November 7, 2017 – Pentti “Whitey” Glan was born on July 8, 1946 in Finland , just after World War II had come to an end and tensions with Russia were high. The family moved to Toronto Canada soon after.
Whitey Glan’s first serious band was the Canadian soul band The Rogues (later called Mandala) which he formed with keyboardist Josef Chirowski and bassist Don Elliot; they had worked together in other teenage bands like Whitey & The Roulettes. Mandala had their first hit single with “Opportunity” with original singer George Oliver, recorded at Chess Records.
In 1966 Glan played several shows with Mandala in Ontario and recorded the first two demo songs of his career (“I Can’t Hold Out No Longer” and “I’ll Make It Up To You”). Roy Kenner had replaced George Oliver. When they played their first shows in the USA they performed at the Whiskey A Go Go. They recorded their only album Soul Crusade in 1968 which produced a hit single (“Loveitis”) but they disbanded in 1969 after several line-up changes and poor album sales. Continue reading Whitey Glan 11/2017
October 8, 2017 – Grady Tate was born on January 14, 1932 in Hayti, Durham, North Carolina. In 1963 he moved to New York City, where he became the drummer in Quincy Jones’s band.
Grady Tate’s drumming helped to define a particular hard bop, soul jazz and organ trio sound during the mid-1960s and beyond. His slick, layered and intense sound is instantly recognizable for its understated style in which he integrates his trademark subtle nuances with sharp, crisp “on top of the beat” timing (in comparison to playing slightly before, or slightly after the beat). The Grady Tate sound can be heard prominently on many of the classic Jimmy Smith and Wes Montgomery albums recorded on the Verve label in the 1960s. Continue reading Grady Tate 10/2017
September 17, 2017 – Laudir de Oliveira was born January 6, 1940 in Rio de Janeiro. de Oliveira started out as a percussionist in Brazil, working with Sergio Mendes and Marcos Valle. He moved to the United States in 1968 and caught the eye of rock musicians and producers. Credited simply as “Laudir”, he also appeared on Joe Cocker’s 1969 debut album, playing on his hit single “Feelin’ Alright”.
In 1973, Chicago invited de Oliveira to play on their album “Chicago VI.” After playing on the albums Chicago VI and Chicago VII as a sideman, de Oliveira officially joined the band in 1975. Continue reading Laudir de Oliveira 9/2017
September 13, 2017 – GrantHart (Hüsker Dü) was born in St. Paul, MN on March 18, 1961 and at the age of 10, he inherited his older brother’s drum set and records, after he was killed by a drunk driver. Hart described his family as a “typical American dysfunctional family. Not very abusive, though. Nothing really to complain about.” He soon began playing in a number of makeshift bands throughout high school. Continue reading Grant Hart 9/2017
August 20, 1931 – Frank Capp was born Francis W. Cappuccio on August 20, 1931 in Worcester, Massachusetts. His uncles worked at Walberg and Auge, a percussion accessory manufacturer. One of them brought a pair of drumsticks home when he was four or five years old. He started banging on the furniture with the sticks, and I ultimately became a drummer. At age 14 he worked in the same music manufacturer shop which got him to the next phase of drumming. And when his dad later bought him his first Slingerland kit, he started a high school dance band and drumming became his life.
At age 19 he was recommended by a mutual friend and began playing with Stan Kenton in California starting in 1951 and remained with Kenton for a couple of years.This auspicious beginning was followed by a career as one of the hardest-working studio players in Los Angeles and as a drummer sought after by some of the world’s biggest singing stars and bandleaders—accomplishments that have almost been eclipsed by his success as a musical contractor. Continue reading Frank Capp 9/2017
September 11, 2017 – Virgil Howe was born on September 23, 1975 in London, England, the second son to Yes founding member/ guitarist Steve Howe. He played on several of his father’s projects: he performed on keys, alongside his brother Dylan Howe on drums, for the Steve Howe solo albums The Grand Scheme of Things (1993) and Spectrum (2005). He was in Steve Howe’s Remedy band, who released an album Elements (2003), toured the UK and then released a live DVD. He wrote and performed on a piece on his father’s 2011 release Time. He also plays drums on 11 tracks of Steve Howe’s Anthology 2: Groups and Collaborations that were largely recorded in the 1980s. Under the name The Verge, Virgil Howe produced the Yes Remixes album, released 2003.
Nexus, due November 2017, is a joint album by Virgil & Steve Howe, due on InsideOut. Father Steve described the album: “Most of the credit goes to Virgil on this; it’s Virgil’s bed and melodies but I’ve come in to add a little bit more.” Continue reading Virgil Howe 9/2017
June 3o, 2017 – Nic Ritter (Warbringer) was born Nicholas Dieter Ritter on April 13, 1981 in Tulsa, Oklahoma.
There is very little published about Nic Ritter beyond the little over 2 years that he played drums for Southern California metal trash band “Warbringer” and another short stint in 2008 with the band Prototype.
July 4, 2017 – John Blackwell was born on September 9, 1973 and raised in Columbia, South Carolina, and started playing drums at age 3. He learned from his father, John Blackwell Sr., a drummer himself, who played with Mary Wells, King Curtis, Joe Simon, J.J. Jackson, The Drifters, The Spinners, and others. Blackwell stated that he experienced synesthesia since he was a child, seeing colors for musical notes, and was identified as having perfect pitch while in high school.
As a teenager, Blackwell played in both his high-school jazz and marching bands. He began playing in jazz clubs at age 13. At 17, he landed his first professional gig backing jazz singer and bandleader Billy Eckstine. After high school, he attended Berklee College of Music and worked steadily in local Boston jazz clubs. He left Berklee in 1995 to play with the funk band Cameo, a gig which lasted for three years.Continue reading John Blackwell 7/2017
May 13, 2017 – Jimmy Copley was born in London on December 29, 1953.
Jimmy started playing drums at the age of 5 years old, accompanying his Mother’s (Nina) Jazz piano at parties. Jimmy turned professional joining the band ‘Spreadeagle’ who had just signed to Charisma Records and performed live, opening for various headlining acts such as ‘Genesis’, ‘Lindisfarne’ and ‘Audience’. Jim recorded the Spreadeagle album ‘The Piece of Paper, produced by Kinks and Who producer: Shel Talmy. Continue reading Jimmy Copley 5/2017
May 5, 2017 – Clive Brooks was born on December 28, 1949 in Bow, East London where he was also raised.
Answering a Melody Maker ad in early 1968, Brooks joined Uriel, a blues-rock group in the style of Hendrix / Cream / blues / psychedelic group original formed by three City of London School pupils Dave Stewart (keyboards), Mont Campbell (bass and lead vocals) and Steve Hillage (guitar and vocals). The band re-grouped later under the name Arzachel and released one album in 1969, after they had already changed musical direction.Continue reading Clive Brooks 5/2017
May 3, 2017 – Casey Jones (Albert Collins/Johnny Winter) was born July 26, 1939 in Nitta Yuma, Mississippi and raised in Greenville. As a kid he played with the Coleman High School band, but claimed he learned more about drumming from Little Milton’s drummer Lonnie Haynes, than from the band director
In 1956 at age 17, his sister Atlean and her husband Otis Luke enticed him with the promise of a drum kit and entry into the musician’s union, if he would move to Chicago to live with them. True to his word, they went to Frank’s Drum Shop on Wabash Ave and from there on Casey Jones played drums in Otis’s band. His first gig with Otis Luke & the Rhythm Bombers in 1956 made him $5.Continue reading Casey Jones 5/2017
April 25, 2017 – Calep Emphrey (played blues with all 3 Kings) was born on May 1, 1949 in Greenville, Mississippi. He started out playing a whole range of wind instruments such as French horn, saxophone, baritone horn and a lot of other brass instruments in the Coleman High School band while growing up. The high school band director Wynchester Davis had a band called the Green Tops, which went all around the state. He went on to play in a concert band in college at Mississippi Valley State, where he was a music major in 1967-1968.
Professionally, he started off with Little Milton about ’69 in Greenville. (Milton was from the Greenville area and Emphrey used to hang around him a lot.) Milton needed somebody to fill the drummer position and he called Calep, who admitted, “I couldn’t make no money with the French horn.” Continue reading Calep Emphrey 4/2017
April 12, 2017 – Barry “Frosty” Smith (Soulhat/Sweathog) was born Barry Eugene Smith on March 20, 1946 in Bellingham, Washington.
Smith was raised in the California Bay Area, where he proved a tap dancing prodigy. He was a professional tap dancer from age 3 to 12. Obviously rhythm was part of him. He received schooling in classical piano before taking to the drum kit, due to their natural feel. After playing in dive clubs and strip bars in the San Francisco – San José area, he moved to Los Angeles in the early 70s where he got his first big break, as drummer for organist Lee Michaels with whom he toured nationally and internationally. Continue reading Barry “Frosty” Smith 4/2017
April 8, 2017 – Keni Richards was born in 1956 in Des Moines, Iowa but spent his high school years Village Park California. As a youth he learned to play the piano and picked up the drums.
Keni Richards on how it all started:
I was working with A&M for a band called The TUBES at the time and had played with Steve Plunkett (Autograph singer) in a band around 1980 called John Doe. We had not been a part of that whole Gazarris, Whisky club thing going on with all the metal bands. We did however, have a gig working on a demo at Record Plant with Andy Johns (Led Zeppelin) and we were really invested in that. I had gotten an invitation from my good friend then and jogging buddy David Lee Roth to go out on the road with him in 1984…..to just go out and party basically and I explained to him that I couldn’t and I had this gig doing a demo and that was it. The next day I go down to The Troubadour club with Dave and he goes hey I got a surprise for you, Edward’s on the phone for you. So I get on the phone with Eddie Van Halen and he’s like “Hey, we need a T-shirt band” and of course I’m like “Well, what’s a T-shirt band” and Eddie Van Halen’s like “It’s a band that goes out on the road with us and people boo you cuz they don’t like you and they go buy one of our t-shirts” (laughs).Continue reading Keni Richards 4/2017
March 22, 2017 – Sib Hashian – John Thomas “Sib” Hashian, (drummer for Boston) was born August 17, 1949, in Boston, Massachusetts.
Hashian was of Armenian/Italian ancestry and grew up in Boston’s North Shores area, where he collaborated with most of his Boston band members in a variety of bands during his teenage years.
“I started playing with Sib back in Lynn English High School, and he’s one of a few drummers I’ve ever worked with,” Boston lead guitarist Barry Goudreau told the Globe in 1980, explaining why he turned to his Boston bandmates while preparing a solo outing. Continue reading Sib Hashian 3/2017
February 18, 2017 – Clyde Stubblefield (drummer for James Brown)was born on April 18, 1943 and grew up in Chattanooga, Tennessee. Rhythm was in his soul. He was a natural who took his sense of rhythms from the streets, the neighborhoods, the factories and the railroad tracks. He later said that if he could hear a rhythm in his head, he could play it.
Stubblefield was already playing drums professionally in his teenage years when he moved to Macon, Georgia to play with Otis Redding, who hailed from there. In Macon, he performed with soul acts and was introduced to James Brown by a local club owner. Soon, in 1965, he was invited to become a permanent member of Brown’s band.
Over the next six years the band had two drummers, Stubblefield and John “Jabo” Starks who had joined the band two weeks earlier. Starks’ style was influenced by the church music he grew up with in Mobile, Alabama. The two drummers had no formal training. According to Stubblefield, “We just played what we wanted to play (…) We just put down what we felt it should be.” Continue reading Clyde Stubblefield 2/2017
January 24, 2017 – Claude Hudson “Butch” Trucks was born on May 11, 1947 in Jacksonville, Florida.
A drummer, one of Trucks’ first bands was local Jacksonville band The Vikings, who made one 7-inch record in 1964. Another early band was The 31st of February which formed and broke up in 1968. This group’s lineup eventually included both Duane Allman and Gregg Allman. They recorded a cover of “Morning Dew”, by 1960s folk singer Bonnie Dobson.
Trucks then helped form The Allman Brothers Band in 1969, along with Duane Allman (guitar), Gregg Allman (vocals and organ), Dickey Betts (guitar), Berry Oakley (bass), and fellow drummer Jai Johanny Johanson. Together, the two drummers developed a rhythmic drive that would prove crucial to the band’s success. Trucks laid down a powerful conventional beat while the jazz-influenced Johanson added a second laminate of percussion and ad libitum cymbal flourishes, seamlessly melded into one syncopated sound. Continue reading Butch Trucks 1/2017
January 18, 2017 – Mike Kellie – (Spooky Tooth, the Only Ones) was born on March 24, 1947 in Birmingham, England into a family with no musical background or inclination.. As a child, he showed an early interest in rhythm, practicing on a coal shuttle with hearth brushes to simulate a snare drum. In his teen years, he joined St. Michaels Youth Club band as a drummer. He later played at “The Track” at Tudor Grange Sports Centre in Solihull. On the basis of this work, he was invited by Brian “Monk” Ffinch to play with Wayne and the Beachcombers in Birmingham, which started his career as a professional musician.
In 1966, Kellie played in Birmingham in a band called the Locomotive with Chris Wood of Traffic, and later with the V.I.P.’s (later Art) in Carlisle.
Steve Winwood was ready to leave The Spencer Davis Group and I was in a band in Birmingham called The Locomotive with Chris Wood on tenor sax & flute. Chris, Steve & Jim Capaldi were forming Traffic at that time, around the latter part of 1966. The other band that Chris Blackwell, who managed the Spencer Davis Group, had was the VIP’s from Carlisle. They were a great rhythm and blues band and had come down to make it in London having conquered the North. Their drummer, Walter Johnson, missed his family and went back to Carlisle. Hence, in the office one day Steve suggested someone call me. I had a day job in a wood yard in Olton. I got a phone call from friend Paul Medcalf who said …“Steve wants to know if you’re interested in joining this band…” So I was off, next day, straight from New Street Station, with my drums, to Paddington. Met by VIP’s road manager, the legendary Albert Heaton I was driven to 155, Oxford Street where I met Mike Harrison and Greg Ridley. I met the rest of the band later that evening. The next day I was in Paris playing at Olympia with the VIP’s without any rehearsal!! We were bottom of the bill, Chris Blackwell had done this deal for the band to open a star studded variety fundraiser in aid of UNICEF. It was held at Paris Olympia & was televised worldwide, similar to the way ‘All You Need Is Love’ was done. The VIP’s had a single out in France on Fontana and we were over to promote it, a Joe Tex song called ‘I Wanna Be Free’. So I had no real rehearsal, just the journey over in the van. We did the TV show after I had phoned my mother from a Post Office in Paris earlier that day and said ‘Mum, look in the Radio Times, I think we’re on a TV thing tonight.’ The record became a big hit in France following that show.
Manager Chris Blackwell found a singer and organist from the New York Tymes band named Gary Wright, added him to the line-up of Art and launched the band Spooky Tooth with Kellie, Greg Ridley, Jimmy Henshaw, Keith Emerson, Luther Grosvenor and vocalist extraordinaire Mike Harrison.*
With Blackwell being more focused on his fledgling Island Records, and in spite of the band’s wide acceptance in America and the European mainland, Spooky Toothe declined quickly in the early 70s and Kellie joined French Elvis Johnny Hallyday‘s band for a summer tour of France in 1974, before forming The Only Ones in 1976 with Peter Perrett, Alan Mair and John Perry.
The Only Ones, possibly best known for the single “Another Girl, Another Planet”, recorded three albums for CBS, although over time, their catalogue has contained many compilations and other releases, which now outnumber their studio albums.
In February 1978, Johnny Thunders moved to London with his family, and began playing with a loose revue dubbed the Living Dead. Kellie became part of this floating line-up (that also included Perrett along with various Sex Pistols including Steve Jones and Paul Cook) and recorded Thunders’ So Alone album together with his signature song “You Can’t Put Your Arms Around a Memory”.
Following the Only Ones’ farewell in 1981 at London’s Lyceum, Kellie moved to the countryside north of Toronto, Canada, where he spent four years away from performing. He used this time to learn the piano and write songs.
Returning to Britain in 1985, Kellie spent several years hill farming in North Wales and Scotland where he became a shepherd. In 1999 Kellie reunited with Mike Harrison, Luther Grosvenor and Greg Ridley under the Spooky Tooth moniker. Together they released the Cross Purpose album.
In 2004, Kellie reunited with Mike Harrison and Gary Wright to play dates in Germany as another new incarnation of Spooky Tooth. The band later released the DVD Nomad Poets with live performances from Worpswede and Hamburg, Germany.
In 2007, the Only Ones reformed, touring the UK, Europe and Japan as well as performing on BBC TV’s Later… with Jools Holland.
In 2010, with the Only Ones undergoing another sabbatical, Kellie began recording his own collection of music which become his first solo album. Entitled Music from The Hidden, the album was produced by Kellie who also played drums, organ, bass and acoustic guitars, percussion and sang lead vocals. There are also contributions from Gordon Jackson (acoustic guitar), Finley Barker and Tony Kelsey (guitars), Steve Winwood (organ, mandolin and bass), Bill Hunt, Levi French and Tony Ariss (pianos), Rob Harrison (bass), Steve Gibbons (backing vocals) and Greg Platt Lake (guitar and vocals). The album was released in 2014.
Kellie was prominent among the musicians featured on the six-CD Jess Roden Anthology, presented by Hidden Masters. He contributed to the 2011 sessions for the Distractions re-union album, The End of the Pier, which was released on Occultation Records in 2012.
In a career that spanned more than 50 years, Kellie was besides a member of the rock bands the V.I.P.s, Spooky Tooth and the Only Ones, also a prolific session musician and worked with the Who on the film soundtrack of Tommy, Joe Cocker, Traffic, George Harrison, Jerry Lee Lewis, Peter Frampton, the Bee Gees’s Maurice Gibb, Gary Wright, Johnny Thunders, Luther Grosvenor, Neil Innes, Steve Gibbons, Chris Jagger, Nanette Workman, Sean Tyla, Jim Capaldi, Pat Travers and Andy Fraser.
Mike Kellie died on 18 January 2017 following a short illness at the age of 69.
January 6, 2017 – Johnny Dick. (played with numerous Australian rock bands). Johnny Dick was actually born in June 1943 in Wales in the town of Llanfairfechan, but as stated repeatedly, before he grew old enough to be able to pronounce the town’s name, his parents moved to New Zealand.
Drumming since the age of 12 Johnny Dick has played with the cream of Aussie music. In New Zealand Johnny met Max Merritt. He first came to Australia as a member of Max Merritt’s band. Billy Thorpe saw Johnny performing with Merritt and offered him a gig in The Aztecs, which he took and played drums with Billy Thorpe and The Aztecs for almost 2 years.Continue reading Johnny Dick 1/2017
September 25, 1980 – John Henry “Bonzo, The Beast” Bonham was a natural phenomenon on the drums. All the accolades surrounding this man’s drumming point at one thing: He was and probably forever will be the best rock drummer of all time. Hard to accept that Vodka killed him; well 40 shots of the stuff made him vomit and then choke and did not only end his life, but also the best Rock Band that ever existed: Led Zeppelin.
Born in Redditch, UK on May 31, 1948, he started to learn drumming at the age of 5 and in 1964, he joined his first semi-professional band, Terry Webb and the Spiders. He also played in other Birmingham bands, The Nicky James Movement and The Senators, who released a fairly successful single “She’s a Mod,” in 1964. John then took up drumming full-time. Two years later, he joined A Way of Life, before he joined a blues group called Crawling King Snakes, whose lead singer was a young Robert Plant.
He returned to ‘A Way of Life’, but soon rejoined Robert Plant’s new group, Band of Joy. Then in 1968 he and Robert, along with guitarist Jimmy Page and bassist John Paul Jones formed the legendary hard rock band Led Zeppelin.
He was a preferred member of Zeppelin when Page formed another band after the Yardbirds broke up in 1968. Bonham was reluctant to join, even as he was supposed to compete for the position with other percussion greats like Ainsley Dunbar and Ginger Baker. Supposedly he was just looking for a regular gig with a regular income. This is probably the reason he kept on gigging with others in the first couple of years of Zeppelin when he did sessions with Lulu, Maurice Gibb of the Beegees, The Family Dogg, Screaming Lord Sutch, Wings, Harry Nilsson’s band Count Downe and many more.
Led Zeppelin sold over 300 million records worldwide, including 111.5 million certified units in the United States, making them one of the world’s top-selling music artists of all time, as well as the second best selling band of all time in the United States. John was esteemed for his speed, power, fast right foot, distinctive sound, and “feel” for the groove. Contrary to so may early rock drummers, John knew how to tune his drums to fit a song, which was a producer’s dream. He is widely considered to be one of the greatest drummers in the history of rock music by many drummers, other musicians, and commentators in the industry. John was found dead at guitarist’s Jimmy Page’s house, having died of asphyxiation, after inhaling his own vomit after excessive vodka consumption, 40 shots in 4 hours.