Category: GUITARISTS

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Robbie Robertson – 8/2023

Robbie Robertson (the Band) was born in Toronto, Canada on 5 July, 1943. His mother, Rosemary Dolly Chrysler, was a Cayuga/Mohawk Indian who had been raised on the Six Nations Reserve near Toronto. The man whom he believed to be his father and who raised him until he was in his early teens, James Robertson, was a factory worker.

When he was a child, his mother often took him to the Six Nations Reserve, where it seemed that everyone played a musical instrument or sang or danced. He thought “I’ve got to get into this club. I think the guitar looks pretty cool.” His mother bought him one, his older cousin Herb Myke taught him how to play.

“Rock ’n’ roll suddenly hit me when I was 13 years old,” Robertson told Classic Rock magazine in 2019. “That was it for me. Within weeks I was in my first band, Little Caesar and the Consuls,” with whom he performed covers of the then current rock and roll and r&b hits. In 1957 he formed Robbie and the Rhythm Chords with his friend Pete “Thumper” Traynor (who later founded Traynor Amplifiers). They changed the name to Robbie and the Robots after they watched the film Forbidden Planet and took a liking to the film’s character Robby the Robot. Traynor customized Robertson’s guitar for the Robots, fitting it with antennae and wires to give it a space age look. Traynor and Robertson joined with pianist Scott Cushnie and became The Suedes. 

His parents separated around that time, and his mother told him that his biological father was a Jewish professional gambler named Alexander David Klegerman, who had been killed in a hit-and-run accident before she met James Robertson. Years later In his memoir, “Testimony”, he wryly commented on his Indian and Jewish heritage: “You could say I’m an expert when it comes to persecution.”

In 1959, the Suedes, got a crucial break when they were seen by the Arkansas-based rockabilly star Ronnie Hawkins.

Hawkins saw enough in Mr. Robertson to write two songs with him, ‘Hey Baba Lou’ and ‘Someone Like You’, which he recorded, and he later invited that teenage guitarist to join his band, the Hawks, initially on bass. Roy Buchanan, a few years older than Robertson, was briefly a member of the Hawks and became an important influence on Robertson’s guitar style: “Standing next to Buchanan on stage for several months, Robertson was able to absorb Buchanan’s deft manipulations with his volume speed dial, his tendency to bend multiple strings for steel guitar-like effect, his rapid sweep picking, and his passion for bending past the root and fifth notes during solo flights.” Robertson soon developed into a veritable guitar virtuoso.

The Hawks also included Levon Helm on drums; by 1961, the other future members of the Band were also in the fold. They toured with Hawkins for two more years and recorded for Roulette Records. By 1964, they had gone off on their own as Levon and the Hawks.

The Hawks recorded a few singles for Atco, all written by Robertson, and in 1965 he was contacted by Bob Dylan’s management and invited to be part of his backing group. While he initially refused, he did perform with Dylan in New York and Los Angeles, bringing along Levon Helm for those gigs. At Robertson’s insistence, Dylan wound up hiring all the other future members of the Band (Garth Hudson, Levon Helm, Richard Manuel, Robbie Robertson and Rick Danko) for the full tour. Three of his fellow members — the drummer Levon Helm, the pianist Richard Manuel and the bassist Rick Danko — expressed those characters in distinctly aching vocals. Robertson rarely sang lead, instead finding his voice in the guitar.

Dylan also invited Robertson to perform in 1966 on a session for his album “Blonde on Blonde.” The next year, he asked the Hawks to move to his new base in the Woodstock area, and they rented a house in nearby Saugerties that was later known as Big Pink. It was there that they recorded the music released as “The Basement Tapes” and worked on the songs that would be included on “Music From Big Pink.”

“It was like a clubhouse where we could shut out the outside world,” Robertson wrote in his memoir. “It was my belief something magical would happen. And some true magic did happen.”

When “Music From Big Pink” was released in the summer of 1968, it boasted seminal songs written by Robertson like “The Weight” and “Chest Fever,”along with strong pieces composed by other members of the Band as well as by Dylan. “This album was recorded in approximately two weeks,” according to another close Dylan associate, Al Kooper. “There are people who will work their lives away in vain and not touch it.”

For the Band’s follow-up album, “The Band,” released in 1969, Robertson either wrote or co-wrote every song, including some of his most enduring creations, among them “Up On Cripple Creek,” “Rag Mama Rag,” and “The Night They Drove Old Dixie Down,” which became a Top Five Billboard hit in a version recorded by Joan Baez. The album reached No. 9 on the magazine’s chart.

The Band’s next effort, “Stage Fright,” released in 1970, shot even higher, peaking at No. 5, buoyed by Robertson compositions like the title track and “The Shape I’m In.” Those songs, like many on the album, expressed deep anxiety and doubt, a theme that carried over to “Cahoots,” released in 1971. And while that album broke Billboard’s Top 20, it wasn’t as rapturously received as its predecessors. Possibly because time were changing fast in those year. Three of his fellow members — drummer Levon Helm, pianist Richard Manuel and bassist Rick Danko — expressed his anxiety and doubt in distinctly aching vocals. Mr. Robertson rarely sang lead, instead finding his voice in the guitar.

In its day, the Band’s music stood out as well by inverting the increasing volume and mania of psychedelic rock and by sidestepping its accent on youthful rebellion. “We just went completely left when everyone else went right,” Robertson said. The ripple effect of that sound and image went wide on impact, landing the group on the cover of Time magazine in 1970 and inspiring a host of major artists to create their own homespun amalgams, from the Grateful Dead’s album “American Beauty” (1970) to Elton John’s “Tumbleweed Connection,” released the same year. The Band’s music so affected fellow guitarist Eric Clapton that he actually lobbied for entry into their ranks. (The offer was politely declined.)

Robertson produced an album for Jesse Winchester in 1970 and played on Ringo’s ‘Ringo’ (1973) and ‘Goodnight Vienna’ (1974). He is heard on Joni Mitchell’s ‘Court and Spark’ and played guitar on ‘Mockingbird’ for James Taylor and Carly Simon. He was now one of the most sought after session musicians, working with Eric Clapton on ‘No Reason To Cry’ and producing Neil Diamond’s ‘Beautiful Noise’.

A collection of blues and R&B covers, “Moondog Matinee,” was released in 1973, and Robertson’s muse fully returned in 1975 on the album “Northern Lights — Southern Cross,” which included “Acadian Driftwood,” his first composition with a Canadian theme. The original group’s final release, “Islands” (1977), consisted of leftover pieces and was issued mainly to fulfill the group’s contract with its label, Capitol Records.

In 1976, Robertson made the decision that The Band would stop touring. It caused the break-up of the group but they went out with one final concert, called ‘The Last Waltz’. The Band was booked to perform at Winterland Ballroom in San Francisco on 25 November, 1976. Robbie asked film director Martin Scorsese to film the event. The Band would perform with famous friends including included Ronnie Hawkins, Muddy Waters, Paul Butterfield, Dr. John, Bob Dylan, Eric Clapton, Van Morrison, Neil Diamond, Joni Mitchell, Neil Young and Emmylou Harris.

After the Band’s demise in 1977, Robertson released five solo albums, but devoted most of his artistic effort to movies, as a music producer or score composer.

The same year as “The Last Waltz,” Robertson produced a Top Five platinum album for Neil Diamond, “Beautiful Noise,” and a double live album by Mr. Diamond, “Love at the Greek,” which made Billboard’s Top 10 and sold more than two million copies.

Robertson told Musician magazine that he broke up the Band because “we had done it for 16 years and there was really nothing else to learn from it.” Another strong factor was Mr. Robertson’s frustration over hard drug use by most of the other members.

Without Robbie Robertson, the other members of the Band released three albums in the 1990s; the last, “Jubilation,” in 1998, was without Richard Manuel, who had died by suicide 12 years earlier at 42. Rick Danko died of heart failure in 1999 at 56, Levon Helm of throat cancer in 2012 at 71. 

Over the years, other members of the Band accused Robertson of taking more songwriting credits than he deserved. To them, it was a cooperative effort, with the other members adding important arrangements and contributing elements that helped define the essential character of the recordings. Levon Helm was particularly vociferous in his condemnation, amplified by his furious 1993 memoir, “This Wheel’s on Fire.”

In his own memoir, Robbie Robertson wrote of Levon Helm, “it was like some demon had crawled into my friend’s soul and pushed a crazy, angry button.”

The collaborations with Scorsese continued. Robbie scored Martin’s 1980 movies ‘Carney’ and ‘Raging Bull’ then later ‘The King of Comedy’ and ‘The Color of Money’. For ‘The Color of Money’, Robbie co-wrote the hit song for Eric Clapton ‘Its In The Way That You Use It’. Robertson also collaborated on film and TV soundtracks such as Casino (1995), Gangs of New York (2002), The Wolf of Wall Street (2013), Silence (2016), The Irishman (2019), and Killers of the Flower Moon (2023).

With his history it was remarkable that Robbie Robertson didn’t release a solo album until 1986. ‘Robbie Robertson’ was produced by Daniel Lanois and featured appearances from all members of U2, Peter Gabriel and his former Band mates Rick Danko and Garth Hudson.

Robbie Robertson’s fifth and final solo album appeared in 2019 with a title, “Sinematic,” that underscored his devotion to film work in his last four decades. He recently completed the score for his 14th film project, Scorsese’s “Killers of the Flower Moon,” which is scheduled to be released in the fall of 2023.

Robbie Robertson took his marvelous talents elsewhere when he departed this world on August 9, 2023 after a lengthy battle with prostrate cancer.

Marveling over where life had taken him, Mr. Robertson once told Classic Rock magazine: “People used to say to me, ‘You’re just a dreamer. You’re gonna end up working down the street, just like me.’ Part of that was crushing, and the other part is, ‘Oh yeah? I’m on a mission. I’m moving on. And if you look for me, there’s only going to be dust.’”

Robbie Robertson was inducted into the Canadian Juno Hall of Hall in 1989. In 1994, The Band were inducted into The Rock and Roll Hall of Fame. Robbie was inducted into Canada’s Walk of Fame in 2003. In 2005, he received a doctorate from York University and in 2006 the Governor General’s Performing Arts Award. In 2008 Robbie was given a Lifetime Grammy Achievement Award. In 2011, he was inducted into the Canadian Songwriters Hall of Fame and in 2011 made Officer of the Order of Canada.

Robbie is also on Canada’s Walk of Fame, he received the Lifetime Achievement Award at the Native American Music Awards in 2017 and was given the keys to the city of Toronto in 2019.

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Dan Hicks – 2/2016

Dan Hicks (Hot Licks) was born in Little Rock, Arkansas on December 9, 1941, the only child of Ivan L. Hicks (a career United States Army and United States Air Force non-commissioned officer) and the former Evelyn Kehl. At age five, Hicks moved with his family to California. Following brief stints in Lomita, Cambria, and Vallejo, the family settled in Santa Rosa, the largest city in the North Bay subregion of the San Francisco Bay Area, where he was a drummer in grade school and played the snare drum in his school marching band.

At 14, he was performing with area dance bands. While in high school, he had a rotating spot on Time Out for Teens, a daily 15-minute local radio program. After receiving an A.A. in general education from Santa Rosa Junior College, he went on to earn a B.A. in broadcasting from San Francisco State College in 1965. Taking up the guitar in 1959, he became part of the American folk music revival scene during his undergraduate studies, often dropping out intermittently to perform at venues across the United States. Strongly influenced by the Jim Kweskin Jug Band, he would cultivate friendships with several of the group’s members (most notably Maria Muldaur) later in life.

Although he maintained an equivocal stance toward rock music (lauding the early recordings of Elvis Presley and The Byrds while retrospectively maintaining that “rock has never really been my thing”), Hicks joined seminal San Francisco psychedelic rock band The Charlatans on drums in 1965.

In this capacity, he participated in the group’s celebrated summer 1965 engagement at the Red Dog Saloon in Virginia City, Nevada. After the band failed to secure a long-term recording contract, he switched to rhythm guitar in 1967 and briefly performed his original material as the group’s frontman before leaving in 1968.

When Hicks reformed the band circa 1972, Page and Leopold remained, and vocalists Naomi Ruth Eisenberg and Maryann Price joined, followed later by guitarist John Girton. This group recorded three albums, culminating in 1973’s Last Train to Hicksville on which the group first added a sparingly used drummer, Bob Scott. Last Train to Hicksville was so good that Rolling Stone magazine put Hicks’ mustachioed mug on its highly coveted cover.

Though he disbanded the Hot Licks in 1974 at the peak of its popularity. Of this move, Hicks said, “I didn’t want to be a bandleader anymore. It was a load and a load I didn’t want. I’m basically a loner.”

For the next fifteen years, Hicks chose a lower profile, playing solo acoustic shows; writing commercial jingles for products such as Levi’s, Bic Lighters, and Ball Park Franks; and composing scores for films and television programs—most notably the score for the animated Ralph Bakshi film Hey Good Lookin’ (1982). Hicks’s songs were featured in the popular television shows The Sopranos and The Osbournes,and Hicks appeared in the Gene Hackman legal drama Class Action(1991), performing two songs in the film. During this period, Hicks was involved in only musical two projects that resulted in commercially released music; both were relatively obscure and remain somewhat rare.

In 1998, Hicks poised himself for a return to the mainstream when he signed a deal with Surfdog Records. This resulted in Beatin’ the Heat (2000), which became his first release with the newly re-formed Hot Licks since 1973. After that, he released a number of studio albums and collaborated with artists such as Jim Keltner, Gibby Haynes, Elvis Costello, Rickie Lee Jones, Van Dyke Parks, Willie Nelson, and Jimmy Buffett. Hicks’s music is featured regularly on the Buffett-affiliated Sirius/XM satellite radio station Radio Margaritaville. In 2009, Hicks released Tangled Tales, his fifth album with Surfdog Records. Hicks and his band also released a Christmas album in 2010.

On tour in 2007, Dan Hicks’ Hot Licks included Paul Smith, Dave Bell, Richard Chon, and the two “Lickettes,” Roberta Donnay and the mono-monikered Daria. The combo paid homage to jazz greats such as Django Reinhardt with “Topsy” and Fats Waller with “Honeysuckle Rose.” Hicks sang Tom Waits’ infamous anthem to alcohol, “The Piano Has Been Drinking,” while the ladies were featured on “I’m an Old Cowhand,” a big hit for Bing Crosby back in 1936.

“My music is kind of a blending,” Hicks told a Colorado concert audience that year. “We have acoustic instruments. It starts out with kind of a folk music sound, and we add a jazz beat and solos and singing. We have the two girls that sing, and jazz violin, and all that, so it’s kind of light in nature. It’s not loud, and it’s sort of, in a way, kinda carefree. Most of the songs are, I wouldn’t say funny, but kinda maybe a little humorous. We all like jazz, so we like to play in a jazzy way, with a swing sound you know, so I call it ‘folk swing.’ There are a lot of original tunes that I’ve been writing through the years, so that has its personal touch on it.”

Discs released in 2009 and 2013 show Hicks still dabbling in early jazz and swing. The CD Tangled Tales has Hicks crooning “The Blues My Naughty Baby Gave to Me” from 1919 and “Ragtime Cowboy Joe” from 1912. On 2013’s Live at Davies, Hicks handled “Hummin’ to Myself” by the Washboard Rhythm Kings and Duke Ellington’s “Take the A Train.” “Dan was one of contemporary music’s true innovators,” said Patricia Lockwood-Blais, poet, novelist, and essayist, who booked him in 2007 to play the Earlville Opera House in Upstate New York. “And his wit was irresistible.” In fact, humor has always been an important part of the Hot Licks’ act.

Dan Hicks died Feb. 6, 2016 at his home in Mill Valley, Ca, after a lengthy bout with throat and liver cancer. He was 74.

In a report on his death, the New York Times called Hicks “defiantly unfashionable, proudly eccentric and foot-tappingly catchy.”

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Eddie van Halen 10/2020

Tapping virtuoso Eddie van HalenBorn in Amsterdam, Netherlands, on January 26, 1955 Edward Lodewijk – Eddie van Halen was the son of Jan van Halen and Eugenia (née van Beers). Jan was a Dutch jazz pianist, clarinetist and saxophonist and Eugenia was born Indonesian from Indonesian and Italian parents in the town of Rangkasbitung on the island of Java in what was then called the Dutch East Indies (now Indonesia). Jan and Eugenie married in August 1950 and re-emigrated on March 4th 1953 on board of the ship “Sibajak” to Holland, where they settled in Amsterdam. Shortly after the birth of Eddie, the family moved to Nijmegen, where they lived at 59 Rozemarijnstraat. On February 22nd 1962 the Van Halen’s moved again, this time by boat across the Atlantic to New York. After which they proceeded on a continent-crossing journey by train to finally settle in California, where they lived in Pasadena at 1881 Las Lunas Street for two decades. It was here that the two Dutch born Indo-Americans started to write music history and the swirling Van Halen story began.

After experiencing mistreatment for their mixed-race relationship in the 1950s, the parents moved the family to the U.S. in 1962. They settled near other family members in Pasadena, California, where Eddie and his brother Alex attended a segregated elementary school. Since the boys did not speak English as a first language, they were considered “minority” students and experienced bullying by white students

Eddie and his older brother, Alex Van Halen, became naturalized U.S. citizens. The brothers learned to play the piano as children starting at the age of six. They commuted weekly between Pasadena and San Pedro to study with an elderly piano teacher, Stasys Kalvaitis.

Even though van Halen was never taught to read music, he learned by watching recitals of Bach or Mozart and improvise. From 1964 through 1967, he won first place in the annual piano competition held at Long Beach City College. His parents wanted the boys to be classical pianists, but van Halen gravitated towards rock music. Consequently, when Alex began playing the guitar, Eddie bought a drum kit for himself; however, after he heard Alex’s performance of the Surfaris’ drum solo in the song “Wipe Out”, he gave Alex the drums and began learning how to play the electric guitar. According to him, as a teen, he would often practice while walking around at home with his guitar strapped on or sitting in his room for hours with the door locked.

Van Halen and his brother Alex formed their first band with three other boys, calling themselves The Broken Combs, performing at lunchtime at Hamilton Elementary School in Pasadena, when he was in the fourth grade. He would later cite this performance as key to his desire to become a professional musician.

Eddie van Halen described supergroup Cream’s “I’m So Glad” on the album Goodbye as “mind-blowing”. He once claimed that he had learned almost all of Eric Clapton’s solos in the band Cream “note for note… I’ve always said Eric Clapton was my main influence,” he said, “but Jimmy Page is actually more the way I am, in a reckless-abandon kind of way.”

Eddie and his brother Alex formed the band Mammoth in 1972. Two years later, David Lee Roth joined Mammoth as lead singer and Mammoth officially changed its name to Van Halen and became a staple of the Los Angeles music scene, playing at well-known clubs like the Whisky a Go Go.

At a 1976 concert at The Starwood in California, the band opened for UFO. Kiss bassist Gene Simmons saw the performance, and said: “I was waiting backstage by the third song.” He asked the band about their plans, and they said: “There is a yogurt manufacturer that is going to invest in us.” Gene begged them not to go that route and invited them to record some demos at Electric Lady Studios in Greenwich Village in New York City. Gene then signed them to his company and the band recorded early demos of their songs, including “Runnin’ with the Devil“. Excited about the band, Gene approached Kiss manager Bill Aucoin and Kiss frontman Paul Stanley about them, but they dismissed his desire to sign them to Aucoin’s management fold. Stanley later said he “rejected Van Halen to protect Kiss”, and that they made an effort to make Gene drop the band to “keep Gene in check”. The discouraging words caused Gene to rip up the contract, and he “let them go” after feeling he may have held the band back. The next year, Warner Records offered Van Halen a recording contract.

Van Halen’s major label debut, their self-titled 1978 album, launched the group into super stardom with hits such as “Runnin’ with the Devil”, “Ain’t Talkin’ ’bout Love”, “Jamie’s Cryin'”. The album also contains Eddie Van Halen’s instrumental “Eruption”, considered one of the best electric guitar solos of all time. The song globally popularized the technique of two-handed tapping, which he had painstakingly perfected after seeing Jimmy Page do it on the song “Heartbreaker”. The technique was first shown by Italian Guitarist-Physician Vittorio Camardese.

The band continued their success with a string a hit albums: Van Halen II (1979), Women and Children First (1980), Fair Warning (1981), Diver Down (1982) and 1984 (1984). By the early 1980s, Van Halen was one of the most successful rock acts of the time.

In late 1982 Eddie recorded the solo on the Michael Jackson song “Beat It” when Pete Townshend became unavailable and recommended him. Eddie met with Quincy Jones and Jackson. Unsure of what he could add to a pop song, he played along with the song and ended up restructuring it and adding the classic solo.

In a 2012 CNN interview, he said, “I listened to the song, and I immediately go, ‘Can I change some parts?’ I turned to the engineer and I go, ‘OK, from the breakdown, chop in this part, go to this piece, pre-chorus, to the chorus, out.’ Took him maybe 10 minutes to put it together. And I proceeded to improvise two solos over it.” He added, “I was just finishing the second solo when Michael walked in. And you know artists are kind of crazy people. We’re all a little bit strange. I didn’t know how he would react to what I was doing. So I warned him before he listened. I said, ‘Look, I changed the middle section of your song.’ Now in my mind, he’s either going to have his bodyguards kick me out for butchering his song, or he’s going to like it. And so he gave it a listen, and he turned to me and went, ‘Wow, thank you so much for having the passion to not just come in and blaze a solo but to actually care about the song and make it better.” Eddie was so pleased he refused payment for his work.

Ironically, Jackson’s Thriller went to the #1 spot on the charts, pushing Van Halen’s album 1984 to #2. 1984 went five-times Platinum a year after its release. Its lead single, “Jump”, became the band’s first and only #1 pop hit and brought them a Grammy nomination. Beat It  however became one of the best selling single ever, with more than 11 million copies sold.

In 1985 there was a falling out between David Lee Roth and the Van Halen brothers. Roth left and was replaced by Sammy Hagar. The change did not affect the Band’s popularity, clearly indicating that Eddie had the dominant drawing power of all the players in the Band. In later years Sammy Hagar was replaced by Gary Cherone, and at one point Roth actually returned for a few performances.

Van Halen engaged in several projects outside of the band, including solo work and partnerships with his brother on film soundtracks (such as The Wild Life, Twister, and Sacred Sin) as well as musical collaborations with Kiss bassist Gene Simmons, singer/songwriter Nicolette Larson, Queen guitarist Brian May, Sammy Hagar, Black Sabbath, ex-Pink Floyd’s Roger Waters, Toto guitarist Steve Lukather, and LL Cool J.

In 2004, Van Halen made a comeback and announced another national tour. The tour made stops in many cities. Unfortunately the tour was marred by reported dissension among the players. But the loyalty of Eddie’s, and the Band’s, fans still made it a triumphant tour. The success of the 2004 tour made it likely that another tour would be on the horizon. And in August 2007, the Band’s Fall 2007 tour was announced. It would begin at the end of September, and make about 40 stops. The Band’s original successful lead singer, David Lee Roth, would be back, and Eddie’s son, Wolfgang [Wolfie] Van Halen would play bass.

Van Halen struggled with alcoholism and drug abuse. He began smoking and drinking at the age of 12, and he stated that he eventually needed alcohol to function. He entered rehabilitation in 2007, and later shared in a 2015 interview that he had been sober since 2008. Rock and Roll lifestyle during his rock years probably led to his many illnesses over the years.

Speaking at an event at the Smithsonian’s National Museum of American History in 2015, Van Halen discussed his life and the American Dream, saying “We arrived here with approximately $50 and a piano, and we didn’t speak the language. Now look where we are. If that’s not the American dream, what is?” Of course this was largely due to his talent and an era in history were his talent and tenacity to learn, was greatly valued.

Van Halen was inducted into the Rock & Roll Hall of Fame in 2007. His son, Wolfgang Van Halen, continued his father’s legacy when he became Van Halen’s bassist in 2006. During its life, the “Van Halen’s” album sales exceeded 75 million albums. Eleven of their studio albums reached the top 20 of the Bill Board’s music charts. The Band has the most #1 hits on Bill Board’s Main Stream, a record that is recorded in the Guiness Book of World Records. A total of 26 albums, 16 singles, 2 box sets and 5 videos of the Band were produced, marketed and sold.

Eddie Van Halen died from a stroke on October 6, 2020 after a 10 year battle with lung cancer. He was 65. He is survived by his son, his wife Jamie, and his ex-wife, Valerie Bertinelli, all of whom were by his side at the hospital.

Some Tributes:

Kenny Chesney – “He was a friend and and a hero to anyone who has ever picked up a guitar and had a dream,” Chesney wrote. “Eddie and his brother Alex joined us on stage at one of our stadium shows in Los Angeles and it was one of the highlights of my touring life in all my summers on the road. I will never forget that night and how happy we both were that our musical paths crossed that night on stage. Rest In Peace to the best guitar player that ever lived.”

Valerie Bertinelli, Van Halen’s ex-wife and the mother of his son Wolfgang, shared a moving message to her ex-husband on Twitter. “40 years ago my life changed forever when I met you,” Bertinelli wrote. “You gave me the one true light in my life, our son, Wolfgang. Through all your challenging treatments for lung cancer, you kept your gorgeous spirit and that impish grin. I’m so grateful Wolfie and I were able to hold you in your last moments. I will see you in our next life my love.”

Black Sabbath bassist Geezer Butler: “Just when I thought 2020 couldn’t get any worse, I hear Eddie Van Halen has passed. So shocking,” wrote . “One of the nicest, down to Earth men I have ever met and toured with. A true gent and true genius. RIP. So sad. Thoughts go out to his brother Alex, and his family.”

Styx frontman Tommy Shaw:“I was heartbroken to hear the news of EVH’s passing.”  “A genius musician and quite an interesting personality. I first met him when we shared a dressing room with them in Germany for a TV music show there in the ’70s. Van Halen was new and ascending, and I observed him practicing his amazing guitar riffs in a style I’d never seen before. His style influenced a new generation of shredders. It was sad to hear about his health struggles, but always seemed to overcome them. Thank you Eddie for the incredible gifts of your music and live performances. History and music fans will remember and cherish you with the highest esteem.”

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Jeff Beck – 1/2023

Geoffrey Arnold “Jeff” Beck was born on 24 June 1944 in Wallington, South London to Arnold and Ethel Beck. Before Beck discovered guitar, his mother had wanted him to play the piano. But once his parents saw how Beck took to the guitar, they allowed it.  They probably thought, ‘If he’s got the guitar, he’s not going out stealing.’ The only friends he had were pretty low-life; most of them were one step away from jail.

Beck said that he first heard an electric guitar when he was six-years-old and heard Les Paul playing “How High the Moon” on the radio. He asked his mother what it was. After she replied it was an electric guitar and was all tricks, he said, “That’s for me”. As a ten-year-old, Beck sang in a church choir and his original musical direction was essential formed by the music his older sister, Annetta, brought home.  As a pre-teenager he learned to play on a borrowed guitar and made several attempts to build his own instrument, first by gluing and bolting together cigar boxes for the body and an un-sanded fence post for the neck with model aircraft control lines as strings and frets simply painted on it.

“The guy next door said, ‘I’ll build you a solid body guitar for five pounds’,” he later told Rock Cellar Magazine. “Five pounds, which to me was 500 back then so I went ahead and did it myself.
“The first one I built was in 1956, because Elvis was out, and everything that you heard about pop music was guitar. And then I got fascinated. I’m sure the same goes for lots of people.”

Beck’s sister Annetta introduced him to Jimmy Page when both were teenagers. Eventually, Beck bonded with another boy who was a budding guitarist in his neighborhood, Jimmy Page. The two musicians shared a passion for rockabilly music (Beck credited his older sister with buying the records that shaped his taste) and would try to impress each other with their skills. After leaving school, he attended Wimbledon College of Art. Then he was briefly employed as a painter and decorator, a groundsman on a golf course, and a car paint sprayer. In his early years he spent time in bands such as The Nightshift, the Tridents and then the Yardbirds, which he joined in 1965 to replace Eric Clapton.

The legacy of The Yardbirds three iconic guitar heroes Eric Clapton, Jeff Beck and Jimmy Page is a little bit convoluted, but Page did his best in later years to explain it in a video for Fender taped in connection to his signature Fender Telecaster, which is based on the guitar Jeff had gifted him and he used in the Yardbirds and in the early days of Led Zeppelin.

Page says he and Jeff initially connected due to their mutual interest in the guitar. Electric guitarists were a rare breed in rock and roll’s early days, he noted. “There weren’t many guitarists in the area at that point,” Page recalled. “You’d hear of other guitarists, you’d meet other guitarists, but nobody was in really close proximity to me. There was an art college at Epsom that Jeff Beck’s sister Annetta was attending.”

 Somehow Annetta heard about Page and got the idea that she should introduce her brother to the other local guitarist Page. One day, Jeff and Annetta just showed up at Page’s house. “There was a knock on the door, and there was Jeff’s sister, and there was Jeff holding his homemade guitar,” Page recalled. “We just bonded immediately.” Jeff eventually upgraded from his homemade guitar to a 1959 Fender Telecaster. Page came to possess the Tele after scoring Jeff a big break playing for the Yardbirds.

Page says he was a studio musician, working his way up to being a record producer, when he was approached about joining the Yardbirds. But he wasn’t ready to give up working in the studio, and he suspected Clapton was unaware of the conversation, so he recommended Jeff for the job. Jeff got the gig and soon bought himself a new guitar. But rather than keep his Tele as a backup, he gifted it to Page as a thank you. The Yardbirds were one of the U.K.’s biggest blues bands at that point.

Jeff Beck rose to fame as part of the Yardbirds, where he replaced Eric Clapton, before forming the Jeff Beck group with Rod Stewart.
His tone, presence and, above all, volume redefined guitar music in the 1960s, and influenced movements like heavy metal, jazz-rock and even punk. Beck earned two spots in the Rock & Roll Hall of Fame, in 1992 with the Yardbirds and as a solo artist in 2009. During the first induction he vented: “I have done other music after the Yardbirds, and somebody told me I should be proud tonight, but I’m not—because they kicked me out. They did. Fuck them.” Next to him, Jimmy Page, who’d eventually shared lead guitar duties with Beck during his final months with the band, burst out laughing.

Page was tapped to induct Beck into the Hall of Fame as a solo artist in 2009. “He’d just keep getting better and better and better,” Page said, recalling the records his friend began cutting after striking out on his own. “And he still had, all the way through. And he leaves us mere mortals, believe me, just wondering.” During that event Beck – said: “I play the way I do because it allows me to come up with the sickest sounds possible.”
“That’s the point now, isn’t it? I don’t care about the rules.
“In fact, if I don’t break the rules at least 10 times in every song, then I’m not doing my job properly.”

The formidable pair of guitar slingers then reunited on stage at the ceremony, dueling through “Beck’s Bolero,” an epic rock instrumental Page had composed 43 years earlier, to be Beck’s first solo recording. 

It is somehow impossible to describe the talent and musician ship of Jeff Beck. Outerwordly maybe, but then I curse myself for not having the vocabulary to do him true justice. I guess it was 1966 or 67 when I first ran into his guitar playing, when my amateur band took on Yardbirds’ songs like Heartful of Soul, For Your Love and especially “Shape of Things”. The last one in particular posed a challenge in the lead as bottlenecks were not yet on sale in our neck of the woods. I decided to use a beer bottle for the slide part, as I had seen Jeff do on TV. By the time he hooked up with Rod Stewart and Ron Wood a couple of years later, for the blues rock album “Truth”, Jeff was already in a different stratosphere. 

After the Yardbirds, Beck wielded his firepower to form the Jeff Beck Group, and was improbably joined by two more giants of rock history—singer Rod Stewart and rhythm guitarist Ronnie Wood. Even more volatile than his previous band, the Group lasted all of two albums before imploding on the eve of Woodstock.

Later came Beck, Bogert & Appice, a supergroup he created alongside former Vanilla Fudge bassist Tim Bogert and drummer Carmine Appice. The power trio produced one stripped-down record termed “docile” by Rolling Stone before Beck decamped. He cut an all-instrumental solo album, 1975’s Blow by Blow, which quickly went platinum.

Over the course of Beck’s solo career, seven of his 10 albums went gold. He was nominated for 16 Grammy awards, winning eight. In 2014, he was honored with the British Academy’s Ivor Novello Award for Outstanding Contribution to British Music. A year later, Rolling Stone gave him the No. 5 spot on its list of 100 greatest guitarists. They had no clue.

He also collaborated with the likes of David Bowie, Tina Turner, Mick Jagger, Stevie Wonder, and Jon Bon Jovi.

His solo output slowed down, until the release of 1999’s You Had It Coming, featuring Imogen Heap on vocals, followed in 2003 by an album he simply called Jeff. Around this time, he started incorporating more electronic and hip-hop elements into his music; culminating in his fourth Grammy victory for the tempestuous, shape-shifting instrumental Plan B. He toured extensively in the 2010s, including a joint-headline venture with Beach Boy Brian Wilson.
The duo had hoped to record together but those plans fell apart. Instead, Beck ended up befriending actor Johnny Depp, with whom he released a full-length album, 18, in 2022.
But the musician’s legacy lies in the balance between the fluidity and aggression of his playing, his technical brilliance equalled only by his love of ear-crunching dissonance.
“It’s like he’s saying, ‘I’m Jeff Beck. I’m right here. And you can’t ignore me’,” wrote Mike Campbell of the Heartbreakers in an essay for Rolling Stone’s Greatest Guitar Players of All Time, where Beck placed seventh. Of course Rolling Stone played to the popular ear, because really, no one could do what Jeff did on a guitar. Jeff transcended music, much in a way as Michael Jordan and Pelé did theirs.
“Even in the Yardbirds, he had a tone that was melodic but in-your-face – bright, urgent and edgy, but sweet at the same time. You could tell he was a serious player, and he was going for it. He was not holding back.”
“He’d just keep getting better and better,” Led Zeppelin’s Jimmy Page once recalled. “And he leaves us, mere mortals”.

Marking Beck’s death, Page tweeted, “The six stringed Warrior is no longer here for us to admire the spell he could weave around our mortal emotions. Jeff could channel music from the ethereal.”.

Jeff Beck had been sick over the Christmas Holidays and died on Tuesday, January 10, 2023 at a hospital near his home in Surrey, England. The cause of death was bacterial meningitis.

Some Tributes:

• Responding to news of his death, singer Rod Stewart called Beck “the greatest”.
Posting a picture of the pair together on Instagram, he wrote: “Jeff Beck was on another planet. He took me and Ronnie Wood to the USA in the late 60s in his band the Jeff Beck Group and we haven’t looked back since.
“He was one of the few guitarists that when playing live would actually listen to me sing and respond. Jeff, you were the greatest, my man. Thank you for everything. RIP.”

• US rock band Hollywood Vampires, comprising Johnny Depp, Alice Cooper, Joe Perry and Tommy Henriksen, also saluted “the passing of our dear friend and guitar legend”.
“Jeff’s incredible musicianship and passion for guitar has been an inspiration to us all,” the band wrote. “He was a true innovator and his legacy will live on through his music. Rest in peace, Jeff.”
Eric Clapton simply tweeted: “‘Always and ever’…….. ec”.

• Elsewhere, Led Zeppelin’s Jimmy Page paid tribute to Beck as “the six-stringed warrior” and praised his “apparently limitless” musical imagination which could “channel music from the ethereal”.

• In another rock tribute, Rolling Stones frontman Mick Jagger shared a video of the pair playing together, saying music had lost “one of the greatest guitar players in the world” and “we will all miss him so much”.

• Black Sabbath frontman Ozzy Osbourne said it had been “such an honor” to know and play with Beck, adding: “I can’t express how saddened I am…”

• And Queen guitarist Brian May said he was lost for words, but called Beck “the absolute pinnacle of guitar playing” and a “damn fine human being”. Then he took the opportunity to record a video praising Beck for making “possibly the most beautiful bit of guitar music ever recorded” with his track “Where Were You.” “If you want to hear his depth of emotion and sound and phrasing and the way he could touch your soul, listen to ‘Where Were You’ off the Guitar Shop album,” The Queen guitarist said in the clip. “Just Google ‘Where Were You Jeff Beck’ and sit down and listen to it for four minutes. It’s unbelievable.” “It’s possibly the most beautiful bit of guitar music ever recorded, probably alongside Jimi Hendrix‘s ‘Little Wing,’” he continued. “So sensitive, so beautiful, so incredibly creative and unlike anything you’ve ever heard anywhere else. Yes, of course he had his influences too, but he brought an amazing voice to rock music which will never, ever be emulated, or equaled.” May ended his video tribute with more praise for his fellow guitarist. “Jeff was completely and utterly unique, and the kind of musician who’s impossible to define,” he said. “And I was absolutely in awe of him.”

• Members of Kiss, Gene Simmons and Paul Stanley, also expressed their shock.
Simmons called the news “heartbreaking”, while Stanley said he had “blazed a trail impossible to follow. Play on now and forever”.
Singer Paul Young added in a Twitter post: “He was loved by everyone in the know; the guitarists’ guitarist!”

• “Jeff Beck has the combination of brilliant technique with personality,” the Heartbreakers’ Mike Campbell wrote when Beck placed Number Five on Rolling Stone’s list of the 100 Greatest Guitarists. “It’s like he’s saying, ‘I’m Jeff Beck. I’m right here. And you can’t ignore me.’ Even in the Yardbirds, he had a tone that was melodic but in-your-face — bright, urgent, and edgy, but sweet at the same time. You could tell he was a serious player, and he was going for it. He was not holding back.”

On a Personal Note:

Jeff Beck didn’t have a lot of songs that resonated with the masses in the way that other guitar heroes’ songs have. HIs music was too quirky, too outside, and just plain not catchy enough for him to have become as well known among the masses as a guy like Eric Clapton, Eddie van Halen or Jimmy Page.

Jeff Beck didn’t have a song like Cocaine where you just play the first few notes and everybody instantly recognizes it.

Instead he has classics like Freeway Jam. Not as many people will recognize this song as they will Layla or Voodoo Chile, but this is less rock and roll and more jazz fusion.

Yes, that’s Jimmy Page with Jeff Beck. And others! Listen to the part where they play some of The Immigrant Song. Hearing Jeff Beck play part of the vocal melody with all the whammy bar inflections he adds is pretty cool.

Jeff Beck isn’t known like Page and Beck doesn’t have a song like Stairway To Heaven and he doesn’t have a song with the popularity of The Immigrant Song either – at least not a song where Jeff Beck gets top billing. He had People Get Ready with Rod Stewart but wasn’t exactly the most cutting edge guitar playing Beck had to offer.

I saw Jeff Beck open for Stevie Ray Vaughan on SRV’s last tour, just a few months before the helicopter crash that took his life.  I loved Stevie Ray Vaughan’s set but Jeff Beck, even for us as guitarists was a little outside for our tastes. That was extreme though. He was really doing some real unusual stuff that night with the vibrato bar, intentionally bending notes out of tune just by micro-tones, and I guess Jeff Beck loved doing that, but while I have a ton of respect for him as a musician, I can understand why there were so many more kids trying to be like Eddie Van Halen than trying to be like Jeff Beck. Of course, if a kid wanted to try to be play like Jeff Beck, the big problem is: Where do you start? What would “playing like Jeff Beck” even call for? The concept is so nebulous! Play outside notes, sure, but which outside notes?

While I obviously didn’t always fully appreciate what he was artistically going for all the time, I’m glad that I got to see Jeff Beck play. He was and is a legend and will always be considered as one the best at what he did. Rest in Peace Jeff.

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John Cipollina 5/1989

May 29, 1989 (aged 45) John Cipollina and his twin sister Manuela were born in Berkeley, California, on August 24, 1943. Cipollina attended Tamalpais High School, in Mill Valley, California, as did his brother, Mario(born 1954), and sister, Antonia (born 1952). Their father, Gino, was of Italian ancestry. He was a realtor, and his mother, Evelyn, and godfather, José Iturbi, were concert pianists. John showed great promise as a classical pianist in his youth, but his father gave him a guitar when he was 12 and this quickly became his primary instrument.

Trained as a classical pianist, John Cipollina however didn’t just play the usual pentatonic rock and blues riffs; he meandered about the fretboard, producing a plethora of melodic and evocative notes, inflected with plenty of whammy bar, his signature, particularly during the psychedelic era. Simply stated, nobody played lead guitar like John Cipollina!

One of the forerunners of the San Francisco Bay Area sound in the middle 1960s, Cipollina played lead guitar for the fabulous Quicksilver Messenger Service, until the band went “poppy” in the early 1970s. Man do I remember playing Who do you love and Mona. Epic.

Cipollina had a unique guitar sound, mixing solid state and valve amplifiers as early as 1965. He is considered one of the fathers of the San Francisco sound, a form of psychedelic rock.

I like the rapid punch of solid-state for the bottom, and the rodent-gnawing distortion of the tubes on top.

To create his distinctive guitar sound, Cipollina developed a one-of-a-kind amplifier stack. His Gibson SG guitars had two pickups, one for bass and one for treble. The bass pickup fed into two Standel bass amps on the bottom of the stack, each equipped with two 15-inch speakers. The treble pickups fed two Fender amps: a Fender Twin Reverb and a Fender Dual Showman that drove six Wurlitzer horns.

After leaving Quicksilver in 1971, Cipollina formed the band Copperhead with early Quicksilver member Jim Murray (who was soon to leave for Maui, Hawaii), former Stained Glass member Jim McPherson, drummer David Weber, Gary Phillipet (AKA Gary Phillips (keyboardist), later a member of Bay Area bands Earthquake and The Greg Kihn Band), and Pete Sears. Sears was shortly thereafter replaced by current and longtime Bonnie Raitt bassist James “Hutch” Hutchinson who played on the Copperhead LP and stayed with the band for its duration. Copperhead disbanded in mid 1974 after becoming a staple in the SF Bay Area and touring the West Coast, Hawaii (Sunshine Crater Fest on New Years Day of 1973 with Santana), the South (opening dates for Steely Dan) and the Midwest.

In May 1974 Cipollina and Link Wray, whose playing and style had influenced John as a young musician and who he had met through bassist Hutch Hutchinson, performed a series of shows together along the West Coast (with Copperhead rhythm section Hutchinson & Weber and keyboardist David Bloom) culminating at The Whiskey in LA where they performed for four nights (May 15–19) on a bill with Lighthouse (band). Cipollina continued to occasionally perform with Wray for the next couple of years.

In 1975, the Welsh psychedelic band Man toured the United States, towards the end of which, they played two gigs at the San Francisco Winterland (March 21 and 22), which were such a success that promoter Bill Graham paid them a bonus and rebooked them. While waiting for the additional gigs, the band met and rehearsed with John Cipollina, who played with them at Winterland in April 1975. After this, Cipollina agreed to play a UK tour which took place in May 1975, during which their “Roundhouse gig” was recorded.

Rumors that Micky Jones had to overdub Cipollina’s parts, as his guitar was out of tune, before their Maximum Darkness album could be released are exaggerated; only one track, “Bananas”, was to have his track replaced, per Deke Leonard. “Everything … which sounds like Cipollina is Cipollina.”

During the 1980s, Cipollina performed with a number of bands, including Fish & Chips, Thunder and Lightning, the Dinosaurs and Problem Child. He was a founding member of Zero and its rhythm guitarist until his death. Most often these bands played club gigs in the San Francisco Bay Area, where Cipollina was well-known

Cipollina died on May 29, 1989, at age 45. His cause of death was alpha-1 antitrypsin deficiency, a lung disease, which he suffered from most of his life and which is exacerbated by smoking.

Quicksilver Messenger Service fans paid tribute to him the following month in San Francisco at an all-star concert at the Fillmore Auditorium which featured Nicky Hopkins, Pete Sears, David Freiberg, and John’s brother Mario, an original member of Huey Lewis and the News. Cipollina’s one of a kind massive amplifier stack was donated, along with one of his customized Gibson SG guitars, and effects pedals, for display in the Rock and Roll Hall of Fame and Museum in 1995.

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Gary Rossington 3/2023

Garry Rossington (Lynyrd Skynyrd) was born in West Jacksonville Florida on December 4, 1951. Anybody familiar with the area knows, that West Jacksonville was considered the tough part of town where things were different. It’s the area where Lynyrd Skynyrd was born.  And now every original member of Lynyrd Skynyrd is dead. A Southern Rock band of musicians that passed before their time. The kind that used “to rape and pillage” across the country, who got drunk, did drugs, got laid… That was Lynyrd Skynyrd or at least that was the band’s reputation.

I know I can’t say “rape and pillage” anymore. But that’s how we described the rock star lifestyle back in the seventies, and Lynyrd Skynyrd were part of the firmament of the seventies, even after the plane crash.

Rossington had a strong childhood interest in baseball and aspired as a child to one day play for the New York Yankees. Rossington recalled that he was a “good ball player” but upon hearing the Rolling Stones in his early teens he became interested in music and ultimately gave up on his baseball aspirations.

It was Rossington’s love of baseball that indirectly led to the formation of Lynyrd Skynyrd in the summer of 1964 when he was not yet 13 years old. He became acquainted with Ronnie Van Zant and Bob Burns while playing on rival Jacksonville baseball teams and the trio decided to jam together one afternoon after Burns was injured by a ball hit by Van Zant. They set up their equipment in the carport of Burns’ parents’ house and played The Rolling Stones’ then-current hit “Time Is on My Side”. Liking what they heard, they immediately decided to form a band. Naming themselves The Noble Five, with the additions of guitarist Allen Collins and bassist Larry Junstrom, they later changed the name of the band to The One Percent before eventually settling on the name Lynyrd Skynyrd in 1969.

Rossington grew up in a single-parent household and said that early in their relationship, Ronnie van Zant became something of a father figure to him. He credited Van Zant, who was three years his senior, with teaching him and his bandmates how to drive a car, as well as introducing them to “all that stuff you learn when you’re 14, 15, 16”.

According to a New York Times article, Lacy Van Zant, patriarch of the Van Zant family, once went to West Jacksonville’s Robert E. Lee High School to plead Rossington’s case to school administrators after the fatherless Rossington was suspended for having long hair. Lacy Van Zant explained to the assistant principal that Rossington’s father, who died shortly after Rossington was born, had died in the Army and that Rossington’s mother needed the money Rossington made playing in his band. Lacy Van Zant further explained that, like his own sons, they were working men and long hair was part of the job. It is not known if the elder Van Zant’s efforts were successful, but Rossington later dropped out of high school to focus on Lynyrd Skynyrd full-time.

Rossington’s instrument of choice was a 1959 Gibson Les Paul which he had purchased from a woman whose boyfriend had left her and left behind his guitar. He named it “Berniece” in honor of his mother, whom he was extremely close to after the death of his father. Rossington played lead guitar on “Tuesday’s Gone” and the slide guitar for “Free Bird”. Along with Collins, Rossington also provided the guitar work for “Simple Man”. Besides the Les Paul, he used various other Gibson Guitars including Gibson SGs. Gibson later released a Gary Rossington SG/Les Paul in their Custom Shop. For most of his career, he played through Marshall and Peavey amplifiers.

“Free Bird” was not an immediate hit. After all, Skynyrd was on Al Kooper’s Sounds of the South label, distributed by MCA, and you remember Skynyrd’s song about MCA, right? And just a sidenote re Al… He produced the first three LPs, the band’s best work… Better than the iconic Tom Dowd’s stuff thereafter.

So… Skynyrd penetrated the populace kind of slowly with their first album “Pronounced ….. This was not “Led Zeppelin IV,” where “Stairway to Heaven” was immediately added to playlists. In truth, Skynyrd didn’t really break through nationwide or globally until the second album, “Second Helping,” with “Sweet Home Alabama.”

It’s when their tracks started to permeate FM radio…

God, if today’s youngsters lived through the days of AOR in the seventies. EVERYBODY listened, the FM rock station was the heartbeat of America. If you tuned in, you learned everything you needed to survive. And you never missed a show because you were unaware of it, when a band came to town…

So as the decade wore on, and they had the Memorial 500 and other holiday countdowns, number one was always “Stairway to Heaven.” Number two was “Free Bird.” And eventually “Kashmir” was number three. Always, year after year.

You see Lynyrd Skynyrd had three lead guitarists. We’d seen two drummers, but three lead guitarists? It pushed the music over the line, made it special, magical. It was called a Guitar Army…Not Navy or Air Force, but Army, because that’s where most Southern Boys ended up in real life.

In 1976, Rossington and fellow Skynyrd guitarist Allen Collins were both involved in separate car accidents in their hometown of Jacksonville. Rossington had just bought a new Ford Torino and hit an oak tree while under the influence of alcohol and other drugs. The band was forced to postpone a tour scheduled to begin a few days later, and Rossington was fined US$5,000 for the delay his actions caused to the band’s schedule. The song “That Smell”, written by Van Zant and Collins, was based on the wreck and Rossington’s state of influence from drugs and alcohol that caused it.

“Sweet Home Alabama” was one of those one listen records. Looped you right in. I asked Al Kooper the backstory. Just after the first LP was released, the band called and asked to come up to Hot Lanta to record a new song. That wasn’t released for another year. I asked Al if he knew it was a hit. He said…IT WAS SWEET HOME ALABAMA!

Though in time Rossington fully recovered from the severe injuries sustained in the plane crash, and later played on stage again, with steel rods in his right arm and right leg, he battled serious drug addiction for several years, largely the result of his heavy dependence on pain medication taken during his recovery. Rossington co-founded the Rossington Collins Band with Collins in 1980. The band released two albums, but disbanded in 1982 after the death of Collins’ wife, Kathy.

One important thing you’ve got to know is Ronnie Van Zant was the frontman and the band leader, and not a reluctant one like Gregg Allman. Ronnie had a large personality, he was full of quotes, and he didn’t give a fuck, he’d say whatever he wanted. Point being, the rest of the band stayed relatively faceless. You only knew the rest of the players from the album covers. But the key songwriters were Van Zant, Allen Collins, occasionally Ed King and Gary Rossington. Rossington had his hands all over the hits.

Even though no one could replace Ronnie, the Skynyrd legend could not be kept down. Ultimately, around 1987, the band was reformed with Ronnie’s brother Johnny as lead vocalist, and over time the original players came and went, and then they ultimately passed away. For the next 30 or so years they kept touring with limited interruptions and no…It’s not like Gary Rossington’s death is a shock. He had so many health problems, it seemed inevitable. He  suffered a heart attack on October 8, 2015, after which two Lynyrd Skynyrd concerts had to be canceled; he underwent emergency heart surgery in July 2021…and then he finally gave out on March 5, 2023. 

Even if every original member of Lynyrd Skynyrd is dead…the music of Lynyrd Skynyrd is still young. Doesn’t sound dated. Sounds as fresh as the seventies, when rock ruled the world, when we thought it could never die.

Skynyrd was not background. It wasn’t the soundtrack to a video game. The band and its music stood alone. That was enough. No brand extensions were necessary. Ronnie Van Zant’s identity, the band’s image was enough. Long after all the perfumes and other chozzerai the “musicians” of today are purveying is gone, they’ll still be playing Skynyrd music.

You see our music wasn’t momentary, it was FOREVER! And a good portion still is.

But you can only really get the hit by listening to the records. And no one else could be Ronnie Van Zant and Gary Rossington. Without them, without either of them, it’s not Skynyrd. A band. Self-contained. Living the life we all wanted to. The dream was to go on the road, at least go backstage, just to touch, to be in the presence of these giants.

So it’s the end of an era, and those of us still here are left with this empty feeling. 

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Hilton Valentine 1/2021

Hilton Valentine – The Animals, was born on 21 May 1943 in North Shields, Northumberland, England, and was influenced by the 1950s skiffle craze – a kind of fusion of American folk, country, jazz and blues-. His mother bought him his first guitar in 1956 when he was 13, he taught himself some chords from a book called “Teach Yourself a Thousand Chords“. He continued to develop his musical talent at Tynemouth High School and formed his own skiffle group called the Heppers. They played local gigs and a newspaper described them at the time as, “A young but promising skiffle group”. The Heppers eventually evolved into a rock and roll band, the Wildcats in c. 1959. The Wildcats became a popular band in the Tyneside area, getting a lot of bookings for dance halls, working men’s clubs, church halls etc., and it was during this period that they decided to record a 10″ acetate LP titled Sounds of the Wild Cats. 

But then came the Animals! The group was formed in 1963 when Eric Burdon joined the Alan Price Rhythm and Blues Combo, which already included the other original members of The Animals. There are different versions of the origin of the name of the band. Some say they were nicknamed that way because of their “animal” attitude on stage and because they were sticky. Others say it was in honor of a friend of Eric Burdon’s who was nicknamed “animal”. They soon began to get noticed and in 1964, they moved to London to play at various well-known clubs in the capital.

Their style drew elements from blues, creating a style of psychedelic rock and hard rock that was unique for its time and influenced many later bands and artists. The Animals’ best-known song is “The House of The Rising Sun”, which reached number one on the popularity charts in both the UK and the United States.

Now the Animals were hobbled by being on MGM Records, which was never cool. We knew that back then, we saw the labels on the 45s, we knew the orange and yellow of Capitol, the red of Columbia…MGM was a lame label, without the infrastructure of its big time competitors. But the Animals were giants.

It was the summer of ’64. The summer of “A Hard Day’s Night.” The British Invasion was in full swing, our minds had expanded to encompass the work of seemingly everything from the U.K., assuming it was good. And the Animals were.

At that point most people had no idea “House of the Rising Sun” was a Dave Van Ronk staple, never mind being on Bob Dylan’s first LP, it was the rock sound that put the Animals’ version over the top. Of course you had Eric Burdon’s vocal, but there is not a boomer alive, that’s how ubiquitous hit songs were back then, who doesn’t know the opening guitar lick to “House of the Rising Sun.” That arpeggio lick was played by Hilton Valentine.

Now the original incarnation of the Animals only lasted until 1966. Sure, their hit-making era was only three years, from ’64-’66, but they’d paid dues before that, beginning in ’62, in Newcastle upon Tyne, an industrial area without the hipness of Liverpool, never mind London. The Animals had a dark name and they were perceived as dark. But they had a slew of hits.

“House of the Rising Sun”, of course was their breakthrough, and went to #1, but “We Gotta Get Out of This Place,” which only went to #13 in the U.S., was a bigger song, probably better remembered. Barry Mann and Cynthia Well wrote it, but the Animals made it their own, and it did not have the legacy of a standard, it was fresh, brand new.

As for “It’s My Life”…Eric Burdon was gonna ride that serpent, he was gonna break loose, because..

“It’s my life and I’ll do what I want
It’s my mind and I’ll think what I want”

This was the ethos of the sixties, it’s not the ethos of today. Our parents were not fighting us for attention, there was no question of them being our best friends, we were throwing off the chains of society, of expectations, we were gonna forge our own path.

It’s a great song, Burdon delivers it, but never underestimate the importance of Hilton Valentine’s twelve string guitar. And the Animals had other hits, but “Don’t Bring Me Down” is probably my favorite.

“When you complain and criticize
I feel I’m nothing in your eyes
It makes me feel like giving up
Because my best just ain’t good enough”

The hormones had awoken. Puberty was in full swing. What you wanted was too often unattainable. You had crushes. But to them you barely existed, if at all. But to you, they were everything. The only thing you had to soothe yourself was this music.

“Oh, oh no
Don’t bring me down”

Now in the case of “Don’t Bring Me Down” one cannot underestimate the importance of Dave Rowberry’s organ, and Eric Burdon sings with nuance, something absent from too much of today’s music, and it’s a great Gerry Goffin/Carole King song, but what truly makes “Don’t Bring Me Down” a hit is Hilton Valentine’s fuzz guitar. It’s a bedrock element of rock history. And you probably had no idea who Hilton Valentine was. He’s that guy!

Valentine left The Animals for a solo career after the original line-up split in 1966. He was very close with Eric Burdon and while there was no touring Hilton lived in the downstairs basement apartment of Eric’s Laurel Canyon home and when Burdon became frontman for War, he took Hilton Valentine with him on tour as their guitar tech. Valentine went on to take part in several reunions and toured with Burdon in 2007. He never left the music.
Based in Connecticut with his wife Germaine in recent years, he also released music with his band Skiffledog.

Hilton Valentine died 29 January 2021 at the age of 77.

Our heroes no longer die before their time, they don’t O.D., their bodies give out and they’re gone, and there are so many of them these days that their deaths are less shocking and get less attention, after all, nobody lives forever.

Eric Burdon paid tribute to Valentine on Instagram, writing: “The opening opus of Rising Sun will never sound the same!… You didn’t just play it, you lived it! Heartbroken by the sudden news of Hilton’s passing.
“We had great times together, Geordie lad. From the North Shields to the entire world…Rock In Peace.”

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Kim Simmonds – 12/2022

Kim Simmonds (Savoy Brown) was born Kim Maiden Simmonds on Dec. 5, 1947 in Caerphilly, Wales, to Henry Simmonds, an electrician, and Phyllis (Davies) Simmonds, a homemaker. As a child, he was drawn to the early rock ’n’ roll albums owned by his older brother, Harry, who later worked for Bill Haley’s British fan club.
“My brother took me to see all the rock ’n’ roll movies,I grew up with all that: Little Richard, Bill Haley and, of course, Elvis.”
By age 10 he had moved with his family to London, where his brother took him to jazz record stores that also sold blues albums. The singer and pianist Memphis Slim — one of the sophisticated blues guys that could keep one foot in the jazz world and one foot in the blues world became a favorite.
Simmonds bought his first guitar at 13 and began imitating the blues licks on the records he loved. So intent was he on a music career that he never completed high school.

A chance meeting at a record shop in 1965 with the harmonica player John O’Leary led to the formation of what was initially called the Savoy Brown Blues Band. (The first word in the name echoed the name of an important American jazz and R&B label) The group’s initial lineup featured six players, two of them Black — the singer Brice Portius and the drummer Leo Manning — making them one of the few multiracial bands on the British rock scene of the 1960s. Continue reading Kim Simmonds – 12/2022

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Wilko Johnson – 11/2022

Wilko Johnson (Dr. Feelgood) was born John Andrew Wilkinson on 12 July 1947 in Canvey Island, Essex, UK. One of his earliest memories was of the 1953 floods, which hit low-lying Canvey badly and caused many deaths. His father, a gas-fitter, was “a stupid and uneducated and violent person”, according to his son, and died when Wilko was a teenager. Canvey became a romantic place in Johnson’s mind, with its lonely views of the Thames estuary overshadowed by the towers and blazing fires of the nearby Shell Haven oil refinery. Johnson and his contemporaries dubbed the area the Thames Delta, in homage to the Mississippi Delta, which spawned the blues musicians they admired.
He first began playing the guitar after watching the Shadows on television, then later was inspired by Mick Green, guitarist with Johnny Kidd & the Pirates. Green’s knack for mixing up lead and rhythm guitar parts had a clear influence on Johnson’s technique. Wilko instinctively began to play left-handed, but forced himself to switch to right-handed. When he found that playing right-handed meant he could not hold a plectrum, he perfected a way of flicking his fingernails across the strings, which helped him to play the speedy, slashing rhythms that became his stock-in-trade. Continue reading Wilko Johnson – 11/2022

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Jeff LaBar 7/2021

jeff labar, lead guitar for cinderellaJeff LaBar (lead guitarist for Cinderella), born March 18, 1963 in Darby, Pennsylvania, he was of American and Japanese ancestry through his mother, June. He grew up in Upper Darby, , where he received primary education. Jeff had a particularly close relationship with his mother, June, who was his biggest inspiration in life. Young Jeff picked up guitar playing as a teenager, inspired by his older brother Jack, and he joined the local rock band Cinderella, replacing Cinderella’s original guitarist, Michael Schermick in 1985. The band was formed 3 years earlier and developed a following in the region, but with the arrival of LaBar, the band sparked into international stardom, with a string of platinum selling albums.

Jeff’s biggest musical influences though his early career were 1970s British rock bands, such as Led Zeppelin and Deep Purple, while he also enjoyed the psychedelic music of Pink Floyd, Jethro Tull and Genesis. In later years, he grew a liking to a heavier style of rock, particularly played by Alice Cooper and Black Sabbath.

Cinderella received first major recognition from the Kiss bass guitarist Gene Simmons, who tried to get them a deal with Kiss’ record label PolyGram, which the members of Cinderella ended up declining. However, after watching them perform in 1984, Jon Bon Jovi convinced the Mercury/Polygram Records executive Derek Shulman to sign Cinderella to his label, after extensive negotiations.
Cinderella released their debut album, “Night Songs” in August 1986, which became a huge success, launching the band into international stardom. Continue reading Jeff LaBar 7/2021

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Spencer Davis – 10/2020

Spencer Davis was born Spencer David Nelson Davies on 17 July 1939 in Swansea. He later changed his name to Davis because he disliked being called “Daveys”. A musical child, he took up the harmonica and accordion and although he passed seven O-levels at Dynevor School, Swansea, he left at 16 and moved to London where he landed a job with HM Customs and Excise. He did not take to it. “We always wrote in red ink,” he remembered, “it was like writing in my own blood. I thought I was writing my life away.” After 18 months he returned to school to study for A-levels, became head boy and in 1960 enrolled at Birmingham University.

By then he was an enthusiastic amateur musician, keen on skiffle, jazz and blues, and an accomplished guitarist, influenced by the rhythm and blues he heard on the radio and on records imported from America. As a student he often performed on stage in the evenings, playing in folk clubs in and around Birmingham. In music circles, Davis was later known as “Professor”.

His early musical influences were skiffle, jazz and blues. Musical artists who influenced Davis include Big Bill Broonzy, Huddy Ledbetter, Buddy Holly, Davey Graham, John Martyn, Alexis Korner and Long John Baldry. By the time he was 16, Davis was hooked on the guitar and the American rhythm and blues music making its way across the Atlantic. With few opportunities to hear R&B in South Wales, Davis attended as many local gigs as practically possible. Continue reading Spencer Davis – 10/2020

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Peter Green – 7/2020

Peter Green – Peter Allen Greenbaum was born into a Jewish family, the youngest of Joe and Ann Greenbaum’s four children, on Oct. 29, 1946, in Bethnal Green, London’s East End. His grandparents were Jewish immigrants from Poland and Ukraine. Fascism and anti-Semitism were on the rise in England as well as Germany in the years before WWII — thugs threw bricks and bottles through the windows of Jewish homes in the East End. After the war, Peter’s father officially changed the family name to Green.
The gift of a cheap guitar by his older brother Len,who had lost interest in learning how to play, put the 10-year-old Green on a musical path.
His other brother, Michael, taught him his first guitar chords and by the age of 11 Green was teaching himself. He began playing professionally by the age of 15, while working for a number of east London shipping companies. He first played bass guitar in a band called Bobby Dennis and the Dominoes, which performed pop chart covers and rock ‘n’ roll standards,including Shadows (Cliff Richards’ backing band at times). He later stated that Hank Marvin, lead guitarist for the Shadowd was one of his guitar heroes and he played the Shadows’ song “Midnight” on the 1996 tribute album Twang.

He went on to join a rhythm and blues outfit, the Muskrats, then a band called the Tridents in which he also played bass.
It was right around his 20th birthday when he got his first big exposure break, replacing Eric Clapton in John Mayall’s Bluesbreakers — initially for just 4 gigs in October 1965, after Clapton abruptly took off for a Greek holiday. Continue reading Peter Green – 7/2020

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Michael Nesmith 12/2021

December 30, 1942 – Robert Michael Nesmith was the only child of Warren and Bette Nesmith, who divorced when he was four. Bette remarried and relocated to Dallas where, as executive secretary at Texas Bank and Trust, she developed her own typewriter correction fluid. In 1979, a few months before her death, she sold her Liquid Paper Corporation to Gillette for $48m. Her son and heir finally acquired financial freedom.
Rewind 20 years to find a teenage Nesmith dabbling in music and drama at school before enlisting in the US Air Force in 1960. Two years later he was honorably discharged at his own request, swapping mechanics for music. Cutting his teeth in touring folk, country and rock’n’roll bands, he moved to Los Angeles.

A publishing and recording deal followed, yielding a handful of underperforming solo singles. Nesmith joined the queue of 437 hopefuls to audition for a part in a new TV show, inspired by The Beatles’ A Hard Day’s Night, about a co-habiting pop band. The producers wanted Nesmith and his hat for their Prefab Four, The Monkees.

Admiring Jimi Hendrix chops in a shared bedroom

Monkeemania ensued but Nesmith was quick to push back against the bubblegum material selected by the show’s musical director Don Kirshner. Nesmith negotiated alongside his bandmates for greater control of their output and image. Their subsequent psychedelic film and soundtrack, Head, was a flop (though later lauded as a cult favourite). Still the piece of the puzzle that didn’t fit, he bought his way out of his contract several years early, forfeiting future royalties.

Robert Michael Nesmith was raised by his mother, Bette, who supported him by working as a secretary. Frustrated creating mistakes on her electric typewriter, she developed a typewriter correction fluid. The invention later became Liquid Paper. Bette Nesmith sold the Liquid Paper Corporation to Gillette in 1979 for $48 million. She died a few months later, at age 56, with Michael inheriting the fortune.

Mike Nesmith, the beanie-hatted quiet man of The Monkees, was an accidental trailblazer from a family of accidental trailblazers. He came late to music-making, only picking up a guitar in his early twenties. Yet in a matter of years he was a (somewhat ambivalent) pop star and TV celebrity, then an unsung country rock pioneer and then the man who invented MTV for the guys who invented MTV. Not bad, and maybe not surprising, for the son of an imprecise typist who created Tipp-Ex to cover her errors.
Nesmith never quite made a commercial killing from his almost clairvoyant creativity. While his own songs were hits for the likes of Linda Ronstadt, Run DMC, Frankie Laine and Lynn Anderson, he struggled with fame in a fictional band whose best-loved tunes flowed from the pens of other writers.
The Monkees’ TV show ran for two series from 1966-68 but acquired pop immortality through school holiday repeats. The band members – Davy Jones, Micky Dolenz, Peter Tork and Nesmith – played fictionalised versions of themselves. The Monkees struck popular music with hit songs like “Last Train to Clarksville”, “Daydream Believer” and “I’m A Believer.” The group was created for television, starring in their popular TV sitcom and later spin off motion picture “Head.”
The Monkees broke up in 1969, after which Nesmith formed his First National Band. He also wrote the song Different Drum, which became a major hit for singer Linda Ronstadt.

Nesmith founded Pacific Arts, a multimedia production and distribution company, in 1974. Pacific Arts pioneered the home video market, but collapsed in a dispute with PBS over licensing rights. A federal jury eventually awarded Nesmith $47m in 1999. After filming a music video for his 1977 single Rio, Nesmith came up with the idea of a TV program consisting entirely of music videos. Nesmith called his idea PopClips, which aired on Nickelodeon in 1980. He later sold the PopClips intellectual property to Time Warner, who used it to develop and launch MTV. Intrigued by the promotional possibilities of the embryonic format, Time Warner bought the rights and used it as a template for MTV. 

In 1981, Nesmith won the first Grammy Award for Video of the Year for his hour-long television show, Elephant Parts. He was also an executive producer of the film Repo Man (1984).

Nesmith’s involvement in various Monkees reunions was sporadic, however, he did rejoin his three amigos in 1996, marking the band’s 30th anniversary with the Justus album and accompanying TV special ‘Hey, Hey, It’s the Monkees’, before contributing to the 50th anniversary album Good Times!
The Monkees continued with occasional reunion tours despite the loss of original members Peter Tork and Davy Jones. Remaining members Nesmith and Micky Dolenz ended a tour just weeks before Nesmith’s death. The final date of the tour was held on November 14, 2021, at the Greek Theatre in Los Angeles.

Michael Nesmith crossed the rainbow on December 10, 2021

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Moon Martin 5/20

May 11, 2020 – John David “Moon” Martin was born on October 31, 1945 (some report 1950 but not true) in Altus, Oklahoma.

If you go to Moon’s Wikipedia page, it says he was born in 1950. But if you read some of the obits, he was born in 1945. Which makes complete sense. If for no other reason than his hair was prematurely gray nearly instantly. And there’s no way he could have played with Hendrix and Joplin if he was only 20, they died in 1970. But Martin did.

His first band, The Disciples, later renamed Southwind, formed in Norman while he was a student at the University of Oklahoma and then relocated to Los Angeles where they attained some success and even toured with Janis Joplin and Jimi Hendrix before calling it quits in 1972. After a brief stint playing with Linda Rondstadt, John focused on session work and songwriting, penning the hit track “Cadillac Walk” which was recorded by Mink DeVille on his debut album.

And then came “Bad Case of Loving You.”

By this time we’d already moved on to the second album, “Escape From Domination,” “Rolene” was heard on KROQ, back when that was a free form station, before the ROQ of the 80s, before the death of rock and the decimation of the station this year. But at this point, Moon Martin was not famous for the Robert Palmer cover, but the Willy DeVille covers.

By 1978 he was recording under the moniker “Moon” Martin due to his multiple song lyrics referring to the moon. He began his solo career with his Victim of Romance EP that included his most successful song “Bad Case of Loving You.” Robert Palmer – Singer would later cover the song, making it a Top 20 hit a year later. Moon’s first solo album, Shots From a Cold Nightmare, remains a Power Pop classic.

Moon Martin sold his soul to rock and roll. He followed the music to the very last note. He died with his guitar strap on, coming out of the studio after a full day’s work on a new album. It wasn’t a fling, something Moon did before law school. He had no desire to work at the bank. (Although let’s not forget Harry Nilsson was a teller!) It was all music, all the time.

It is said they he had lived comfortably off his song royalties, until the day he died. A true exception i rock-n-roll.

He was 74 years old, and he had become a little frail over the last few years…He went to sleep in a big easy chair in his living room with a book in his hand, a blanket in his lap, and a little glass of Coke on the nightstand next to him. He left this world as peacefully as anybody could ever hope to

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Paul Barrere 10/19

October 26, 2019 – Paul Barrere was born on July 3, 1948, the son of Hollywood actors Paul Bryar and Claudia Bryar. He joined celebrated cult band Little Feat in 1973, before the band recorded their third full-length LP, the gold-certified ‘Dixie Chicken’. For the recording of its fourth album, Feats Don’t Fail Me Now (1974), he wrote the title track. As Barrere stayed with the group, he took, along with keyboard player Bill Payne, an increasing role in singing, playing, and writing, as bandleader/founder Lowell George slowly retreated. When the group fragmented following George’s death in 1979, Paul led the group Chicken Legs.

Barrere then did sessions and recorded solo in the 1980s until the re-formation of Little Feat in 1988.

Barrere contracted Hepatitis C in 1994, but had managed to keep it under control, after he took a brief leave of absence. In 2015, he was diagnosed with liver cancer. Earlier this month, Barrere announced he was taking a medical leave of absence, but planned to be back on stage this upcoming January 2020, for the band’s headlining performance at Jamaica’s Ramble on the Island.

In a statement the members of Little feat announced:

It is with great sorrow that Little Feat must announce the passing of our brother guitarist, Paul Barrere, this morning at UCLA Hospital. We ask for your kindest thoughts and best wishes to go out especially to his widow Pam and children Gabriel, Genevieve, and Gillian, and to all the fans who were his extended family.

Paul auditioned for Little Feat as a bassist when it was first being put together—in his words, “as a bassist I make an excellent guitarist”—and three years later joined the band in his proper role on guitar. Forty-seven years later, he was forced to miss the current tour, which will end tomorrow, due to side effects from his ongoing treatment for liver disease.

He promised to follow his doctor’s orders, get back in shape, and rock on the beach at the band’s annual gathering in Jamaica in January 2020. “Until then,” he wrote, “keep your sailin’ shoes close by…if I have my way, you’re going to need them!”

As the song he sang so many times put it, he was always “Willin’,” but it was not meant to be. Paul, sail on to the next place in your journey with our abiding love for a life always dedicated to the muse and the music. We are grateful for the time we have shared.

Yours in music,

Little Feat: Bill Payne, Sam Clayton, Fred Tackett, Kenny Gradney, and Gabe Ford.

Little Feat released 16 studio albums over a span of 41 years, the last being ‘Rooster Rag’, in 2012. Barrere released three solo albums: ‘On My Own Two Feet’ (1983), ‘Real Lies’ (1984) and ‘If the Phone Don’t Ring’ (1986).

He also worked with Robert Palmer, Bob Dylan, Taj Mahal, Jack Bruce, Carly Simon and Nicolette Larson. That is his guitar work on Nicolette’s cover of Neil Young’s ‘Lotta Love’.

Barrere was a swing man as a guitarist who played a wide variety of styles of music including blues, rock, jazz, and cajun music and was proficient as a slide guitarist.
Barrere also recorded and toured as an acoustic duo with fellow Little Feat member Fred Tackett.
Barrere played several concerts with Phil Lesh and Friends in October 1999 and from March to June 2000. He also toured with Bob Dylan, and had most recently been writing and recording with Roger Cole.

Paul wrote Little Feat’s ‘Feats Don’t Fail Me Now’, ‘All That You Dream’, ‘Time Loves A Hero’ and ‘Down On The Farm’. He joined the band for their third album ‘Dixie Chicken’ was had been a member ever since.

Little Feat guitarist Paul Barrere passed away at the age of 71 on October 26, 2019

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Danny Kirwan – 6/2018

Daniel David Kirwan (guitarist for Fleetwood Mac) was born on May 13, 1950 as Daniel David Langran and grew up in Brixton, South London. His parents separated when he was young. His mother, Phyllis Rose Langran then married Aloysious J. Kirwan in 1958 when Danny was eight. Kirwan left school in 1967 with six O-levels and worked for a year as an insurance clerk in Fenchurch Street in the City of London.

His mother was a singer and as a consequence he grew up listening to the music of jazz musicians such as Eddie Lang, Joe Venuti, Belgian gypsy guitarist Django Reinhardt and 1930s–40s groups such as the Ink Spots. He began learning guitar at the relative late age of 15 and quickly became an accomplished self-taught guitarist and musician, influenced by guitarists such as Hank Marvin of the Shadows, Django Reinhardt, Jimi Hendrix, and particularly by Eric Clapton’s playing in the Bluesbreakers. Kirwan was 17 when he came to the attention of the newly formed blues band Fleetwood Mac in London while fronting his first band Boilerhouse, a blues three-piece with Trevor Stevens on bass guitar and Dave Terrey on drums. Boilerhouse played support slots for Fleetwood Mac at London venues such as the Nag’s Head in Battersea and John Gee’s Marquee Club in Wardour Street.

Danny Kirwan was a natural guitarist, much in the same vein as Peter Green, who could make a string sing and a note come alive without any pedal support, just his fingers. Officially the story is that Peter Green in search for a more melodic blues direction for the band, saw Danny as his perfect counterpart and Mick Fleetwood later said: “Danny was a huge force in our early years … Danny’s true legacy, in my mind, will forever live on in the music he wrote and played so beautifully as a part of the foundation of Fleetwood Mac, that has now endured for over fifty years. Danny was a quantum leap ahead of us creatively … He is the lost component. In many ways, Danny is a forgotten hero.”

Danny Kirwan himself however downplayed his contributions to Fleetwood Mac’s sound and ethos. “I was lucky to have played for the band at all,” Kirwan told the British paper. “I just started off following them around, but I could play the guitar a bit and Mick felt sorry for me and put me in. I did it for about four years, to about 1972, but … I couldn’t handle the lifestyle and the women and the traveling.”

Danny’s guitar playing was very melodic, much in the style of the Incredible Stringband and some California Commune bands like Mad River and Love in the late sixties, which was styled as psychedelic underground. Danny did vibrato bends and pull-offs that were until then hardly ever heard.
Danny had joined the band in 1968, barely 18 years old. He appeared on five of Fleetwood Mac’s albums: 1969’s Then Play On and Blues Jam at Chess; 1970’s Kiln House; 1971’s Future Games; and finally on 1972’s Bare Trees. His compositions clearly made an impact on everyone of those albums. But Danny became the second “victim” of Fleetwood Mac after his buddy Peter Green left the band in 1970. You see in those early days, the members in Fleetwood Mac were hard partying rockers. They had fun and were living the high-life. Peter Green out of a growing mental illness pushed by drug abuse was the first one to leave and young Danny Kirwan had lost his mentor and music partner.
When American westcoast guitarist Bob Welch was brought in to replace Peter Green, Danny entered a vacuum, as band victim #3, slide guitarist Jeremy Spencer was already translating their hard charging life style into a religious obsession. (He was supposed to tour North America with the band in early 1971, but he went missing shortly before Fleetwood Mac was to play a concert in Los Angeles. Spencer supposedly left the hotel he and the group were staying at to get some groceries, but he never returned.)

left to right: John McVie, Danny Kirwan, Mick Fleetwood, Peter Green and Jeremy Spencer

In 1999 Welch said Kirwan had been “a talented, gifted musician, almost equal to Peter Green in his beautiful guitar playing and faultless string bends,” but commented in a later interview: “Danny wasn’t a very lighthearted person, to say the least. He probably shouldn’t have been drinking as much as he did, even at his young age. He was always very intense about his work, as I was, but he didn’t seem to ever be able to distance himself from it and laugh about it.”
Before a concert on a US tour in August 1972, a backstage argument between a drunken Kirwan and Welch resulted in Kirwan smashing his guitar, trashing the dressing room and refusing to go on stage. Having reportedly smashed his head bloody on a wall, Kirwan watched the band struggle through the set without him, with Welch trying to cover his guitar parts. Welch remembered, “I was extremely pissed off, and the set seemed to drag on forever.” The band fired Kirwan, and the artistic direction of Fleetwood Mac was left in the hands of Welch and Christine McVie. Fleetwood said later that the pressure had become too much for Kirwan, and he had suffered a breakdown.

Danny Kirwin released three albums as a solo artist from 1975 to 1979, during which years he also recorded albums with Otis Spann, Chris Youlden, and Tramp, as well as worked with his former Fleetwood Mac colleagues Jeremy Spencer and Christine McVie on some of their solo projects. As a member of Fleetwood Mac, he was inducted into the Rock and Roll Hall of Fame in 1998, even though he did not come to the induction.

For most of the 1980s and 90s he battled mental illness, alcoholism and homelessness. It emerged that he had been living in basements and shelters, making ends meet through social security and small royalty payments.

In 1993, after Mick Fleetwood made inquiries about his well-being, the London paper The Independent and the U.K.’s Missing Persons Bureau tracked him down in a homeless shelter in London’s West End, where Kirwan had been living for the past four years in reasonable comfort, arranged for by his family.

Danny Kirwan died Friday June 8, 2018 in London at the age of 68, presumably according to his ex-wife from pro-longed pneumonia.

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Bernie Tormé 3/19

Bernie Tormé - guitaristMarch 17, 2019 – Bernie Tormé (guitarist for Ozzy, Gillan, Dee Snider and others) was born in Dublin on March 18, 1952, where he learned to play guitar. In 1974 he moved to London, joining bassist John McCoy in heavy rockers Scrapyard. After forming the Bernie Tormé Band two years later, he re-joined McCoy as a member of former Deep Purple singer Ian Gillan’s new solo project, playing on four Gillan albums: Mr. Universe, Glory Road, Future Shock and Double Trouble.

In 1981 Tormé left Gillan, and joined Atomic Rooster as a session guitarist. The following year briefly joined Ozzy Osbourne’s band, stepping in for Randy Rhoads in the aftermath of the guitarist’s tragic death. Ozzy Osbourne told Total Guitar that if it wasn’t for Bernie Tormé he “might never have got back on a stage”.

He then formed Bernie Tormé And The Electric Gypsies, and in 1988 joined Desperado, the band formed by Dee Snider after Twisted Sister were disbanded, playing on their only album, Bloodied, but Unbowed.

Tormé later later reunited with ex-Gillan colleague, John McCoy and drummer Robin Guy in GMT, and returned to solo work in 2013, releasing three acclaimed albums; Flowers & Dirt (2014), Blackheart (2015) and the 3CD set Dublin Cowboy. All three were successfully crowd-funded releases.

Tormé released his latest studio album Shadowland in November last year, but his family reported that PledgeMusic – who say they’re working on a solution to address late payments to artists – still owed the guitarist £16,000, which was due to be sent to him in December. 

Bernie Tormé passed away peacefully on March 17, 2019 , one day short of his 67th birthday, surrounded by his family. He had been on life support for the previous four weeks at a London hospital following post-flu complications and suffering from virulent pneumonia in both lungs. 

Snider tweeted, “Woke up to find out my friend Bernie Tormé has died. He was a guitar god who played with OzzyOsbourne & Ian Gillan. We worked together for 3 years, writing over 100 songs for the ill-fated Desperado. I loved that man & today my heart is broken. RIP Bernie. Your guitar weeps.”

 

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Dick Dale 3/2019

Dick Dale, king of the surf guitarMarch 16, 2019 – Dick Dale was born Richard Monsour in Boston on May 4, 1937 1937; his father was Lebanese, his mother Polish. As a child, he was exposed to folk music from both cultures, which had an impact on his sense of melody and the ways string instruments could be picked. He also heard lots of big band swing, and found his first musical hero in drummer Gene Krupa, who later wound up influencing a percussive approach to guitar so intense that Dale regularly broke the heaviest-gauge strings available and ground his picks down to nothing several times in the same song.

He taught himself to play country songs on the ukulele, and soon graduated to guitar, where he was also self-taught. His father encouraged him and offered career guidance, and in 1954, the family moved to Southern California.
At the suggestion of a country DJ, Monsour adopted the stage name Dick Dale, and he began performing in local talent shows, where his budding interest in rockabilly made him a popular act. He recorded a demo song, “Ooh-Whee Marie,” for the local Del-Fi label, which was later released as a single on his father’s new Deltone imprint and distributed locally. During the late ’50s, Dale also became an avid surfer, and soon set about finding ways to mimic the surging sounds and feelings of the sport and the ocean on his guitar. He quickly developed a highly distinctive instrumental sound and found an enthusiastic, ready-made audience in his surfer friends. Dale began playing regular gigs at the Rendezvous Ballroom, a once-defunct concert venue near Newport Beach, with his backing band the Del-Tones; as word spread and gigs at other local halls followed, Dale became a wildly popular attraction, drawing thousands of fans to every performance. In September 1961, Deltone released Dale’s single “Let’s Go Trippin’,” which is generally acknowledged to be the very first recorded surf instrumental.

In the space of a few short years, the Boston-born, Southern California transplant had merged the laid-back, sun-blasted lifestyle of the surf scene with a blistering rhythm of rockabilly and early rock-and-roll. As the mad scientist behind what was dubbed surf rock, Dale was, in the words of a 1963 Life magazine profile, a thumping teenage idol who is part evangelist, part Pied Piper and all success. The music Dale and his band the Del-Tones made poured out of radios, sound-tracked popular beach movies starring Frankie Avalon and Annette Funicello, and lit inspirational fires in other musicians like the Beach Boys. Fans crowned him The King of the Surf Guitar.
Dick Dale wasn’t nicknamed “King of the Surf Guitar” for nothing: he pretty much invented the style single-handedly, and no matter who copied or expanded upon his blueprint, he remained the fieriest, most technically gifted musician the genre ever produced. Dale’s pioneering use of Middle Eastern and Eastern European melodies (learned organically through his familial heritage) was among the first in any genre of American popular music, and predated the teaching of such “exotic” scales in guitar-shredder academies by two decades. The breakneck speed of his single-note staccato picking technique was unrivaled until it entered the repertoires of metal virtuosos like Eddie Van Halen, and his wild showmanship made an enormous impression on the young Jimi Hendrix. But those aren’t the only reasons Dale was once called the father of heavy metal. Working closely with the Fender company, Dale continually pushed the limits of electric amplification technology, helping to develop new equipment that was capable of producing the thick, clearly defined tones he heard in his head, at the previously undreamed-of volumes he demanded. He also pioneered the use of portable reverb effects, creating a signature sonic texture for surf instrumentals. And, if all that weren’t enough, Dale managed to redefine his instrument while essentially playing it upside-down and backwards — he switched sides in order to play left-handed, but without re-stringing it (as Hendrix later did).
“I once made a million dollars a year with my career,” Dale reminisced to the Los Angeles Times magazine in 2001. “I made $10,000 for three minutes work on the ‘Ed Sullivan Show’ in 1963.”

Dale’s signature guitar style was the result of a happy accident. Most guitars are strung for a right-handed player. Dale, a lefty, originally picked up the guitar upside down so he could play naturally without restringing the instrument, leaving the thicker strings on the bottom of the fret board. “Nobody told me I was holding it wrong,” Dale explained to the Orange County Register in 2009. “I just taught myself to play it like that. It was hard at first.”

“Let’s Go Trippin'” was a huge local hit, and even charted nationally. Dale released a few more local singles, including “Jungle Fever,” “Miserlou,” and “Surf Beat,” and in 1962 issued his (and surf music’s) first album, the groundbreaking Surfer’s Choice, on Deltone. Surfer’s Choice sold like hotcakes around Southern California, which earned Dale a contract with Capitol Records and national distribution for the album. Dale was featured in Life magazine in 1963, which led to appearances on The Ed Sullivan Show and the Frankie/Annette film Beach Party. Surf music became a national fad, with groups like the Beach Boys and Jan & Dean offering a vocal variant to complement the wave of instrumental groups, all of which were indebted in some way to Dale, who released the follow-up LP King of the Surf Guitar and went on to issue three more albums on Capitol through 1965.  But the British Invasion began to steal much of surf’s thunder, and soon Dale was dropped by Capitol in 1965. He remained a wildly popular local act, but in that same year he was diagnosed with rectal cancer, which forced him to temporarily retire from music.

Doctors told the guitarist that without aggressive surgery, he could be dead in a matter of months. He survived, but the cancer bout whittled Dale from 158 pounds to 98 pounds, and also drained his bank account of his pop star proceeds. He moved to Hawaii and stayed away from music for a number of years. He beat the disease, however, and soon began pursuing other interests: owning and caring for a variety of endangered animals, studying martial arts, designing his parents’ dream house, and learning to pilot planes. In 1979, a puncture wound suffered while surfing off Newport Beach led to a pollution-related infection that nearly cost him his leg; Dick Dale soon added environmental activist to his resume. In addition to all of that, he performed occasionally around Southern California throughout the ’70s and ’80s.
In 1986, Dale attempted to mount a comeback. He first recorded a benefit single for the UC-Irvine Medical Center’s burn unit (which had helped him recuperate from potentially serious injuries), and the following year appeared in the beach movie Back to the Beach. The soundtrack featured a duet between Dale and Stevie Ray Vaughan on, which was nominated for a Grammy for Best Rock Instrumental. In 1991, Dale did a guest spot on an album by the San Francisco-based Psychefunkapus, and a successful Bay Area gig got him signed with Hightone Records.

The album Tribal Thunder was released in 1993, but Dale’s comeback didn’t get into full swing until “Miserlou” was chosen as the opening theme to Quentin Tarantino’s blockbuster 1994 film ‘Pulp Fiction’. “Miserlou” became synonymous with Pulp Fiction’s ultra-hip sense of style, and was soon licensed in countless commercials (as were several other Daletracks). As a result, Tribal Thunder and its 1994 follow-up, Unknown Territory, attracted lots of attention, earning positive reviews and surprisingly strong sales. In 1996, he supported the Beggars Banquet album Calling Up Spirits by joining the normally punk- and ska-oriented Warped Tour.
Adding his wife and young drum-playing son to his band, Dale refocused on touring over the next few years. He finally returned with a new CD in 2001,’ Spacial Disorientation’, issued on the small Sin-Drome label. Dale stepped away from his recording career after that release, but he continued to play out frequently, even as he struggled with myriad health problems, including diabetes, rectal cancer, and heart and kidney disease. Dale still had a busy schedule of concert dates on his schedule when he died on March 16, 2019, at the age of 81.

Tributes have begun popping up online, with many celebrating his distinctive sound. But the musician’s life story was also a constant struggle against health problems — and to pay medical bills. After his first cancer diagnosis in 1965, Dale continued to battle the disease. Up until the end of his life, Dale was explicit that he toured to fund his treatment.

“I can’t stop touring because I will die. Physically and literally, I will die,” he told the Pittsburgh City Paper in 2015. “Sure, I’d love to stay home and build ships in a bottle and spend time with my wife in Hawaii, but I have to perform to save my life.”

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Glenn Schwartz 11/2018

Glenn Schwartz, torn between rock and religionNovember 3, 2018 – Glenn Schwartz (the James Gang) was born on March 20, 1940 in Cleveland Ohio. While in Los Angeles on tour with the James Gang in 1967, Schwartz strolled onto the infamous Sunset Strip and stopped next to a small group of people listening to street preacher Arthur Blessitt, according to Stevenson’s book. Some time later he professed conversion to Christianity, saying “I was finally blessed by mercy for I heard the Gospel of Christ.”

Following his conversion, his zealous, new-found faith was not accepted well by the band, his family or his friends. As per Stevenson, Schwartz said: “I had some Christian friends who had some round stickers that read ‘Real Peace Is In Jesus’ and we stuck those all over our clothes … We put some on Janis Joplin but she didn’t like it and took them off. I remember she got pretty upset. Continue reading Glenn Schwartz 11/2018

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Ed King 8/2018

Ed King, guitarist for Lynyrd SkynyrdEd King, ( Lynyrd Skynyrd/Strawberry Alarm Clock) – September 14, 1949 – August 22, 2018 was born in Glendale California and a guitar prodigy from early on in his life. Not even 18 years old, he became a founding member of the Los Angeles band Strawberry Alarm Clock, remembered for their 1967 #1 single “Incense and Peppermints.”

King met members of the future Lynyrd Skynyrd when they were opening for Strawberry Alarm Clock in early 1968. When Strawberry Alarm Clock disbanded, he became an official member of Lynyrd Skynyrd in 1972, replacing Leon Wilkeson on bass when Leon had left the band briefly. When Wilkeson rejoined the band King switched to lead guitar turning Skynyrd into the “guitar army” band, famous for its guitar fireworks.

He helped write “Sweet Home Alabama” in 1974; the song became one of Skynyrd’s strongest hits and a staple of rock guitarists everywhere. It is King’s voice heard counting off 1-2-3 at the beginning of “Sweet Home Alabama.” Other songs that King wrote or co-wrote include “Poison Whiskey”, “Saturday Night Special”, “Whiskey Rock-a-Roller” and “Workin’ For MCA”. He appeared on the band’s first three albums, Pronounced Leh-Nerd Skin-Nerd, Second Helping, and Nuthin’ Fancy.

Ed King quit Lynyrd Skynyrd pretty much at the peak of their fame, mainly because he finally got fed up with Ronnie Van Zant’s mercurial ways.

Skynyrd had three guitarists — at that point, King and founding members Gary Rossington and Allen Collins — but King was an outsider from the start. All of the other band members had grown up in the same part of Jacksonville, Florida, while King wasn’t even a Southerner, but a native of Glendale, California. He was marvelously talented — that riff in “Sweet Home Alabama”? That was King’s creation — and he was valued for his abilities as both a musician and a songwriter, but he was never really “one of the gang”.

Of writing the song with bandmate Ronnie Van Zant, King claimed, “we wrote that song in half an hour, but it took us about a half a day to put it together. The song came real quick. I started off with that riff and Ronnie was sitting on the edge of the couch, making this signal to me to just keep rolling it over and over.”

In an interview shortly before his death from cancer in 2018, King pointed to the below photo as being illustrative of his place in the band — all by himself to the left, with the other guys all standing side by side:

In March of 1975, during a show in Ann Arbor, Michigan, King snapped two guitar strings while playing “Free Bird”, throwing off his performance. According to King, his guitar tech had not been around to change his strings because he had been thrown in jail, along with Van Zant, following an altercation with police.

Ronnie didn’t care why King’s strings broke; all he knew was that Ed had fucked up. He unleashed a torrent of verbal abuse on King, including such colorful pronouncements as “you don’t amount to a pimple on Allen’s ass”.

Following the incident, King said he returned to his hotel room, thinking “what the hell am I doing here?”, packed his belongings, and left without a word, leaving his bandmates to wake up the next morning to find out he was gone (and Rossington and Collins to scramble to rearrange the songs to make up for King’s absence).

About the decision to leave the band, King said “well, I was out of my mind for quitting. But it was the best thing I ever did. It just got a little too nutty for me. So, in the middle of the night, I just walked out. It had been a bad night the night before. I had gotten fed up with frankly all the violence. I had good reason to leave.”

King was ultimately replaced by Steve Gaines in 1976; Gaines would die in the 1977 plane crash that also killed his sister Cassie and Van Zant. King said he visited the cemetery after the crash to pay his respects, and it was then that he discovered that he and Steve had been born on exactly the same day: September 14, 1949. He felt he had dodged a huge bullet by quitting when he did.

King would later reconcile with the other band members, and rejoined them when they reformed Skynyrd in 1987, but had to leave the band due to to congestive heart failure problems in 1996. He had a heart transplant surgery in 2011. Both he and Gaines were among the band members inducted into the Rock and Roll Hall of Fame in 2006.

He died, presumably from cancer at his Nashville home on August 22, 2018.

Founding member of Lynyrd Skynyrd Gary Rossington released a message on Twitter: ” I’ve just found out about Ed’s passing and I’m shocked and saddened. Ed was our brother, and a great Songwriter and Guitar player. I know he will be reunited with the rest of the boys in Rock & Roll Heaven.”

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Preston Shannon 1/2018

Preston Shannon was born October 23, 1947 in Olive Branch, Miss., Shannon moved to Memphis at the age of 8. While his family was steeped in the culture and music of the Pentecostal church, it was blues and R&B that fired Shannon’s imagination.

Shannon first gained notice in the 1980s as a member of local group Amnesty while still working as a hardware salesman. His big break came after being discovered by soul singer Shirley Brown. Shannon’s distinctive vocals, often described as “a cross between Bobby Womack and Otis Redding”  and supple guitar playing, set him on the path professionally.

In the early-’90s, Shannon stepped out on his own, launching a long run as one of the featured acts on Beale Street. Over the next three decades, Shannon would cut a familiar figure in the clubs on Beale, serving as a kind of musical ambassador to the hundreds of thousands of tourists who would visit each year. His efforts would earn Shannon the nickname “The King of Beale Street.”

In the ’90s, Shannon also began his solo recording career. Signing with indie label Rounder Records in 1994, he released his critically acclaimed debut, “Break the Ice,” featuring contributions from the Memphis Horns.

In 1993, his own Preston Shannon Band played at the Long Beach Blues Festival in Long Beach, California. After being spotted leading his own band in Memphis’ Beale Street clubs, he signed to Rounder Records subsidiary, Bullseye Blues, and released his debut solo effort, Break the Ice in 1994.

After this followed the Willie Mitchell produced efforts, Midnight in Memphis (1996) and All in Time (1999). However, with no immediate follow-up available, Preston lost momentum.Shannon’s next effort, 1996’s “Midnight in Memphis,” was produced by Hi Records legend Willie Mitchell, who would prove a frequent collaborator. The pair reunited for Shannon’s 1999’s record “All in Time.” Shannon would release a number of lauded albums over the years, including his 2014 tribute to Chicago bluesman Elmore James, titled “Dust My Broom.”

Among the songs he wrote are “Beale Street Boogaloo” and “Midnight in Memphis“.He was born in Olive Branch, Mississippi and relocated with his family to nearby Memphis, Tennessee at the age of eight.

After moving to Title Tunes, he released Be with Me Tonight (2006).

Shannon played at Memphis in May in both 2008 and 2011. In February 2012, Shannon appeared on season two of The Voice, singing “In the Midnight Hour”.

He was a regular performer at B.B. King’s Blues Club in Memphis. Shannon’s most recent album release was Dust My Broom (2014).

Preston died of cancer on January 22, 2018 in Memphis, Tennessee, at the age of 70.

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Pat DiNizio 12/2017

December 12, 2017 – Pat DiNizio (The Smithereens) was born October 12, 1955 in Scotch Plains, New Jersey, where he actually lived his entire life. As a youngster, he was inspired by the pop music emanating from his transistor radio in the ‘60s and the hit tunes being written by his musical idols Buddy Holly, The Beatles, and The Beau Brummels among others.

He began playing music with several local bands in the early 1970s, but got serious around 1975 when he joined three classmates from nearby Cateret High School – guitarist Jim Babjak, bassist Mike Mesaros and drummer Dennis Diken and formed the Smithereens. That lineup would remain in place for nearly 25 years. Continue reading Pat DiNizio 12/2017

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Vincent Nguini 12/2017

December 8, 2017 – Vincent Nguini (Guitarist For Paul Simon) was born in Obala, Cameroon, West Africa in July 1952. Music and the understanding of it was the driving force behind his life’s ambitions from very early on.

He traveled around Africa in the early and mid-1970s, learning many regional guitar styles, before relocating to Paris in 1978. In Paris, long a recording center for music from French-speaking Africa, he studied music and did studio work with many African musicians. He joined the band of the Cameroonian saxophonist Manu Dibango, who had an international hit in 1972 with “Soul Makossa,” and soon became its musical director.  Continue reading Vincent Nguini 12/2017

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Zé Pedro 11/2017

November 30, 2017 – Zé Pedro (Xutos & Pontapés) was born José Amaro dos Santos Reis on September 14, 1956 in Lisbon Portugal.

Times were difficult as Portugal suffered under a right wing dictatorship and personal freedom was of no consequence. Dictator Salazar is firmly in power and crushes anything that does not fit his agenda without mercy: including the arrival of rock and roll. Using his heavy handed censorship and ubiquitous secret police to quell any type of opposition, life in Portugal was a far cry from today’s laid back holiday atmosphere.

But rock and roll was driving the culture in much of the western world and Portuguese youth were no different. Continue reading Zé Pedro 11/2017

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Robert Bilbo Walker 11/2017

November 29, 2017 – Robert Bilbo Walker Jr. was born on February 19, 1937, on the Borden Plantation in Clarksdale, in the heart of the Mississippi Delta.

Walker was named after his father, Robert “Bilbo” Walker Sr., who was also nicknamed “Bilbo” — that’s how Walker Jr. acquired the nickname, which he hates. As he explains in the liner notes to Promised Land, people in his Clarksdale home would distinguish between his father and him by referring to them as Big Bilbo and Little Junior Bilbo. Later, after he began making a name for himself in Delta juke joints, Walker was called Chuck Berry Jr.
Walker was a completely self-taught musician who played piano, guitar, and drums. He got his musical education thanks to his father, who would have “Little Junior Bilbo” playing piano behind a curtain at country juke joints around his native Clarksdale. Continue reading Robert Bilbo Walker 11/2017

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Tommy Keene 11/2017

November 22, 2017 – Tommy Keene was born on June 30, 1958 in Evanston, Illinois and raised and graduated from Walter Johnson High School in Bethesda, Maryland (class of 1976), (which was also the alma mater of fellow musician Nils Lofgren). Keene played drums in one version of Lofgren’s early bands but moved to guitar later when he attended the University of Maryland.

Keene launched his career in the late-‘70s as a guitarist with a series of Washington D.C.-area combos including the Rage and the Razz, before hitting the national scene as a solo act in 1982 with the release of his debut Strange Alliance. He actually first received critical acclaim with his The Razz, who released several local independent singles. Continue reading Tommy Keene 11/2017

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Malcolm Young 11/2017

the one behind AC/DCNovember 18, 2017 – Malcolm Young (AC/DC) was born on January 6, 1953 in Glasgow, Scotland, into a rather large musical family. When he was 10 years old, the family decided to move to Australia, after surviving the worst winter on record in Scotland and TV spot that offered assisted travel for families for a different life in Australia. In late June of 1963, 15 members of the family flew to a new life in “Down Under”, including his older brother George and younger brother Angus. 

Malcolm later described the family’s musical background as, “All the males in our family played, Stevie, the oldest played accordion, Alex and John were the first couple to play guitar, and being older, it was sort of passed down to George, then myself, then Angus.”

Continue reading Malcolm Young 11/2017

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Fred Cole 11/2017

November 9, 2017 – Fred Cole was born August 28, 1948 in Tacoma, Washington and he moved with his mother to Las Vegas where he attended high school. Here he began his recording career in 1964,  with his band, the Lords, at the Teenbeat Club, releasing a single titled “Ain’t Got No Self-Respect. “His next single, from 1965, was a promo-only called “Poverty Shack” b/w “Rover,” with a band named Deep Soul Cole.

In 1966 Cole’s band The Weeds gained notice in garage rock circles, and their only single, a 60s punk track called It’s Your Time (b/w Little Girl, Teenbeat Club Records), has become a collectors’ favorite. The A-side appeared on one of the Nuggets anthologies. The band was promised an opening slot on a Yardbirds bill at the Fillmore in San Francisco, but on their arrival found that the venue hadn’t heard of them. Continue reading Fred Cole 11/2017

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Hans Vermeulen – 11/2017

November 9, 2017 – Hans Vermeulen (Sandy Coast) was born on September 18, 1947 in Voorburg, the Hague in the Netherlands. He grew up in what was to become the birthplace of Nederpop, which produced bands like Golden earring (Radar Love) and Shocking Blue (Venus), Q 65, Rob Hoeke and many others.

He scored hits like I See Your Face Again , Capital Punishment and my favorite True Love That’s a Wonder with his first group Sandy Coast which he had formed in 1961.

When the first run of late sixties rock and roll ran dry, Sandy Coast disbanded in the early seventies, and did not reform until 1981, with a big comeback hit.
In 1975 Vermeulen founded Rainbow Train, a open door clearing house formation for musicians, in which he sang with his then-wife Dianne Marchal .
In those years he made impact as a much in demand EMI producer for popular Dutch singers like Margriet Eshuijs (Lucifer) and Anita Meyer. For Meyer he wrote in 1976 the number 1 hit The Alternative Way, on which he also sang and for Eshuijs he produced the still today hugely popular “House for Sale” hit. Continue reading Hans Vermeulen – 11/2017

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Scott Putesky 10/2017

October 22, 2017 – Scott Putesky (Marilyn Manson) aka Daisy Berkowitz was born on April 28, 1968  in Los Angeles, California.

After his high school years Putesky moved to Ft.Lauderdale and enrolled in a Graphic Design College. Putesky and Brian Warner (Marilyn Manson) met at a Fort Lauderdale club called The Reunion Room and later at a local after-party in December 1989. The two started creating the concept of Marilyn Manson & The Spooky Kids poking fun at American media hypocrisy and its obsessions with serial killers and beautiful women. (Marilyn Monroe vs Charles Manson and Daisy Duke vs David Berkowitz)

Putesky, who had at this point developed his own poetry but not yet worked lyrics into his music, began to meet up with Warner and brainstorm character and show/event ideas, after Warner asked for help starting a band as a creative outlet for his poetry writing. Continue reading Scott Putesky 10/2017

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George Young 10/2017

October 23, 2017 – George Young (with his bandmate and songwriting partner Harry Vanda-right in the picture) – Easybeats was born on November 6, 1946 in Glasgow Schotland. The lower middle class Young family were all musicians, but when the worst winter on record in Schotland arrived in post Christmas into January 1963, the family split as a result of 15 family members taking the opportunity to emigrate to Australia, including almost 16 year old George. Continue reading George Young 10/2017

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Phil Miller 10/2017

October 18, 2017 – Phil Miller (In Cahoots) was born on January 22, 1949 in Barnet, Hertfordshire, to Mavis (nee Dale), a librarian, and David Miller, a wartime lieutenant colonel in the Royal Marines and later head of commodities at the Stock Exchange. He was educated at Blackfriars boarding school, in Laxton, Northamptonshire, from where he occasionally truanted at night, hitch-hiking to London clubs to hear his musical heroes play, and returning unmissed in time for early-morning mass.

A self-taught guitarist, he formed his first band, Delivery, at 17, and played regularly upstairs at Ronnie Scott’s in London, backing visiting blues legends.

In 1971 he became a vital figure on the “Canterbury scene” when Robert Wyatt, who had just left Soft Machine, recruited Phil to join his new band, Matching Mole. The “scene”, noted for the frequent absence of the electric guitar as a lead instrument, boasted Phil as its undisputed exponent. Continue reading Phil Miller 10/2017

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Eamonn Campbell 10/2017

October 18, 2017 – Eamonn Campbell was born on November 29, 1946 in Drogheda in County Louth, but later moved to Walkinstown, a suburb of Dublin. He heard Elvis’ That’s All Right for the first time when he was 10; got his first guitar when he was 11 and taught himself how to play it in the next several year. 

He had his first gig at 14 and never really looked back, even though there were early plans to take up accounting. In 1964, he graduated high school with the intention of becoming an accountant. “But his accountant’s brain told him he’d make much more money out of gigging.” So instead he would go on to play for bands such as The Viceroys, The Checkmates and The Delta Boys. He also played locally with the The Bee Vee Five and the Country Gents before joining Dermot O’Brien and the Clubmen and he first met The Dubliners when both acts toured England together in 1967. Over the years that followed he got into production and often sat in with the Dubliners, which had formed in 1962. Continue reading Eamonn Campbell 10/2017

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Skip Haynes 10/2017

October 2, 2017 – Skip Haynes was born Eugene Heitlinger in Franklin Park Illinois in 1946. He graduated East Leyden High School in 1963. When it comes to rock music being the sound track to our boomer generation, there are certain songs that stand out and stay a perennial anthem such as Scott McKenzie’s San Francisco (Wear some flowers in your hair), Steve Goodman’s City of New Orleans and the song Skip Haynes wrote and performed about Chicago’s Lake Shore Drive.

Haynes was born Eugene Heitlinger, but a club manager told him early in his career there wasn’t enough room on the marquee for that. Since his grandfather called him Skippy, he decided to take the name Skip Haynes. Continue reading Skip Haynes 10/2017

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CeDell Davis 9/2017

September 27, 2017 – CeDell Davis was born June 9, 1927 in Helena, Arkansas, where his family worked on the local E.M. Hood plantation. He enjoyed music from a young age, playing harmonica and guitar with his childhood friends.

When he was 10, he contracted severe polio which left him little control over his left hand and restricted use of his right. He had been playing guitar prior to his polio and decided to continue in spite of his handicap, which led to his development of the “knife” method. Davis played guitar using a table knife in his fretting hand in a manner similar to slide guitar. Like Sister Rosetta Tharpe before him or Joni Mitchell after, he developed his own logic when it came to tuning the guitar, a style that Robert Palmer wrote, “resulted in a welter of metal-stress harmonic transients and a singular tonal plasticity.”  Continue reading CeDell Davis 9/2017

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Mark Selby 9/2017

September 18, 2017 – Mark Selby was born in September 2, 1961. Born and raised in Enid, Oklahoma, Selby spent his youth harvesting wheat and playing in bands throughout the Midwest before moving to Hays, Kansas to attend Fort Hays University where he earned a bachelor’s degree in music. 

He was musically gifted in three ways: as a songwriter, a singer with a soulful voice and a guitarist with some impressive chops. His future as a blues rock singer-songwriter, guitarist, multi-instrumentalist and producer started in Germany, where he signed as a solo artist to ZYX Records.  Continue reading Mark Selby 9/2017

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Jessi Zazu 9/2017

September 12, 2017 – Jessi Zazu (Those Darlins) was born Jessi Zazu Wariner in Nashville Tennessee in 1989.

When Jessi Zazu was just a little girl, her mother Kathy says, she would wrap her fingers around the neck of a guitar and strain to play. She would not give up. Though she was the tiniest creature in her remarkable family of drawers, painters, players and all-around makers, Jessi knew she was destined to make a sound that was bigger than all of them. F*** the laws of physics. She was going to play that guitar like ringing a bell. The indie rock band that she fronted from 2006 to 2016 called Those Darlins, was hugely popular for its unique style that mixed genres like garage rock and punk with bluegrass and country. Continue reading Jessi Zazu 9/2017

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Dave Hlubek 9/2017

September 3, 2017 – Dave Hlubek was born on August 28, 1951 in Jacksonville, Florida. At the age of 5 or 6, Hlubek and his family moved to the naval base in Oahu, Hawaii, where he attended Waikiki Elementary School. From there, Hlubek’s father was transferred and the family moved to Sunnyvale, California, then to Mountain View, and finally settling in San Jose. It was the South Bay that Dave called home during the next few years, before moving back to Jacksonville, Florida, around 1965. There he attended and graduated from Forrest High School.

Hlubek, founded the band Molly Hatchet in 1971. Vocalist Danny Joe Brown joined in 1974, along with Steve Holland, guitarist in 1974. Duane Roland, Banner Thomas and Bruce Crump completed the line up in 1976. Continue reading Dave Hlubek 9/2017

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Glen Campbell 8/2017

glen campbell, country pop starAugust 8, 2017 – Glen Campbell was born on April 22, 1936 in Billstown, a tiny community near Delight in Pike County, Arkansas. He was the seventh son of 12 children. His father was a sharecropper of Scottish ancestry.
He received his first guitar when he was four years old. Learning the instrument from various relatives, especially Uncle Boo, he played consistently throughout his childhood, eventually gravitating toward jazz players like Barney Kessel and Django Reinhardt. While he was learning guitar, he also sang in a local church, where he developed his vocal skills. By the time he was 14, he had begun performing with a number of country bands in the Arkansas, Texas, and New Mexico area, including his uncle’s group, the Dick Bills Band. When he was 18, he formed his own country band, the Western Wranglers, and began touring the South with the group. Four years later in 1960, Campbell moved to Los Angeles, California, where he became a session musician. Continue reading Glen Campbell 8/2017

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Michael Johnson 7/2017

July 25, 2017 – Michael Johnson was born on August 8, 1944 in the small town of Alamosa, Colorado and grew up in Denver. He started playing the guitar at 13. In 1963, he began attending Colorado State University to study music but his college career was truncated when he won an international talent contest two years later. First prize included a deal with Epic Records. Epic released the song “Hills”, written and sung by Johnson, as a single. Johnson began extensive touring of clubs and colleges, finding a receptive audience everywhere he went.

Wishing to hone his instrumental skills, he set off for Barcelona, Spain in 1966, to the Liceu Conservatory, studying with the eminent classical guitarists, Graciano Tarragó and Renata Tarragó. Upon his return to the States in late 1967, he joined Randy Sparks in a group called the New Society and did a tour of the Orient. Continue reading Michael Johnson 7/2017

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Simon Holmes 7/2017

July 13, 2017 – Simon Holmes (The Hummingbirds) was born on March 28, 1963 in the southern beachside suburb of Melbourne, Australia. The family lived in Bentleigh, before shifting to Turramurra in 1967, before going overseas for three years, in upstate New York, where Holmes started school at Myers Corner. The family then moved to Geneva, Switzerland. He spent part of his childhood in Canberra, attending the AME School: an alternative education institution and then Hawker College. Holmes moved to Sydney in the early 1980s. He started studying anthropology and archaeology at the University of Sydney, but left after two years. Continue reading Simon Holmes 7/2017

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Ray Phiri 7/2017

July 12, 2017 – Ray Phiri (Paul Simon) was born March 23, 1947 near Nelspruit in the then Eastern Transvaal, now Mpumalanga Province, in South Africa to a Malawian immigrant worker and South African guitarist nicknamed “Just Now” Phiri.  His stepfather, who was from Malawi, played guitar but gave it up after losing three fingers in an accident. Mr. Phiri took that guitar and largely taught himself to play. He moved to Johannesburg in 1967 to work as a musician.

He became a founding member of the Cannibals in the 1970s. When the Cannibals disbanded Ray founded Stimela, Continue reading Ray Phiri 7/2017

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Erik Cartwright 7/2017

July 9, 2017 – Erik Cartwright (FOGHAT) was born on July 10, 1950 in New York City and grew up in Minisink Hills, Pennsylvania. A 1968 graduate of East Stroudsburg High School, he became one of the area’s prominent rock guitarists, alongside his friend G.E. Smith. Erik’s first gig as a professional musician was with the band Dooley in Allentown, PA.

In 1970-1971 he studied at the famous Berklee School of music before His early guitar work is featured on singer Dan Hartman’s It Hurts to Be in Love (1981). His first album as a co-leader was the self-titled debut of Tears (1979), with Nils Lofgren on piano. Right after he had just recorded the Tears album the invitation to join Foghat, and replace original lead guitarist Rod Price, came. Continue reading Erik Cartwright 7/2017

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Dave Rosser 6/2017

June 27, 2017 – Dave Rosser (Afghan Whigs) was born David Clark Rosser in St.Louis, Missouri on August 3, 1966. Raised in Gadsden, Alabama is where he first learned to play guitar and started what became a lifelong passion. After high school, David attended college and eventually moved to Memphis, where he worked in the family business for a short time. His calling as a career musician was apparent, and it led him to Auburn, Alabama, then finally to New Orleans in 1992.

He adopted New Orleans as his beloved city, and here his career took shape. He spent many years with the band Metal Rose, played throughout the French Quarter, and did studio work with many area musicians. Continue reading Dave Rosser 6/2017

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Jimmy Nalls 6/2017

June 25, 2017 – Jimmy Nalls (Sea Level) was born James Albert Nalls III on May 31, 1951 in Washington DC. In 1970, he moved from the suburbs of his home in Arlington, Virginia, to New York City to play with Australian folk singer Gary Shearston and Noel Paul Stookey of Peter, Paul & Mary. Jimmy Nalls quickly became an in-demand session guitarist at New York’s famed Record Plant studio, and played with several musicians and bands with ties to then up-and-coming Capricorn Records in Macon, Georgia, such as  singer/songwriter Alex Taylor’s band while Taylor was a Capricorn Records label mate of the Allmans’.

It was during this period that Nalls first worked with future Allmans keyboardist Chuck Leavell, an association that would prove fruitful for both musicians after the Allmans’ 1976 split. 

Continue reading Jimmy Nalls 6/2017

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Aamir Zaki 6/2017

June 2, 2017 – Aamir Zaki was born on April 8, 1968 in Saudi Arabia from Pakistani parents.

Music was part of his home education with both parents sharing classical, jazz, blues and rock with their children. Aamir became an instant admirer of Rhandy Rhoads, metal guitar virtuoso with Ozzy Osborne.

Playing guitar since the age of 14, he became known for his melodic phrasing, feel, and tone.

The first mainstream musician to recognise Zaki as a teenage prodigy was Alamgir, who got in touch with him to tour India, Dubai, England and the U.S.A. Continue reading Aamir Zaki 6/2017

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Kenny Cordray 5/2017

kenny cordray blues guitarist

May 21, 2017 – Kenny Cordray was born on July 21, 1954 in Dallas Texas and moved to  Houston, Texas in 1966 where he learned to play guitar on British invasion  songs from the Animals and Them (Gloria etc).

In 1968 he went to see a gig of the Children where the guitar player didn’t show up. He sat in and soon signed up.

Subsequently Cordray became the lead guitarist for THE CHILDREN under the ATCO label and later on ODE records produced by Lou Adler. He co-wrote the ZZ-Top hit song “Francine,” which peaked at 69 on the Billboard Hot 100, with Steve Perron for ZZ Top’s album “Rio Grande Mud.” Continue reading Kenny Cordray 5/2017

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Allan Holdsworth 4/2017

April 15, 2017 – Allan Holdsworth was born on August 6, 1946 in Bradford, Yorkshire, England. Holdsworth was originally taught music by his father, who was a pianist. First a saxophone player, he gravitated to the guitar at the age of 17 and caught on quickly. Entirely self-taught, his protean, virtuosic style became a source of amazement even to his more famous peers. He began working professionally as a musician in his early 20s, inspired by the likes of Django Reinhardt, Jimmy Raney, Charlie Christian, Joe Pass and John Coltrane. Continue reading Allan Holdsworth 4/2017

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Bruce Langhorne 4/2017

mr. tambourine man, Bruce LanghorneApril 14, 2017 – Bruce Langhorne was born on May 14, 1938 in Tallahassee, Florida.

At age 4 he moved with his mother to Spanish Harlem, New York. When he was a 12-year old violin prodigy living in Harlem in the fifties, he accidentally blew several of his finger tips off with a cherry bomb that he held onto for too long. In the ambulance on the way to the hospital, Bruce looked up at his distraught mom and said, “At least I don’t have to play violin anymore.” In a gang fight, he got involved in a stabbing and left the country for Mexico for 2 years. By age 17 he started to pick the guitar. Continue reading Bruce Langhorne 4/2017

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John “J” Geils 4/2017

J.Geils, guitarist for the J.Geils BandApril 11, 2017 – John Warren “J” Geils was born on February 20, 1946, in New York City and grew up in Morris Plains, New Jersey. His father was an engineer at Bell Labs and a jazz and vintage car fan, two passions little John Geils’s took with him for the rest of his life. For his 10th birthday, his father took him to see Louis Armstrong. For his 13th birthday, he went with his father to see Miles Davis. Drawn to jazz early, he said he did not have the ”chops,” or jazz virtuosity, but discovered that he could play the blues. The chops are something he developed later in life, after the whirlwind years of touring with the J. Geils Band. Continue reading John “J” Geils 4/2017

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Lonnie Brooks 4/2017

chicago blues manApril 1, 2017 – Lonnie Brooks, Chicago bluesman who achieved fame in the late 70s, was born Lee Baker Jr. on December 18, 1933 in Dubuisson, St. Landry Parish, Louisiana. He learned to play blues from his banjo-picking grandfather but did not think about a career in music until after he moved to Port Arthur, Texas, in the early 1950s. There he heard live performances by Clarence “Gatemouth” Brown, T-Bone Walker, B.B. King, Long John Hunter, Johnny Copeland and others and began to think about making money from music.

He focused on the guitar comparatively late in life, when he was already in his 20s. But he learned fast and a little while later, Award winning Zydeco king Clifton Chenier heard Brooks strumming his guitar on his front porch in Port Arthur and offered him a job in his touring band. Continue reading Lonnie Brooks 4/2017

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Jim Fuller 3/2017

Surfaris lead guitaristMarch 3, 2017 – Jim Fuller, co-founding member and lead guitarist of the Surfaris, was born on June 27, 1947. In 1962, Bob Berryhill (15), Jim Fuller (15), Pat Connolly (15) and Ron Wilson (17) from Glendora, California formed The Surfaris.

It was the year that the surf music craze was just emerging and “Wipe Out” was written that winter. Saxophonist, Jim Pash, joined the band after “Wipe Out” was recorded.

Initially catapulted by the California surf culture, The Surfaris transcended the local scene into international stardom with their hit song “Wipe Out.” On a cold December night that same year, these four young teenagers wrote Wipe Out in the studio after recording Surfer Joe. With the help of manager Dale Smallin (Wipe Out laugh intro) and recording engineer Paul Buff, The Surfaris recorded the 1963 hit version of Wipe Out and Surfer Joe. Continue reading Jim Fuller 3/2017

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Larry Coryell 2/2017

Larry Coryell, godfather of fusionFebruary 19, 2017 – Larry Coryell was born Lorenz Albert Van DeLinder III on April 2, 1943 in Galveston, Texas. His biological father was a musician of German descent “who chased a lot of women”, but Larry never knew him as he was raised by his mother and stepfather Gene Coryell. His interest in music started when his mother encouraged him to learn the piano at age 4. At age 14 he became more interested in guitar and studied the works of Tal Farlow, Barney Kessel, and Johnny Smith. When he was 16 he ran off to join a rock band. The self-labeled “black sheep of the family,” he also “knocked up” his girlfriend. “It was traumatic to me.” Her parents sent the girl away, and she married someone else after giving birth to a daughter. (“I’ve never seen the kid,”) To cope with his emotions, Coryell plunged into practice sessions, copying a Wes Montgomery record until he knew every difficult lick by heart. He still regards that bit of discipline as a “minor catalyst” in his career. Bands he joined in those early days were the Jailers, the Rumblers, the Royals, and the Flames. He also played with the Checkers from nearby Yakima, Washington. He then moved to Seattle to attend the University of Washington in an attempt to become a journalist. While there he played in a number of popular Northwest bands, including the Dynamics, while living in Seattle. But in 1965 the changing culture of the sixties in the US made him move to the mecca of folk rock and jazz guitar, New York City, where he first attended Mannes School of Music to study classical guitar. Continue reading Larry Coryell 2/2017

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Robert Dahlqvist 2/17

robert dahlqvist, singer/guitarist for the HellacoptersFebruary 1, 2017 – Robert Dahlqvist (The Hellacopters) was born on April 16, 1976 in Uddevalla, Sweden, and got his first guitar at the age of ten and attended music school but quit after a month frustrated over not being allowed to play Kiss songs. Five years later, at age fifteen, his mother got him an electric guitar and he started to focus more seriously on his playing. Dahlqvist soon started playing in bands and worked at a bar where he got to know members of the Swedish rock band The Hellacopters.

After the departure of guitarist Dregen in early 1998, The Hellacopters brought in temporary replacements Chuck Pounder and Mattias Hellberg to tour with them. In 1999, The Hellacopters recorded Grande Rock with the band’s pianist Anders Lindström on rhythm guitar and started to look for a permanent guitarist. When Dahlqvist heard about this he contacted the band and asked for the opportunity for an audition, and after a few jam sessions together Dahlqvist was chosen as the band’s new guitarist. Continue reading Robert Dahlqvist 2/17

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Deke Leonard 1/2017

Deke Leonard, guitarist for Man and IcebergJanuary 31, 2017 – Deke Leonard (Man) was born Roger Leonard on 18 December 1944 in Llanelli, South Wales in the UK, the son of Winston, a dog breeder, and his wife, Ella. He attended Llanelli boys’ grammar school, where he formed his first band, Lucifer and the Corncrackers, with his cousin Meic Rees (vocals), Geoff Griffiths (drums) and Clive “Wes” Reynolds (bass), in 1962, taking his stage name from “Deke” Rivers, the character played by Elvis Presley in his 1957 movie Loving You. Leonard left school to work as a management trainee for a building contractor, where he quickly left to avoid getting fired. He decided to become a full-time musician or as he later confessed: “”serving a life sentence in the music business”.

The Corncrackers ran their own club, the “L” Club, featuring themselves and booking other Welsh musicians such as such as Tommy Scott (Tom Jones) and the Senators. He went on to play with other Welsh bands, the Jets, Smokeless Zone and the Dream., whilst also playing support to acts such as Johnny Kidd & The Pirates and The Hollies at a rival venue. When Rees left they continued as a trio; Keith Hodge then replaced Griffiths, but when Reynolds left to join the South Wales band The Jets, The Corncrackers broke up. Continue reading Deke Leonard 1/2017

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Tom Edwards 1/2017

guitarist for adam antJanuary 25, 2017 – Tom Edwards (Adam’s Ants) was born on February 21, 1975 in Ipswich, England. Little is officially known about his early days, except that he grew up in a normal family and his dad “Bib” had musical talents. From what I could find, Tom must have chosen the path of music rather early on in his life. He grew up in Bildeston and went to Great Cornard Upper School where he fostered a love of music that would go on to become his livelihood.

And reflecting on what I learned via Google, Facebook and several more websites, I learned that Tom was a more than adequate guitar player, who shared his talents easily and with many. His life was music from the occult to straight forward classic rock. He made a living in the performance of music and it took him around the globe with various bands and outfits such as Adam Ant, Roddy Frame, Fields of the Nephilim, Rebelles, Edwyn Collins, Andrea Corrs, Arno Castens and Spiderbites, as well as his brother Dickon’s band Fosca. Continue reading Tom Edwards 1/2017

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Matt Roberts 8/2016

matt-robertsAugust 20, 2016 – Matt Roberts (Three Doors Down) was born in rural Mississippi in 1978 – Roberts grew up with lead singer Brad Arnold (vocalist/drummer) and bassist Todd Harrell in Escatawpa, Mississippi, where they formed 3 Doors Down in 1994. He became a seasoned guitarist and back-up vocalist for the group,

The founding members of 3 Doors Down were raised in Escatawpa, a cozy town of 8,000 people in rural Mississippi. Although brought up in religious households, the musicians also felt the call of rock & roll at an early age, eventually forming a rock trio in 1994 to play a friend’s backyard party.

Continue reading Matt Roberts 8/2016

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Scotty Moore 6/2016

scotty-mooreJune 28, 2016 – Winfield Scott “Scotty” Moore III, (Elvis Presley) was born on December 27, 1931 near Gadsden, Tennessee. He learned to play the guitar from family and friends at eight years of age. Although underage when he enlisted, Moore served in the United States Navy between 1948 and 1952. Moore’s early background was in jazz and country music. A fan of guitarist Chet Atkins, Moore led a group called the “Starlite Wranglers” before Sam Phillips at Sun Records put him together with then teenage Elvis Presley. The trio was completed with bass player Bill Black, who brought a “rhythmic propulsion” that much pleased Phillips.

In 1954 Moore and Black accompanied Elvis on what would become the first legendary Presley hit, the Sun Studios session cut of “That’s All Right”, a recording regarded as a seminal event in rock and roll history. Continue reading Scotty Moore 6/2016

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Henry McCullough 6/2016

Henry McCulloughJune 14, 2016 – Henry Campbell Liken McCullough (Wings) was born in Northern Ireland on 21 July 1943. He first came to prominence as a guitar player of talent in the early 1960s as the teenage lead guitarist with The Skyrockets showband from Enniskillen. In 1964, with three other members of The Skyrockets, he left and formed a new showband fronted by South African born vocalist Gene Chetty, which they named Gene and The Gents.

In 1967 McCullough moved to Belfast where he joined Chris Stewart (bass), Ernie Graham (vocals) and Dave Lutton (drums) to form the psychedelic band The People. Later that year the band moved to London and were signed by Chas Chandler’s management team, who changed the group’s name to Éire Apparent. Under Chandler’s guidance after a single release they toured with groups such as Pink Floyd, Soft Machine, The Move and The Jimi Hendrix Experience, as well as Eric Burdon and the Animals. Continue reading Henry McCullough 6/2016

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Paul Kantner 1/2016

Paul Kantner during Paul Kantner in Concert at Wetlands - 1992 at Wetlands in New York City, New York, United States. (Photo by Steve Eichner/WireImage)

January 28, 2016 – Paul Kantner (Jefferson Airplane founding guitarist) was born on March 17, 1941, in San Francisco, California. Kantner had a half-brother and a half-sister by his father’s first marriage, both much older than he. His father was of German descent, and his mother was of French and German ancestry. His mother died when he was eight years old, and Kantner remembered that he was not allowed to attend her funeral. His father sent him to the circus instead. After his mother’s death, his father, who was a traveling salesman, sent young Kantner to Catholic military boarding school. At age eight or nine, in the school’s library, he read his first science fiction book, finding an escape by immersing himself in science fiction and music from then on. As a teenager he went into total revolt against all forms of authority, and he decided to become a protest folk singer in the manner of his musical hero, Pete Seeger. He attended Saint Mary’s College High School, Santa Clara University and San Jose State College, completing a total of three years of college before he dropped out to enter the music scene.

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Gary Richrath 9/2015

music-reo-speedwagon-gary-richrathGary Richrath (REO Speedwagon) was born on October 18, 1949.

Gary Richrath provided much of the creative and driving force in the early days of the band, Gary Richrath wrote much of the material for REO Speedwagons first twelve albums. In 1977, Gary Richrath and other members of the band took over their own production, which resulted in the band’s first platinum album. Gary Richrath wrote many of the band’s most memorable songs including “Golden Country” from 1972, “Ridin’ the Storm Out” 1973, “Only the Strong Survive” 1979 and “Take It On the Run” from 1981.

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Andrew Gold 6/2015

andrew goldJune 3, 2015 – Andrew Maurice Gold was born on August 2, 1951 at Burbank, Los Angeles, into a musical family. His father, Ernest Gold, composed the scores for dozens of Hollywood films, including Exodus (1960) — for which he won an Oscar — Too Much Too Soon (1958) and On The Beach (1959); his mother, the classically-trained soprano Marni Nixon, was best known for supplying the singing voices for film actresses, notably Deborah Kerr in The King And I (1956), Natalie Wood in West Side Story (1961), and Audrey Hepburn in My Fair Lady (1964). She also appeared as Sister Sophia in The Sound Of Music (1965).

Andrew was 13 when he started writing pop songs, although he never learned to read music. At Oakwood School in north Hollywood, he introduced himself to the singer Linda Ronstadt when she played a gig there with her group the Stone Poneys . By the early 1970s he had joined her band, and in 1974 played a variety of instruments and made the musical arrangements for Linda Ronstadt’s breakthrough album Heart Like A Wheel, as well as for her next four albums. Among other accomplishments, he played the majority of instruments on “You’re No Good,” Ronstadt’s only #1 single on the Billboard Hot 100, and the same on “When Will I Be Loved,” “Heat Wave” and many other classic hits. He was in her band from 1973 until 1977, and then sporadically throughout the 1980s and 1990s. Continue reading Andrew Gold 6/2015

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Dave Ball 4/2015

Dave BallApril 1, 2015 – Dave Ball was born on March 30th 1950 in Birmingham, England. He was the youngest of three sons from a musical Birmingham family. “We were born show-offs and broke into a routine at the slightest excuse,” he said of his adolescence strumming a guitar alongside Pete and Denny. All three brothers played in various groups in Germany before teaming up with the drummer Cozy Powell to back Ace Kefford, formerly of The Move, and then forming Big Bertha in 1969.

Replacing Robin Trower in Procol Harum in 1970, he can be heard on the group’s live album, Procol Harum Live with the Edmonton Symphony Orchestra, but left late during the recordings for their 1973 album Grand Hotel, in Sept 1972. “I was getting bored,” he said in an interview. “There were only so many ideas I could put into that style.” Continue reading Dave Ball 4/2015

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Sam Andrew III 2/2015

Sam-AndrewFebruary 12, 2015 – Sam Andrew III was born in Taft, California on December 18, 1941, but having a military father he moved a great deal as a child. His early musical influences were Chuck Berry, Bo Diddley and Little Richard and by the time he was seventeen living in Okinawa, he already had his own band, called the “Cool Notes”, and his own weekly TV show, an Okinawan version of American Bandstand.  He also listened to a great deal of Delta blues. His brother Leland Andrew frequently stated his brother was the “Benny Goodman of Japan”.

He attended the University of San Francisco, and became involved with the San Francisco folk music scene of the early 1960s. However it was not until he returned from over a year in Paris and almost a year in Germany, that he met Peter Albin at 1090 Page Street. After playing together at Albin’s home, Sam suggested they form a band. They found guitarist James Gurley and drummer Chuck Jones, and Big Brother and the Holding Company was formed ready for their first gig, at the Trips Festival in January 1966. Soon after painter and jazz drummer David Getz, replaced Jones. As Big Brother and the Holding Company began to gel, Andrew brought many songs into the band. Continue reading Sam Andrew III 2/2015

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Jeff Golub 1/2015

jeff GolubJanuary 1, 2015 –  Jeff Golub was born April 15th 1955 in Copley, Ohio. Golub started playing guitar, like so many,  by emulating 1960s blues rock guitarists Eric Clapton, Jeff Beck and Jimi Hendrix. Then, following up on the artists that these musicians cited as their inspiration, he delved deeper into the blues listening to Muddy Waters, Buddy Guy, plus B.B., Albert, and Freddie King. He was in his teens when he first heard a Wes Montgomery record which set him on a whole new course of musical direction, which led him to study at Berklee College of Music in Boston.

In a musical journey that spans more than three decades and encompasses a diverse assortment of projects from across the jazz, blues and rock spectrum, the visionary guitarist maintained the same honesty, enthusiasm and creativity that first won him his reputation as one of his era’s most skillful and original musicians. Whether it was his own inventive yet effortlessly accessible recordings or his collaborations with a dizzying array of artists, Golub’s work was consistently distinguished by the versatility and imagination that he brought to everything he did.

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Robert Throb Young 9/2014

September 9, 2014 – Robert ‘Throb’ Young (Primal Scream) was born in Glasgow, Scotland on November 19, 1964. Young met Primal Scream singer Bobby Gillespie when they were both studying at Kings Park Secondary School in Glasgow, and he joined the band in 1984.

Known as Throb to his bandmates and fans, this Scottish rock bassist and guitarist was most commonly known for performing both roles with the Glasgow-formed, Mercury Music Prize winning Primal Scream. A core member throughout their lengthy career, he joined when they were still unknowns in 1984 and departed for health reasons, after a lengthy and successful international career with the group in 2006.

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Dick Wagner 7/2014

July 30, 2014 – Dick Wagner was born on December 14th 1942 in Oelwein, Iowa, but grew up in Saginaw, Michigan area and graduated from Waterford Township high school in 1961. His first band, called the Bossmen, was a favourite in the Detroit area and scored radio play with the Wagner-penned composition “Baby Boy”, “You’re the Girl for Me” and others.

Wagner formed his next band, the Frost, with Donny Hartman, Bobby Rigg and Gordy Garris, in the late 1960s and built up a substantial following in the Michigan area. The band featured the dual lead guitars of Wagner and Hartman. The band released three albums during their tenure together on Vanguard Records: 1969’s Frost Music and Rock and Roll Music, plus 1970’s Through the Eyes of Love. Wagner was the principal songwriter, arranger and lead singer of The Frost. Their live appearances brought out large crowds of young fans throughout the region.

In the late 60s he formed his second band The Frost, it was in these days he penned one of the best-known songs “Only Women Bleed”. Continue reading Dick Wagner 7/2014

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Johnny Winter 7/2014

July 16, 2014 – Legendary blues musician Johnny Winter died in his hotel room in Zurich, Switzerland, on July 16th, 2014 at age 70. There are plenty of reasons why that’s notable — Winter was one of the first blues rock guitar virtuosos, releasing a string of popular and fiery albums in the late Sixties and early Seventies, becoming an arena-level concert draw in the process — but it’s the barest facts that remain the most inspiring.

Johnny Dawson Winter, who was born on February  23rd, 1944 in little Beaumont, Texas, afflicted with albinism and 20/400 eyesight in one eye and 20/600 in the other, made an iconic life for himself by playing the blues.

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Shane Gibson 4/2014

shane gibsonApril 15, 2014 – Shane Paul Gibson was born February 21, 1979 in Houma, Louisiana. He graduated in 2002 from the Berklee College of Music, moving then to Los Angeles, where he first worked as a roadie for Kiss and later on TV spots and music for movies, before becoming the touring lead guitarist for the rock band Korn, after the departure of Brian “Head” Welch in February 2005. He also played the lead guitar for the solo tour of Jonathan Davis from Korn.

He was than hired on and joined forces in a project group called, Mr Creepy. The band was formed by Arthur Gonzales who also brought in (studio musicain) Michael G Clark, award winning bassist/vocalist, Jasmine Cain, and ex-Black Label Society drummer, Mike Froedge. Continue reading Shane Gibson 4/2014

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Franny Beecher 2/2014

Franny Beecher24 February, 2014 – Franny Beecher was born on September 29, 1921 in Norristown, Pennsylvania.

Franny Beecher joined Bill Haley and the Comets in 1954, replacing guitarist Danny Cedrone, who had died. Frank Beecher had already enjoyed fame as the lead guitarist in the Benny Goodman Orchestra in 1948-49. He appeared on The Toast of the Town show (which later became The Ed Sullivan Show) on CBS television with the Benny Goodman band in December, 1948. He is featured on two Benny Goodman albums, Modern Benny on Capitol and Benny Goodman at the Hollywood Palladium. Personnel lists generally refer to him as Francis Beecher.

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Bob Casale Jr 2/2014

Bob CasaleFeb 17, 2014 – Bob Casale Jr. aka Bob 2 -(Devo) was born Robert Edward Pizzute, Jr on July 14, 1952 in Kent, Ohio. His birth name was Pizzute because his father had legally changed his name from Robert Edward Casale to that of his foster parents.

He originally trained as a medical radiation technologist, but was recruited by his brother Gerald Casale to join his band, the new wave band Devo. In Devo concerts, Bob played lead-rhythm guitar and keyboards while working with MIDI sampling. He also sang backup vocals both on album and at live shows.

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Pete Haycock 10/2013

pete-haycock-58October 30, 2013 – Pete Haycock was born on March 4, 1951 in Stafford, England. He attended St.John’s Primary School, then King Edward VI Boys Grammar School and played his first gig at a miners club at the age of 12.

In 1968 at 17, as lead guitarist, vocalist he founded the Climax Chicago Blues Band along with Richard Jones on bass, guitarist-vocalist Derek Holt, keyboardist Arthur Wood, George Newsome on drums and harmonica player- vocalist Colin Cooper. Two years later they changed their name to the Climax Blues Band in 1970. Continue reading Pete Haycock 10/2013

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Jan Kuehnemund 10/2013

Vixen performing at The Hard Rock Hell Winter Ball held at Butlins Somerwest World in MineheadOctober 10, 2013 – Jan Kuehnemund (Vixen) was born on November 18th 1961 in St.Paul Minnesota.  She was the original founding member of the all-female American hard rock band Vixen in 1973.

In 1981 she moved the entire band to California to get better exposure. Hailed as “the female Bon Jovi”, the band achieved commercial success during the late 1980s and early 1990s as part of the Los Angeles, California glam metal scene and Kuehnemund was called “the best female guitarist around” back in the day.

She toured with the Scorpions, Ozzy Osbourne, Kiss and Bon Jovi, as did an appearance in the era’s definitive documentary, Penelope Spheeris’ “The Decline of Western Civilization II: The Metal Years.”

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Jeff Hanneman 5/2013

Jeff HannemanMay 2, 2013 – Jeffrey John “Jeff” Hanneman was born on January 31, 1964 in Oakland CA, but grew up further south in Long Beach. He is best known as a founding member of the American thrash metal band Slayer.

The story goes that in 1981 he approached Kerry King, when King was auditioning for a southern rock band “Ledger”. After the try-out session, the two guitarists started talking and playing Iron Maiden and Judas Priest songs and decided to form their own band, and Slayer was born.

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Bob Brozman 4/2013

Guitarist Bob BrozmanApril 23, 2013 – Robert Charles “Bob” Brozman was born to a Jewish family living on Long Island, New York, United States. He began playing the guitar when he was 6.

He performed in a number of styles, including gypsy jazz, calypso, blues, ragtime, Hawaiian music, and Caribbean music. He also collaborated with musicians from diverse cultural backgrounds, from India, Africa, Japan, Papua New Guinea and Réunion. He has been called “an instrumental wizard” and “a walking archive of 20th Century American music”. Brozman maintained a steady schedule throughout the year, touring constantly throughout North America, Europe, Australia, Asia, and Africa. He recorded numerous albums and has won the Guitar Player Readers’ Poll three times in the categories Best Blues, Best World and Best Slide Guitarist. In 1999, Brozman and Woody Mann founded International Guitar Seminars, which hosts over 120 students annually at sites in California, New York, and Canada. From 2000 to 2005 his collaborations landed in the European Top 10 for World Music five times. Continue reading Bob Brozman 4/2013

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Peter Banks 3/2013

peter_banks2March 7, 2013 – Peter Banks (Yes) was born Peter Brockbanks on July 15th 1947 in Barnet, North London. He learned to play the guitar on an acoustic his dad bought for him and banjo as a sidekick.

Banks started his career in music with The Nighthawks in 1963 and played his first concert at the New Barnet Pop Festival before leaving that band to join The Devil’s Disciples in 1964. The band consisted of Banks on guitar, John Tite on vocals, Ray Alford on bass and Malcolm “Pinnie” Raye on drums. They recorded two songs on an acetate, Arthur Alexander’s “You Better Move On” (a hit for the Stones a little later) and Graham Gouldman’s (10CC) “For Your Love” which would be a hit record for The Yardbirds one year later. These two songs can be found on Banks’ archival album Can I Play You Something. Continue reading Peter Banks 3/2013

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Alvin Lee 3/2013

Alvin Lee 68March 6, 2013 – Alvin Lee,(Ten Years After) born Graham Anthony Barnes on Dec. 19, 1944, was a truly inspired blues rock guitarist-vocalist, whose performance with Ten Years After during Woodstock 1969, catapulted him into superstardom. The song “I’m Going Home” became legendary and his speed earned him the title “The Fastest Guitarist in the West”. A lifelong search for freedom resulted in more than 20 albums of superb blues rock. Ten Years After would ultimately tour the US twenty-eight times in seven years – more than any other UK band.

He was born in Nottingham and attended the Margaret Glen-Bott School in Wollaton. He began playing guitar at the age of 13 and in 1960, Lee along with Leo Lyons formed the core of the band Ten Years After. Influenced by his parents’ collection of jazz and blues records, it was the advent of rock and roll that sparked his interest.

He began to play professionally in 1962, in a band named the Jaybirds, they began that year to perform in the Star-Club in Hamburg, Germany. After a couple of name changes by 1966 they had finally decided on the name Ten Years After.

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Dan Toler 2/2013

dantolerFeb 25, 2013- Dan Toler (Allman Brothers Band) aka “Dangerous Dan Toler” was born in Connersville, Indiana on September 23, 1948.

Toler first entered the extended Allman Brothers Band family as a member of Dickey Betts’ Great Southern in the late 1970s. Toler played guitar in the group during one of The Allman Brothers band’s hiatuses in the late ’70s and appears on the classic Betts albums Dickey Betts & Great Southern and Atlanta’s Burning Down.

When The Allman Brothers Band reformed in 1979, Betts brought Toler into the fold, reinstating the band’s trademark twin guitar approach for the first time since Duane Allman’s death in 1971. Toler appeared on The Allman Brothers Band’s Enlightened Rogues(1979), Reach for the Sky (1980) and Brothers of the Road (1981) before the group split for a second time in 1982. His brother Frankie Toler later joined the band in the ‘80s after founding drummer Jaimoe disgracefully was dismissed from the group.

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Magic Slim 2/2013

Magic SlimFebruary 21, 2013 – Magic Slim was born Morris Holt on August 7, 1937 in Torrance near Grenada, Mississippi. The son of sharecroppers, he followed blues greats such as Muddy Waters and Howlin’ Wolf to Chicago, claiming and developing his own place in the Chicago blues scene.

He gave up the piano and turned to guitar after losing his right pinky finger in a cotton gin accident at age 13. In 1955 he moved to Chicago with his friend and mentor Magic Sam. The elder, Magic Sam/Samuel Maghett let Morris play bass in his band, and gave him his nickname Magic Slim.

However, he soon returned to Mississippi to work and got his younger brother Nick interested in playing bass.

By 1965 he was back in Chicago and in 1970 brother Nick joined him in his group, the Teardrops. Slim’s recording career began in 1966, with the song “Scufflin'”, followed by a number of singles leading into the mid 1970s.

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Tony Sheridan 2/2013

tony sheridanFeb 16, 2013 – Tony Sheridan was born Anthony Esmond Sheridan McGinnity  was born May 21, 1940 in Norwich, England. To the rest of the world he was best known as the only non-Beatle to appear as lead singer on a Beatles recording which charted as a single, even though the record was labelled as being with “The Beat Brothers”. In Europe he was at times a superstar.

In his early life, Sheridan was influenced by his parents’ interest in classical music, and by age seven, he had learned to play the violin. He eventually came to play guitar, and in 1956, formed his first band. He showed enough talent that he soon found himself playing in London’s “Two I’s” club for some six months straight. In 1958, aged 18, he began appearing on Oh Boy, made by the ITV contractor ABC, playing electric guitar on such early rock classics as “Blue Suede Shoes”, “Glad All Over”, “Mighty Mighty Man” and “Oh Boy!”. He was soon employed backing a number of singers, reportedly including Gene Vincent and Conway Twitty while they were in England. In 1958 Johnny Foster sought to recruit Sheridan as a guitar player in Cliff Richard’s backing band (soon renamed the Shadows), but after failing to find him at the 2i’s Coffee Bar opted for another guitarist who was there, Hank Marvin.

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Kevin Peek 2/2013

Kevin PeekFebruary 14, 2013 – Kevin Peek (Sky) was born Dec 21, 1946 in Adelaide, Australia. He initially played classical percussion in the Adelaide Conservatorium of Music, before teaching himself the guitar.

In 1967 Peek formed a Psychedelic pop, progressive rock group, James Taylor Move but left by May 1968, moving to London. He returned to Adelaide, Australia, to join a newly formed rock band Quatro which, despite a contract from England’s Decca Records, proved artistically unsuccessful.

For a time, following their move to London, he and his fellow Adelaide-born bandmates—guitarist Terry Britten, bassist Alan Tarney, and drummer Trevor Spencer—made their livings as session musicians together, playing with everyone from the New Seekers and Mary Hopkin (Earth Song, Ocean Song) to Cliff Richard, whose regular backing band they became on stage and on record during the 1970s. Peek also worked with Manfred Mann, Lulu, Tom Jones, Jeff Wayne (War of the Worlds), and Shirley Bassey, among others. He also wrote the theme music for the internationally-broadcast “Singapore Girl” television advertisements for Singapore Airlines.

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John Wilkinson 1/2013

John-WilkinsonJanuary 11, 2013 – John Wilkinson was born on July 3rd 1945 in Springfield, Missouri.

John was drawn to music very early. At the age of 10, he famously sneaked into Elvis Presley’s dressing room before a show at the Shrine Mosque in Springfield, telling Elvis, “you can’t play guitar worth a damn.” Elvis was amused and impressed with the kid and predicted they would meet again. They did. After playing in a high school band with his classmates called, “The Coachmen,” John went on to make a name for himself as a folk and country singer and guitar player.

He traveled around the country playing with such groups as , The Goodtime Singers, Greenwood County Singers, and The New Christy Minstrels.

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Sugarfoot Bonner 1/2013

leroy-bonnerJanuary 27, 2013 – Sugarfoot Bonner was born Leroy on March 14th 1943 in Hamilton, Ohio, about 20 miles (32 km) north of Cincinnati, the oldest of 14 children. He ran away from home as a young teenager and played the harmonica on street corners for change.

He joined the The Ohio Untouchables when they regrouped in 1964. Leroy’s rip-it-up guitar work and taste for something funky the band went on to become The Ohio Players, with Leroy as their front man, lead singer and guitarist.

Their first big hit single “Funky Worm”, reached No.1 on the Billboard R&B chart and made the Top 20 on the Billboard Hot 100 in the spring of 1973. Other hits followed, including “Who’d She Coo?” and their double No.1 hit songs “Love Rollercoaster” and “Fire” in January 1976.

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Big Jim Sullivan 10/2012

bigjim92October 2, 2012 – Big Jim Sullivan was born James George Tomkins on February 14, 1941 British guitarist born in Middlesex. In 1959, he met Marty Wilde at The 2i’s Coffee Bar, and was invited to become a member of his backing group, the Wildcats, who were the warm up act on the television series, Oh, Boy!.

The Wildcats backed Eddie Cochran and Gene Vincent on their tour of Britain in 1960. In the 60s and 70s he also played on hits by Billy Fury, Frank Ifield, Adam Faith, Frankie Vaughan, Helen Shapiro, Freddie and the Dreamers, Cilla Black, Tom Jones, Shirley Bassey, Dusty Springfield, Georgie Fame, Bobby Darin, Little Richard, The Walker Brothers, Donovan, David Bowie, Engelbert Humperdinck, Benny Hill, The New Seekers, Thunderclap Newman, Love Affair, Long John Baldry, Marmalade, Small Faces, The Tremeloes, Rolf Harris, George Harrison and many more as well as being a member of Tom Jones’ band.

He performed on no less than 55 No.1 hits singles during this life!!!

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Pete Cosey 5/2012

pete-coseyMay 30, 2012 – Peter Palus “Pete” Cosey was born on October 9th 1943 in Chicago. He was the only child of a musical family. His father and mother wrote for Louis Jordan and Eddie “Cleanhead” Vinson and his father played for Sidney Bechet and Josephine Baker.

In the early years of the 1960s Pete became a key session musician at Chess Records, appearing on recordings by Howlin’ Wolf, Muddy Waters, the Rotary Connection, and Etta James, and he worked with the great Phil Cohran in the Artistic Heritage Ensemble.

Pete was also an early member of The Pharaohs and a group with drummer Maurice White and bassist Louis Satterfield that eventually evolved into Earth, Wind & Fire.

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Bugs Henderson 3/2012

Bugs HendersonMarch 8, 2012 – Buddy “Bugs” Henderson was born on October 20th 1943 in Palm Springs, California, but grew up in Tyler, Texas. At age 16 he formed a band called the Sensores and later joined Mouse and the Traps. Living in Dallas-Fort Worth during the early 1970s, he became lead guitarist for the blues/rock band Nitzinger before one-hit pop wonder Bruce Channel recruited him into a band.

He established his own band the Shuffle Kings, and spent his entire working life as musician performing from Fort Worth clubs and all over the world, forging and establishing a large cult following. He released 18 albums, while his guitarplaying style impressed musicians such as Eric Clapton, Freddie King, Johnny Winter, Johnny Hyland and Ted Nugent.

Henderson was hugely popular in Europe and toured the continent often from the 1970s on. Continue reading Bugs Henderson 3/2012

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Ronnie Montrose 3/2012

ronnie montroseMarch 3, 2012 – Ronnie Montrose. There are credible sources that claim he was born November 29, 1947 in Denver, Colorado, and others say he was born in San Francisco, California. No confusion is there about his early childhood in Colorado.

In his own words Montrose was born in San Francisco, California. When he was a toddler, his parents moved back to his mother’s home state of Colorado (his father was from Bertrand, Nebraska, and his mother was from Golden, Colorado). He spent most of his younger years in Denver, Colorado until he ran away at about 16 years old to pursue a musical career. He ultimately spent most of his life in the San Francisco Bay area, where he became an influential, highly-rated player whose crunchy riffs, fluid licks and mesmerising solos lit up FM radio during the 1970s.

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Rhino Reinhardt 1/2012

larry-rhino-reinhardtJanuary 2, 2012 – Rhino Reinhardt was born in Bradenton, Florida on July 7th 1948. In his early music career in the 60s he played with local outfits like The Thunderbeats and Bittersweet between Sarasota and Bradenton.

In those early days “El Rhino” was also a member of two Georgia bands… The Load (1967-69) with bassist Richard Price and drummer Ramone Sotolongo, performing mostly original, psychedelic blues-rock. When the the band landed a house gig in Gainesville, at a club called Dubs, Reinhardt evolved into joining The Second Coming (1969-70) with Duane Allman, Dickey Betts and Berry Oakley and Reese Wynans, who eventually went on to form The Allman Brothers Band, with Wynans joining Stevie Ray Vaughan. Continue reading Rhino Reinhardt 1/2012

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Hubert Sumlin 12/2011

Bluesman Hubert SumlinDecember 4, 2011 – Hubert Sumlin was born on November 16, 1931 near Greenwood, Mississippi, and grew up across the river in Hughes, Arkansas, where he took up the guitar as a child; by his teens he was playing for local functions, sometimes with the harmonica player James Cotton. The first time Sumlin saw Howlin’ Wolf in action, as he told Living Blues magazine in 1989, he was too young to get into the club, so he climbed on to some Coca-Cola boxes to peer through a window; the boxes shifted and Sumlin fell into the room, landing on Wolf’s head. After the gig, Wolf drove him home and asked his mother not to punish him. “I followed him ever since,” Sumlin said.

At the time Wolf was working with the guitarists Willie Johnson and Pat Hare, but Sumlin was occasionally permitted to sit in. Then, in 1953, Howlin’ Wolf left the south for Chicago, where he would develop his music on the bustling club scene and in the studios of Chess Records. In spring 1954, he sent for Sumlin to join him, and soon afterwards the 23-year-old guitarist was heard on records such as Evil and Forty-Four, and a couple of years later the sublime Smokestack Lightning, though for a while he played second to more experienced guitarists like Johnson and Jody Williams.

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Gaye Delorme 6/2011

gaye-delormeJune 23, 2011 – Gaye Delorme was born on March 20, 1947 in Thunder Bay, Ontario, Canada. He was an entirely self-taught virtuoso guitar player, having picked up the guitar at age fifteen during a stint in juvenile detention. After moving to Edmonton in the late 1960s, he got into trouble with the law, but soon found a way out of problems was the guitar. He formed the short-lived group The Window, referred to by some as Alberta’s answer to Jimi Hendrix. His other projects during those formative years included The Extemely Deep Guys and, during a brief stint in Vancouver, an R&B group called Django (named after his admiration for jazz guitarist Django Reinhardt).

It was his gift on the guitar that made him one of the most talented musicians on the scene, and other artists tapped into those various attributes through the years, whether it was flamenco, classical, country, folk, jazz, blues, or rock. His wide-range of skills often included his uncanny ability to emulate other instruments, such as the sitar and the koto. In fact, Stevie Ray Vaughan once described Delorme as “one of the best,” and “a monster” by Colin James.

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Gary Moore 2/2011

Gary Moore 500February 6, 2011 – Gary Moore, who wrote and played “Still Got the Blues for You” and “Parisienne Walkways” into a daily highlight in my musical playlist, passed away on February 6, 2011 at age 58, while on vacation in Spain, reportedly after a night of excessive drinking and partying.

Gary Moore was a guitar talent that only comes around a couple of times in a generation. Jimi, Eric, Gary, Duane and Hughie Thomasson are the five that fill my High Five, as I’m witnessing our generation extending a welcome to those who learned from the great ones, like Joe Bonamassa and Kenny Wayne Sheppard and now show their talent to a new generation.

Robert William Gary Moore was born on 4 April 1952 and grew up on Castleview Road opposite Stormont Parliament Buildings, off the Upper Newtownards Road in east Belfast, Northern Ireland as one of five children of Bobby, a promoter, and Winnie, a housewife. He left the city as a teenager, because of troubles in his family – his parents parted a year later – just as The Troubles – political violence, were starting in Northern Ireland.

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Garry Shider 6/2010

garry_shiderJune 16, 2010 – Garry Marshall Shider (Parliament-Funkadelic) was born on July 24th 1953 in Plainfield New Jersey. A

Like many funk pioneers of the ’70s, Shider got his start by playing in church. As a teenager, he sang and performed in support of the Mighty Clouds Of Joy, Shirley Caesar, and other prominent gospel artists. Years later, singing far-out funk with Parliament, that gospel spirit was still evident in his vocal performances. He was still bringing them to church — only that church was located somewhere in deep innerspace.

Shider met George Clinton in the late ’60s at the famous Plainfield barbershop where the Parliaments, then primarily a soul vocal group, practiced harmonies. Shider’s vocal and instrumental talent impressed Clinton.

By the time he was sixteen, Shider wished to escape the crime and dead-end prospects of Plainfield, so he and his friend Cordell “Boogie” Mosson left for Canada where Shider and Mosson formed a funk/rock band called United Soul, or “U.S.”. George Clinton was living in Toronto at the time and began hearing about United Soul from people in the local music business and took the band under his wing upon learning that Shider was a member.

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Lolly Vegas 3/2010

Lolly VegasMarch 4, 2010 – Candido Lolly Vegas (Redbone) was born Lolly Vasquez in Coalinga, California on October 2, 1939. He grew up in Fresno. He and his brother Pat, a singer and bassist, were session musicians who performed together as Pat and Lolly Vegas in the 1960s at Sunset Strip clubs and on the TV variety show “Shindig!”

Patrick and Lolly Vasquez – Vegas were a mixture of Yaqui, Shoshone and Mexican heritage. but began by performing and recording surf music as the Vegas Brothers, “because their agent told them that the world was not yet ready to embrace a duo of Mexican musicians playing surfing music”. First as the Vegas Brothers (Pat and Lolly Vegas), then later as the Crazy Cajun Cakewalk Band, they performed throughout the 1960s.

They formed the Native American band Redbone in 1969, Redbone being a Cajun word for ‘half-breed’. The band, with members of Latino and native American origin, released its self-titled debut album the following year. The band first gained notice with “Maggie” in 1970 and broke international barriers with “The Witch Queen of New Orleans” in 1971.

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Micky Jones 3/2010

Micky JonesMarch 10, 2010 – Micky Jones  (Man) was born on June 7th 1946. In 1960, whilst still at school, Micky formed his first band The Rebels, before he formed his first professional band The Bystanders in 1962 which over the years developed into the legendary Welsh pychedelic, progressive rock, blues and country-rock band “Man”, officially formed in 1968 as a reincarnation of Welsh rock harmony group “The Bystanders from Merthyr Tydfil”.

They say that in order to understand the Welsh, you first must gain a sense of Wales. Unfortunately there are almost as many different colorful facets to the principality as there are people: in the south alone blue mountains rise from green valleys to hug the clouds, silver light drifts across granite castles, white cottages pepper the landscape and grey seas nibble at the coastline. What the tourist guides often fail to mention however is that this is also a landscape scarred black by the ravages of coal mining and tainted red by the rusting hulk of iron foundries. Where Ireland often gives the impression of having moved directly from the eighteenth century into the twenty-first without an industrial age in between, South Wales today still wears a curtain of steel. It’s an increasingly thin curtain in this post-industrial age, but the signs are all around nonetheless.

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Mick Green 1/2010

mick greenJanuary 11, 2010 – Michael Robert “Mick” Green (the Pirates) was born on 22 February 1944 in Matlock Derbyshire, England but grew up in Wimbledon, south-west London, in the same block of flats as Johnny Spence and Frank Farley.

The three would eventually form a band that would play together for almost 50 years. Green met Farley in rather maverick circumstances; he fell out of a tree and landed on him. His first meeting with Spence was more conventional – Green turned up at Spence’s door holding a guitar and said: “I hear you know the opening bit to Cumberland Gap. Can you teach me?” The result was one of the most original guitarists Britain has ever produced.

The trio formed the Wayfaring Strangers in 1956, a skiffle band. Entering a competition at the Tottenham Royal Ballroom, the youngsters came second to a band called the Quarrymen, who later achieved success as the Beatles.

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James Gurley 12/2009

james gurley2009 – James Gurley was born on December 22, 1939 in Detroit Michigan, the son of a stunt-car driver, and attended the city’s Cooley high school. His father would sometimes enlist his son’s ­support, strapping him to the bonnet of a car and driving through walls of fire. Gurley had his first encounter with a guitar at the age of 16 when an uncle brought one to his home, but initially he showed no interest. He took up the instrument seriously three years later, at age 19, initially teaching himself the rudiments by listening to recordings of the bluesman Lightnin’ Hopkins. In 1962 he moved with his wife Nancy and son to the Bay area in San Francisco.

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Tim Hart 12/2009

Tim HartDecember 24, 2009 – Tim Hart (Steeleye Span) was born  January 9, 1948 in Lincoln, grew up in St.Albans Hertfordshire, where several young British music careers started in the sixties. His father was a vicar. At St Albans school, he was a member of the Rattfinks, a pop band that never rivalled the school’s best-known alumni, the hit-making Zombies. He worked, briefly, as a bookbinder, blacksmith, cost clerk, civil servant and hospital washer-up, while diversifying his musical interests and singing at St Albans folk music club. He met Maddy Prior there in 1965 and, by January 1966, they were singing together professionally.

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Les Paul 8/2009

les paul guitar legendAugust 12, 2009 – Les Paul( birth name Lester William Polfus) was born on June 9th 1915 in in Waukesha, Wisconsin.

By at least one account, Paul’s early musical ability wasn’t superb. “Your boy, Lester, will never learn music,” one teacher wrote his mother. But nobody could dissuade him from trying, and as a young boy he taught himself the harmonica, guitar and banjo.
By his teen years, Paul was playing in country bands around the Midwest. He also played live on St. Louis radio stations, calling himself the Rhubarb Red.

Coupled with Paul’s interest in playing instruments was a love for modifying them. At the age of nine he built his first crystal radio. At 10 he built a harmonica holder out of a coat hanger, and then later constructed his own amplified guitar. Continue reading Les Paul 8/2009

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Danny McBride 7/2009

July 23, 2009 – Danny McBride (Sha Na Na) was born Daniel Hatton on November 20, 1945 in Reading, Massachusetts, where he graduated at Reading Memorial High School in 1963, where he would entertain his childhood friends with puppet shows, and then graduated from Boston University in 1970. After graduating he went into broadcasting, starting as a news reporter on a North Carolina radio station.

McBride and his group, the Cavaliers, had been popular in the early/mid 60’s Boston music scene, but McBride later became widely known as lead guitarist and lead singer for Sha Na Na during their heyday and on their own TV series of the same name.

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