September 5, 2017 – Holger Czukay was born on March 24, 1938 in the Free City of Danzig (since 1945 Gdańsk, Poland), from which his family was expelled after World War II. Due to the turmoil of the war, Czukay’s primary education was limited. One pivotal early experience, however, was working, when still a teenager, at a radio repair-shop, where he became fond of the aural qualities of radio broadcasts (anticipating his use of shortwave radio broadcasts as musical elements) and became familiar with the rudiments of electrical repair and engineering.
Czukay studied music under Karlheinz Stockhausen from 1963 to 1966 and then worked for a while as a music teacher. Initially Czukay had little interest in rock music, but this changed, when a student played him the Beatles’ 1967 song “I Am the Walrus”, a 1967 psychedelic rock single with an unusual musical structure and blasts of AM radio noise. This opened his ears to music by rock experimentalists such as The Velvet Underground and Frank Zappa. Continue reading Holger Czukay 9/2017
December 5, 2007 –Karlheinz Stockhausen was born on August 22, 1928 near Cologne in Germany. I have hesitated celebrating him in this Ode to Rock and Roll, because strictly spoken he is a composer of music. In the end I felt in favor of inclusion because so many rock performers have admitted to be influenced by the man’s incredible body of work created in electronic music. Pink Floyd, Zappa, the Who, Jefferson Airplane, the Grateful Dead, Bjørk, Kraftwerk, the Beatles, all reflect his influence on their own avant-garde experiments as well as the general fame and notoriety he had achieved by that time.
As a composer he is widely acknowledged by critics as one of the most important composers of the 20th and early 21st centuries. Critics have called him “one of the great visionaries of 20th-century music”. He is known for his ground-breaking work in electronic music, aleatory in serial composition, and musical.
November 23, 2006 – April Lawton (Ramatan) was born on July 30th 1948 on Long Island New York. As guitar virtuoso, singer, and composer she came to notice in the early 70s as the lead guitarist of the criminally underrated rock band Ramatam, which also included former Iron Butterfly guitarist Mike Pinera and the former Jimi Hendrix drummer Mitch Mitchell. With Jimi just dead, she was hailed as the female Jimi Hendrix by many, and her style was a mix of Jeff Beck, Hendrix, Eric Clapton and Alan Holdsworth. When Pinera and Mitchell left after the self titled debut album, she stayed with Ramatam for “In April Came the Dawning of the Red Suns”, in my opinion one of the most incredibly versatile instrumental albums ever recorded. Continue reading April Lawton 11/2006