a big comeback hit.
In 1975 Vermeulen founded Rainbow Train, a open door clearing house formation for musicians, in which he sang with his then-wife Dianne Marchal .
In those years he made impact as a much in demand EMI producer for popular Dutch singers like Margriet Eshuijs (Lucifer) and Anita Meyer. For Meyer he wrote in 1976 the number 1 hit The Alternative Way, on which he also sang and for Eshuijs he produced the still today hugely popular “House for Sale” hit. Continue reading Hans Vermeulen – 11/2017

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Paul Buckmaster 11/2017

November 7, 2017 – Paul Buckmaster born on June 13, 1946 in London England.

At age four, Buckmaster started attending a small private school in London called the London Violoncello School, and continued studying cello under several private teachers until he was ten. In 1957, his mother, a concert pianist took him and his two siblings to Naples, where he auditioned with cello professor Willy La Volpe, to be assessed as eligible for a scholarship. After Paul’s attending classes over a two-month period, La Volpe determined that Paul was eligible for an Italian State scholarship, and for the next four years, he studied there eight months per year. This was a radically formative period, in which he deepened his love for the music of J. S. Bach, studying the unaccompanied cellos suites. It was during this period in Italy that Paul discovered his love for jazz. He then won a scholarship to study the cello at the Royal Academy of Music, from which he graduated with a performance diploma in 1967. Continue reading Paul Buckmaster 11/2017

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Whitey Glan 11/2017

November 7, 2017 – Pentti “Whitey” Glan was born on July 8, 1946 in Finland , just after World War II had come to an end and tensions with Russia were high. The family moved to Toronto Canada soon after.

Whitey Glan’s first serious band was the Canadian soul band The Rogues (later called Mandala) which he formed with keyboardist Josef Chirowski and bassist Don Elliot; they had worked together in other teenage bands like Whitey & The Roulettes. Mandala had their first hit single with “Opportunity” with original singer George Oliver, recorded at Chess Records.

In 1966 Glan played several shows with Mandala in Ontario and recorded the first two demo songs of his career (“I Can’t Hold Out No Longer” and “I’ll Make It Up To You”). Roy Kenner had replaced George Oliver. When they played their first shows in the USA they performed at the Whiskey A Go Go. They recorded their only album Soul Crusade in 1968 which produced a hit single (“Loveitis”) but they disbanded in 1969 after several line-up changes and poor album sales. Continue reading Whitey Glan 11/2017

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Scott Putesky 10/2017

October 22, 2017 – Scott Putesky (Marilyn Manson) aka Daisy Berkowitz was born on April 28, 1968  in Los Angeles, California.

After his high school years Putesky moved to Ft.Lauderdale and enrolled in a Graphic Design College. Putesky and Brian Warner (Marilyn Manson) met at a Fort Lauderdale club called The Reunion Room and later at a local after-party in December 1989. The two started creating the concept of Marilyn Manson & The Spooky Kids poking fun at American media hypocrisy and its obsessions with serial killers and beautiful women. (Marilyn Monroe vs Charles Manson and Daisy Duke vs David Berkowitz)

Putesky, who had at this point developed his own poetry but not yet worked lyrics into his music, began to meet up with Warner and brainstorm character and show/event ideas, after Warner asked for help starting a band as a creative outlet for his poetry writing. Continue reading Scott Putesky 10/2017

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George Young 10/2017

October 23, 2017 – George Young (with his bandmate and songwriting partner Harry Vanda-right in the picture) – Easybeats was born on November 6, 1946 in Glasgow Schotland. The lower middle class Young family were all musicians, but when the worst winter on record in Schotland arrived in post Christmas into January 1963, the family split as a result of 15 family members taking the opportunity to emigrate to Australia, including almost 16 year old George. Continue reading George Young 10/2017

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Martin Eric Ain 10/2017

October 21, 2017 – Martin Eric Ain was born Martin Stricker in the USA from Swiss parents on July 18, 1967. His mother was a Catholic religion teacher. She taught the catechism. Ain figured that most probably, the reason for him joining up with the arch rebel — Satan himself! — was because that was the most powerful force to oppose his mother.

I remember that traumatic experience being in a church, and there was this life-sized cross with this tormented human figure nailed, its limbs twisted and turned. I must have been about 5 or 6. That was really bizarre, having all those people around me being solemn in a way, but then, on the other hand, really getting joyous toward the end of that ritual about this person dying. And then going to the front of the church and coming back having devoured part of the body of that person. As a child, you take something like that quite literally, you know? And it was never really explained to me in a way that seemed really logical. I had nightmares. For me, religion didn’t have a redemptive quality. It didn’t help me to have a more positive outlook on life. It was a negative, oppressive kind of thing. Christ was a symbol of utter failure and absolute totalitarian control.

As part of the legendary bands Hellhammer and Celtic Frost, Ain transcended influence. Continue reading Martin Eric Ain 10/2017

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Phil Miller 10/2017

October 18, 2017 – Phil Miller (In Cahoots) was born on January 22, 1949 in Barnet, Hertfordshire, to Mavis (nee Dale), a librarian, and David Miller, a wartime lieutenant colonel in the Royal Marines and later head of commodities at the Stock Exchange. He was educated at Blackfriars boarding school, in Laxton, Northamptonshire, from where he occasionally truanted at night, hitch-hiking to London clubs to hear his musical heroes play, and returning unmissed in time for early-morning mass.

A self-taught guitarist, he formed his first band, Delivery, at 17, and played regularly upstairs at Ronnie Scott’s in London, backing visiting blues legends.

In 1971 he became a vital figure on the “Canterbury scene” when Robert Wyatt, who had just left Soft Machine, recruited Phil to join his new band, Matching Mole. The “scene”, noted for the frequent absence of the electric guitar as a lead instrument, boasted Phil as its undisputed exponent. Continue reading Phil Miller 10/2017

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Eamonn Campbell 10/2017

October 18, 2017 – Eamonn Campbell was born on November 29, 1946 in Drogheda in County Louth, but later moved to Walkinstown, a suburb of Dublin. He heard Elvis’ That’s All Right for the first time when he was 10; got his first guitar when he was 11 and taught himself how to play it in the next several year. 

He had his first gig at 14 and never really looked back, even though there were early plans to take up accounting. In 1964, he graduated high school with the intention of becoming an accountant. “But his accountant’s brain told him he’d make much more money out of gigging.” So instead he would go on to play for bands such as The Viceroys, The Checkmates and The Delta Boys. He also played locally with the The Bee Vee Five and the Country Gents before joining Dermot O’Brien and the Clubmen and he first met The Dubliners when both acts toured England together in 1967. Over the years that followed he got into production and often sat in with the Dubliners, which had formed in 1962. Continue reading Eamonn Campbell 10/2017

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Gord Downie 10/2017

October 17, 2017 – Gord Downie was born February 6, 1964 in Amherstview, Ontario, and raised in Kingston, Ontario, along with his two brothers Mike and Patrick. He was the son of Lorna (Neal) and Edgar Charles Downie, a traveling salesman. In Kingston, he befriended the musicians who would become The Tragically Hip, while attending the downtown Kingston high school Kingston Collegiate and Vocational Institute.

Downie formed the Tragically Hip with Rob Baker, Johnny Fay, Davis Manning, and Gord Sinclair in 1983. Saxophone player Davis Manning left the band and guitarist Paul Langlois joined in 1986. Originally, the band started off playing cover songs in bars and quickly became famous once MCA Records president Bruce Dickinson saw them performing at the Horseshoe Tavern in Toronto and offered them a record deal. Continue reading Gord Downie 10/2017

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Jimmy Beaumont 10/2017

October 7, 2017 – Jimmy Beaumont (The Skyliners) was born on October 21, 1940 in the Knoxville neighborhood of Pittsburgh, PA. While in his teens he formed the bebop group the Crescents. Joe Rock, a promo man working with Beaumont’s group, one day jotted down the lyrics to a song as he sat in his car at a series of stoplights, lamenting that his girlfriend was leaving for flight attendant school on the West Coast.

Rock took the lyrics to Jimmy Beaumont, who wrote a melody just as quickly as Rock wrote the words to a magical, tearful ballad that soon topped the Cashbox R&B chart and went to No. 3 on the Billboard R&B chart: the title …..“Since I Don’t Have You.”

“I had been listening to all the doo-wop groups from that period — The Platters, The Moonglows. I guess just from listening the melody just came out of me,” Beaumont told the Pittsburgh Post-Gazette years later.

Thirteen labels rejected the song as a demo, but the record was released in late December 1958. In short order it went to No. 1 in Pittsburgh, prompting an invitation to “American Bandstand.”  Continue reading Jimmy Beaumont 10/2017

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Alvin DeGuzman 10/2017

October 4, 2017 – Alvin DeGuzman (The Icarus Line) was born in Manila in the Philippines on December 3, 1978.

When he was 4 years old the family moved to the US.He attended Holy Family School in South Pasadena and graduated from Loyola High School in Los Angeles in 1997. He also attended Cal Poly Pomona. 

Alvin was a talented musician and passionate artist. While in High School he became a founding member of the indie punk rock band The Icarus Line, where he played the guitar both left and right handed, and also played bass and keys. The Icarus Line was the successor to high school friend Joe Cardamone’s first musical effort named “Kanker Sores”. Continue reading Alvin DeGuzman 10/2017

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Skip Haynes 10/2017

October 2, 2017 – Skip Haynes was born Eugene Heitlinger in Franklin Park Illinois in 1946. He graduated East Leyden High School in 1963. When it comes to rock music being the sound track to our boomer generation, there are certain songs that stand out and stay a perennial anthem such as Scott McKenzie’s San Francisco (Wear some flowers in your hair), Steve Goodman’s City of New Orleans and the song Skip Haynes wrote and performed about Chicago’s Lake Shore Drive.

Haynes was born Eugene Heitlinger, but a club manager told him early in his career there wasn’t enough room on the marquee for that. Since his grandfather called him Skippy, he decided to take the name Skip Haynes. Continue reading Skip Haynes 10/2017

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Tom Petty 10/2017

tom petty and the heart breakers front manOctober 2, 2017 – Tom Petty was born on October 20, 1950 in Gainesville Florida. Growing up in the town that houses the University of Florida, music became the young Petty’s refuge from a domineering, abusive father who despised Tom’s sensitivity and creative tendencies—but would later glom on to his son’s rock-star fame for status. In the summer of 1961, his uncle was working on the set of Presley’s film Follow That Dream in nearby Ocala, and invited Petty to come down and watch the shoot. He instantly became an Elvis Presley fan, and when he returned that Saturday, he was greeted by his friend Keith Harben, and soon traded his Wham-O slingshot for a collection of Elvis 45s.

Continue reading Tom Petty 10/2017

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CeDell Davis 9/2017

September 27, 2017 – CeDell Davis was born June 9, 1927 in Helena, Arkansas, where his family worked on the local E.M. Hood plantation. He enjoyed music from a young age, playing harmonica and guitar with his childhood friends.

When he was 10, he contracted severe polio which left him little control over his left hand and restricted use of his right. He had been playing guitar prior to his polio and decided to continue in spite of his handicap, which led to his development of the “knife” method. Davis played guitar using a table knife in his fretting hand in a manner similar to slide guitar. Like Sister Rosetta Tharpe before him or Joni Mitchell after, he developed his own logic when it came to tuning the guitar, a style that Robert Palmer wrote, “resulted in a welter of metal-stress harmonic transients and a singular tonal plasticity.”  Continue reading CeDell Davis 9/2017

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Charles Bradley 9/2017

September 23, 2017 – Charles Bradley was born on November 5, 1948 in Gainesville, Florida
Bradley was raised by his maternal grandmother in Gainesville, Florida until the age of eight when his mother, who had abandoned him at eight months of age, took him to live with her in Brooklyn, New York.

In 1962, his sister took him to the Apollo Theater to see James Brown perform. Bradley was so inspired by the performance that he began to practice mimicking Brown’s style of singing and stage mannerisms at home. Continue reading Charles Bradley 9/2017

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Mark Selby 9/2017

September 18, 2017 – Mark Selby was born in September 2, 1961. Born and raised in Enid, Oklahoma, Selby spent his youth harvesting wheat and playing in bands throughout the Midwest before moving to Hays, Kansas to attend Fort Hays University where he earned a bachelor’s degree in music. 

He was musically gifted in three ways: as a songwriter, a singer with a soulful voice and a guitarist with some impressive chops. His future as a blues rock singer-songwriter, guitarist, multi-instrumentalist and producer started in Germany, where he signed as a solo artist to ZYX Records.  Continue reading Mark Selby 9/2017

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Laudir de Oliveira 9/2017

September 17, 2017 – Laudir de Oliveira was born January 6, 1940 in Rio de Janeiro.  de Oliveira started out as a percussionist in Brazil, working with Sergio Mendes and Marcos Valle. He moved to the United States in 1968 and caught the eye of rock musicians and producers. Credited simply as “Laudir”, he also appeared on Joe Cocker’s 1969 debut album, playing on his hit single “Feelin’ Alright”.

In 1973, Chicago invited de Oliveira to play on their album “Chicago VI.” After playing on the albums Chicago VI and Chicago VII as a sideman, de Oliveira officially joined the band in 1975. Continue reading Laudir de Oliveira 9/2017

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Grant Hart 9/2017

Grant Hart of Husker DuSeptember 13, 2017 – Grant Hart (Hüsker Dü) was born in St. Paul, MN on March 18, 1961 and at the age of 10, he inherited his older brother’s drum set and records, after he was killed by a drunk driver. Hart described his family as a “typical American dysfunctional family. Not very abusive, though. Nothing really to complain about.” He soon began playing in a number of makeshift bands throughout high school. Continue reading Grant Hart 9/2017

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Virgil Howe 9/2017

September 11, 2017 – Virgil Howe was born on September 23, 1975 in London, England, the second son to Yes founding member/ guitarist Steve Howe. He played on several of his father’s projects: he performed on keys, alongside his brother Dylan Howe on drums, for the Steve Howe solo albums The Grand Scheme of Things (1993) and Spectrum (2005). He was in Steve Howe’s Remedy band, who released an album Elements (2003), toured the UK and then released a live DVD. He wrote and performed on a piece on his father’s 2011 release Time. He also plays drums on 11 tracks of Steve Howe’s Anthology 2: Groups and Collaborations that were largely recorded in the 1980s. Under the name The Verge, Virgil Howe produced the Yes Remixes album, released 2003.

Nexus, due November 2017, is a joint album by Virgil & Steve Howe, due on InsideOut. Father Steve described the album: “Most of the credit goes to Virgil on this; it’s Virgil’s bed and melodies but I’ve come in to add a little bit more.” Continue reading Virgil Howe 9/2017

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Rick Stevens 9/2017

rick stevens tower of powerSeptember 5, 2017 – Rick Stevens (Tower of Power) was born Donald Stevenson on February 23, 1941 in Port Arthur, Texas, but didn’t stay there long, as a few years later his parents moved to Reno, Nevada. Rick first sang in public at the tender age of four, when his family set him up on a chair in front of the congregation at their church.

While growing up Rick was greatly influenced by his uncle, singer Ivory Joe Hunter, who was his mother’s younger brother. There was always a great deal of excitement when Uncle Ivory Joe came to visit on breaks from touring around the country with his band. Rick decided early on that he wanted to be a singer, just like his uncle. Ivory Joe was a not only a ground-breaking performer in what at the time was referred to by the record labels as “race music”, he was also a prolific songwriter with hundreds of songs to his credit.

Elvis Presley invited Ivory Joe to Graceland in 1957, and they spent the day singing together, including Ivory Joe’s hit “I Almost Lost My Mind”, among other songs. Hunter commented, “He is very spiritually minded … he showed me every courtesy, and I think he’s one of the greatest”. Elvis recorded five songs written by Ivory Joe: “My Wish Came True” (Top 20), “I Will be True”“It’s Still Here”“I Need You So”, and “Ain’t That Loving You Baby” (Top 20).

Like many musically talented teenagers in the late 1950’s Rick was interested in doo-wop, and he joined a singing group called the “Magnificent Marcels”. In the early 1960’s Rick performed in nightclubs around Reno, where he was known as “Mr. Twister”.

Having moved to the San Francisco Bay Area in the mid-60’s Rick continued his singing career, fronting various bands that played in local nightclubs. Rick’s bands included “Rick and the Ravens”, and “The Rick Stevens Four” (or Five, depending on how many people were in the band).

Rick joined “Four of a Kind” in 1966, initially in San Francisco, later moving with the band to Seattle. After a short time, Rick moved back to the Bay Area and joined a band called “Stuff”, in which one of the other members was Willie James Fulton (guitar and vocals). Rick and Willie James left “Stuff” and joined Tower of Power at about the same time as drummer David Garibaldi in 1969 and later replaced Rufus Miller as lead vocalist after Rick sang the diamond hit, “Sparkling in the Sand” on Tower of Power’s first album, EAST BAY GREASE. (The only song on that album that made any impact). The next Tower of Power album to hit the charts was BUMP CITY in 1972, and that record features Rick’s signature song, “You’re Still a Young Man”. The album also includes other hits such as “Down to the Night Club” and “You Got to Funkafize”.

Although he is not credited on the third album, the self-titled record, TOWER OF POWER, Rick initially sang all the lead vocals. He also contributed background vocals, which were retained on the record when it was released. The album features several hits such as, “What is Hip”, “Soul Vaccination”, and “Get Your Feet Back on the Ground”, and of course, “So Very Hard to Go”. Rick’s increasing drug dependency lead to Lenny Williams taking over lead vocals, as Rick left the band in 1973 to pursue other avenues of his musical career. After leaving Tower of Power, Rick joined a Bay Area band called “Brass Horizon”, a popular band with a big horn section.

The Stanford Daily – February 25, 1975

Former Tower Singer Heads Brass Horizon
By JOAN E. HINMAN

SAN FRANCISCO – Quick – name Tower of Power’s two biggest hits. Maybe you said “So Very Hard To Go”, the single off Tower’s third album. But if you’re a deranged purist, you named “Sparkling In The Sand”, from East Bay Grease, and “You’re Still A Young Man”, the monster hit off Bump City in 1971.

It was “You’re Still A Young Man” that established Tower as national stars, removing them from the realm of San Francisco funk forever. The song’s amazing success can be explained in two words — Rick Stevens. Stevens emerged as Tower’s lead singer after the success of “Sparkling In The Sand”, the only song on the band’s first album on which he sang lead…

… the excellent set performed by Stevens and his new band, Brass Horizon, Saturday at Yellow Brick Road marks the return of one of the finest vocalists ever to hit the City. The new band, Brass Horizon, is every bit as tight and biting as the famed Tower brass…

…Stevens proved that his voice can still get down and growl on dance tunes, as well as sweep up to carry the pure melody of “You’re Still A Young Man”. … the fine Rick Stevens stage presence that on past occasions made Winterland feel as homey as a living room was evident Saturday. Smiling and jiving with the “mamas” on the dance floor, Stevens was clearly back in the atmosphere he likes best—putting out get-down, good time music.

Then in 1976 it gets quiet around Rick Stevens for the next 36 years as he is sentenced to life in prison for a triple homicide in a drug deal gone wrong. Addicted to drugs he had shot and killed 3 men in a botched deal.

In 2012 Stevens was released on parole. He then formed Rick Stevens & Love Power, which regularly played in Northern California. He also occasionally sat in with Tower of Power, including an appearance at a January 2017 benefit concert for former band members that were hit by a train in Oakland’s Jack London Square.

Rick Stevens passed away on September 5, 2017 after a short battle with liver cancer.

“Rick Stevens went to heaven today to be with the Lord whom he loved with all his heart. Rick was an extremely soulful singer and entertainer who had an engaging personality and a strong faith which he shared with all he came in contact with,” Tower of Power founder Emilio Castillo wrote on the band’s Facebook page.“We loved him and we’ll miss him. I have faith that I’ll see him in heaven someday and together we’ll worship and glorify God together for eternity. Rick is there right now enjoying it!!!”

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Holger Czukay 9/2017

September 5, 2017 – Holger Czukay was born on March 24, 1938 in the Free City of Danzig (since 1945 Gdańsk, Poland), from which his family was expelled after World War II. Due to the turmoil of the war, Czukay’s primary education was limited. One pivotal early experience, however, was working, when still a teenager, at a radio repair-shop, where he became fond of the aural qualities of radio broadcasts (anticipating his use of shortwave radio broadcasts as musical elements) and became familiar with the rudiments of electrical repair and engineering.

Czukay studied music under Karlheinz Stockhausen from 1963 to 1966 and then worked for a while as a music teacher. Initially Czukay had little interest in rock music, but this changed, when a student played him the Beatles’ 1967 song “I Am the Walrus”, a 1967 psychedelic rock single with an unusual musical structure and blasts of AM radio noise. This opened his ears to music by rock experimentalists such as The Velvet Underground and Frank Zappa. Continue reading Holger Czukay 9/2017

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Earl Lindo 9/2017

September 4, 2017 – Earl Lindo was born Earl Wilberforce “Wire” Lindo on January 7, 1953 in Kingston, Jamaica. His nickname “wire” over time became “Wya”.

While attending Excelsior High School in the late sixties, he played bass and classical piano, before he became interested in the jazz sounds of Lee Dorsey and Jimmy Smith.  With Barry Biggs, Mikey “Boo” Richards, and Ernest Wilson he then played in the Astronauts. Continue reading Earl Lindo 9/2017

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Dave Hlubek 9/2017

September 3, 2017 – Dave Hlubek was born on August 28, 1951 in Jacksonville, Florida. At the age of 5 or 6, Hlubek and his family moved to the naval base in Oahu, Hawaii, where he attended Waikiki Elementary School. From there, Hlubek’s father was transferred and the family moved to Sunnyvale, California, then to Mountain View, and finally settling in San Jose. It was the South Bay that Dave called home during the next few years, before moving back to Jacksonville, Florida, around 1965. There he attended and graduated from Forrest High School.

Hlubek, founded the band Molly Hatchet in 1971. Vocalist Danny Joe Brown joined in 1974, along with Steve Holland, guitarist in 1974. Duane Roland, Banner Thomas and Bruce Crump completed the line up in 1976. Continue reading Dave Hlubek 9/2017

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Walter Becker 9/2017

WALTER BECKER OF STEELY DANSeptember 3, 2017 – Walter Becker (Steely Dan) was born February 20, 1950 in Queens, New York. Becker was raised by his father and grandmother, after his parents separated when he was a young boy and his mother, who was British, moved back to England. They lived in Queens and as of the age of five in Scarsdale, New York. Becker’s father sold paper-cutting machinery for a company which had offices in Manhattan.

He graduated from Stuyvesant High School in Manhattan in the class of 1967. After starting out on saxophone, he switched to guitar and received instruction in blues technique from neighbor Randy Wolfe, better known as Randy California of the psychedelic westcoast sensation “Spirit”, a nickname he got from Jimi Hendrix while playing with him in New York in the mid sixties.

Continue reading Walter Becker 9/2017

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Mick Softley 9/2017

September 1, 2017 – Mick Softley was born in 1939 in the countryside of Essex, near Epping Forest.

His mother was of Irish origin (from County Cork) and his father had East Anglian tinker roots, going back to a few generations. Softley first took up trombone in school and became interested in traditional jazz. He was later persuaded to become a singer by one of his school teachers, and this led to him listening to Big Bill Broonzy and promptly changed his attitude to music, to the extent of him buying a mail-order guitar and some tutorial books and teaching himself to play.

By 1959, Mick Softley had left his job and home and spent time traveling around Europe on his motorbike, with a friend, Mick Rippingale. He ended up in Paris, where he came into the company of musicians such as Clive Palmer, Ramblin’ Jack Elliott, and Wizz Jones. Here he improved his guitar skills and spent time busking with friends until his return to England in the early 1960s. Continue reading Mick Softley 9/2017

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Hedley Jones 9/2017

September 1, 2017 – Hedley Jones (the Wailers) was born on November 12, 1917 in near Linstead, Jamaica, the son of David and Hettie Jones, and started making music as a child. He made his own cello at the age of 14, as well as a banjo. In 1935 he moved to Kingston, where he heard Marcus Garvey speak, and worked as a tailor, cabinet maker, bus conductor, repairing sewing machines, radios and gramophones. He said: “I was what people called a jack of all trades. I could fix everything.” His main work was as a proofreader, with the Gleaner and Jamaica Times.

He also played banjo in a Hawaiian jazz band, before forming his own Hedley Jones Sextet. Inspired by the recordings of Charlie Christian, but unable to afford an imported guitar, he built himself a solid-bodied electric guitar, and was featured with it on the front page of The Gleaner in September 1940, at about the same time that Les Paul was doing similar pioneering work in the US. Jones continued to build guitars for other Jamaican musicians in the years that followed. Continue reading Hedley Jones 9/2017

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Sonny Burgess 8/2017

August 28, 2017 – Sonny Burgess was born Albert Austin Burgess on May 28, 1929 on a farm near Newport, Arkansas to Albert and Esta Burgess. He graduated from Newport High School in 1948.

Burgess, Kern Kennedy, Johnny Ray Hubbard, and Gerald Jackson formed a boogie-woogie band they called the Rocky Road Ramblers and played boogie woogie music in dance halls and bars around Newport.

In 1954, following a stint in the US Army (1951–53), Burgess re-formed the band, calling them the Moonlighters after the Silver Moon Club in Newport, where they performed regularly. After advice from record producer Sam Phillips, the group expanded to form the Pacers. Continue reading Sonny Burgess 8/2017

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Winston Samuels 8/2017

Winston Samuels of Desmond Dekker and the AcesAugust 24, 2017 – Jamaican Ska Authentic Winston Samuels (McInnis), a living legend in Jamaican Music, was born in Kingston, Jamaica to proud parents Winston D. McInnis and Mavis Davis-McInnis in 1944.  From the time he was born he loved to sing.  As a matter of fact his mother, Mavis would have Sunday family discussions followed by songs of worship.  There was such harmony in the household that it drew other tenants who loved to listen to him. Continue reading Winston Samuels 8/2017

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Goldy McJohn 8/2017

Goldy McJohn - SteppenwolfAugust 1, 2017 – Goldy McJohn (Steppenwolf) was born John Raymond Goadsby in Toronto, Canada on May 2, 1945. He was raised by middle class parents in Toronto, Canada. They put him into piano lessons at a young age and with this foundation he became a pioneer in the use of the electronic organ in rock and roll.
“I was classically trained,” said Goldy. He also stated that no one else in rock and roll was doing was he was at the time. “I played on a Lowrey,” he said. And this is part of what he said gave songs such as “Born to be Wild” and “Magic Carpet Ride” their unique sound.
“I was up at 4 a.m. daily to practice from the age of seven until…I got stupid,” Goldy said.
While school in general was not his thing, (he was suspended from high school for three months,) he always did exceptionally well in music.
“I got 100 in music, which brought my average up to maybe 14,” Goldy said. His parents could not afford private school that could have catered more to the needs of a student like him. Continue reading Goldy McJohn 8/2017

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Michael Johnson 7/2017

July 25, 2017 – Michael Johnson was born on August 8, 1944 in the small town of Alamosa, Colorado and grew up in Denver. He started playing the guitar at 13. In 1963, he began attending Colorado State University to study music but his college career was truncated when he won an international talent contest two years later. First prize included a deal with Epic Records. Epic released the song “Hills”, written and sung by Johnson, as a single. Johnson began extensive touring of clubs and colleges, finding a receptive audience everywhere he went.

Wishing to hone his instrumental skills, he set off for Barcelona, Spain in 1966, to the Liceu Conservatory, studying with the eminent classical guitarists, Graciano Tarragó and Renata Tarragó. Upon his return to the States in late 1967, he joined Randy Sparks in a group called the New Society and did a tour of the Orient. Continue reading Michael Johnson 7/2017

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Kenny Shields 7/2017

July 21, 2017 – Kenny Shields was born in 1947 in the farming community of Nokomis, Saskatchewan, Canada. His passion for music and entertaining emerged at the age of six when he entered and won an amateur talent show. While continuing his interest in music and singing, upon graduation from secondary school he moved to Saskatoon to attend university but was immediately recruited by the city’s premiere band – Witness Incorporated.

Kenny’s lifelong dream began to take shape as the band built a loyal fan base across the country, scoring with a string of national radio hits including “I’ll Forget Her Tomorrow”, “Jezebel” and “Harlem Lady, all featuring Kenny’s unmistakable vocals. After touring with such legendary artists as Roy Orbison and Cream, tragedy struck in 1970 when Shields was critically injured in an automobile accident that sidetracked him from music for several years. Continue reading Kenny Shields 7/2017

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David Z(ablidowski) 7/2017

July 14, 2017 – David Z (Zablidowski) was born in Brooklyn, New York in 1979. 

He formed his first band, Legend, as a freshman at Franklin Delano Roosevelt High School and attended Brooklyn College.

“I was in music class at FDR and spotted a few kids with long hair and we formed a band,” David Z said, adding that his older brother Pauli joined the band six months later.

They played at city nightclubs and bars, but the band fell apart shortly after high school. Then, the Z brothers approached drummer Joey Cassata to join their band. Z02 was born. David by that time had already joined the early incarnations of TSO (Trans Siberian Orchestra) as they started performing their Christmas shows. This exposure opened many doors for him.  In 2004, the guys, who where in their early and middle 20s, scraped together money to release their first album, and soon were touring with the likes of Kiss, Stone Temple Pilots, Poison and Alice Cooper on the VH1 Rock the Nation tour.  Continue reading David Z(ablidowski) 7/2017

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Simon Holmes 7/2017

July 13, 2017 – Simon Holmes (The Hummingbirds) was born on March 28, 1963 in the southern beachside suburb of Melbourne, Australia. The family lived in Bentleigh, before shifting to Turramurra in 1967, before going overseas for three years, in upstate New York, where Holmes started school at Myers Corner. The family then moved to Geneva, Switzerland. He spent part of his childhood in Canberra, attending the AME School: an alternative education institution and then Hawker College. Holmes moved to Sydney in the early 1980s. He started studying anthropology and archaeology at the University of Sydney, but left after two years. Continue reading Simon Holmes 7/2017

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Ray Phiri 7/2017

July 12, 2017 – Ray Phiri (Paul Simon) was born March 23, 1947 near Nelspruit in the then Eastern Transvaal, now Mpumalanga Province, in South Africa to a Malawian immigrant worker and South African guitarist nicknamed “Just Now” Phiri.  His stepfather, who was from Malawi, played guitar but gave it up after losing three fingers in an accident. Mr. Phiri took that guitar and largely taught himself to play. He moved to Johannesburg in 1967 to work as a musician.

He became a founding member of the Cannibals in the 1970s. When the Cannibals disbanded Ray founded Stimela, Continue reading Ray Phiri 7/2017

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Erik Cartwright 7/2017

July 9, 2017 – Erik Cartwright (FOGHAT) was born on July 10, 1950 in New York City and grew up in Minisink Hills, Pennsylvania. A 1968 graduate of East Stroudsburg High School, he became one of the area’s prominent rock guitarists, alongside his friend G.E. Smith. Erik’s first gig as a professional musician was with the band Dooley in Allentown, PA.

In 1970-1971 he studied at the famous Berklee School of music before His early guitar work is featured on singer Dan Hartman’s It Hurts to Be in Love (1981). His first album as a co-leader was the self-titled debut of Tears (1979), with Nils Lofgren on piano. Right after he had just recorded the Tears album the invitation to join Foghat, and replace original lead guitarist Rod Price, came. Continue reading Erik Cartwright 7/2017

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Melvyn Deacon Jones 7/2017

melvyn deacon jones bluesJuly 6, 2017 – Melvyn “Deacon” Jones was born December 12, 1943 in Richmond Indiana. By the time he was a teenager, Deacon was proficient on trumpet and performed with his brother Harold in the high school band. Harold Jones later became a famed jazz drummer.

After graduating in 1962, Jones was a founding member of Baby Huey and the Babysitters with Johnny Ross and James Ramey. After paying a few dues in the Gary area, Deacon and the band set up shop in Chicago where they played five nights a week for five years, according to USA Today. During that time, Jones managed to further his musical education at the prestigious American Conservatory of Music. Continue reading Melvyn Deacon Jones 7/2017

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Nic Ritter 6/2017

nic ritter, drummer for WarbringerJune 3o, 2017 – Nic Ritter (Warbringer) was born Nicholas Dieter Ritter on April 13, 1981 in Tulsa, Oklahoma.

There is very little published about Nic Ritter beyond the little over 2 years that he played drums for Southern California metal trash band “Warbringer” and another short stint in 2008 with the band Prototype.

Best known as drummer with Warbringer, Nic joined this latter band in 2008, replacing previous drummer Ryan Bates.
Continue reading Nic Ritter 6/2017

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John Blackwell 7/2017

john blackwell drummer for PrinceJuly 4, 2017 – John Blackwell was born on September 9, 1973 and raised in Columbia, South Carolina, and started playing drums at age 3. He learned from his father, John Blackwell Sr., a drummer himself, who played with Mary Wells, King Curtis, Joe Simon, J.J. Jackson, The Drifters, The Spinners, and others. Blackwell stated that he experienced synesthesia since he was a child, seeing colors for musical notes, and was identified as having perfect pitch while in high school.

As a teenager, Blackwell played in both his high-school jazz and marching bands. He began playing in jazz clubs at age 13. At 17, he landed his first professional gig backing jazz singer and bandleader Billy Eckstine. After high school, he attended Berklee College of Music and worked steadily in local Boston jazz clubs. He left Berklee in 1995 to play with the funk band Cameo, a gig which lasted for three years. Continue reading John Blackwell 7/2017

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Dave Rosser 6/2017

June 27, 2017 – Dave Rosser (Afghan Whigs) was born David Clark Rosser in St.Louis, Missouri on August 3, 1966. Raised in Gadsden, Alabama is where he first learned to play guitar and started what became a lifelong passion. After high school, David attended college and eventually moved to Memphis, where he worked in the family business for a short time. His calling as a career musician was apparent, and it led him to Auburn, Alabama, then finally to New Orleans in 1992.

He adopted New Orleans as his beloved city, and here his career took shape. He spent many years with the band Metal Rose, played throughout the French Quarter, and did studio work with many area musicians. Continue reading Dave Rosser 6/2017

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Jimmy Nalls 6/2017

June 25, 2017 – Jimmy Nalls (Sea Level) was born James Albert Nalls III on May 31, 1951 in Washington DC. In 1970, he moved from the suburbs of his home in Arlington, Virginia, to New York City to play with Australian folk singer Gary Shearston and Noel Paul Stookey of Peter, Paul & Mary. Jimmy Nalls quickly became an in-demand session guitarist at New York’s famed Record Plant studio, and played with several musicians and bands with ties to then up-and-coming Capricorn Records in Macon, Georgia, such as  singer/songwriter Alex Taylor’s band while Taylor was a Capricorn Records label mate of the Allmans’.

It was during this period that Nalls first worked with future Allmans keyboardist Chuck Leavell, an association that would prove fruitful for both musicians after the Allmans’ 1976 split. 

Continue reading Jimmy Nalls 6/2017

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Noel Neal 6/2017

June 19, 2017 – Noel Neal (James Cotton Band) was born in Baton Rouge, Louisiana in 1963. The Neal family from Baton Rouge is known nationwide as a blues family with numerous performers, Kenny probably being the most famous one.

Neal journeyed to Chicago early on where he played with James Cotton for over 30 years, touring and recording for the late Chicago blues star and harmonica virtuoso  James Cotton, who also recently passed on March 16 of this year. He also recorded with his late father, Raful Neal, and his brother, Kenny Neal. Continue reading Noel Neal 6/2017

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Sonny Knight 6/2017

June 17, 2017 – Sonny Knight was born in 1948 in Mississippi and around 1955 moved to Minnesota with his grandmother. He grew up in the Rondo suburb of St.Paul where he was exposed to the urban music of the era such as bepop, soul and r&b.

At age 17 in 1965 he recorded his first (and only) 45rpm single as Little Sonny Knight & The Cymbols, titled “Tears On My Pillow” B/W “Rain Dance”. Shortly thereafter, music took a back seat to a three-year stint in the army. A few more years in the Bay Area followed, before he returned to Minnesota in the mid-1970s and joined the now-cult favorite funk group Haze. By the early ‘80s, Haze had broken up and Sonny walked away from music for a full time job as a truck driver.

Continue reading Sonny Knight 6/2017

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Aamir Zaki 6/2017

June 2, 2017 – Aamir Zaki was born on April 8, 1968 in Saudi Arabia from Pakistani parents.

Music was part of his home education with both parents sharing classical, jazz, blues and rock with their children. Aamir became an instant admirer of Rhandy Rhoads, metal guitar virtuoso with Ozzy Osborne.

Playing guitar since the age of 14, he became known for his melodic phrasing, feel, and tone.

The first mainstream musician to recognise Zaki as a teenage prodigy was Alamgir, who got in touch with him to tour India, Dubai, England and the U.S.A. Continue reading Aamir Zaki 6/2017

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Gregg Allman 5/2017

gregg allman passes from liver cancerMay 27, 2017 – Gregory LeNoir “Gregg” Allman was born December 8th, 1947 in Nashville, TN, a little more than a year after his older brother Duane. In 1949, his dad offered a hitchhiker a ride home and was subsequently shot and killed. After that tragedy his mother Geraldine moved to Nashville with her two sons, and she never remarried. Lacking money to support her two sons, she enrolled in college to become a Certified Public Accountant (CPA). State laws at the time required students to live on-campus and as a consequence, Gregg and his older brother Duane were sent to Castle Heights Military Academy in nearby Lebanon. A young Gregg interpreted these actions as evidence of his mother’s dislike for him, though he later came to understand the reality: “She was actually sacrificing everything she possibly could—she was working around the clock, getting by just by a hair, so as to not send us to an orphanage, which would have been a living hell.” Continue reading Gregg Allman 5/2017

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Jimmy LaFave 5/2017

Jimmy LaFave - Red Dirt Music

May 21, 2017 – Jimmy LaFave was born July 12, 1955 in Willis Point, Texas where he was also raised. Music was his destiny from very early on, but he started his journey on drums.

Some years later he moved to Stillwater, Oklahoma and played in the school band but at age 15 LaFave switched to guitar and began writing and singing his own songs in a band called The Night Tribe.

After graduating from high school LaFave played music at night while working during the day. He had a job as the manager of a music club called Up Your Alley and during this period recorded the albums Down Under in 1979 and Broken Line in 1981. Continue reading Jimmy LaFave 5/2017

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Curtis Womack 5/2017

curtis womack of the valentinosMay 21, 2017 – Curtis Womack (The Valentinos) was born on October 22, 1942 in Charleston, West Virginia, U.S.A. He was second oldest of the five Womack Brothers (Friendly, Curtis, Bobby, Harry, Cecil), and started singing together with his siblings at their father’s church in Cleveland. In 1954, they formally were named Curtis Womack and the Womack brothers with Curtis and, occasionally, Bobby singing lead. Continue reading Curtis Womack 5/2017

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Kenny Cordray 5/2017

kenny cordray blues guitarist

May 21, 2017 – Kenny Cordray was born on July 21, 1954 in Dallas Texas and moved to  Houston, Texas in 1966 where he learned to play guitar on British invasion  songs from the Animals and Them (Gloria etc).

In 1968 he went to see a gig of the Children where the guitar player didn’t show up. He sat in and soon signed up.

Subsequently Cordray became the lead guitarist for THE CHILDREN under the ATCO label and later on ODE records produced by Lou Adler. He co-wrote the ZZ-Top hit song “Francine,” which peaked at 69 on the Billboard Hot 100, with Steve Perron for ZZ Top’s album “Rio Grande Mud.” Continue reading Kenny Cordray 5/2017

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Chris Cornell 5/2017

frontman Chris CornellMay 17, 2017 – Chris Cornell (Soundgarden) was born Christopher John Boyle on July 20, 1964 in Seattle, Washington, where he was also raised. He was the fourth of six children. His father, Ed, was a pharmacist; his mother, Karen, was an accountant. Cornell was a loner; he tried to deal with his anxiety around other people through rock music but during his early teenage years, he spiraled into severe depression and almost never left the house. His first favorite band were the Beatles. A noteworthy rumor later was that Cornell spent a two-year period between the ages of nine and eleven solidly listening to the Beatles after finding a large collection of Beatles records abandoned in the basement of a neighbor’s house. Continue reading Chris Cornell 5/2017