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Jan Kuehnemund 10/2013

Vixen performing at The Hard Rock Hell Winter Ball held at Butlins Somerwest World in MineheadOctober 10, 2013 – Jan Kuehnemund (Vixen) was born on November 18th 1961 in St.Paul Minnesota.  She was the original founding member of the all-female American hard rock band Vixen in 1973.

In 1981 she moved the entire band to California to get better exposure. Hailed as “the female Bon Jovi”, the band achieved commercial success during the late 1980s and early 1990s as part of the Los Angeles, California glam metal scene and Kuehnemund was called “the best female guitarist around” back in the day.

She toured with the Scorpions, Ozzy Osbourne, Kiss and Bon Jovi, as did an appearance in the era’s definitive documentary, Penelope Spheeris’ “The Decline of Western Civilization II: The Metal Years.

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Alan Myers 6/2013

alan-myersJune 24, 2013 – Alan Myers (Devo) was born in 1955 in Akron, Ohio, USA. He joined the band Devo in 1976, replacing Jim Mothersbaugh. His distinctive style ultimately made him one of the most influential drummers of his generation and his angular playing proved so precise on Devo’s most beloved classics, his beats were frequently mistaken for a drum machine.

He was also an actor, known for Human Highway (1982), We’re All Devo (1983) and Urgh! A Music War (1981). Myers was the third and most prominent drummer of the band when he joined in 1976 to replace Jim Mothersbaugh.

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Pickford Hopkins 6/2013

gary-pickford-hopkinsJune 22, 2013 – Gary Pickford-Hopkins was born in 1948 in Abergarwed near Neath Wales. He attended the Alderman Davies Church and was a member of the Church Choir. After graduation Gary’s first job was as an apprentice painter.

His musical career started as frontman for the Vern Davies Band and as a 16 year old, he was a member of a local band called Smokestacks, made up of musicians from Neath and Port Talbot. After a couple of years, the band broke up and Gary joined the popular band The Eyes of Blue.
The band played at clubs and halls throughout South Wales and they went on to win the Melody Maker Battle of the Bands in 1966, of which the first prize was a recording contract.

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Trevor Bolder 5/2013

trevor-bolderMay 21, 2013 – Trevor Bolder (Uriah Heep) was born on 9 June 1950 in Kingston upon Hull, East Yorkshire, England. His father was a trumpet player and other members of his family were also musicians. He played cornet in the school band and was active in his local R&B scene in the mid 1960s. Inspired by The Beatles, in 1964 he formed his first band with his brother while taking up the bass guitar.

In his teens he took the direction followed by many other young males of his generation and switched to the guitar, at which time he formed The Chicago Star Blues Band with his brother. Stints in other Hull-based bands like Jelly Roll and Flesh came later, with Bolder eventually trading in his guitar for an electric bass; meanwhile, food was kept on the table through a series of day jobs that ranged from hairdresser to piano tuner. He first came to local prominence in The Rats, which also featured fellow Hull musician Mick Ronson on lead guitar.

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Ray Manzarek 5/2013

Ray Manzarek-doors May 20May 20, 2013  – Ray Manzarek Jr.  was the architect of The Doors’ intoxicating sound. His evocative keyboard playing fused rock, jazz, blues, classical and an array of other styles into something utterly, dazzlingly new, and his restless artistic explorations continued unabated for the rest of his life.

He was born on February 12, 1939 to Polish immigrants Helena and Raymond Manczarek and grew up on the South Side of Chicago, and was introduced to the piano at the tender age of seven.

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Chrissy Amphlett 4/2013

The Divinyls

April 21, 2013 – Chrissy Amphlett was born on October 25, 1959. She grew up in Geelong, Australia as a singer and dancer and left home as a teenager to travel around England, France and Spain where she was imprisoned for three months for singing on the streets.

In 1976, Amphlett played the role of Linda Lips in the R-rated musical Let My People Come. In 1980 back in Australia, Amphlett met Mark McEntee at a concert at the Sydney Opera House in 1980 and they formed Divinyls with Jeremy Paul (Air Supply).

After several years performing in Sydney, they recorded several songs for the film Monkey Grip, in which Amphlett also acted. Amphlett made her film debut in Monkey Grip (1982) in a supporting role as the temperamental lead singer of a rock band. Monkey Grip’s author, Helen Garner, claimed that the film’s director preferred Amphlett in the role of Jane Clifton as “Clifton was neither good looking enough or a good enough singer to play herself.”

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George Jackson 4/2013

george jacksonApril 14, 2013 – George Jackson was born on March 12th 1945 in Indianola, Mississippi and moved with his family to Greenville at the age of five. He sang southern soul from the 1960s into the 1980s. As a writer, he provided scores of songs for Goldwax and Fame in the 1960s and Hi and Sounds Of Memphis in the 1970s. As a singer, he had a versatile tenor that was influenced by Sam Cooke, and released many records over the years, for a host of different labels, but his recordings never made him a star.

His songwriter relationship with Malaco Records, however saw him pen material for dozens of artists, such as “One Bad Apple” for the Osmonds, “Old Time Rock & Roll” for Bob Seeger and “The Only Way Is Up”, which became a UK No.1 for Yazz and Coldcut, having been written originally for Otis Clay.

Jackson recorded dozens of singles in the 1960s but made his mark as a writer, beginning with FAME Studios. He later was a songwriter for Muscle Shoals Sound Studios. When Malaco bought Muscle Shoals Sound, they hired Jackson to write songs.

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Don Blackman 4/2013

Don BlackmanApril 11, 2013 – Don Blackman was born on September 1st 1953 in Jamaica, Queens, New York.

A childhood neighbor was Charles McPherson, and while still a teenager (15) he played in McPherson’s ensemble with Sam Jones and Louis Hayes. At the beginning of the 1970s, he played electric piano with Parliament/Funkadelic, Earth, Wind and Fire, and Roy Ayers, before becoming a member of Lenny White’s group Twennynine, for whom he penned songs such as “Peanut Butter” and “Morning Sunrise”, key pieces in Jamaica Queens’ ’70s’ jazz-funk explosion.

He released his self-titled debut solo album in 1982 on Arista Records, including the songs “Holding You, Loving You”, “Heart’s Desire” and “Since You’ve Been Away So Long” that became minor hits in Europe.

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Reg Presley 2/2013

The TroggsFebruary 4, 2013 – Reg Presley (The Troggs) was born Reginald Maurice Ball on 12 June 1941, was  the lead singer with the 1960s British rock and roll band The Troggs, whose best known hit was “Wild Thing”, written by actor Jon Voight’s brother Wes (James Wesley) who went by the stage name Chip Taylor.

Presley, whose stage name was given to him in 1965 by the New Musical Express journalist and publicist Keith Altham, was born in Andover, Hampshire He joined the building trade on leaving school and became a bricklayer. He kept at this occupation until “Wild Thing” reached the top 10 on the UK Singles Chart in 1966.

Wild Thing made it to no.2 in England, but reached no.1 in the US as it sold 13 million copies worldwide. Presley then wrote the band’s only UK number one single with the follow-up “With a Girl Like You”. He also wrote the song “Love Is All Around”, which was featured in the film Four Weddings and a Funeral. Other hits from their short-lived career (1965-1968) were ‘ I can’t control myself’ and ‘Anyway that you want me’.

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John Wilkinson 1/2013

John-WilkinsonJanuary 11, 2013 – John Wilkinson was born on July 3rd 1945 in Springfield, Missouri.

John was drawn to music very early. At the age of 10, he famously sneaked into Elvis Presley’s dressing room before a show at the Shrine Mosque in Springfield, telling Elvis, “you can’t play guitar worth a damn.” Elvis was amused and impressed with the kid and predicted they would meet again. They did. After playing in a high school band with his classmates called, “The Coachmen,” John went on to make a name for himself as a folk and country singer and guitar player.

He traveled around the country playing with such groups as , The Goodtime Singers, Greenwood County Singers, and The New Christy Minstrels.

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Sugarfoot Bonner 1/2013

leroy-bonnerJanuary 27, 2013 – Sugarfoot Bonner was born Leroy on March 14th 1943 in Hamilton, Ohio, about 20 miles (32 km) north of Cincinnati, the oldest of 14 children. He ran away from home as a young teenager and played the harmonica on street corners for change.

He joined the The Ohio Untouchables when they regrouped in 1964. Leroy’s rip-it-up guitar work and taste for something funky the band went on to become The Ohio Players, with Leroy as their front man, lead singer and guitarist.

Their first big hit single “Funky Worm”, reached No.1 on the Billboard R&B chart and made the Top 20 on the Billboard Hot 100 in the spring of 1973. Other hits followed, including “Who’d She Coo?” and their double No.1 hit songs “Love Rollercoaster” and “Fire” in January 1976.

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Huw Lloyd Langton 12/2012

Huw Lloyd Langdon6 December 2012 – Huw Lloyd-Langton was born Richard Hugh Lloyd-Langton on 6 February 1951 in Harlesden, North London.

He started playing guitar at school, self styled and talented. In the course of those formative years in rock and roll he learned to read and write music and after high school graduation he moved to Germany where he got his first professional gig with a rather popular touring band called WINSTON G, which alternated gigs between Holland and Germany. He toured with them continuously for 6 months. The bass player was Pete Becket who later played with Player and Little Feat.

Back in England in 1969 he joined Hawkwind on their debut album in 1970.  He remained with them for next 2 1/2 years recording their first 2 LP’s, which sell regularly to this day. He left them after an illness in late 1971, and although he occasionally joined them he did not return full time until 1979 when their LP ‘LIVE 79’ went straight into the top 10 UK charts.

The rest of the Seventies showed him in a variety of gigs. A 2-year acoustic stint in vegetarian London restaurant PASTURES. John Butler DIESEL PARK WEST’S singer joined him for 6 months and Eddy Klima, RATTLES singer for another year. He taught guitar at a comprehensive school in Streatham for a year and did numerous sessions, one included writing the music for a cartoon, narrated by Viv Stanshall of the BONZO DOG DOO DA BAND and 6 months with LEO SAYER touring the UK & Europe.

Several band situations including working with John Lingwood MANFRED MANN’S long standing Drummer; AMON DIN with Dave Anderson AMON DUL’S bass player; GALLERY with Rob Rawlinson on Bass from Ian Hunters OVERNIGHT ANGELS; MAGILL with Pete Scott from SAVOY BROWN and he toured Yugoslavia with ALEKZANDER JOHN (known as Alekzander Mezek) who was one of their top rock performers. Another excellent band was the Trinidadian Band BATTI MAMSELLE, whose music had a strong Latin American influence with lead singer LONDON BEAT’S Jimmy Chambers. They appeared in briefly in the film ‘Alfie Darling’ starring Alan price. The Director wanted an all black band but they refused to perform without Huw.

From 1974 to 1978 he joined WIDOMAKER touring the USA and recording 2 LPs, which charted there. Lineup included Steve Ellis- LOVE AFFAIR, Aerial Bender- MOTT THE HOOPLE, Bob Daisley-RAINBOW, Paul Nicholls LINDISFARNE and ‘John Butler ‘, again)!

In 1979 he rejoined HAWKWIND where he remained for the next 10 years. Their LP ‘LIVE 79 went straight in the top 10 UK charts. Everything Hawkwind did between 1979 and 1985 was either in the pop, heavy metal or independent charts. In 1982 Huw formed LLOYD LANGTON GROUP (LLG) to gig between HAWKWIND quiet periods. LLG has 2 singles and 2 LPs in Heavy Metal charts during 80s. During this period he had his own column in GUITARIST magazine for 6 months titled ‘Langton’s Lead Lines’.

Between 1989 and the end of the 90s Huw joined the PRETTY THINGS on one European tour. Toured Italy in ’93 with DR BROWN who had 2 independent hits there. Toured the UK several times with LLG. In the spring of ’95 he toured Sweden with Ray Majors, MOTT THE HOOPLES last guitarist.

September 2000 Huw rejoined Hawkwind for ‘Hawkestra Re-Union’ gig at Brixton Academy. This sell-out show featured 21 past members, including Lemmy. However, the main nucleus on stage throughout was Dave Brock, Alan Davey, Richard chadwick and Huw Lloyd-Langton.

Huw officially rejoined Hawkwind in 2001. They played their first major Tour in the UK since 1977 playing 18-dates nation-wide in November 2001. They kicked-off at London’s Royal Festival Hall on 10th October. Huw contracted ‘Legionnaires Disease’ on this tour and was hospitalized. This left him extremely fragile. Hawkwind toured UK again December 2002 but Huw was unable to complete the last two dates as he suffered ill health on and off over next few years with a variety of broken bones (mainly arms and wrists).

He continued to make guest appearances with Hawkwind and played solo support slots on tour.

In August 2009, Huw played an acoustic set at Hawkwind’s 40th anniversary concert at Porchester Hall, in London.

One of the world’s longest-running bands, Hawkwind have undergone countless changes of personnel and musical styles over the years. Former members and collaborators include Motorhead’s Lemmy, science fiction writer Michael Moorcock, and ex-Cream drummer Ginger Baker.

Huw’s health had been generally poor for a decade and he was quite frail, with several broken bones and minor injuries (rarely letting fans down though – he once played a gig with a broken arm, reworking his solos on the fly so that he could play them in one area of the guitar neck).

After being diagnosed with cancer in 2010 he died at his home on 6 December 2012, aged 61. His final recording with Hawkwind was a re-recording of Master of the Universe for the compilation album Spacehawks.

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Cass Cassidy 12/2012

ed cassidyDecember 6, 2012 – Edward Claude “Cass” Cassidy was born Harvey, Illinois, a rural area outside Chicago, on May 4, 1923. His family moved to Bakersfield, California in 1931. Cassidy began his career as a professional musician in 1937. He served in the U.S. Navy during World War II, and after his discharge held many jobs before becoming a full-time musician again. At one time in the late 1940s, Cassidy played 282 consecutive one-nighters in 17 states. He worked in show bands, Dixieland, country and western bands, and on film soundtracks, as well as having a brief stint with the San Francisco Opera.

Way back when rock ’n’ roll was countercultural — before the members of the Rolling Stones were anywhere close to 50 years old, much less celebrating their 50th anniversary together — the genre tended to emphasize rather than bridge generational divides.

So when the experimental group Spirit formed in the late 1960s, it was different not just for the way it fused jazz and rock, or the way it mixed psychedelia with a particularly tight backbeat. It was also different because its drummer was the 44-year-old stepfather of its 16-year-old guitarist, Randy California.

By the time Spirit formed in 1967, Mr. Cassidy had already had a notable and diverse musical career. He had played with jazz musicians including Dexter Gordon, Chet Baker, Gerry Mulligan and Cannonball Adderly and had formed a folk-blues group with Taj Mahal and Ry Cooder called the Rising Sons.

While Cassidy was performing with other adults, his young stepson, Randy Wolfe, was becoming a fine musician himself. He impressed Jimi Hendrix when they met in a music store in Manhattan, and it was Hendrix who gave Randy the nickname he went by for the rest of his life, Randy California to distinguish him from bass player Randy Texas (Palmer). Hendrix wanted tot take the kid to London, but that was thwarted by Cassidy and soon enough, stepfather and stepson were playing and touring together.

Spirit released more than a dozen albums from 1968 to 1996, but it was the first work that was the most influential and critically praised. Its biggest hit and only Top 40 single, “I Got a Line on You,” was released in 1968; the band was also celebrated for its adventurous 1970 album, “Twelve Dreams of Dr. Sardonicus.” That record included the song “Mr. Skin,” which was the nickname Mr. Cassidy’s fellow band members had given him in honor of his shaved head.

Bob Irwin, the president and owner of Sundazed Records, which has reissued many Spirit albums and also released previously unissued tracks, said the band’s early recording sessions were “kind of like a jazz history lesson” in which Mr. Cassidy nurtured his much younger colleagues.

“Ed always encouraged them to color outside the box, to take chances onstage, to play to the best of and beyond their abilities,” Mr. Irwin said.

Early reviews were usually complimentary, but critics were less positive several years later, after the band’s lineup changed. (Mr. Cassidy and Randy California remained its only constant members.) The critic Robert Palmer, writing in The New York Times in 1976, singled out Mr. Cassidy from what he said was an otherwise unimpressive performance.

“Mr. Cassidy’s drumming is still exceptional — his obligatory long solo at the end of the set was the subtlest, most musical part of the evening,” Mr. Palmer wrote.

Cassidy succumbed to cancer on Dec. 6, 2012 at age 89.

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Lou Martin 8/2012

piano player with Rory Gallagher bandAugust 16, 2012 – Louis ‘Lou’ Martin was born on August 12, 1949 in Belfast, Northern Ireland.

With very musically inclined parents, Martin started learning the piano at the age of six, and joined his first professional band, Killing Floor, in April or May 1968. In 1969 Martin and Stuart McDonald were recruited by 17-year-old Darryl Read who formed a band for Emperor Rosko’s brother (Jeff Pasternak) called Crayon Angels, which Read put together and played drums, while Rosko acted as manager.

Martin later left Killing Floor to play alongside blues guitar virtuoso Rory Gallagher, and is featured on several of Gallagher’s albums, including Blueprint, Tattoo, Irish Tour ’74, Against the Grain, Calling Card, Defender and Fresh Evidence. He also played rhythm guitar on one track, “Race the Breeze” from Blueprint.

After leaving Gallagher’s band, Martin and drummer Rod de’Ath formed Ramrod, after which Martin played with Downliners Sect and Screaming Lord Sutch, and also toured with Chuck Berry and Albert Collins.

Martin played in the Nickey Barclay band in London in the 1980s, alongside Barclay (ex-Fanny) on keyboards, with John Conroy (ex-Sam Mitchell Band) and Dave Ball on lead guitar (ex-Procol Harum). The band played across London on the blues rock circuit during the 1980s at venues such as The White Lion, Putney; The Star and Garter on Lower Richmond Road; The Golden Lion, Fulham and the Cartoon, Croydon.

Killing Floor released an album in 2004 named Zero Tolerance, on which Martin participated.

Lou died after a long period of illness including a battle with cancer and a number of strokes on August 16, 2012.

The following interview with Lou Martin was done by Markus Gygax, publisher of Deuce Quarterly for the issue 46 Feb. 1989 and gives a revealing picture of the life of a sideman in Rock and Roll.

Intro: Apart from Gerry MacAvoy, Lou Martin seems to be the most famous and most popular musician who has ever played in Rory’s band as you can gather from the more or less frequent polls in DEUCE; the letters that I get, as well as what the not-so-great-fans say about Rory’s music. Besides, Lou is the only one – what great news- who, after their split -up, joined the band once more to record an album (see Defender).

On the 20th of May, 1988, the Mick Clarke Band played Chur; it was also their first live performance with Lou Martin. It is true that Lou and Mick both played with the Killing Floor, the Ramrod and on the first two solo albums by Clarke. But they had never played live because they were just about to change the man on the keyboards.

In October 1988, the Mick Clarke band played a rather long Swiss and Austrian tour, which I have organized for them. On this tour, Lou Martin played as support, his only equipment was the piano and his vocals.

While being in Chur for four days with the band, Lou Martin talked about lots and lots of things. Lou was apparently enjoying the tour very much, probably because it was his first solo tour and therefore a special event. Unfortunately, we did not record any of the conversations we had during these days. Therefore I sent a written interview to Lou shortly after the concert, which he gave me back on my visit in London at the end of July 1988.

In my opinion, it is a most interesting interview a of a man who lives mainly for the music (he is also fond of flowers, dogs and cats). He has seen a lot in his life, he has got a quick eye for any kind of music, and it is always interesting to listen to what he tells you. It seems that giving interviews is an everyday routine for Lou, but you will see that he is not used to it at all. So now let’s hear what he has to say. Here is his very first interview for DEUCE;

MG- Lou, let’s start from the beginning. Where and when were you born?
LM- In Belfast, Northern Ireland on the 12th of August, 1949.

MG- As far as the music is concerned, were you influenced by your parents? Did you play any music at home?
LM- Yes, a lot. My father sang mainly operatic music, and my mother played the piano. We listened to the music all day, mainly classical music.

MG- When did you start to play the piano?
LM- At the age of six

MG- Who were the first people you played with?
LM- The first time I formed a band was at school. It was just for fun. Nothing serious. We played rock’n’roll, Shadows songs, rhythm & blues by Muddy Waters, Chuck Berry, a few songs by the Animals, and almost everything which was in at that time.

MG- Did you do any kind of job before you started to be a professional?
LM- I intended to train for something, namely music teacher. But I think I was too infatuated with my own music.

MG- How many years have you worked as professional?
LM- This year, exactly 20 years

MG- When did you join Killing Floor?
LM- In April or May 1968. I saw their advertisement in MELODY MAKER and answered it.

MG- How come you didn’t play on the second Killing Floor album, Out of Uranus, but you name is mentioned on the cover just the same?
LM- At that time, I was not permanently in the band, so I played on only one song namely called Call for the Politicians. The producer wanted the keyboard sound far in the background; but he still wanted me to play somewhere.

MG- Who are your musical favourites?
LM- I am interested in many styles. I often listen to classical music, Beethoven, Brahms, Rachromicoff, often jazz, folk, Bob Dylan is one of my favourites, early rock, and of course, the blues.

MG- Who are your favourites on piano?
LM- Jerry Lee Lewis, Memphis Slim, Otis Spann, Fats Domino, Little Richard, Pete Johnson, Fats Waller, Dave Brubeck, Horace Silver, Ray Charles, Ramsey Lewis James etc.

MG- Do you write some of your songs?
LM- No, I just improvise known melodies and mix them somehow.

MG- Would you like to record an album?
LM- Sure, an album with a healthy mixture of my favourite styles and good musicians would be nice.

MG- Can you give me a list of your favourite LP’s?
LM- Oh, I could give you 200 titles. I will try it anyway, but I just cannot give you a sequence. There are Elvis Presley ( Vol.1 & 2, The Early Years), Carl Perkins, Little Richard (number 1 and 2), Jerry Lee Lewis (practically everything), Howlin’ Wolf (everything), Muddy Waters (everything), Bob Dylan (almost everything), Rolling Stones (almost everything), Chieftains (no.5), Dubliners (Revolution-album), John Fogerty (Rockin’ All over the World), John Mayall, etc.

MG- Now let’s talk about Rory. When did you first see him live?
LM- I saw him for the first time in 1968 at the Marquee Club in London, at that time with the first Taste setup, namely Eric Kitteringham and Norman Damery.

MG- When did you first meet him in person?
LM- It was sometime in 1971.

MG- How did you come to join Rory’s band?
LM- Rod De’ath, who was with the Killing Floor, just like me, substituted for Wilgar Campbell on the drums as everybody knows. Shortly afterwards, Rory asked me whether I would like to join them too.

MG- On the first album, Blueprint, you seem to play also on the guitar. On which songs?
LM- Only on one track, on Race the Breeze. I played the rhythm guitar. By the way, even nowadays, when I am at home, I play the guitar, even more often than I play the piano. Just to relax.

MG- Did you or other musicians in Rory’s band never give any interviews?
LM- We gave one in 1973 for New Musical Express. Gerry, Rod De’Ath and myself were interviewed. It would certainly have been great fun. But that guy was such an idiot. When the interview was published, everything had been misinterpreted. That cured us all. This one here is the second interview in my life, but this time I am convinced that you will publish what I have said.

MG- Otherwise, which were the best moments during the period in Rory’s band?
LM- Over the years, there had been so many marvelous live shows. It is impossible for me to pick out particular concerts because most concerts with Rory were marvelous. The very best memories are those of the gigs at the Shrine Auditorium in Los Angeles in 1976 or ’77 – even Bob Dylan got so enthusiastic over this shows that he came to see Rory in the dressing room after the concert- and all the shows we did during ’72 and ’76 in Belfast and Cork in Ireland.

MG- Are there any bad memories of the Rory era?
LM- If my memory does not fail me, there are hardly any bad memories. Except for some occasional trouble with the instruments there were not any. We were much more constant than other bands and this goes for Rory even nowadays.

MG- Which LP, do you think, is Rory’s best one, choosing from those on which you played? Which one, in your opinion, is his best of those you did not take part in?
LM- Of course I have my favourites -20:20 Vision on Tattoo is really nice. At the Bottom on Against the Grain has always been one of my favourites, then Banker’s Blues on Blueprint; I have still a great respect for the album, Calling Card. On this album, the band sounds incredibly compact. It has got a marvelous sound, fantastic songs. In my opinion, everything is perfect. Besides, I am happy with the version of Seven Days from the Defender album. Anyway, Defender is one of his very best LP’s.

MG: How did the surprising cooperation for the Defender LP come about?
LM: Rory rang me up and told me that he was going to record an acoustic blues track for his new album. He thought that my style would be good for the song. It took us one afternoon to get the track finished.

MG: In which country is Rory most popular?
LM: I am not able to tell you because I really don’t know. But I think his prestige throughout the world guarantees his success in every country.

MG: Did you change your attitude towards the Rory Gallagher Band before you became a permanent member and since you left the band?
LM: I always admired the band and I still do so now. Rory’s set-ups have always been great; he has always had excellent musicians with him.

MG: Before recording Defender, did Rory ever ask you to play on one of his other albums?
LM: No, he did not

MG: How was the situation when the split between Rod de’Ath and you happened?
LM: Very friendly

MG: Are you still in touch with each other?
LM: We meet each other occasionally, but our engagements make it sometimes difficult. The contact is still there, though. I think we are always glad to meet now and then.

MG: Have you ever had any contacts with other musicians of the Taste/Rory?
LM: I met most of them and had a good drink with them. I have never met Norman Damery, Eric Kittering ham and John Wilson.

MG: After the split, have you seen Rory live again?
LM: I am quite ashamed to admit that I never have. Just once I watched a TV show with Ted McKenna on the drums. But I do want to see Rory again, particularly when he plays Mark Feltham.

MG: Did you get any “precious metals’ for Rory’s albums on which you played?
LM: For Tattoo there was a gold disc, a silver disc each for Against the Grain and Irish Tour ’74. I hang them all in the front room if my house.

MG: Are Rory’s Irish tours so fantastic as it is described everywhere?
LM: Absolutely. Ireland is our home country. The enthusiasm and gratitude which we received on our Irish tours is indescribable. It is the most thankful audience in the world. Emotional and excellent concerts. I am sure that this is still the case nowadays when the band plays there.

MG: What do you think of the albums which Rory recorded with black artists such as Albert King and Muddy Waters?
LM: Excellent albums. These people are our roots.

MG: What did you do after the split with Rory?
LM: Rod De’Ath and I formed Ramrod. Then I tried to get solo engagements. Band wise, I did not do anything except a few sessions with Dowliner Sect and Screamin’ Lord Sutch. A few things with Mick Clarke. The Southside Blues band, sessions with Tommy Morrison, tours and concerts with Chuck Berry and Albert Collins.

MG: What are you doing at the moment?
LM: I have a flower shop on my own, which I run during the day. In the evenings, I have a permanent job with a West-end French restaurant where I am the bar pianist. It is near Leicester Square, Central London. Sessions happen occasionally.

MG: How did the co-operation with Chuck Berry come about?
LM: The London Capitol Radio announced that they were looking for two musicians for a Chuck Berry tour. A friend of mine, a musician, told me about it. I got in touch and go the job.

MG: How was the engagement with Albert Collins arranged?
LM: Again, a friend of mine, also a musician, gave me a ring and told me that Collins was looking for a pianist for his two shows in London. I played there and got the job.

MG: What about the Screamin’ Lord Sutch?
LM: We recorded an album, which was arranged by Rod De’Ath. Sutch’s old hits were being re-recorded for an LP which was planned to be put on the German market. Keith Grant (bass) and Terry Gibson (guitar), two old friends of mine, who played with the Dowliner Sect, were also there.

MG: What about the recordings of Gerry McAvoy’s solo album?
LM: All the recordings were organized by Gerry. They were recorded before and after I left the band. Most of the recordings were recorded live in the Bridge House, one of the best clubs at the end of the 70’s. At that time, there were many friends helping each other at concerts or studio sessions.

MG: What about Tommy Morrison? Is he a club performer in England or how would you describe him? I have never heard anything about him….
LM: Tommy is a good friends of Paul Rogers ( ex-Free/ Bad Company/ The Firm). Since Paul and I know each other, he asked me and Rod De’Ath whether we would like to record an LP with Tommy. I do not think Tommy has ever played live.

MG: How big, do you think, is the chance for a successful future for the Mick Clarke Band? Can you imagine a break-through of the band, similar to Vaughan’s, Thorogood’s?
LM: Mick and I have been very close friends for over 20 years. His development as a guitarist is most remarkable. In my opinion, he certainly ranks among the top musicians. His voice and stage performance have improved greatly. So why not?

MG: Is there the possibility of you becoming a permanent member of the band?
LM: I would like to spend as much time as possible with the band. But because of my engagements, it not possible just now. I would like to be more involved. Anyway, I play on the first two of the four albums by Clarke. If I had more time or if there were not so many engagements, I would not have to think twice.

MG: Which musicians did you do jam sessions with? Are there any hard rock bands among them?
LM: It is hard to remember everybody, but there were certainly a few sessions worth being remembered. For example, there was a very fine one in 1975 at the Montreux Jazz Festival in Switzerland. Rory was there, Rod De’Ath and Gerry MacAvoy, Louisiana Red came, Harvey Brooks on bass, a West Coast veteran, who played on Mike Bloomfield’s LP’s. Besides, there was the whole brass band of Etta James. During an American tour there was a big encore with the Rory band and the Doobie Brothers. During a break in 1973 in Chicago, I played two days in Otis Rush’s band. At that time I saw lots of interesting people for the first time live, for example, Junior Wells, Phillip Guy, Mighty Joe Young……In 1968, we (killing Floor) played with Freddie King. There were hardly any hard rock musicians, no famous ones for that matter.

MG: Music wise, which moments do you consider the best?
LM: The first time I was live on stage with Freddie King and Rory, the gigs with Otis Rush, the shows with Albert Collins and Chuck Berry, then of course when I met Muddy Waters, the concert with the Mick Clarke Band in Chur was brilliant.

MG: Which was the best period?
LM: When I was with Rory, no doubt. Everybody in the band was improving incredibly fast because we played most nights and everywhere. In any case, I learnt most at that time.

MG: What did you enjoy more, to play live or in the studio? Which live performances did you enjoy most?
LM: I liked every band a lot. We always had a lot of fun on stage. There were so many fine gigs with Rory. And even though they were writing so many negative things about Chuck berry nowadays, I must say that at least every third gig with him was fantastic. As far as the studio is concerned, I usually played with Rory. But other studio recordings , too, were nice. Apart from Rory, it is probably Mick Clarke I like working with most.

MG: Which LP, in your opinion, is the best from those you played on?
LM: Calling Card, because of the way I play and also the whole feeling of the album. I would have liked to have made an LP with Chuck Berry because the group he had at that time was really great. I also like the two albums with Mick Clarke, particularly, Rock Me. It would be nice to get a gold disc for that one.

MG: Now, here is a quite different subject: What do you or other Rory band members think of fanclubs?
LM: No idea. Anyway, I think a good fanclub is important for 90% of the musicians. I do not think that it is smiled at. Probably there are many people who realize only now that there is a Rory fanclub and that the fanzines is really interesting. In any case, I like reading it.

MG: Apart from music, do you have any other hobbies?
LM: I’ll enjoy a good drink…..

MG: Here are a few questions which I am really interested in. Is it something special to play at the Montreux Jazz Festival?
LM: It is one of the most important jazz festivals in Europe. Beautiful setting and scenery.

MG: I would like to know what do you think of my favorite musicians. Here they are: Canned Heat, Stan Webb’s Chicken Shack, Taj Mahal, John Hammond and Tony McPhee’s Groundhogs.
LM: During all the years that I have been in the music scene, I have met musicians, either personally or at least I saw them live. Of course I have also collected their LP’s. My favorite if those you mentioned are John Hammond and Canned Heat. During one of Rory’s concerts in 1974 or 1975 in Canada, there was a session with John Hammond. Later we were joined by Freddie King. I also saw Taj Mahal live. However, I prefer his early works when he played more blues than he does now, Nowadays, Stan Webb’s Chicken Shack, as well as Tony McPhee’s Groundhogs play mainly the clubs in London. In general, their shows are still very good.

MG: Here comes my last question, which might also be quite interesting for our Deuce readers. What would you do if Rory asked you whether you would like to join the band again?
LM: If he really offered me this job, I would probably say yes. We have the same roots and he has certainly influenced me over the years.

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Jon Lord 7/2012

July 16, 2012 – John Douglas “Jon” Lord ( Deep Purple/Whitesnake)  was born in Leicester, England on June 9th 1941 and retained a strong bond with the city throughout his life. His father was an amateur saxophone musician and encouraged Lord from an early age. There was an old upright piano in the house and Jon showed an early interest in the instrument so his parents enrolled him for formal piano lessons when he was seven. At nine he found another teacher, Frederick All, who gave recitals for the BBC and played the church organ. “He was a marvelous teacher”, says Lord. “He could impart a love of music to his students as well as teaching them to play it. He taught me to enjoy music and to want to play well.” Those influences were a recurring trademark in Jon’s work.

He attended Wyggeston Grammar School for Boys between 1952 and 1958 and then worked as a clerk in a solicitor’s office for two years, but was fired for taking too much time off work.

Lord absorbed the blues sounds that played a key part in his rock career, principally the raw sounds of the great American blues organists Jimmy Smith, Jimmy McGriff and “Brother” Jack McDuff (“Rock Candy”), as well as the stage showmanship of Jerry Lee Lewis and performers like Buddy Holly, whom he saw perform at the De Montfort Hall in Leicester in March 1958.

Lord moved to London in 1959–60, intent on an acting career and enrolling at the Central School of Speech and Drama, in London’s Swiss Cottage. Following a celebrated student rebellion he became a founder of Drama Centre London, from where he graduated in 1964. From here on his life became a Who’s Who in the early London years of the British Invasion and beyond.

Small acting parts followed, and Lord continued playing the piano and the organ in nightclubs and as a session musician to earn a living. He started his band career in London in 1960 with the jazz ensemble The Bill Ashton Combo. Ashton became a key figure in jazz education in Britain, creating what later became the National Youth Jazz Orchestra. Between 1960 and 1963, Lord and Ashton both moved on to Red Bludd’s Bluesicians (also known as The Don Wilson Quartet), the latter of which featured the singer Arthur “Art” Wood, brother of guitarist Ronnie Wood. Wood had previously sung with Alexis Korner’s Blues Incorporated and was a junior figure in the British blues movement.

In this period, Lord altered the spelling of his name from his birth name “John” to “Jon” and his session credits included playing the keyboards in “You Really Got Me”, The Kinks number one hit of 1964, however in a Guitar World interview Ray Davies of The Kinks stated it was actually Arthur Greenslade playing piano on that particular track.

Following the break-up of Redd Bludd’s Bluesicians in late 1963, Wood, Lord, and the drummer Red Dunnage put together a new band, The Art Wood Combo. This also included Derek Griffiths (guitar) and Malcolm Pool (bass guitar). Dunnage left in December 1964 to be replaced by Keef Hartley, who had previously replaced Ringo Starr in Rory Storm and the Hurricanes. This band, later known as “The Artwoods”, focused on the organ as the bluesy, rhythmic core of their sound, in common with the contemporary bands The Spencer Davis Group (Steve Winwood on organ) and The Animals (with Alan Price). They made appearances on the BBC’s Saturday Club radio show and on such TV programs as Ready Steady Go!. It also performed abroad, and it appeared on the first Ready Steady Goes Live, promoting its first single the Lead Belly song “Sweet Mary” — but significant commercial success eluded it. Its only charting single was “I Take What I Want”, which reached number 28 on 8 May 1966.

The jazz-blues organ style of black R&B organ players in the 1950s and 1960s, using the trademark blues-organ sound of the Hammond organ (B3 and C3 models) and combining it with the Leslie speaker system (the well-known Hammond-Leslie speaker combination), were seminal influences on Lord. Lord also stated later that he was heavily influenced by the organ-based progressive rock played by Vanilla Fudge after seeing that band perform in Great Britain in 1967, and earlier by the personal direction he received from British organ pioneer Graham Bond.

The Artwoods regrouped in 1967 as the “St. Valentine’s Day Massacre“. This was an attempt to cash in on the 1930s gangster craze set off by the American film Bonnie and Clyde. Hartley left the band in 1967 to join John Mayall’s Bluesbreakers. Lord next founded the “Santa Barbera Machine Head”, featuring Art’s brother, Ronnie Wood, writing and recording three powerful keyboard-driven instrumental tracks, giving a preview of the future style of Deep Purple. Soon thereafter, Lord went on to cover for the keyboard player Billy Day in “The Flower Pot Men”, where he met the bass guitarist Nick Simper along with drummer Carlo Little and guitarist Ged Peck. Lord and Simper then toured with this band in 1967 to promote its hit single “Let’s Go To San Francisco”, but the two men never recorded with this band.

In early 1967, through his roommate Chris Curtis of the Searchers, Lord met businessman Tony Edwards who was looking to invest in the music business alongside partners Ron Hire and John Coletta (HEC Enterprises). Session guitarist Ritchie Blackmore was called in and he met Lord for the first time, but Chris Curtis’s erratic behaviour led the trio nowhere. Edwards was impressed enough by Jon Lord to ask him to form a band after Curtis faded out. Simper was contacted, and Blackmore was recalled from Hamburg. Although top British player Bobby Woodman was the first choice as drummer, during the auditions for a singer, Rod Evans of “The Maze” came in with his own drummer, Ian Paice. Blackmore, who had been impressed by Paice’s drumming when he met him in 1967, set up an audition for Paice as well. The band was called the “Roundabout” at first and began rehearsals at Deeves Hall in Hertfordshire. By March 1968, this became the “Mark 1” line-up of “Deep Purple”: Lord, Simper, Blackmore, Paice, and Evans. Lord also helped form the band “Boz” with some of its recordings being produced by Derek Lawrence. “Boz” included Boz Burrell (later of King Crimson and Bad Company), Blackmore (guitar), Paice (drums), Chas Hodges (bass).

Lord pushed the Hammond-Leslie sound through Marshall amplification, creating a growling, heavy, mechanical sound which allowed Lord to compete with Blackmore as a soloist, with an organ that sounded as prominent as the lead guitar. Said one reviewer, “many have tried to imitate [Lord’s] style, and all failed.” Said Lord himself, “There’s a way of playing a Hammond that’s different. A lot of people make the mistake of thinking that you can play a Hammond with a piano technique. Well, you can, but it sounds like you are playing a Hammond with a piano technique. Really, you have to learn how to play an organ. It’s a legato technique; it’s a technique to achieve legato on a non-legato instrument.”

In early Deep Purple recordings, Lord had appeared to be the leader of the band. Despite the cover songs “Hush” and “Kentucky Woman” becoming hits in North America, Deep Purple never made chart success in the UK until the Concerto for Group and Orchestra album (1970). Lord’s willingness later to play many of the key rhythm parts gave Blackmore the freedom to let loose both live and on record.

On Deep Purple’s second and third albums, Lord began indulging his ambition to fuse rock with classical music. An early example of this is the song “Anthem” from the album The Book of Taliesyn (1968), but a more prominent example is the song “April” from the band’s self-titled third album (1969). The song is recorded in three parts: 1. Lord and Blackmore only, on keyboards and acoustic guitar, respectively; 2. an orchestral arrangement complete with strings; and 3. the full rock band with vocals. Lord’s ambition enhanced his reputation among fellow musicians, but caused tension within the group.

Simper later said, “The reason the music lacked direction was Jon Lord fucked everything up with his classical ideas.” Blackmore agreed to go along with Lord’s experimentation, provided he was given his head on the next band album.

The resulting Concerto For Group and Orchestra (in 1969) was one of rock’s earliest attempts to fuse two distinct musical idioms. Performed live at the Royal Albert Hall on 24 September 1969 (with new band members Ian Gillan and Roger Glover, Evans and Simper having been fired), it was recorded by the BBC and later released as an album. The Concerto gave Deep Purple its first highly publicised taste of mainstream fame and gave Lord the confidence to believe that his experiment and his compositional skill had a future

Purple began work on Deep Purple in Rock, released by their new label Harvest in 1970 and now recognised as one of hard rock’s key early works. Lord and Blackmore competed to out-dazzle each other, often in classical-style, midsection ‘call and answer’ improvisation (on tracks like “Speed King”), something they employed to great effect live. Ian Gillan said that Lord provided the idea on the main organ riff for “Child in Time” although the riff was also based on It’s a Beautiful Day’s 1969 psychedelic hit song “Bombay Calling”. Lord’s experimental solo on “Hard Lovin’ Man” (complete with police-siren interpolation) from this album was his personal favourite among his Deep Purple studio performances.

Deep Purple released another six studio albums between 1971 (Fireball) and 1975 (Come Taste the Band). Gillan and Glover left in 1973 and Blackmore in 1975, and the band disintegrated in 1976. The highlights of Lord’s Purple work in the period include the 1972 album Machine Head (featuring his rhythmic underpinnings on “Smoke on the Water” and “Space Truckin'”, plus the organ solos on “Highway Star”, “Pictures of Home” and “Lazy”), the sonic bombast of the Made in Japan live album (1972), an extended, effect-laden solo on “Rat Bat Blue” from the Who Do We Think We Are album (1973), and his overall playing on the Burn album from 1974.

Roger Glover would later describe Lord as a true “Zen-archer soloist”, someone whose best keyboard improvisation often came at the first attempt. Lord’s strict reliance on the Hammond C3 organ sound, as opposed to the synthesizer experimentation of his contemporaries, places him firmly in the jazz-blues category as a band musician and far from the progressive-rock sound of Keith Emerson and Rick Wakeman. Lord rarely ventured into the synthesizer territory on Purple albums, often limiting his experimentation to the use of the ring modulator with the Hammond, to give live performances on tracks like Space Truckin’ a distinctive ‘spacy’ sound. Instances of his Deep Purple synthesizer use (he became an endorser of the ARP Oyssey) include “‘A’ 200”, the final track from Burn, and “Love Child” on the Come Taste the Band album.

In early 1973 Lord stated: “We’re as valid as anything by Beethoven.”

Lord continued to focus on his classical aspirations alongside his Deep Purple career. The BBC, buoyed by the success of the Concerto, commissioned him to write another piece and the resulting “Gemini Suite” was performed by Deep Purple and the Light Music Society under Malcolm Arnold at the Royal Festival Hall in September 1970, and then in Munich with the Kammerorchester conducted by Eberhard Schoener in January 1972. It then became the basis for Lord’s first solo album, Gemini Suite, released in November 1972, with vocals by Yvonne Elliman and Tony Ashton and with the London Symphony Orchestra backing a band that included Albert Lee on guitar.(Ritchie Blackmore had played the guitar at the first live performance of the Gemini Suite in September 1970, but declined the invitation to appear on the studio version, which led to the involvement of Lee. Other performers were Yvonne Elliman, Ian Paice, Roger Glover, Tony Ashton).

In March 1974, Lord and Paice had collaborated with friend Tony Ashton on First of the Big Bands, credited to ‘Ashton & Lord’ and featuring a rich array of session talent, including Carmine Appice, Ian Paice, Peter Frampton and Pink Floyd saxophonist/sessioner, Dick Parry. They performed much of the set live at the London Palladium in September 1974.

This formed the basis of Lord’s first post-Deep Purple project Paice Ashton Lord, which lasted only a year and spawned a single album, Malice in Wonderland in 1977, recorded at Musicland Studios Musicland Studios at the Arabella Hotel in Munich. He created an informal group of friends and collaborators including Ashton, Paice, Bernie Marsden, Boz Burrell and later, Bad Company’s Mick Ralphs, Simon Kirke and others. Over the same period, Lord guested on albums by Maggie Bell, Nazareth and even folk artist Richard Digance. Eager to pay off a huge tax bill upon his return the UK in the late-1970s (Purple’s excesses included their own tour jet and a home Lord rented in Malibu from actress Ann-Margret and where he wrote the Sarabande album), Lord joined former Deep Purple band member David Coverdale’s new band, Whitesnake in August 1978 (Lord’s job in Whitesnake was largely limited to adding color or, in his own words, a ‘halo’ to round out a blues-rock sound that already accommodated two lead guitarists, Bernie Marsden and Micky Moody.

A number of singles such as “Here I Go Again”, “Wine, Women and Song”, “She’s a Woman” and “Till the Day I Die” entered the UK chart, taking the now 40-something Lord onto Top of the Pops with regularity between 1980 and 1983. He later expressed frustration that he was a poorly paid hired-hand, but fans saw little of this discord and Whitesnake’s commercial success kept him at the forefront of readers’ polls as heavy rock’s foremost keyboard maestro. His dissatisfaction (and Coverdale’s eagerness to revamp the band’s line-up and lower the average age to help crack the US market) smoothed the way for the reformation of Deep Purple Mk II in 1984.

During his tenure in Whitesnake, Lord had the opportunity to record two distinctly different solo albums and was later commissioned by producer Patrick Gamble for Central Television to write the soundtrack for their 1984 TV series, Country Diary of an Edwardian Lady, based on the book by Edith Holden, with an orchestra conducted by Alfred Ralston and with a distinctly gentle, pastoral series of themes composed by Lord. Lord became firmly established as a member of UK rock’s “Oxfordshire mansion aristocracy” – with a home, Burntwood Hall, set in 23.5 acres at Goring-on-Thames, complete with its own cricket pitch and a hand-painted Challen baby grand piano, previously owned by Shirley Bassey. He was asked to guest on albums by friends George Harrison (Gone Troppo from 1982) and Pink Floyd’s David Gilmour (1984’s About Face), Cozy Powell (Octopus in 1983) and to play on an adaptation of Kenneth Grahame’s classic, Wind in the Willows. He composed and produced the score for White Fire (1984), which consisted largely of two songs performed by Limelight. In 1985 he made a brief appearance as a member of The Singing Rebel’s band (which also featured Eric Clapton, George Harrison and Ringo Starr) in the Dick Clement and Ian La Frenais-scripted film Water (1985) (Handmade Films).

In the 1980s he was also a member of an all-star band called Olympic Rock & Blues Circus fronted by Pete York and featuring a rotating line-up of the likes of Miller Anderson, Tony Ashton, Brian Auger, Zoot Money, Colin Hodgkinson, Chris Farlowe and many others. Olympic Rock & Blues Circus toured primarily in Germany between 1981 and 1989. Some musicians, including Lord, took part in York’s TV musical extravaganza Superdrumming between 1987 and 1989.

Lord’s re-emergence with Deep Purple in 1984 resulted in huge audiences for the reformed Mk II line-up, including 1985s second largest grossing tour in the US and an appearance in front of 80,000 rain-soaked fans headlining Knebworth on 22 June 1985, all to support the Perfect Strangers album. Playing with a rejuvenated Mk. II Purple line-up (including spells at a health farm to get the band including Lord into shape) and being onstage and in the studio with Blackmore, gave Lord the chance to push himself once again. His ‘rubato’ classical opening sequence to the album’s opener, “Knocking at Your Back Door” (complete with F-Minor to G polychordal harmony sequence), gave Lord the chance to do his most powerful work for years, including the song “Perfect Strangers”. Further Deep Purple albums followed, often of varying quality, and by the late-1990s, Lord was clearly keen to explore new avenues for his musical career.

In 1997, he created perhaps his most personal work to date, Pictured Within, released in 1998 with a European tour to support it. Lord’s mother Miriam had died in August 1995 and the album is a deeply affecting piece, inflected at all stages by Lord’s sense of grief. Recorded largely in Lord’s home-away-from-home, the city of Cologne, the album’s themes are Elgarian and alpine in equal measure. Lord signed to Virgin Classics to release it, and perhaps saw it as the first stage in his eventual departure from Purple to embark on a low-key and altogether more gentle solo career. One song from Pictured Within, entitled “Wait A While” was later covered by Norwegian singer Sissel Kyrkjebø on her 2003/2004 album My Heart. Lord finally retired from Deep Purple amicably in 2002, preceded by a knee injury that eventually resolved itself without surgery. He said subsequently, “Leaving Deep Purple was just as traumatic as I had always suspected it would be and more so – if you see what I mean”. He even dedicated a song to it on 2004’s solo effort, Beyond the Notes, called “De Profundis”. The album was recorded in Bonn with producer Mario Argandoña between June and July 2004.

Lord slowly built a small, but distinct position and fan base for himself in Europe. He collaborated with former ABBA superstar and family friend, Frida (Anni-Frid Lyngstad,) on the 2004 track, “The Sun Will Shine Again” (with lyrics by Sam Brown) and performed with her across Europe. He subsequently also performed European concerts to première the 2007-scheduled Boom of the Tingling Strings orchestral piece.

In 2003 he also returned to his beloved R-n-B/blues heritage to record an album of standards in Sydney, with Australia’s Jimmy Barnes, entitled Live in the Basement, by Jon Lord and the Hoochie Coochie Men, showing himself to be one of British rock music’s most eclectic and talented instrumentalists. Lord was also happy to support the Sam Buxton Sunflower Jam Healing Trust and in September 2006, performed at a star-studded event to support the charity led by Ian Paice’s wife, Jacky (twin sister of Lord’s wife Vicky). Featured artists on stage with Lord included Paul Weller, Robert Plant, Phil Manzanera, Ian Paice and Bernie Marsden.

In July 2011, Lord performed his final live concert appearance, the Sunflower Jam at the Royal Albert Hall, where he premiered his joint composition with Rick Wakeman. At that point, they had begun informal discussion on recording an album together. Up until 2011, Lord had also been working on material with the recently formed rock supergroup WhoCares, also featuring singer Ian Gillan from Deep Purple, guitarist Tony Iommi from Black Sabbath, second guitarist Mikko Lindström from HIM, bassist Jason Newsted formerly from Metallica and drummer Nicko McBrain from Iron Maiden, specifically the composition “Out of My Mind,” in addition to new compositions with Steve Balsamo and a Hammond Organ Concerto. Lord subsequently cancelled a performance of his Durham Concerto in Hagen, Germany, for what his website said was a continuation of his medical treatment (the concert, scheduled for 6 July 2012, would have been his return to live performance after treatment).

Lord’s Concerto for Group and Orchestra was effectively recommissioned by him, recorded in Liverpool and at Abbey Road Studios across 2011 and under post-production in 2012 with the Liverpool Philharmonic Orchestra performing, conducted by long-time collaborator, conductor Paul Mann. The recording was at completion at the time of Lord’s death, with Lord having been able to review the final master recordings. The album and DVD were subsequently released in 2012.

In July 2011, Lord was found to be suffering from pancreatic cancer. After treatment in both England and in Israel, he died on 16 July 2012 at the London Clinic after suffering from a pulmonary embolism. He was 71.

• On 11 November 2010, he was inducted as an Honorary Fellow of Stevenson College in Edinburgh, Scotland. On 15 July 2011, he was awarded an honorary Doctor of Music degree at De Montfort Hall by the University of Leicester. Lord was posthumously inducted into the Rock and Roll Hall of Fame on 8 April 2016 as a member of Deep Purple.

• Lars Ulrich, founding member and drummer in Metallica commented, “Ever since my father took me to see them in 1973 in Copenhagen, at the impressionable age of 9, Deep Purple has been the most constant, continuous and inspiring musical presence in my life. They have meant more to me than any other band in existence, and have had an enormous part in shaping who I am. We can all be guilty of lightly throwing adjectives like ‘unique,’ ‘one-of-a-kind’ and ‘pioneering’ around when we want to describe our heroes and the people who’ve moved us, but there are no more fitting words than those right now and there simply was no musician like Jon Lord in the history of hard rock. Nobody. Period. There was nobody that played like him. There was nobody that sounded like him. There was nobody that wrote like him. There was nobody that looked like him. There was nobody more articulate, gentlemanly, warm, or fucking cooler that ever played keyboards or got anywhere near a keyboard. What he did was all his own.”

• Former keyboard player of rock band Yes, Rick Wakeman, who was a friend of Lord’s, said he was “a great fan” and added “We were going to write and record an album before he became ill. His contribution to music and to classic rock was immeasurable and I will miss him terribly.” In mid-2013, Wakeman presented a BBC One East Midlands-produced TV program about Lord and his connection to the town of his birth.

• Singer Anni-Frid Lyngstad (ABBA), who described Jon Lord as her “dearest friend”, paid him tribute at the 2013 edition of Zermatt Unplugged, the annual music festival which both he and she served as patrons. “He was graceful, intelligent, polite, with a strong integrity,” she said. “He had a strong empathy and a great deal of humor for his own and other people’s weaknesses.”

• Keyboardist Keith Emerson said of Lord’s death, “Jon left us now but his music and inspiration will live forever. I am deeply saddened by his departure.” In a later interview in November 2013, he added, “In the early years I remember being quite jealous of Jon Lord – may he rest in peace. In September 1969 I heard he was debuting his “Concerto For Group & Orchestra” at the Royal Albert Hall, with none other than Malcolm Arnold conducting. Wow! I had to go along and see that. Jon and I ribbed each other, we were pretty much pals, but I walked away and thought: ‘Shit, in a couple of weeks’ time I’m going to be recording The Nice’s Five Bridges Suite … not at the Albert Hall but at the Fairfield Halls, Croydon!’ A much more prosaic venue. Later, Jon wanted me to play on his solo album, Gemini Suite, but that was around the time ELP were breaking big and we were touring. He was a lovely guy, a real gentleman.”

• A concert tribute to Lord took place on 4 April 2014 at the Royal Albert Hall. Performers and presenters included Deep Purple, Bruce Dickinson, Alfie Boe, Jeremy Irons, Joe Brown, Glenn Hughes, Miller Anderson and Steve Balsamo.

• In December 2012 the Mayor of Leicester, Sir Peter Soulsby, joined the campaign to honor Lord with a blue plaque at his childhood home at 120 Averill Road, where he lived until he was twenty, saying it would be “an important reminder of the city’s contribution to the world of contemporary music.”

• Lord was posthumously inducted into the Rock and Roll Hall of Fame as a member of Deep Purple in April 2016

 

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Bob Babbitt 7/2012

July 16, 2012 – Bob Babbitt (Funk Brothers) was born Robert Kreinar on November 26, 1937 in Pittsburgh, Pennsylvania. He grew up in the Mt. Washington and Beltzhoover neighborhoods and graduated from South Hills High School. His parents had immigrated to America from Hungary and his dad found work as bricklayer. Bob earliest music influences were his parent’s gypsy music and classical music. Both of his parents sang in gypsy bands and their gypsy music was constantly heard on the family radio and record player.

Bob learned the upright bass in elementary school and played in his elementary school orchestra. He took private classical bass lessons for two years from a female bass player who was the main bass player at the Pennsylvania College for Woman. Bob then studied for three years with the principle bassist for the Pittsburgh Symphony Orchestra Anthony Bianco. During his three high school years from 1953 to 1955 Bob played classical upright bass in the Pittsburgh Symphony Jr. which featured the top Pittsburgh area high school musicians. Bob sites his early influences as Pittsburgh bassist Ray Brown and Charles Mingus.

Bob was frequently asked to sit in with Hungarian gypsy groups at Hungarians clubs that he went to with his family. His first paying job as musician was with a gypsy band.

As a teen Bob turned to rhythm-and-blues playing influenced by Bill Doggett’s “Honky Tonk” and Red Prysock’s “Hand Clappin'”. He spent a lot of time playing along to listening to R&B songs played on Pittsburgh radio by Porky Chedwick and Mary Dee and others. At age 15 Bob began performing in Pittsburgh area nightclubs. He began by sitting in with a group led by a black sax player in a club and began working weekends with them. He switched from upright bass to a louder and easier to transport electric bass guitar at age 17. He bought a ’60 Jazz Bass and used the 1-2-4 classical fingering system until he learned to use his 3rd finger.

Bob’s father died when he was a high school senior. His family moved from Mount Washington to the Glen Hazel projects. The University of Pittsburgh offered him a music scholarship but he turned it down. Instead he took a job to help support his mother. But it was hard to find a good paying job without a skill and he did not want to work in the steel mills. His uncle in Michigan urged him to move, saying he could earn much more money in Detroit. Bob hopped a Greyhound bus to Motown in late 1957 or early 1958.

Detroit had a lively club scene, a growing recording business, and an up and coming new R&B sound. Bob worked construction during the day and played the clubs at night. In Detroit Bob picked up the nick name Bobo that morphed into Babo, Bobbitt, and finally into “Babbitt”. People he met for the first time thought it was his real name. With all of his musicians friends calling him “Babbittt”, he took it as his stage name.

He heard a band called the Royaltones rehearsing in a Detroit club one day and introduced himself. He brought in his upright bass to play with them. They hired Bob to record with them on 24 songs released between 1961 and 1964. Led by the saxophone of George Katsakis the Royaltones played instrumental rock n roll. Eight of the Royaltones’ songs hit the Billboard charts including their 1961 top ten hit “Flamingo Express.” Bob became a member of the Royaltones in 1962. Singer Del Shannon hired the Royaltones as his band and toured and recorded with them through 1964. Bob played on Del Shannon’s 1962 hit “Little Town Flirt.” After the Royaltones broke up in 1964 Babbitt became a studio musician.

As his reputation in Detroit grew Babbitt found steady work in 1966 as a session bass player at Golden World Studio, United Sound, Terashirma, and every other consequential studio in the Detroit area except Motown. He worked seven to eight recording sessions every week. During this time he recorded the signature bass line on the Capitols hit single “Cool Jerk”. He also played on the classic R&B tunes “I Just Wanna Testify” by the Parliaments and “Love Makes the World Go Round” by Dion Jackson. Babbitt played on his first Motown recording in 1967. After touring with Steve Wonder, Wonder brought Babbitt to Motown to record with him on ‘We Can Work It Out’ and the classic ‘Signed, Sealed, Delivered’ .

At Golden World Studio Bobbit worked with several of Motown’s moonlighting session players including keyboardists Joe Hunter and Johnny Griffith, guitarist Eddie Willis, drummer Benny Benjamin, and Rock Hall of Fame bassist James Jamerson († August 2, 1983)). As Motown’s popularity grew more musicians were needed to work recording sessions. When bassist James Jamerson became unreliable due to alcoholism Babbitt was brought in as a replacement. As he proved himself, Babbitt was accepted into the inner circle of the Funk Brothers. Babbitt worked steadily at Motown from 1967 through 1972 and was under contract to Motown from 1970 to1972.

The contract prevented him from becoming a member of Jeff Beck’s band. Prevented from working for other studios and bands Babbitt tried to supplement his income working as a professional wrestler for six months. In 1972 Babbitt recorded with Marvin Gaye on one of Motown’s biggest selling records the classic “What’s Goin’ On.” In interviews Babbitt said they the arranger Dave Van dePitte let him write his own base lines on the songs “‘Mercy Mercy Me’ and ‘Inner City Blues’.

Motown’s Detroit Hitsville Studio closed in 1972 when Barry Gordon moved Motown to Los Angeles. The Funk Brothers learned they were out of work when they read a note on the locked doors of the studio. In 1973 Babbit went in the opposite direction and ended up in New York where he began working with producer Arif Mardin. In this new city he worked on recordings for Frank Sinatra, Barry Manilow, Gloria Gaynor, Robert Palmer, and Alice Cooper. Babbitt and former Motown drummer Andrew Smith became one of the hottest rhythm sections in New York. They were sought out to record with Stephanie Mills, Jim Croce, and Bonnie Raitt to Engelbert Humperdink and Frank Sinatra.

Philadelphia International Records also sought the services of Bobbitt and Andrew Smith. Working with producer Thorn Bell they recorded the Spinners classics “Then Came You,” “Games People Play,” and “Rubber Band Man.” By the late 1970’s Bob Babbitt was working constantly with many artists in many different styles. He recorded 3 complete albums in three weeks working with the Spinners in L.A., Alice Cooper in Toronto and Frank Sinatra in New York. Babbitt became a jazz player in the early ’80s touring and recording with flutist Herbie Mann and fellow Pittsburgher saxophonist Stanley Turrentine.

When studio work in New York slowed down Bob moved in June of 1986 to the next hot recording center Nashville. Music City became his home for the next 26 years. During this period Babbitt worked recording sessions with Shania Twain, Carlene Carter, Tracy Nelson, Vanessa Williams, Elton John, Robert Palmer, Lee Atwater, Jimmy McGriff, Bobby Rydell and others. In between recording dates he toured with Brenda Lee, Robert Palmer, Joan Baez and others.

Bob and the Funk Brother came to national attention in 2002 with the release of the film “Standing In The Shadows”. The film showed that the Funk Brothers and Bob Babbitt were the heart and soul of the Motown sound. The film was based on Allan Slutsky’s Funk Brothers book. The film highlighted that the Funk Brothers “played on more number-one hits than The Beatles, Elvis Presley, The Rolling Stones, and The Beach Boys Combined”.

The brothers toured the country with special guest Joan Osborne on lead vocals. They performed at the 2004 Grammy Awards where they received the Lifetime Achievement Award. With recognition of the contributions of the Funk Brothers Bob received more offers for recording sessions and gigs. Phil Collins flew him to London to record the “Going Back” album in 2010.

Babbitt was honored in Pittsburgh on July 23, 2008 where he received a Lifetime Achievement award from Duquense University. The City of Pittsburgh declared July 23 Bob Babbitt Day and the mayor presented Bob with the official proclamation. To celebrate the occasion he performed in concert with B.E. Taylor, Jeff Jimerson, Hermie Granati, guitarist Jimmy Bruno and other Pittsburgh musicians. Babbitt was honored again on October 31, 2009 when he performed in concert at the August Wilson Center’s “A Pittsburgh Tribute to Motown Records’ 50th Anniversary.” With his classical and gypsy music roots that he learned in Pittsburgh along with his great talent and creativity, he made music history.

In early 2011 Babbitt was diagnosed with an inoperable brain tumor. He passed away in Nashville at age 74 on July 16, 2012.
One of the most versatile and most recorded bassists in music history

Bob Babbitt was one of the greatest and most recorded bass players in the history of popular music. Over 100 million copies of records that feature Bob’s bass have been sold. He performed on over 200 top 40 hits earning 25 gold records and several platinum awards. Babbitt laid down a melodic rhythmic groove that gave soul to hundreds of all time classic pop records. Bob was a versatile bassist whose work ranged from R&B, rock, jazz, pop, country, and folk. In the R&B genre Babbitt recorded and performed with The Temptations, Marvin Gaye, Smokey Robinson & the Miracles, Lou Rawls, Gladys Knight, Diane Ross, Ashford & Simpson, The Spinners, Phyllis Hyman, Mary Wells, the O’Jays, Sister Sledge, and Major Harris. He rocked with Jimi Hendrix, Elton John, Rod Stewart, Phil Collins, Robert Palmer, Alice Cooper, Peter Frampton, Joe Cocker, Nils Lofgren, Steven Bishop, the Euclid Beach Band, and Yoko Ono. In Jazz and blues Babbitt worked with Dextor Gordon, Herbie Mann, Stanley Turrentine, Dr. Lonnie Smith, Taj Mahal, John Mayall, and Bonnie Raitt. Bob performed on the country and folk recordings of Shania Twain, Carlene Carter, Louise Mandrell,Tracy Nelson, Joan Baez, and Tom Rush. Babbitt was at the top of the pops working with Frank Sinatra, Dionne Warrick , Engelbert Humperdinc, Laura Nyro, Brenda Lee, Frankie Vallie, Del Shannon, Jim Croce, and Barry Manilow.

In Detroit during the 1960s Bob Babbitt played on dozens of hits recorded in the Motown and Golden World Studios as a member of the legendary Funk Brothers studio band. His signature sound is heard on the Capitols’ “Cool Jerk,” Smokey Robinson’s “The Tears of a Clown” and Stevie Wonder’s “Signed Sealed Delivered I’m Yours”, Gladys Knight’s “Midnight Train To Georgia”, Diana Ross’ “Touch Me In The Morning”, and War” by Edwin Starr. Babbitt is featured on Motown biggest selling album Marvin Gaye’s “What’s Goin’ On” album. As part of the Philadelphia soul scene in the 1970s Babbitt played on the Spinners hits “Then Came You” and “Rubberband Man”. Working in New York he was heard on Gloria Gaynor’s “Never Can Say Goodbye”. Robert Palmer’s “Every Kind Of People”, and Barry Manilow’s “Ready To Take A Chance”.

Bob Babbitt was well known for decades among musicians but was little known to popular music fans. The Funk Brothers were often un-credited on Motown recordings. The Funk Brothers were bassist James Jamerson and Bob Babbitt, guitarists Robert White and Joe Messina, keyboardists Joe Hunter and Earl Van Dyke, and drummers Benny Benjamin, Richard Allen and Uriel Jones. Bob Babbitt and his fellow Funk Brothers gained national recognition for their outstanding contribution in the Grammy winning film about the Funk Brothers, “Standing in the Shadows of Motown”. Bob Babbitt toured with the surviving members of Funk Brothers and Joanne Osborne.

Among Bass players Bob’ 90 second solo on the Denis Coffey single “Scopio” is a standard. It is a difficult solo that bassists strive to learn to prove their mastery of the bass.

Bob Babbitt and the Funk Brothers were inducted into the Nashville-based Musicians Hall of Fame in 2007. The Music City Walk of Fame honored Bob Babbitt with a star in June of 2012. He is the only session instrumentalist to be honored by the Walk of Fame. Bob Babbitt as a member of the Funk Brothers was was given a Grammy lifetime achievement award in 2004.

“Bob was a teddy bear of a guy and he was an extraordinary musician — a player’s player.” – former Motown engineer Ed Wolfrum

“It’s probably safe to say that every minute of every day, 365 days a year, Bob Babbitt’s bass is pumping out of some radio station somewhere.” Rick Suchow – Bass Guitar Magazine (Jan, 2010)

“Bob Babbitt changed the world with four strings and a groove,” -bass player Dave Pomeroy, president of the Nashville Musicians Association, inducting Babbitt into the Walk of Fame

With 25 Gold and Platinum records under his belt he is famous for his work as a member of Motown Records’ studio band, the Funk Brothers, from 1967-72, as well as his tenure as part of MFSB for Philadelphia International Records afterwards.

Also in 1968-1970, with Mike Campbell, Ray Monette and Andrew Smith he formed the band Scorpion. His most notable bass performances include “War”, “Signed, Sealed, Delivered I’m Yours”, “The Tears of a Clown”, “Mercy Mercy Me (The Ecology)”, “Inner City Blues””Band Of Gold” (by Freda Payne), “Ball of Confusion (That’s What the World Is Today)”, “Just My Imagination (Running Away With Me)”  

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Dennis St.John 6/2012

dennis-st-johnJune 5, 2012 – Dennis St. John (Neil Diamond’s drummer and musical director) was born on November 9, 1941 in Beatrice, Nebraska, to Jeanne and Colonel Ralph St. John.

In 1947 my mother and I were amongst the first American military dependant families to live in Germany. The German prisoners of war at my father’s depot had a great Dixieland band. Every Friday I got to sit and listen to this band in the warehouse, before they had to report back to the stockade. It was my first experience with live music and has stayed with me ever since. When we returned from Germany in 1950, we moved to Chicago, and that’s where I heard my first Fender electric bass, which helped nudge me closer to music. After a couple more moves, and high-school bands in Olympia, Washington and Philadelphia, Pennsylvania, I graduated in 1959. I immediately put on my Princeton t-shirt, and took my fake ID to the world famous Somers Point, New Jersey traffic circle, home of Bayshores, Tony Mart’s, and Steele’s Bar. I’d spend day after day, night after night listening to the legendary Jimmy Cavallo & the House Rockers. That’s when I decided I’d like to be a drummer.

He graduated Magna Cum Laude from Emory University in Atlanta, Georgia.

A gifted percussionist, he began his career in music after forming a band in college (St.John and the Cardinals) part of which became the root for the Atlanta Rhythm Section. After college he relocated to Los Angeles, where he went on to play on over fifty gold and platinum albums with top artists of the sixties and seventies.

His name may not be instantly recognizable, but during the height of his career in the sixties and seventies, Dennis toured and recorded with several top artists, drumming on sixteen top-10 records and over fifty Gold and Platinum albums. If you’ve ever heard the Bellamy Brothers’ “Let Your Love Flow” or “Spooky” or “Spiders & Snakes” or Linda Ronstadt’s “Desperado” or Neil Diamond’s “Forever In Blue Jeans” or “America”, then you’ve heard just a small sampling of the hundreds of recordings featuring his playing.

Dennis crossed paths with an impressive number of artists such as James Brown, Kenny Rogers, Barbra Streisand, Roy Orbison, Ronnie Milsap, Sammy Davis Jr., Liberace, Little Richard, Rufus Thomas, Tommy Roe, The Standells, Otis Redding, and Paul Revere and the Raiders. But he’s best known as Neil Diamond’s drummer and musical director from 1971-81. Several herniated discs forced him to quit active touring in the early 1980s and he formed a talent development company, guiding many future performers to stardom in the years after.

He described the most memorable event of his career as the 10 days of recording Hot August Night in 1972 (at the Greek Theater in Los Angeles) saying “it was by far the most energetic, creative, and satisfying gig I’ve ever played.”

This link to a Classic Drummer Interview with Dennis gives a great insight into Rock and Roll in the early days.

Dennis died from complications of esophageal cancer on June 5, 2012 at the age of 70.

Taking to Twitter to pay his respects, Neil Diamond wrote, “Lost my old friend Dennis St. John. His drumming graces my recordings from Hot August Night to The Jazz Singer – I’ll miss him big time.”

Entry on his obituary: “I knew Dennis. He used to come to the bar I worked at for many years when he came to visit his mother. My husband always referred to him as the guy with the pony tail. He was a true gentleman and always took time to talk to me even though I was just a bartender there. I often introduced him to people, but they always seemed to fail to understand what impact he had in the music business. I have not worked for around 4 years and was so sad to hear that he had lost his battle with cancer. He always took such good care of his mother and felt bad if he didn’t feel she was being taken care of correctly. Everyone was so happy to see him when he visited. There just aren’t enough words to do this man justice.”

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Donna Summer 5/2012

donna-summerMay 17, 2012 – Donna Summer was born LaDonna Adrian Gaines on December 31, 1948 in Boston, Massachusetts. Summer was one of seven children. She was raised in the Boston neighborhood of Mission Hill. Her father was a butcher and her mother was a schoolteacher.

She began singing at a young age in the church. Summer’s performance debut occurred at church when she was eight years old, replacing a vocalist who failed to show up. In her early teens, she formed several musical groups imitating Motown girl groups such as The Supremes and Martha and the Vandellas. She attended Boston’s Jeremiah E. Burke High School where she performed in school musicals and was considered popular.

In 1967, just weeks before graduation, Donna left for New York where she joined the psychedelic blues rock band Crow as lead singer. It was a move influenced by Janis Joplin’s life story that she dropped out of school, she later stated. After they were passed on by a record label that was only interested in the band’s lead singer, the band broke up and Summer stayed in New York to audition for a role in the counterculture musical, Hair. She landed the part of Sheila and agreed to take the role in the Munich production of the show, moving to Munich, Germany after getting her parents’ reluctant but not needed approval. Continue reading Donna Summer 5/2012

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Adam Yauch 5/2012

adam-yauchMay 4, 2012 – Adam Yauch aka MCA (Beastie Boys) was born in Brooklyn New York on August 5th 1964.  While in high school, he taught himself to play the bass guitar and formed the Beastie Boys with John Berry, Michael Diamond and Kate Schellenbach.

They played their first show, then still a hardcore punk band on his 17th birthday. At age 22, he and the Beastie Boys, had turned into a hip hop trio and were touring with Madonna in 1985. A year later they released their debut album Licensed to Ill, which was followed by 7 other albums, the last being their 2011 album Hot Sauce Committee Part Two.

Under the pseudonym “Nathanial Hörnblowér“, Adam directed many of the Beastie Boys’ music videos and in 2002, he built a recording studio in New York City called Oscilloscope Laboratories. He also began an independent film distributing company called Oscilloscope Pictures. Yauch directed the 2006 Beastie Boys concert film, Awesome; I Fuckin’ Shot That!, although in the DVD extras for the film, the title character in “A Day in the Life of Nathanial Hörnblowér” is played by David Cross.

He also directed the 2008 film Gunnin’ For That #1 Spot about eight high school basketball prospects at the Boost Mobile Elite 24 Hoops Classic at Rucker Park in Harlem, New York City. Yauch produced Build a Nation, the comeback album from hardcore/punk band Bad Brains. In addition, Oscilloscope Laboratories also distributed Kelly Reichardt’s Wendy and Lucy (2008) and Oren Moverman’s The Messenger (2009).

2009 was the year that he was diagnosed with a lymph node cancer.

By 2010 The Beastie Boys had sold 40 million records worldwide and in 2011, Yauch received the Charles Flint Kellogg Award in Arts and Letters from Bard College, the college he attended for two years. The award was “given in recognition of a significant contribution to the American artistic or literary heritage.”.

In April 2012, the group was inducted into the Rock and Roll Hall of Fame. Yauch was inducted in absentia due to his illness. His bandmates paid tribute to Yauch; a letter from Yauch was read to the crowd.

As a Buddhist, he was involved in the Tibetan independence movement and organized the Tibetan Freedom Concerts in the mid 1990s.

Adam died battling cancer on May 4, 2012. He was 47.

“There is a lot of misconception in all layers of society about what actually brings happiness. We’re caught up in all these promoted ideas that having a lot of money or having somebody beautiful to have sex with or owning some cool objects -a cool car, a cool stereo – a Gibson Les Paul 1957 – a cool house in a cool neighborhood or whatever……… is going to make us happy. All that actually does not bring us happiness. Compassion, empathy, altruism, sharing brings happiness. Those are values that make us smile when practiced.” 

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Levon Helm 4/2012

Levon-HelmApril 19, 2012 – Mark Lavon “Levon” Helm  was born on May 26, 1940 in Elaine, Arkansas. Helm grew up in Turkey Scratch, a hamlet west of Helena, Arkansas. His parents, Nell and Diamond Helm, cotton farmers and also great lovers of music, encouraged their children to play and sing. Young Lavon (as he was christened) began playing the guitar at the age of eight and also played drums during his formative years. He saw Bill Monroe and His Blue Grass Boys at the age of six and decided then to become a musician.

Arkansas in the 1940s and 50s stood at the confluence of a variety of musical styles—blues, country and R&B—that later became known as rock and roll. Helm was influenced by all these styles, which he heard on the Grand Ole Opry on radio station WSM and R&B on radio station WLAC out of Nashville, Tennessee. He also saw traveling shows such as F.S. Walcott’s Rabbit’s Foot Minstrels that featured top African-American artists of the time. Continue reading Levon Helm 4/2012

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Bugs Henderson 3/2012

Bugs HendersonMarch 8, 2012 – Buddy “Bugs” Henderson was born on October 20th 1943 in Palm Springs, California, but grew up in Tyler, Texas. At age 16 he formed a band called the Sensores and later joined Mouse and the Traps. Living in Dallas-Fort Worth during the early 1970s, he became lead guitarist for the blues/rock band Nitzinger before one-hit pop wonder Bruce Channel recruited him into a band.

He established his own band the Shuffle Kings, and spent his entire working life as musician performing from Fort Worth clubs and all over the world, forging and establishing a large cult following. He released 18 albums, while his guitarplaying style impressed musicians such as Eric Clapton, Freddie King, Johnny Winter, Johnny Hyland and Ted Nugent.

Henderson was hugely popular in Europe and toured the continent often from the 1970s on. Continue reading Bugs Henderson 3/2012

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Michael Hossack 3/2012

michael-hossackMarch 12, 2012 – Michael Hossack (drummer for Doobie Brothers) was born in Paterson, New Jersey on October 17th 1946. He started playing drums in the Little Falls Cadets, a Boy Scout drum and bugle corps, as well as Our Lady of Lourdes Cadets and Fair Lawn Cadets. He always credited these experiences for teaching and preparing him for playing in a two-drummer group such as the Doobie Brothers.

After graduating high school, he served for four years in the US Navy during the Vietnam War. Following his honorable discharge in 1969 he returned to New Jersey, where a close friend talked him into auditioning for a California-based band called Mourning Reign.

They played heavily in upstate New York, before relocating to the San Francisco bay area and signing with a production company that had also signed the newly formed rock band, the Doobie Brothers.

Although Mourning Reign was short-lived, Hossack’s abilities gained considerable exposure and having learned of his availability, was invited to jam with the Doobies in 1971. Little did he know that the “jam session” was an actual audition which took place at Bimbo’s 365 Club. After hearing founding drummer John Hartman and Hossack together, the Doobies decided that having two drummers would beef up the rhythm section and so adopted the “dual drummers” sound pioneered by bands such as the Grateful Dead and Allman Brothers. Hossack played alongside Hartman on the band’s breakthrough albums Toulouse Street in 1972, The Captain and Me in 1973 and What Were Once Vices are Now Habits in 1974, which spawned the band’s first #1 hit, “Black Water”.

After a grueling ten-month tour in 1973, Hossack left the Doobies. He went on to join Bobby Winkelman’s band Bonaroo (band) which released one album then disbanded shortly afterwards. In 1976, he had a brief stint with a band called DFK (or the Dudek Finnigan Krueger Band), with Les Dudek, Mike Finnigan and Jim Krueger. In 1977, Hossack became a partner in Chateau Recorders studio in North Hollywood.

An avid outdoors man, when he wasn’t in the studio or on tour, he was either riding his Harley-Davidson motorcycle, hunting or fishing. A family man as well, Mike enjoyed spending as much time as possible raising his two children.

In 1987 former band member Keith Knudsen called Mike and asked if he would participate in a series of benefit concerts for veterans of the Vietnam War. Being a veteran himself, Mike agreed and the Doobie Brothers (after a five-year hiatus) were back together again. Due to the huge success of these concerts, the Doobie Brothers decided to reform with band members Pat Simmons, Tom Johnston, John Hartman, Tiran Porter, Bobby LaKind and Michael Hossack. Not long afterwards, they were offered a recording contract from Capitol Records. Since then, Mike’s unique style can be heard on the albums Cycles, Brotherhood, Rockin’ down the Highway: The Wildlife Concert, Sibling Rivalry, Live at Wolf Trap and World Gone Crazy.

On June 22, 2001, while heading to a show at Caesars Tahoe in Lake Tahoe, Mike suffered multiple fractures from a motorcycle accident on Highway 88 and had to be airlifted to a Sacramento-area hospital where he underwent surgery. After months of healing and grueling physical therapy, Mike was back with the band. He was a permanent fixture until he developed cancer in 2010 and had to take a leave of absence to focus on his health.

On March 2012, Hossack sadly died of cancer at his home in Dubois, Wyoming at the age of 65.

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Joe Moretti 2/2012

Joe MorettiFebruary 9, 2012-  Joseph Edward “Joe” Moretti  was born in Glasgow, Scotland on May 10, 1938. Moretti moved to London in November 1958 with his wife Pina, and instantly became part of the burgeoning rock and roll scene based around the The 2i’s Coffee Bar in Soho.

There he found opportunities backing up singers such as Gene Vincent, Vince Eager, Colin Hicks & The Cabin Boys and other skiffle acts and nascent rock n’ roll outfits. It was in the 2i’s, in early 1959, that Moratti learned that guitarist-singer Tony Sheridan had quit Vince Taylor’s band, The Playboys, and Moratti was asked to take his place.

Moretti toured with Taylor in the UK and cut the iconic “Brand New Cadillac” in the spring of 1959. Shortly after, Moretti left the band to take up with Johnny Duncan’s Bluegrass Boys. The following year, 1960, Moretti was to play guitar on another session after being called into the studio by Johnny Kidd & The Pirates’ guitarist Alan Caddy to play leads on two songs: UK #1 single “Shakin’ All Over” and its follow-up “Restless”.

Throughout the 1960s Moretti continued to tour and record with artists such as Nero and the Gladiators, Ronnie Jones and The Nightimers and Eddie Calvert. In addition, Moretti was in demand as a session musician and, along with other UK guitarists such as Big Jim Sullivan, future Led Zeppelin guitarist Jimmy Page and Vic Flick, often himself having played guitar at a recording date without being credited. Moretti claims to have played guitar on hits for Jet Harris and Tony Meehan (“Scarlet O’Hara” and “Applejack”) and Donovan’s hit record “Mellow Yellow”.

It is now acknowledged that he played guitar on at least two more UK number one records: Tom Jones’ “It’s Not Unusual” and Chris Farlowe’s Rolling Stones cover “Out Of Time”.

He lived in South Africa until his death from lung cancer. Joe Moretti was 73 years old when he died on 9 February 2012.

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Dobie Gray 12/2011

dobie-grayDecember 6, 2011 – Dobie Gray was either born Lawrence Darrow Brown on July 26, 1940 in Brookshire Texas or Leonard Victor Ainsworth, possible born around the same time in Houston’s suburb Simonton. Born into a family of sharecroppers in and greatly influenced by his grandfather, a Baptist Minister, Dobie’s early life revolved around family, the church and music. Thus, Gospel, Country, Tex-Mex and R& B all found a comfortable home in his repertoire.

Moving from Texas to California in the early 60’s, Dobie met Sonny Bono (Sonny & Cher), then A&R manager for Specialty Records. That encounter led to his first notable single, “Look At Me.” (later recorded by The Righteous Brothers). Although “Look At Me” remained on the charts a healthy five weeks, Dobie’s real breakthrough came in 1965 with the release of “The ‘In’ Crowd.”

In Hollywood he enrolled in acting classes, and appeared in Theatre-group Productions, including “A Raisin In The Sun,” “The Amen Corner,” “Look Homeward Angel” and “Rhinoceros.” His dramatic gifts eventually landed him a role in the L.A. production of the Mega – Hit, Musical “Hair,” in which he remained for two and a half years.

In 1972, he won a recording contract with Decca Records (shortly before it became part of MCA) to make an album with producer Mentor Williams in Nashville. Among the songs they recorded was Mentor Williams’ “Drift Away”, featuring a guitar riff by Reggie Young. Released as a single, the song rose to #5 on the US pop chart and remains Dobie Gray’s signature song. It placed at #17 in the Billboard Year-End Hot 100 singles of 1973, sold over one million copies and was awarded a gold disc by the RIAA on July 5, 1973.

“Drift Away” became a hit again in 2003, when he covered the song as a duet with Uncle Kracker on the latter’s No Stranger to Shame album. The re-recording hit #9 and placed at #19 in the Billboard Year-End Hot 100 singles of 2003 as well as logging a record-setting 28 weeks atop the Adult Contemporary chart in 2003-2004.

In the 30 years that had passed in between Dobie Gray increasingly concentrated on songwriting for a variety of ‘country’ artists including Ray Charles, George Jones, Johnny Mathis, Charley Pride, and Don Williams. He also toured in Europe, Australia and Africa in the 1970s. He performed in South Africa only after persuading the apartheid authorities to allow him to play to integrated audiences, becoming the first artist to do so.

He died on December 6, 2011, from complications of cancer surgery in Nashville, Tennessee at the age of 71.

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Nick Ashford 8/2011

nick ashford of ashford and simpsonAugust 22, 2011 – Nickolas ‘Nick’ Ashford (70) was born on May 4th 1941 in Fairfield, South Carolina. Ashford’s father, Calvin, was a construction worker and Nick got his musical start at Willow Run Baptist Church, singing and writing songs for the gospel choir. He briefly attended Eastern Michigan University, in Ypsilanti, before heading to New York, where he tried but failed to find success as a dancer. In 1963, while homeless, Ashford went to White Rock Baptist Church in Harlem, where he met Simpson, a 17-year-old recent high school graduate, born in the Bronx, who was studying music. They began writing songs together, selling the first bunch for $64.

After having recorded unsuccessfully as a duo, they joined aspiring solo artist and former member of the Ikettes, Joshie Jo Armstead, at the Scepter/Wand label where their compositions were recorded by Ronnie Milsap-“Never Had It So Good”, Maxine Brown-“One Step At A Time”, as well as the Shirelles and Chuck Jackson.

Their first major success occurred when they and writing partner Jo Armstead came up with “Let’s Go Get Stoned” for Ray Charles. The bluesy, gospel-tinged song became a huge hit for Charles, and Ashford and Simpson soon came to the attention of Motown Records and began penning hits for the label’s artists.

They started out writing soulful, romantic works for the duo of Gaye and Terrell that would become instant classics, like “Your Precious Love,” “Ain’t Nothin’ Like the Real Thing” and “Ain’t No Mountain High Enough.” Ross later recorded “Ain’t No Mountain” with a new arrangement that had sweeping pop grandeur and made it her signature song.

That same year Ashford & Simpson joined Motown, where their best-known songs included “Ain’t No Mountain High Enough”, “You’re All I Need To Get By”, “Ain’t Nothing Like the Real Thing”, and “Reach Out and Touch (Somebody’s Hand)”.

Ross may have been Ashford & Simpson’s greatest muse: They had some of their biggest songs with her and helped give her career-defining hits that would distinguish her solo career apart from the Supremes. Among the songs Ross made hits were “Reach Out and Touch,” “The Boss,” “My House,” and “Missing You,” a tribute to the late Gaye and others.

Among the other artists who had hits with their songs were Gladys Knight and the Pips (Didn’t You Know You’d Have to Cry Sometime) and Smokey Robinson and the Miracles (Who’s Gonna Take the Blame).

Over nearly five decades, Ashford and his wife Valerie Simpson wrote songs together also had success writing for themselves, with perhaps the biggest known hit being the 1980s hit Solid As A Rock.

The duo got married in 1974 and carefully nurtured both the personal and professional aspects of their relationship. “A long time ago I accepted that this would be an all-consuming relationship,” Simpson said in a 1981 interview with The Times. “To keep it going we’ve worked out ways to get along so we don’t drive each other crazy.…

“We don’t hold things in,” she said. “We can’t stay mad and get any work done. Other couples can stay mad at each other for days because they don’t have to work together. We don’t have that luxury, and it’s been good for us that we don’t.”

Verdine White of Earth, Wind and Fire said: “They had magic, and that’s what creates those wonderful hits, that magic. Without those songs, those artists wouldn’t have been able to go to the next level.”

The duo was inducted into the Songwriters Hall of Fame in 2002. Ashford and Simpson were also recipients of The Rhythm & Blues Foundation’s Pioneer Award in 1999, and ASCAP’s highest honor, the Founder’s Award, which they received on March 18, 1996. They also received a songwriting credit on Amy Winehouse’s song Tears Dry on Their Own, which contains a sample from Ain’t No Mountain High Enough.

In later years, the pair continued to perform mostly as the owners of the New York City restaurant Sugar Bar, where many top names and emerging talents would put on showcases.

Nick died fighting throat cancer on August 22, 2011. He was 70.

When I heard the news Nick Ashford passed this week the first person I thought of was Valerie. I hope she is getting the support she needs from her friends and family. Ashford and Simpson were a great writing team that penned gems for the late Marvin Gaye, Tammi Terell, Diana Ross, Ray Charles; I can go on and on. What made me admired them the most was that their love was something that fairy tales were made of. Black marriages have gone to the form of extinction, and now we just have the cases of an overabundance of just baby mothers and fathers. Ashford and Simpson was the symbol on what love stands for. I’m sure their marriage had their ups and downs, but they did not give up, they continued to make it work which resulted in over 36 years of unity. Therefore, the old-school song of the week is “Solid (As A Rock). If you did not believe in soul mates, then you are sadly mistaken. They were the quintessential of soul mates, and I truly believe everyone has one. Valerie hang in there and rest in peace Nick. – Ms. Scripter

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Jet Harris 3/2011

Jet HarrisMarch 18, 2011 – Jet Harris (The Shadows) was born Terence Harris on July 6, 1939 in Kingsbury, North West London, England, the only son of  Bill and Winifred Harris.  The young Terence Harris was  nicknamed ‘Jet’ by his school friends because of his abilities of being one of the fastest runners in the school.  Jet left school at the age of fifteen and started working with his dad as an apprentice welder, making milk churns.

The very first record that he took notice of was Winifred Atwell’s ‘Left Hand Boogie’ in 1952.  He was fascinated by the ‘bass’ sound on Winifred’s left hand.  Jet was the first man in the UK to play the electric bass guitar.  News spread of Jet’s  outstanding ability with the bass guitar, which soon led him to playing with various groups between 1956 – 1958, including ‘Tony Crombie’s Rockets’, ‘Terry Dene’s Aces’, ‘The Vipers Skiffle Group’, ‘The Most Brothers’ and also Wee Willie Harris’.  In between gig’s Jet used to frequent the now famous home of British Rock ‘n’ Roll, the 2i’s Coffee Bar in Old Compton Street, Soho.  Apart from playing, he also served cola and rum babas to customers.  With regard to Jet’s musical talents, he is self taught, his family couldn’t afford formal music lessons.

During the year of 1958, Jet was introduced to a young Cliff Richard, and was duly invited to join Cliff’s backing group ‘The Drifters’, but due to an injunction by the American group of the same name, they had to choose a different name.  History was made at the The Six Bells pub near Ruislip, when Jet, Hank Marvin and  Bruce Welch began discussing new names for the band.  It was Jet who came up with the name ‘The Shadows’.

The first hit record that Jet played bass on was ‘High Class Baby’ which reached number seven in the charts in 1958.  ‘Apache’ of course was the start of an era.  Jet played on many Shadows records ‘Man of Mystery’, The Stranger’, ‘Midnight’, ’36, 24, 36′, ‘The Savage’, ‘Guitar Tango’ ‘Nivram’, ‘Peace Pipe’ and FBI to name but a few.  He also helped write a few of the hits. The last recording Jet did with ‘The Shadows’ was ‘Wonderful Land’ in 1962.  Jet left the band in the same year and had two hit singles in his own right ‘Besame Mucho’ and the main title theme from the film ‘The Man With The Golden Arm’.

In 1963 Jet teamed up with former Shadow bandmate Tony Meehan and had an immediate hit with a tune written by Jerry Lordan called ‘Diamonds’ which was number one for six weeks, later followed by two more top twenty hits, ‘Scarlett O’Hara’ and ‘Applejack’.  Late in 1963, Jet was involved in a very serious car crash which nearly ended his career. He had very serious head injuries and was extremely lucky to have survived.

During the late 70’s, Jet played with various groups, and released ‘Inside Jet Harris’, which was made in Gloucester prison.  Apart from Jet, the only other person to have recorded a live performance in a prison was ‘Johnny Cash’.  Jet then turned professional photographer and gave up the music business.

The 80’s found Jet back on the music scene again, touring Holland, Norway and Sweden.

In 1989, Jet released the ‘Anniversary Album’.  In 1996, Jet joined’ The Local Hero’s as their guest, and went on to play with them in France, Germany, Holland and Norway.  Jet also played on the ‘Local Hero’s CD ‘One of our Shadows is Missing’.  In 1998 ‘Fender’ guitars presented Jet with a lifetime achievement award, and also sponsored Jet with his amplification.  Burns guitars also presented Jet with a ‘Legend’ lead guitar, a six string bass called the ‘Jet Six’ and a four string bass.  Rotosound were Jet’s official string sponsors.  1999 saw the release of Jet’s CD ‘The Phoenix Rises’.  In 2002, Jet released a new CD called ‘Diamonds are Trumps’, with famous session drummer ‘Bobby Graham’.  This was released by ‘Solent Records’ under a new record deal.  After this, Jet toured with artists including ‘The Rapiers’, ‘The Bobby Graham Rock Experience’ ‘Mike Berry and the Outlaws’ ‘The Bruvvers’ and ‘Clem Cattini’ and the Tornados.

At the end of 2005, Jet teamed up with producer and world renowned trumpet player, Nigel Hopkins, to work on a brand new album.  In December 2007, Jet released what was to become his last album, entitled ‘Jet Harris – The Journey’.

In 2009 Jet was diagnosed with cancer and throughout the second half of the year he underwent many medical tests and received chemotherapy treatment.  In 2010 Jet was awarded the MBE for services to music.  2010 also saw Jet once again touring with Marty Wilde and the Wildcats on the very successful ‘Born To Rock ‘n’ Roll’ tour.  Jet continued to perform in the UK and abroad until five weeks before his death.  Determined to keep playing, his final performance was on 5 February 2011 at Ferneham Hall, Fareham in the UK.

He died on March 18, 2011 at the age of 71

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Kenny Edwards 8/2010

kenny edwards with linda ronstadtAugust 18, 2010 – Kenneth Michael ‘Kenny’ Edwards was born on February 10, 1946 in Santa Monica California. He had the good fortune to begin life in the Southern California community of Santa Monica where much musical history would be recorded. Little did he know that he would eventually be in the thick of the most active of all the entertainment media, and more impressively, be an integral part of its growth. All types of music captivated him at an early age, which made him a willing and able student of diverse ethnic sounds, including early American bluegrass, country, folk, and rock. In 1965, Edwards teamed up with Bob Kimmel, a transplant from Tuscon, and formed a folk group which would soon after be embellished by the powerful vocals of Linda Ronstadt, whom Kimmel knew from Arizona. The group called themselves the Stone Ponys and, with the help of their new manager, Herb Cohen, quickly managed to secure a recording contract with Capitol Records, gaining considerable recognition by the American folk-rock mass. Their first album was, by many accounts, considered to be a masterpiece that displayed lush harmonies provided by Edwards and Kimmel, although the record did not spawn a hit. The second attempt, released in 1967, contained the hit song “Different Drum,” which induced Capitol to send the band out on tour. However, just before the tour, the Stone Ponys decided to terminate their relationship, leaving Ronstadt to fulfill the final album commitment on the contract. Edwards would rejoin Ronstadt in 1974 and spend the next five years as a key force behind her successful run.

After leaving the Stone Ponys in 1968, Edwards united with Wendy Waldman, Andrew Gold and Karla Bonoff, each of whom were prolific songwriters, accomplished musicians, and great singers. They had aspirations of launching individual careers, but enjoyed singing together so much that they decided to join forces and become a group. The quartet called themselves Bryndle and would win a recording contract with A&M Records in 1970, but their only album remained in the can, and just the single “Woke Up This Morning” was released. The frustrating end to their dream caused Bryndle to disband, but they would re-form two decades later.

In 1974, Edwards was approached by Ronstadt and she asked him to rejoin her band and help to ignite her floundering career. It turned out to be one of the best moves she ever made because he also brought along Andrew Gold. Edwards, who would play bass, remained the standing foundation in Ronstadt’s band for the next five years, and with Gold, served as the spark that did indeed ignite her career. Edwards stuck with Ronstadt through her glory years, touring extensively and providing invaluable input in the studio which took full advantage of his multi-instrumental prowess, not to mention vocals, collaborative songwriting, and creative production ideas.

By the late ’70s, Edwards grew to become a talented, well-rounded, aspiring record producer whose next step would be commander of his own project. His former bandmate from Bryndle, Karla Bonoff, landed a record deal with Columbia Records in 1977 and she called upon him to produce her. He produced all three albums. The first, titled Karla Bonoff, was the most successful. After Bonoff’s contract expired, Edwards continued to get more and more calls for his services as producer as well as studio musician and vocalist. He put in more than his share of air miles between L.A. and Nashville, but still found enough time to branch out into other areas, taking on the production of feature films, one of which was Vince Gill’s version of “When Will I Be Loved” for the movie Eight Seconds that he co-produced with Andrew Gold.

Other credits include writing and scoring films and teleplays such as Miami Vice, Crime Story, The Street, The Secret Sins of the Father, and others. In the early ’90s, having enjoyed successful careers individually, Edwards, Waldman, Bonoff, and Gold decided to put Bryndle back in action. Their first CD was released on Music Masters/BMG Records. Entering 2001, they continued to write and record new material, and tour throughout the U.S. and Asia. By the end of 2002, Edwards had finished his first solo album.

His session work has seen Edwards work either live or in the studio with acts such as Emmylou Harris, Stevie Nicks, J.D. Souther, Don Henley, Brian Wilson, Warren Zevon, Art Garfunkel, Vince Gill, Mac McAnally, David Lee Murphy, Jennifer Warnes, Danny Kortchmar, Lowell George, as well as a younger generation of artists including Glen Phillips and Natalie D-Napoleon. Edwards released his first, self-titled solo album in 2002. In his later years, he performed as a singer-songwriter, often with Nina Gerber accompanying, and completed the recording and release of a second solo album in 2009.

Edwards’ career had spanned four decades, consumed thousands of studio hours, and countless thousands of air miles, and he has participated in the creation of libraries full of hit songs. His is not a household name except to those in the industry, but he has played an influential part in musical history, especially where it pertains to the development of country-rock music and its boom during the ’70s. With the release of his 2nd solo cd, Resurrection Road” Edwards, who for most of his career was the consummate backup ace, took a more prominent position on stage and had planned to play an important part in the future development of music for some time to come.

Sadly Kenny lost his battle with prostate cancer on August 18, 2010. He was 64.

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Catfish Collins 8/2010

parliament-funkadelics rhythm Catfish CollinsAugust 6, 2010 – Catfish Collins was born Phelps Collins on October. 17, 1944 in Cincinnati, Ohio.

Born into a musical family, Catfish began playing the guitar as a child. When his younger brother Bootsy showed a desire to learn the bass, Catfish stripped the strings from one of his old guitars and put bass strings on it, helping to define Bootsy’s signature funk sound. From then on, the brothers made music together. He received his nickname Catfish from Bootsy, who thought his brother resembled a fish. The nickname appeared to suit the happy-go-lucky guitarist, who always had a broad smile on his face.

By the mid-1960s Catfish began to get work as a session musician at King Records, the pioneering Cincinnati independent label that had a roster of rhythm and blues stars including James Brown. Catfish also introduced his brother to the music of Indiana blues guitarist Lonnie Mack.

The siblings first played together in the Pacemakers, a funk act, in 1968. They quickly acquired a reputation as the most dynamic r&b band in the midwest. In early 1970, when several members of Brown’s band quit in a dispute over money, he immediately hired the Pacemakers, flying them in to perform, without rehearsal, behind him on stage. The jewel in King Record’s crown, James Brown, had taken good note of Catfish’s skills on rhythm guitar. As it was, Catfish’s clean, funky strumming was integral to Brown classics like “Super Bad,” “Get Up,” “Soul Power,” and “Give It Up.”

“It was like playing a big school with James as the teacher, like psychotic bump school, only deeper,” Bootsy told Rolling Stone in 1978.

The youth, verve, wit and spontaneity of Bootsy and Catfish’s playing pushed Brown into recording some of the most remarkable music in his long career. Brown named his new band the JB’s, and they played on such Brown hits as Super Bad, Soul Power, Give It Up Or Turnit a Loose and the awe-inspiring Get Up (I Feel Like Being a) Sex Machine. The music’s driving rhythms, popping bass lines and crisp, choppy guitar became defined as “funk“. Funk proved to be a liberating tool for African American pop, rock, soul and jazz; provided a soundtrack for the Black Power political movement and Blaxploitation films; and created a sonic blueprint for disco and then rap.

By 1971, the freewheeling Collins brothers had tired of Brown’s autocratic leadership and both of them left his band. They formed the House Guests and then joined George Clinton’s psychedelic band(s) Parliament-Funkadelic, immediately contributing to the album “America Eats Its Young”. Together, the Collins brothers helped direct Clinton’s visionary project towards a broad audience.

Bootsy would soon become a huge star in the US as leader of Bootsy’s Rubber Band, a side project that grew out of Parliament-Funkadelic. As ever, Catfish was at his side when he joined Bootsy’s Rubber Band four years later. They enjoyed huge popularity. The two brothers, along with Waddy, Joel “Razor Sharp” Johnson, Gary “Muddbone” Cooper and Robert “P-Nut” Johnson and The Horny Horns, played on such US r&b hits as Tear the Roof Off the Sucker, Bootzilla and Aqua Boogie, creating music filled with spontaneity, joy and pumping funk. Catfish would continue to play with his brother and with Parliament-Funkadelic until 1983.

In 1983, Catfish split from Funkadelic and maintained a low profile from then on. He would tour and record with Bootsy on occasion, but he found session work more lucrative, guesting on Deee-Lite’s 1990 hit Groove Is in The Heart, Freekbass, and H-Bomb and reuniting with old friends to contribute to the soundtrack of Judd Apatow’s 2007 comedy Superbad soundtrack.

Catfish lost his fight with cancer on August 6, 2010. He was 66.

“My world will never be the same without him,” said his brother Bootsy Collins in a statement. “Be happy for him, he certainly is now and always has been the happiest young fellow I ever met on this planet.”

Bernie Worrell – “He was a hell of a musician. He taught me a lot about rhythms. People seem to forget that the rhythm guitar behind James Brown was Catfish’s creative genius, and that was the rhythm besides Bootsy’s bass.”

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Bobby Hebb 8/2010

Booby Hebb wrote SunnyAugust 3, 2010 – Robert Von Bobby Hebb was born on July 26, 1938 in Nshville, Tennessee.

His parents were both blind musicians. Hebb and older brother Harold performed as a song-and-dance team in Nashville beginning when Bobby was three and Harold was nine.

Hebb performed on a TV show hosted by country music record producer Owen Bradley, which earned him a place with Grand Ole Opry star Roy Acuff. Hebb played Spoons and other instruments in Acuff’s band. Harold later became a member of Johnny Bragg and the Marigolds. Bobby Hebb sang backup on Bo Diddley’s “Diddley Daddy”. Hebb played “West-coast-style” trumpet in a United States Navy jazz band, and replaced Mickey Baker in Mickey and Sylvia.

In 1960 he reached the New York Top 50 with a remake of Roy Acuff’s “Night Train To Memphis”.

On November 23, 1963, the day after John F. Kennedy’s assassination, Bobby Hebb’s brother, Harold, was killed in a knife fight outside a Nashville nightclub. Hebb was devastated by both events and sought comfort in songwriting. Though many claim that the song he wrote after both tragedies was the optimistic “Sunny”, Hebb himself stated otherwise. He immersed himself in the Gerald Wilson album, You Better Believe It!, for comfort.

“All my intentions were just to think of happier times – basically looking for a brighter day – because times were at a low tide. After I wrote it, I thought “Sunny” just might be a different approach to what Johnny Bragg was talking about in “Just Walkin’ in the Rain”.
“Sunny” was recorded in New York City after demos were made with the record producer Jerry Ross. Released as a single in 1966, “Sunny” reached No. 3 on the R&B charts, No. 2 on the Billboard Hot 100, and No. 12 in the United Kingdom. When Hebb toured with The Beatles in 1966 his “Sunny” was, at the time of the tour, ranked higher than any Beatles song then on the Billboard Hot 100 chart.[citation needed] BMI rated “Sunny” number 25 in its “Top 100 songs of the century”.

In 1966 Bobby after recording “Sunny”, he toured with The Beatles.

BMI rates “Sunny” number 25 in its Top 100 songs of the century, it sold over one million copies, and was awarded a gold disc. It is also one of the most covered popular songs, with hundreds of versions released, by the likes of Cher, Boney M, Georgie Fame, Johnny Rivers, Stevie Wonder, Frank Sinatra with Duke Ellington, Ella Fitzgerald, The Four Seasons, the Four Tops, James Brown, Wilson Pickett, and Dusty Springfield.

Hebb also had lesser hits with his “A Satisfied Mind” in 1966 (No. 39 on the Billboard chart and No. 40 on the R&B chart) and “Love Me” in 1967 and wrote many other songs, including Lou Rawls’ 1971 hit “A Natural Man” (co-written with comedian Sandy Baron). Six years prior to “Sunny”, Hebb reached the New York City Top 50 with a remake of Roy Acuff’s “Night Train to Memphis”. In 1972, his single “Love Love Love” reached No. 32 on the UK charts.

In 1976, Hebb released a newly recorded disco version entitled “Sunny ’76”. The single was a minor hit reaching No. 94 on the R&B chart.

After a recording gap of thirty five years he recorded a new album; That’s All I Wanna Know was his first commercial release since Love Games in 1970. It was released in Europe in late 2005 by Tuition, a new pop indie label. New versions of “Sunny” were also issued two duets: one with Astrid North, and one with Pat Appleton. In October 2008 Bobby toured and played in Osaka and Tokyo in Japan.

On August 3, 2010 Bobby lost his battle with lung cancer at the age of 72.

Ipanema Films of Germany was involved in a biographical film which included Hebb, his biographer Joseph Tortelli, and Billy Cox.

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JoJo Billingsley 6/2010

jojo-billingsleyJune 24, 2010 – JoJo Billingsley was born Deborah Jo Billingsley on May 28, 1952 in Memphis Tennessee and raised in Tennessean country communities. She started singing at age three; took dance lessons (tap and jazz) from the time she was three to about age 14. She also was church soloist by the time I was 10 or 12 and deeply involved in the music program at school; choral group, girl’s vocal ensemble, as a soloist coloratura soprano. She received a scholarship to attend the University of Mississippi (Ole Miss) but had a difficult time because she never had music theory. When she was 16 she was invited to attend Juliard School but her dad would not let her because it was in New York City.

After her dad passed in 1971 she took up singing as a profession and first joined Oil Can Harry with whom she toured the US and Europe in 1973/74, and then joined Lynyrd Skynyrd’s “Honkettes”.

A friend of mine named Bob O’Neal was doing the lights for Skynyrd and Fleetwood Mac; he turned my name into them and Kevin Elson (the sound producer) invited me to come to Nashville to a concert. It was there I met Ronnie Van Zant for the first time and he hired me on the spot. When I entered the room backstage where he was sitting with his bare feet propped up on a table, he took one look at me, tipped his hat back, smiled and said, “she’ll do just fine!” and hired me without ever hearing me sing. Good thing I knew how!

The next 3 years were magic with numerous tours around the world until on October 20, 1977 the airplane crash killed several members of the band and road crew, but Billingsley was the only band member not on the flight.

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Garry Shider 6/2010

garry_shiderJune 16, 2010 – Garry Marshall Shider (Parliament-Funkadelic) was born on July 24th 1953 in Plainfield New Jersey. A

Like many funk pioneers of the ’70s, Shider got his start by playing in church. As a teenager, he sang and performed in support of the Mighty Clouds Of Joy, Shirley Caesar, and other prominent gospel artists. Years later, singing far-out funk with Parliament, that gospel spirit was still evident in his vocal performances. He was still bringing them to church — only that church was located somewhere in deep innerspace.

Shider met George Clinton in the late ’60s at the famous Plainfield barbershop where the Parliaments, then primarily a soul vocal group, practiced harmonies. Shider’s vocal and instrumental talent impressed Clinton.

By the time he was sixteen, Shider wished to escape the crime and dead-end prospects of Plainfield, so he and his friend Cordell “Boogie” Mosson left for Canada where Shider and Mosson formed a funk/rock band called United Soul, or “U.S.”. George Clinton was living in Toronto at the time and began hearing about United Soul from people in the local music business and took the band under his wing upon learning that Shider was a member.

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Lolly Vegas 3/2010

Lolly VegasMarch 4, 2010 – Candido Lolly Vegas (Redbone) was born Lolly Vasquez in Coalinga, California on October 2, 1939. He grew up in Fresno. He and his brother Pat, a singer and bassist, were session musicians who performed together as Pat and Lolly Vegas in the 1960s at Sunset Strip clubs and on the TV variety show “Shindig!”

Patrick and Lolly Vasquez – Vegas were a mixture of Yaqui, Shoshone and Mexican heritage. but began by performing and recording surf music as the Vegas Brothers, “because their agent told them that the world was not yet ready to embrace a duo of Mexican musicians playing surfing music”. First as the Vegas Brothers (Pat and Lolly Vegas), then later as the Crazy Cajun Cakewalk Band, they performed throughout the 1960s.

They formed the Native American band Redbone in 1969, Redbone being a Cajun word for ‘half-breed’. The band, with members of Latino and native American origin, released its self-titled debut album the following year. The band first gained notice with “Maggie” in 1970 and broke international barriers with “The Witch Queen of New Orleans” in 1971.

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Doug Fieger 2/2010

doug fiegerFebruary 14, 2010 – Doug Fieger (The Knack) was born on August 20th 1952 and raised in Oak Park, Michigan, a northern suburb of Detroit, and attended Oak Park High School. While still at school he sang lead and played bass in the group Sky, eventually recording two albums in 1970 and 1971. Doug also played bass guitar in the German progressive rock band Triumvirat for a short period in 1974. After which he founded the New Wave rock quartet The Knack based in Los Angeles that rose to fame with their first single, “My Sharona”, an international No.1 hit.

With a six-week run at No. 1, “My Sharona” was the inescapable hit of the summer of 1979, and it became a staple of high school dance parties for years to come. Built on a simple riff that was as perky as it was sexy, the song, by Mr. Fieger and the band’s lead guitarist, Berton Averre, celebrated teenage lust in unabashed terms. “When you gonna give it to me?” Mr. Fieger sang in the impatient whine that was his hallmark.

The song, written about a 17-year-old high school student who had caught the eye of the 26-year-old Mr. Fieger, displaced Chic’s disco anthem “Good Times” on Billboard’s singles chart and came to symbolize the commercial arrival of new wave, the poppier, snazzier-dressed cousin of punk rock. (That girl, Sharona Alperin, became a high-end real estate agent in Los Angeles.) With a carefully executed marketing plan, the members of the Knack seemed to position themselves as a new Beatles, adopting a uniform of white shirts and skinny black ties, even recreating a group pose from the film “A Hard Day’s Night” for the back cover of their debut album, “Get the Knack”. “My Sharona,” Fieger once said, had been written in 15 minutes. Billboard listed it as the No. 1 song of 1979.

The follow-up hit was “Good Girls Don’t” which stopped one notch short of the Top 10 – peaking at No.11, and Get The Knack spent five straight weeks at No.1 and eventually sold 3 million copies in the United States – 6 million globally. In addition to performing, Doug also produced the Rubber City Rebels debut album for Capitol Records and another album for the Los Angeles-based band, Mystery Pop

He died from lung cancer on Feb. 14, 2010 at the age of 57.

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Kate McGarrigle 1/2010

kate mcgarrigleJanuary 18, 2010 – Kate McGarrigle was born on February 6th 1946 in Montreal, but grew up in the Laurentian Mountains village of Saint-Sauveur-des-Monts, Quebec.

The McGarrigle sisters, Kate, Anna and Jane, grew up in musical family, where they learned songs from their French-Canadian mother Gaby, and piano from their father Frank and nuns in the village. Later they picked up the guitar, banjo and accordion, and in the early 1960s, with a couple of friends, formed a coffeehouse folk group, the Mountain City Four.

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Ramses Shaffy 12/2009

Ramses ShaffyDecember 1, 2009 – Ramses Shaffy was born in Paris on August 29th 1933  in the suburb Neuilly-sur-Seine. His father was an Egyptian diplomat and his mother was a Polish-Russian countess. He grew up with his mother in Cannes. When she was infected with tuberculosis, Shaffy was sent to an aunt in Utrecht in the Netherlands and eventually ended up in a foster family in the city of Leiden.

He did not finish high school, but he was accepted at the Amsterdam school of theatre arts in 1952. In 1955, he made his debut with the Nederlandse Comedie. He went to Rome’s Civitavecchia in 1960 aspiring to be a film actor, but was unsuccessful in the endeavor.

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Eric Woolfson 12/2009

eric-woolfsonDecember 2, 2009 – Eric Woolfson was born in Glasgow, Scotland on 18th March 1945. Eric had an uncle in Glasgow who played the piano masterfully and who inspired Eric to want to become a musician. After a very short spell of piano lessons which were soon abandoned, Eric started playing by himself and became a self-taught pianist who never was able to read music!

In his teens, following a brief but somewhat unsuccessful foray into the profession of Chartered Accountancy where they said he’d be better apprenticed to a circus, Eric went to London via Manchester where he got involved with music business agency, Kennedy Street Enterprises. He joined one of their acts HERMAN’S HERMITS as a guest pianist for a short spell, and had high hopes of becoming a permanent member of one of their other groups, but they wouldn’t guarantee him a retainer and so he decided to carry on further south to London. The musicians Eric left behind in Manchester, shortly afterwards became known as 10CC. Finally arriving in London he hung around Denmark Street a.k.a. ‘Tin Pan Alley’ where he managed to get work as a session pianist and worked with musicians such as Jimmy Page and John Paul Jones who went on to form LED ZEPPELIN and managed to fix a meeting with the Record Producer & Co. Manager of THE ROLLING STONES, Andrew Loog Oldham.

After being kept waiting for over four hours for his meeting, Oldham finally showed up and asked Eric to play something he’d written himself. After playing just one song, Oldham stood up and said ‘You’re a fucking genius’ and immediately offered Eric a publishing deal with Oldham’s newly formed company ‘Immediate Records’.

Oldham placed Eric’s work with a number of well known artists of the day such as MARIANNE FAITHFULL and FRANK IFIELD as well as using Eric as a session pianist on many of his independent productions.

Other songs written by Eric found their way into various record producers’ hands, including MICK JAGGER’s first attempt as a record producer with a singer called CHRIS FARLOWE – although Eric’s song eventually was consigned to the B-side, the single OUT OF TIME went to number one in the UK Charts.

Eric signed other publishing deals with other companies as his repertoire flourished and more and more of his songs found their way to major recording artists, both in Europe and America.

He signed a deal with Southern Music where he joined the ranks of composers such as Andrew Lloyd Webber and Tim Rice. Eric remembered Lloyd Webber and Rice’s decision to create stage musicals as a vehicle for their songs, rather than the more difficult route of trying for covers by the big artists of the day. As time went by, Eric realized how well founded their idea was.

Later, Eric was taken on as an independent record producer by several record companies working with artists including DAVE BERRY, THE EQUALS and THE TREMELOES.

Around this time, Eric had the idea to make an album inspired by Edgar Allan Poe. He wrote some of the material which later found its way into the Alan Parsons Project and at that time he recorded some demos with guitarist Rick Westwood of THE TREMELOES. Eric produced the recordings but was not sure that he had the necessary skill to realize such a grandiose project and shelved the idea.

Despite having many of his songs recorded all over Europe, Eric found that earning a living as a songwriter was not easy and so he decided to try his hand at artist management.

His first two clients were a singer CARL DOUGLAS who had just reached the top of the charts with KUNG FU FIGHTING and a record producer called ALAN PARSONS who he had met while on a session at Abbey Road Studios.

Alan had decided to become a producer and with Eric as his manager, he enjoyed a string of successes including consecutive number one hits with PILOT and COCKNEY REBEL. Other notable successes were JOHN MILES and AL STEWART with YEAR OF THE CAT.

At that time, the film business had become a director’s medium with luminaries such as Stanley Kubrick being more influential in the making of a film than the stars who appeared in it. Now having access to Alan’s production and engineering talent, Eric saw an opportunity to mirror this in the record business by combining his own writing talents with Alan’s. His Edgar Allan Poe idea came off the shelf and the ALAN PARSONS PROJECT was born.

The first album entitled TALES OF MYSTERY AND IMAGINATION, EDGAR ALLAN POE was released in 1976. It was immediately obvious that there was more to the idea than one album, but as the original record deal was for only the first album, a new deal was done with Arista Records for nine further albums.

Despite there being no live performances and few obvious hit singles the venture was a great success. There were however hit singles (many on which Eric sang lead vocal) including EYE IN THE SKY, TIME and DON’T ANSWER ME, three of which in addition to record sales, have been played on American radio more than 1 million times.

After ten albums Eric wanted to develop in other areas and decided it was time to move into the area of stage musicals. His first attempt, inspired by Sigmund Freud, was entitled FREUDIANA which was premiered in 1990 in Vienna’s historic THEATER AN DER WIEN where Beethoven premiered ‘Fidelio’, his one and only opera. Eric had always been inspired by creative minds and his wife Hazel had been studying psychology and began to leave books on Freud lying around the house. Intrigued by the titles, Woolfson became fascinated by their content and started researching Freud and spent a lot of time in the Freud Museum in London, even lying on the couch on which Freud’s patients recounted their dreams.

The success of this first musical work led to Woolfson’s second musical GAUDI which premiered in 1994 in Aachen, Germany and went on to be staged in Alsdorf (1995) and Cologne (1996) where a 1,700-seat theatre was specially built in the heart of the city to stage the show. Half a million people saw GAUDI in the five years that it ran and every performance received a standing ovation. A german tour of GAUDI was later planned for 2009/2010 and an Asian production planned for 2010.

For his next musical GAMBLER, Eric drew on his experiences of living in Monte Carlo (in the late 70s) which had also been the inspiration for the Alan Parsons Project TURN OF A FRIENDLY CARD album. Many of the songs from this album (Eye in the Sky, Turn of a Friendly Card, Snake Eyes, Games People Play and Time) were included in the show. It was premiered in Germany in Monchengladbach in 1996. GAMBLER has so far had seven productions in Korea, one of which also toured Japan in 2002 and 2005 (the first time a Korean language production had been staged in this way) and it won several Korean Tony Awards.

In 2007 Eric’s musical DANCING SHADOWS premiered in Asia. This was a unique musical project inspired by a famous Korean play entitled A FOREST FIRE based on the anti-war play Forest Fire by the Korean playwright Cham Bum-Suk. The noted playwright and author Ariel Dorfman wrote the book and Eric wrote the music and lyrics. The production won 5 Korean Tony awards including Best Musical. International production plans for the show are in development.

Eric’s work POE re-visits his original Tales of Mystery and Imagination inspiration, Edgar Allan Poe. It had its world premiere concert showcase at Abbey Road Studios in 2003 and a studio album was released containing 10 songs from the piece ‘POE, More Tales of Mystery and Imagination’.

The latest project that Eric worked on was the result of having gone through the APP archives to find bonus tracks for the 2007/2008 Sony and Universal releases of all 10 Alan Parsons Project albums in remastered expanded edition versions, plus a new Essential APP compilation. Eric discovered a number of songs which hadn’t been included on the original APP albums for a variety of reasons. These were later included, in their unfinished form as bonus tracks on the expanded edition APP albums, and Eric also completed and recorded some of these songs which are included on the ‘Eric Woolfson sings The Alan Parsons Project That Never Was‘ album which was released in January 2009.

Eric died of kidney cancer in the early hours of the 2nd December 2009, aged 64.

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Tim Hart 12/2009

Tim HartDecember 24, 2009 – Tim Hart (Steeleye Span) was born  January 9, 1948 in Lincoln, grew up in St.Albans Hertfordshire, where several young British music careers started in the sixties. His father was a vicar. At St Albans school, he was a member of the Rattfinks, a pop band that never rivalled the school’s best-known alumni, the hit-making Zombies. He worked, briefly, as a bookbinder, blacksmith, cost clerk, civil servant and hospital washer-up, while diversifying his musical interests and singing at St Albans folk music club. He met Maddy Prior there in 1965 and, by January 1966, they were singing together professionally.

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Dickie Peterson 10/2009

Dickie Peterson (Blue Cheer) was born on Sept. 12, 1946, and grew up in Grand Forks, N.D. He started playing bass guitar at 13, influenced by his brother, Jerre, who played guitar in an early, six-member version of Blue Cheer. He came from a musical family: his father played trombone, his mother played piano and his brother, Jerre Peterson, initially played flute and later lead guitar. Drums were Peterson’s first instrument, before he took up bass.

He attended Grand Forks Central High School from grade 10 through grade 12. His parents died when he was young, resulting in his living with his aunt and uncle on a farm in North Dakota, for part of his youth.

Peterson cited Otis Redding as a significant influence. He credited his brother, the late Jerre Peterson, as being his lifelong musical influence. Jerre was one of the lead guitarists in the initial lineup of Blue Cheer (the other being Leigh Stephens) and played with various formations of the band in later years.

Peterson moved to Davis, CA and San Francisco in the mid-1960s and, with his brother, began playing with Group B. He was thrown out of the band for insisting on a hard-rock style, which he indulged to the fullest with Blue Cheer.

Blue Cheer’s initial six-member configuration was quickly reduced to three to achieve a heavier sound, Peterson told Rocktober Magazine in 2007. In 1968, the group released the album “Vincebus Eruptum,” generally regarded as its best. It included the band’s cover version of the Eddie Cochran hit “Summertime Blues, which reached No. 14 on the Billboard charts. The album rose to No. 11.

The group released several more albums in quick succession, notably “Outsideinside” (1968), “New! Improved! Blue Cheer” (1969) and “Blue Cheer” (1969), before breaking up in 1972.

Throughout his life, Peterson’s relationship to music had been all-consuming. Peterson provided the following self-description: “I’ve been married twice, I’ve had numerous girlfriends, and they’ll all tell you that if I’m not playing music I am an animal to live with. … Music is a place where I get to deal with a lot of my emotion and displaced energy. I always only wanted to play music, and that’s all I still want to do.”

In various configurations, but always with Peterson, new versions of Blue Cheer recorded many studio and live albums over the years. Mr. Peterson recorded two solo albums in the 1990s, “Child of the Darkness” and “Tramp,” and toured frequently with Blue Cheer in the United States and Europe.

In his early life, Peterson was a user of various drugs and was a heroin addict for a number of years. In 2007, Peterson said he believed LSD and other similar drugs can have positive effects, but that he and other members of Blue Cheer “took it over the top.” He had ceased much of his drug use by the mid-1970s, and stopped drinking a decade before his death.

Blue Cheer has been considered a pioneering band in many genres. Peterson did not consider that the band belonged to any particular genre: “People keep trying to say that we’re heavy metal or grunge or punk, or we’re this or that. The reality is, we’re just a power trio, and we play ultra blues, and it’s rock ‘n roll. It’s really simple what we do.”

Peterson spent much of the past two decades preceding his death based in Germany, playing with Blue Cheer and other groups on occasion. In 1998 and 1999, he played various dates in Germany with the Hank Davison Band and as an acoustic duo with Hank Davison under the name “Dos Hombres.” He appeared on the album, Hank Davison and Friends – Real Live. In 2001 and 2002, Peterson played, principally in Germany, with Mother Ocean, a group he formed that included former Blue Cheer guitarist Tony Rainier, as well as his brother Jerre Peterson.

On October 12, 2009, Peterson died in Erkelenz, Germany, at the age of 63 from liver cancer, after prostate cancer spread throughout his body.

Neil Peart, the drummer for Rush, said in tribute to Peterson:

Dickie Peterson was present at the creation — stood at the roaring heart of the creation, a primal scream through wild hair, bass hung low, in an aural apocalypse of defiant energy. His music left deafening echoes in a thousand other bands in the following decades, thrilling some, angering others, and disturbing everything — like art is supposed to do.

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Willy DeVille 8/2009

romantic punk rocker Willy DevilleAugust 6, 2009 – Willy DeVille was born William Paul Borsey Jr. on  August 25th 1950 in Stamford, Connecticut. The son of a carpenter, he grew up in the working-class Belltown district of Stamford.

DeVille said about Stamford, “It was post-industrial. Everybody worked in factories, you know. Not me. I wouldn’t have that. People from Stamford don’t get too far. That’s a place where you die.” DeVille said about his youthful musical tastes, “I still remember listening to groups like the Drifters. It was like magic, there was drama, and it would hypnotise me.

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Billy Lee Riley 8/2009

billy lee riley -rockabilly starAugust 2, 2009 – Billy Lee Riley was born on October 5, 1933 in Pocahontas, Arkansas, and taught to play guitar by black farm workers.

After a four year stint he first recorded in Memphis, Tennessee in 1955 before joining Sam Phillips at Sun Studios. His first hit was “Flyin’ Saucers Rock and Roll” / “I Want You Baby” in early 1957 after which he recorded “Red Hot” /”Pearly Lee” released in September 1957 both backed by Jerry Lee Lewis on piano.

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Marmaduke 7/2009

John “Marmaduke” Dawson

July 21, 2009 – Marmaduke aka John Collins Dawson IV was born on June 16th 1945 in Detroit. The son of a Los Altos Hills, California filmmaker, he took guitar lessons from Mimi Fariña, Joan Baez’s sister, before attending the Millbrook School near Millbrook, New York. While at Millbrook, he took courses in music theory & history and sang in the glee club.
After stints at Foothill College and Occidental College, Dawson’s musical career began in the mid-1960s folk and psychedelic rock music scene in the San Francisco Bay Area.

He soon became part of the of Mother McCree’s Uptown Jug Champions, a jug band that included Jerry Garcia and several other future members of the Grateful Dead. It is here where he also met fellow guitarist David Nelson.

John “Marmaduke” Dawson had original tunes in his pocket and a guitar in his hands in 1969 when a buddy just learning to play pedal steel guitar often joined his weekly gig at the Underground, a San Francisco Bay Area hofbrau house. The friend was Jerry Garcia of the Grateful Dead, and those sessions set the stage for the New Riders of the Purple Sage, a group they considered “the original psychedelic cowboy band.”

John decided that it was his life’s mission to combine the psychedelia of the San Francisco rock with his beloved electric country music and by 1969, he had written a number of country rock songs, so with Jerry Garcia the two began playing coffeehouse concerts together while the Grateful Dead was off the road.

By the summer of ’69 John and Jerry decided to form a full band, David Nelson was recruited from Big Brother to play electric lead guitar, Robert Hunter on electric bass and Grateful Dead Mickey Hart on drums. This was the original line-up of the band which became known as the New Riders of the Purple Sage.

In 1970 and 1971, the New Riders and the Grateful Dead performed many concerts together. John also appeared as a guest musician on three Grateful Dead albums — Aoxomoxoa, Workingman’s Dead, and American Beauty and he co-wrote the Dead’s “Friend of the Devil”.

Buddy Cage replaced Jerry Garcia as the New Riders’ pedal steel player, John and David Nelson led a gradually evolving lineup of musicians in the New Riders of the Purple Sage, playing their psychedelic influenced brand of country rock and releasing a number of studio and live albums.

In 1982, David Nelson and Buddy Cage left the band. John Dawson and the New Riders carried on without them, taking on more of a bluegrass influence with the addition of multi-instrumentalist Rusty Gauthier to the group. John continued to tour with the band and released the occasional album, until their eventual retirement in 1997 when John relocated to Mexico to become an English teacher and made several guest appearances at the revival of the New Riders concerts in the mid 2000s onwards.

He died in Mexico from stomach cancer on July 21, 2009. He was 64.

• Rob Bleetstein, archivist for the New Riders, wrote in an e-mail, “Dawson’s songwriting brought an incredible vision of classic Americana to light with songs like ‘Glendale Train’ and ‘Last Lonely Eagle.’ “

• With that material and such other “wonderful” Dawson songs as “Garden of Eden” and “Henry,” the band “simply had to become a reality,” claimed Dennis McNally, a Grateful Dead publicist.

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Drake Levin 7/2009

drake-levinJuly 4, 2009 – Drake Levin was born Drake Maxwell Levinchefski on August 17th 1946 in Chicago, Illinois. Many sources cite his birth name as Levinshefski, but his brother Jeff said the family’s version, Levinchevski, was shortened to Levin many years before his birth. When he was 13, his family moved to Boise, Idaho. As a young man he played in a band called the Surfers, along with a bassist, Phil Volk, who would later join the Raiders.

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Tim Krekel 6/2009

tim-krekelJune 24, 2009 – Tim Krekel (Jimmy Buffett) was born on October 10, 1950 in Louisville, Kentucky. He became interested in music early and his first lessons were on the drums. He began taking guitar lessons at age 10 or 11, when it dawned on him that “the guitar player was up front getting all the attention, like Rick Nelson”. He was singing and playing his guitar for audiences by the time he was 12, gigging in Lebanon, Kentucky, at places like The Golden Horseshoe and Club 68. He began to write his own songs in high school, although he was reluctant to share them with anyone for a few years.

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Kenny Rankin 6/2009

kenny-rankinJune 7, 2009 – Kenny Rankin was born in Los Angeles on February 10, 1940 but raised in the Washington Heights area of Brooklyn, New York.

He was introduced to music by his mother, who sang at home and for friends. Early in his career he worked as a singer-songwriter, while a well-regarded guitarist, he played in Bob Dylan’s backup band on the influential 1965 album “Bringing It All Back Home.”

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Ean Evans 5/2009

ean-evansMay 6, 2009 – Ean Evans Outlaws/Lynyrd Skynyrd) was born on September 16, 1960 in Atlanta, Georgia. He started in music at the age of five, playing trumpet and having an orchestral background until his teen years. Picking up the guitar at 15, he was soon playing the southeastern rock circuit with various cover groups.

A few years later he switched to bass so as to bring fellow guitarist into the band. In the 1980s he played bass for a rock band called “…Five Miles High”, along with Mike Reynolds (drummer), Reuban Lace (guitarist), Carl Brown (keyboardist), Del Stockstill (guitar). Five Miles High played venues from Georgia to Kentucky and all over the south east. Five Miles High was rated in the top 10 rock bands of the 1980s in a Mississippi radio station contest.

Around 1983 FMH disbanded, and Ean returned to his native Atlanta, Georgia. There he welcomed his newborn daughter and worked on plans to form a new group with close friend keyboardist, Joey Huffman. This project quickly became the band, “Babe Blu” (with former FMH members Carl Brown, Reuban Lace, and adding JT Williams on drums). Babe Blu immediately become a top draw in Atlanta, and on the southeastern club and college circuit. However, in 1987, Ean left Babe Blu permanently to be home with his young family, and to work on his own original compositions.

He studied the styles and techniques of John Paul Jones (Led Zeppelin), Geddy Lee (Rush) and Leon Wilkeson (Lynyrd Skynyrd) giving him an aggressive approach to the bass guitar.

In 1988, he was picked up by his then personal manager, J.J. French. (Twisted Sister), Evans formed his first original band “Cupid’s Arrow”. They became quite popular in the Atlanta area. After composing and recording over 50 songs, Ean became a full-time studio musician.

It was during this time he was called to join the Outlaws by leader Hughie Thomasson, who showed him worldwide touring experience. The Outlaws stopped touring when Hughie was called to join Lynyrd Skynyrd in the mid 90s.

In 1997, Evans and ex-Halloween guitarist (1982–1988, 1997–2000) Rick Craig formed “Noon”, which blends metal with southern rock. They released 1 album in 2002 and many other unreleased recordings exist and are subject to release.

Following the death of Lynyrd Skynyrd bassist Leon Wilkeson, the call came for Ean to continue on for his fallen friend. He joined the line up of Lynyrd Skynyrd on August 11, 2001, in Las Vegas, Nevada, beginning his own chapter with the band which lasted until his lung cancer diagnosis in 2008.

Evans performed with Skynyrd one last time from a chair on April 19, 2009, at the Mississippi Kid Festival, organized in support of him.

He died 17 days later at age 48 on May 6, 2009.

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England Dan 3/2009

England-Dan-&-John-Ford-8March 25, 2009 – England Dan was born Danny Wayland Seals on February 8th 1948.

He was the younger brother of Jim Seals from the duo Seals & Crofts. Dan joined with fellow W.W. Samuell High School classmate and longtime friend John Ford Coley to perform first as part of Dallas pop/psych group Southwest”Freight on Board”/” F.O.B“, before going under the name of England Dan, and forming the soft rock duo England Dan & John Ford Coley in 1970.

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Dave Dee 1/2009

Dave DeeJanuary 9, 2009 – Dave Dee was born David John Harman on December 17th 1943 in Salisbury, Wiltshire, England. One day in 1946 he arrived home from kindergarten to find a man in a kilt talking to his mother. It was his father, whom he had never seen, and who had just returned from the war as a soldier in the Black Watch.

As a boy, he boarded at the Adcroft School of Building, formerly the Hammersmith School of Arts and Crafts which had been evacuated during the war from London to a former army camp at Trowbridge. Having been warned off the building trade by his father, David dabbled in plumbing but also became interested in music, initially the sort that accompanies Morris dancing. At 13 he played in a skiffle group and later sang in a Salvation Army choir, an experience he claimed cost him his virginity with a teenage comrade “dressed in the full uniform, including stockings and suspenders – the whole works”.

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Byron Lee 11/2008

thNovember 5, 2008 – Byron Lee was born on June 27, 1935. He was a Jamaican musician and record producer, best known for his work as leader of Byron Lee and the Dragonaires.
They turned professional in 1956 and went on to become one of Jamaica’s leading ska bands, continuing since and taking in other genres such as calypso, Soca, and Mas.

Byron Lee and the Dragonaires was one of the best known Jamaican bands. Lee played a crucial pioneering role in bringing Jamaican music to the world. Formed in 1956 and playing a big band-ska sound their big break came in the first James Bond film Dr. No, where they appeared as the band in the scene at Pussfeller’s club and played a number of tunes on the soundtrack. They also caused a stir at the New York World’s Fair in 1964.

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Levi Stubbs 10/2008

Levi_Stubbs October 19, 2008 – Levi Stubbs was born Levi Stubbles on June 6th 1936. He became lead vocalist with The Four Tops and began his professional singing career with friends Abdul “Duke” Fakir, Renaldo “Obie” Benson and Lawrence Payton to form the Four Aims in 1954. Two years later, the group changed their name to the Four Tops.

The Four Tops were among a number of groups, including The Miracles, The Marvelettes, Martha and the Vandellas, The Temptations, and The Supremes, who established the Motown Sound around the world during the 1960s. They were notable for having Stubbs, a baritone, as their lead singer, whereas most male/mixed vocal groups of the time were fronted by a tenor.

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Rick Wright 9/2008

Richard-Wright-Live-48September 15,  2008 – Rick Wright (Pink Floyd) was born on July 28, 1943 in Hatch End, London.
He started teaching himself to play guitar, trumpet and piano at age 12 after he was recuperating from breaking a leg. His mother helped and encouraged him to play the piano. He took private lessons in musical theory and composition at the Eric Gilder School of Music and became influenced by the traditional jazz revival, learning the trombone and saxophone as well as the piano. Uncertain about his future, he enrolled in 1962 at the Regent Street Polytechnic which was later incorporated into the University of Westminster. There he met fellow musicians Roger Waters and Nick Mason, and all three joined a band formed by classmate Clive Metcalf called Sigma 6.

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Ronnie Drew 8/2008

ronnie drew of the dublinersAugust 16, 2008 – Ronnie Drew (The Dubliners) was born Joseph Ronald Drews on September 16, 1934 in Dún Laoghaire, County Dublin, Ireland.
Ironically, and although he was so intimately associated with being “a Dubliner”, he would somewhat tongue-in-cheek say that “I was born and grew up in Dún Laoghaire, and no true Dubliner would accept that at all!”

Despite his aversion to education, he was considered the most intelligent in his class by schoolfriend and future Irish film censor, Sheamus Smith.

“Ronnie Drew in his fine suit of blue
And a voice like gravel that would cut you in two
We thought he was Dublin through and through
But he blew in from Dún Laoghaire”

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Artie Traum 7/2008

July 20, 2008 – Artie Traum was born on April 13th 1943 in the Bronx where he was raised as well.  He became a regular visitor to Greenwich Village clubs in the 1960s, hearing blues, folk music and jazz. Soon he was performing there, too. He made his first recording in 1963 as a member of the True Endeavor Jug Band Early.  Traum co-wrote songs for the Brian De Palma debut film Greetings – the first role for Robert De Niro – with Eric Kaz and Bear.

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Colin Cooper 7/2008

colin-cooperJuly 3, 2008 – Colin Cooper (Climax Blues Band) was born on October 7th, 1939 in Stafford, England.

He grew up in Stafford and began playing the harmonica as a child. Aged 12 he switched to clarinet before mastering guitar, flute and saxophone. His initial influences were American jazz musicians and in 1963 he formed the Climax Jazz Band. He first recorded in 1965 as vocalist for the Hipster Image. Their Decca single Can’t Let Her Go/Make Her Mine was not a 60s hit, yet when Make Her Mine was used to advertise Levi jeans in Japan in 1999, the song became a hit across much of Asia.

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Mel Galley 7/2008

mel-galleyJuly 1, 2008 – Mel Galley (Whitesnake/Trapeze) was born Melvin John Galley on March 8th 1948 in Cannock, Staffordshire, England.

Mel Galley became a leading light of the Midlands rock scene and played with the bassist and vocalist Glenn Hughes and the drummer Dave Holland, first as Finders Keepers, then forming the group Trapeze. In 1969, they signed to Threshold, the Moody Blues label, and issued three critically acclaimed albums. Hughes departed to join Deep Purple in 1973. Galley took over lead vocals and the group signed to Warner Brothers and concentrated on the US market, where they developed a substantial following for their robust rock. A high-water mark for Trapeze was a support slot with the Rolling Stones and the Eagles in front of 120,000 people at Dallas Cotton Bowl in July 1975.

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Danny Federici 4/2008

DannyApril 17, 2008 – Danny Federici was born January 23, 1950 grew up in the same neighborhood and became life long friend and over 40 years the keyboardist with Bruce Springsteen in bands Child, Steel Mill and The E Street Band.

Danny started to play accordion when he was seven years old, and was soon playing at parties, clubs and on radio. He attended Hunterdon Central High School in New Jersey, when he, along with Vini Lopez started the band, Child at the end of the ’60s, with Bruce Springsteen their chosen singer, a friendship and working friendship that lasted throughout his life.

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Martin Fierro 3/2008

Martin FierroMarch 13, 2008 – Martin Fierro was born on January 18th 1942.

Unlike the famous, but epically somber poem by Argentinian poet José Henriquez published in two parts, El Gaucho Martín Fierro(1872) and La Vuelta de Martín Fierro (1879 Martin Fierro was a magnificent and funny Session saxophone player in the San Francisco Bay Area who was also known as “the Meester” to his many loving fans.

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Jeff Healey 3/2008

Jeff HealeyMarch 2, 2008 – Jeff Healey was one of the finest, most underrated, blues rock guitarists/vocalist of his generation. Due to cancer his eyes were surgically removed when he was one year old, which was probably a major reason for starting to play guitar at age 3 in a very unconventional way- flat on his lap. That way he could use 4 fingers plus his thumb to create amazing solos. Even though he broke into the public limelight as a result of being the “house band” in Patrick Swayze’s 1989 movie Roadhouse, it really was Stevie Ray Vaughn and fellow blues guitarist Albert Collins, who discovered Healey in a spontaneous Toronto Canada jam session.

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Rod Allen 1/2008

Rod AllenJanuary 10, 2008 – Rod Allen (The Fortunes)was born Rodney Bainbridge on March 31, 1944 in Leicester, England where his parents were shopkeepers. His interest in popular music was fired by skiffle, in particular by the voice and guitar of Lonnie Donegan, whose fan club he joined at the age of 12.

When he was 14, the family moved to the Sparkbrook district of Birmingham and Rod attended Moseley grammar school. After graduation he worked for the Co-operative Insurance Society for 18 months, before he became a full-time musician. He had formed an acoustic guitar group, the Clifftones, with friends Glen Dale and Barry Pritchard. In 1963 they went electric, with Rod mastering the bass guitar; they added a drummer and keyboards player. They were managed by the flamboyant concert promoter Reg Calvert, who prevailed upon them to accompany a singer Calvert had renamed “Robbie Hood”. The Clifftones inevitably became the Merry Men, dressed in jerkins and green tights.

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Dan Fogelberg 12/2007

Dan FogelbergDecember 16, 2007 – Daniel Grayling “Dan” Fogelberg was born on August 13, 1951 in Peoria, Illinois into a musical family; his father being a high school band director and his mother a classically trained pianist.

So it comes as no surprise Dan’s first instrument, at a very early age, was the piano but he soon took an interest in the Hawaiian slide guitar and when his grandfather presented him with one, he spent hour upon hour teaching himself the skills.

This, combined with his admiration for The Beatles, he taught himself electric guitar and by the age of 13 he had joined his first band, a Beatles cover band, The Clan. This stint was followed by a band called The Coachmen, which in 1967 released two singles “Maybe Time Will Let Me Forget” and “Don’t Want To Lose Her”.

With his third band Frankie and the Aliens he started touring with  covering the blues masters .. such as Muddy Waters and the rock of Cream.

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Lee Hazlewood 8/2007

August 4, 2007 – Barton Lee Hazlewood (These Boots Are Made for Walkin’) was born on July 9, 1929 in Mannford, Oklahoma. The son of an oil man, he spent most of his youth living between Oklahoma, Arkansas, Kansas, and Louisiana. He grew up listening to pop and bluegrass music. He spent his teenage years in Port Neches, Texas, where he was exposed to a rich Gulf Coast music tradition. He studied for a medical degree at Southern Methodist University in Dallas, Texas.

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Ron Miller 7/2007

July 23, 2007 – Ron Miller was born Ronald Norman Gould on October 5, 1932 in Chicago, Illinois. He served in the U.S. Marines and then sold washing machines, before he was discovered by Motown founder Berry Gordy while playing in a bar. Gordy invited him to write songs for his new company, Motown, and Miller responded by writing the lyrics to “For Once in My Life”, to music by Orlando Murden. The lyrics were written the night his daughter Angel was born, and was first recorded at Motown by Barbara McNair before being covered in a more upbeat style by Stevie Wonder.

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Kelly Johnson 7/2007

July 15, 2007 – Kelly Johnson (Girlschool)  who was born on June 20, 1958 and educated at Edmonton County School, Enfield, North London, was the epitome of a rock chick. She started playing piano in her father’s footsteps, when five years old and switched to guitar at twelve and played bass and piano in various schoolbands.

Johnston first discovered music while a pupil at Edmonton County School in North London. Already writing and playing her own material, in the mid-1970s, Johnson fell in with her future band-mates – bassist Enid Williams and guitarist Kim McAuliffe, who, along with Deirdre Cartright and Kathy Valentine, had formed the prototype for Girlschool, Painted Lady. Touring the local pub circuit, lead guitarists came and went until Johnson joined in 1978. With Denise Dufort taking over on drums at the same time, this was the classic, most enduring Girlschool line-up, surviving until 1982.

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George McCorkle 6/2007

george mccorkleJune 29, 2007 – George McCorkle (Marshall Tucker Band) was born on August 23, 1947 in Chester, South Carolina, but raised in nearby Spartanburg from the age of two. As the youngest of three brothers he grew up aware of the long and hard hours mother Mildred worked at the cotton mill.

“We were a typical South Carolina mill family,” George recalled in his web page bio. “Very poor.”So he developed a strong and active work ethic. Although his greatest achievements were from music, he took gigs as a dental lab technician, race-car driver, and car salesman, owner of both a glass company and a car lot to supplement his professional music livelihood. He believed his work ethic has its roots in his “meagre beginnings” and “growing up Southern”.

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Richard Bell 6/2007

richard_bellJune 15, 2007 – Richard Bell was born in Toronto, Canada on March 5, 1946. The son of famous Canadian composer and musician Dr. Leslie Bell, he began piano lessons at the age of 4, and studied at Canada’s Royal Conservatory of Music. Later he also learned to play the organ, saxophone, and accordion, and composed music.

Bell’s career first gained significance when he joined Ronnie Hawkins as a member of the group And Many Others, following the departure of Hawkins’s previous band (who would gain fame as the Band). Hawkins fired the entire band in early 1970, and they renamed themselves Crowbar, subsequently recording Official Music (as King Biscuit Boy with Crowbar) (1970, Daffodil; 1996, Stony Plain). Bell left Crowbar shortly after this to join Janis Joplin’s Full Tilt Boogie Band, making good on an offer made the previous year when while on tour in New York, he was contacted by Michael Friedman, an associate of Janis Joplin’s manager Albert Grossman.

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Freddie Marsden 12/2006

GerryandThePacemakers2December 9, 2006 – Frederick John Freddie Marsden was born on October 21, 1940 in Liverpool England’s Dingle area. His brother, Gerry, followed two years later. Their father, Fred, was a railway clerk who entertained the neighbours by playing the ukulele. With the vogue for skiffle music in the mid-Fifties, he took the skin off one of his instruments, put it over a tin of Quality Street and said to Freddie, “There’s your first snare drum, son.”

In 1957 the brothers appeared in the show Dublin to Dingle at the Pavilion Theatre in Lodge Lane. Studies meant little to either of them – Freddie left school with one O-level and worked for a candlemaker earning £4 a week, and Gerry’s job was as a delivery boy for the railways. Their parents did not mind and encouraged their musical ambitions. On leaving Francis Xavier grammar school, Freddie bought a full kit from his earnings as a candle maker.

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Mariska Veres 12/2006

Mariska VeresDecember 2, 2006 – Mariska Veres was born on October 1, 1947 in The Hague. Her father was the famous Hungarian Romani violinist Lajos Veres, and her mother, Maria Ender, was born in Germany of French and Russian parents. In the early childhood years Mariska often accompanied her father on the piano along with her elder sister Ilonka.

She began her career as a singer in 1963 with the guitar band Les Mysteres. In 1965 she joined the Bumble Bees, the Blue Fighters, Danny and his Favourites, then General Four in 1966, and the Motowns later in 1966. In 1968 Mariska was invited to join Shocking Blue to replace singer Fred de Wilde who was called into the armed forces.

A reincarnation of The Bumble Bees had performed at a party where Veres’s stunning appearance and powerful vocals attracted the attention of Shocking Blue’s manager and publisher. He talked bandleader van Leeuwen into having Veres replace de Wilde. “She had a very impressive voice, quite different from all the other girl singers,” van Leeuwen recalled: “She was rather like Grace Slick from Jefferson Airplane. Once she joined, everything happened very quickly. The first single we did was ” Venus” in 1969. In one year, everything we dreamed about happened. It sold millions around the world and gave other Dutch groups a belief in their own potential.”

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Freddy Fender 10/2006

223_freddy_fender_at_the_sea October 14, 2006Freddy Fender was born Baldemar Huerta on June 4th 1937 was the first and biggest pioneer in Tex Mex music, and one of the most important musicians in Tejano Music History. He is documented as The First American Hispanic and Hispanic Rock & Roll Recording Artist In Anglo Latino Musical History.

He actually made himself a guitar at the age of six and at 10 he was singing on local radio stations and winning talent competitions. Then at 16, he joined the Marines for three years. After his discharge, he started playing Texas honky tonks and dance halls. His big break came with Falcon Records in 1957, when he recorded Spanish versions of Elvis Presley’s “Don’t Be Cruel” and Harry Belafonte’s “Jamaica Farewell.”

The recordings both reached No.1 slots in Mexico and South America. He signed with Imperial Records in 1959, renaming himself “Fender” after the brand of his electric guitar, and “Freddy”, well.. because it sounded good with Fender.

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Bruce Gary 8/2006

Bruce Gary, drummer for the KnackAugust 22, 2006 – Bruce Gary was born on April 7, 1951 in Burbank, California. Bruce had a tormented and horrid childhood as he grew up in the early ’60s in the west San Fernando Valley, not far from Malibu. “The popular music of my peers at that time was a wonderful combination of guitar, keyboards, bass and drums called surf music,” he said in a 2002 interview.

“It made me forget a lot of what was going on at home”. “Somehow it perfectly reflected the carefree times of my youth. I started playing drums when I was six years old. The first proper band I played in was called The Watchmen. I was eleven. We cut our teeth playing music by such artists as The Ventures, The Beach Boys, Dick Dale & The Del-Tones, The Surfaris, The Astronauts, The Wailers, and many more bands of that nature. We enjoyed a healthy dose of playing local parties and youth centers in the Valley.”

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John Locke 8/2006

August 4, 2006 – John Locke (Spirit, Nazareth) was born on September 25, 1943 in Los Angeles, California. His father was a classical violinist and his mother sang operas and was a composer. In 1967 he formed the Red Roosters with guitarist Randy California. Later that year they had changed the name to Spirit Rebellious and signed a record deal for four albums under the jazz/hard rock/progressive rock/psychedelic band Spirit name.

The group’s first album, Spirit, was released in 1968 and “Mechanical World” was released as a single. John appeared on their next eight albums and remained involved with the band during most of his career.

When Randy California went solo, band members Jay Ferguson and Mark Andes formed Jo Jo Gunne, while Ed Cassidy and John briefly led a new Spirit, recording the album Feedback in 1972 with Al and Chris Staehely.

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Sam Myers 7/2006

July 17, 2006 – Sam Myers was born on February 19, 1936 in Laurel, Mississippi. He acquired juvenile cataracts at age seven and was left legally blind for the rest of his life despite corrective surgery. He could make out shapes and shadows, but could not read print at all; he was taught Braille. Myers acquired an interest in music while a schoolboy in Jackson, Mississippi and became skilled enough at playing the trumpet and drums that he received a non-degree scholarship from the American Conservatory of Music (formerly named the American Conservatory School of Music) in Chicago.

Myers attended school by day and at night frequented the nightclubs of the South Side, Chicago. There he met and was sitting in with Jimmy Rogers, Muddy Waters, Howling Wolf, Little Walter, Hound Dog Taylor, Robert Lockwood, Jr., and Elmore James.

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Syd Barrett 7/2006

July 6, 2006 – Roger ‘Syd’ Barrett (Pink Floyd) was born on January 6th 1946 in Cambridge, England.  His parents were Dr. Max and Mrs. Win Barrett). Roger was the fourth of five children, the others being Alan, Don, Ruth and Rosemary. The young Roger was actively encouraged in his music and art by his parents – at the age of seven he won a piano duet competition with his sister – and he was to be successful in poetry contests while at high school.

Max died when Roger was 15 and his diary entry that day consisted of one single line: “Dear Dad died today.” The loss cost him dearly. Three days later he wrote to his girlfriend Libby that “I could write a book about his merits – perhaps I will some time.” Continue reading Syd Barrett 7/2006

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Freddie Gorman 6/2006

freddie_gormanJune 13, 2006 – Freddie Gorman, born Frederick Cortez Gorman, April 11, 1939 in Detroit, was a musician, singer, songwriter and record producer for Motown.

Gorman developed his bass harmonizing on local street corners, and was still in high school when he made his recorded debut on the Qualitones’ 1955 Josie Records single “Tears of Love”. Two years later Gorman and longtime best friends Brian Holland and Sonny Sanders formed the Fideletones. After issuing “Pretty Girl” on Aladdin Records in 1959, the group splintered and Gorman resumed his day job as a mail carrier. He was a vital unsung component of the Motown label’s formative development as he co-wrote the label’s first #1 pop hit “Please Mr. Postman”, by the Marvelettes. In 1964 the biggest selling group of all time, the Beatles released their version, and in 1975 the Carpenters took it back to #1 again. This was the second time in pop history (after “The Twist” by Chubby Checker) that a song reached #1 in the US twice. In 2006, “Please Mr. Postman” was inducted into the Songwriters Hall of Fame.

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Johnny Grande 6/2006

johnny-grandeJune 3, 2006 – John A. Johnny Grande (Bill Haley and the Comets) was born on January 14th 1930 in South Philadelphia, Pennsylvania. He grew up in a musical family. His uncle once played in the band of John Philip Sousa, but his father wanted Grande to follow him into the coal hauling business. Grande preferred music, and learned to play the music from “La Traviata” on the accordion.

He played backup for polka and country players like Tex Ritter until he signed a partnership with Bill Haley in the late 1940s to form Bill Haley and His Four Aces of Western Swing. Haley was a great yodeler.

They later called themselves the Saddlemen, before settling on the Comets, which was the name of the band in 1951, when it covered Jackie Brenston’s “Rocket 88,” considered by many the very first rock and roll song.

The Comets had a more urbane image: They traded in their Stetsons for suits and ties, and Grande played piano on most numbers.

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June Pointer 4/2006

june pointerApril 11, 2006 – June Pointer (the Pointer Sisters) was born on November 30th 1953. Born the youngest of six children to minister parents Reverend Elton and Sarah Pointer, June shared a love of singing with her sisters. In 1969, she and sister Bonnie founded The Pointers – A Pair. The duo sang at numerous clubs, then became a trio later that year when sister Anita quit her job as a secretary to join them. The group officially changed its name to The Pointer Sisters. The trio signed a record deal with Atlantic Records and released a few singles, none of which made a substantial impact on the music charts. In 1972, sister Ruth joined the group, making it a quartet. The sisters then signed with Blue Thumb Records, and their career began to take off.

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Farka Touré 3/2006

Ali Farka ToureMarch 7, 2006 – Farka Touré  was born Ali Ibrahim Touré in 1939 in the village of Kanau, on the banks of the Niger River in the cercle of Gourma Rharous in the northwestern Malian region of Tombouctou.

His family moved to the nearby village of Niafunké when he was still an infant. He was the tenth son of his mother but the only one to survive past infancy. “The name I was given was Ali Ibrahim, but it’s a custom in Africa to give a child a strange nickname if you have had other children who have died”, Touré was quoted as saying in a biography on his Record Label, World Circuit Records. His nickname, “Farka”, chosen by his parents, means “donkey”, an animal admired for its tenacity and stubbornness: “Let me make one thing clear. I’m the donkey that nobody climbs on!” He was descended from the ancient military force known as the Arma, and was ethnically tied to the Songrai (Songhai) and Peul peoples of northern Mali.

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Lou Rawls 1/2006

Lou RawlsJanuary 6, 2006 – Louis Allen “Lou” Rawls was born on December 1st 1933 in Chicago, Illinois. He was raised by his grandmother in the Ida B. Wells projects on the city’s South Side and began singing in the Greater Mount Olive Baptist Church choir at the age of seven. He later sang with local groups through which he met future music stars Sam Cooke and Curtis Mayfield. Even though it is sometimes falsely reported as though Lou was a high school classmate of Sam Cooke – Cooke was nearly three years older than Rawls, they sang together in the Teenage Kings of Harmony, a ’50s gospel group.

After graduating from Chicago’s Dunbar Vocational High School, he sang briefly with Cooke in the Teenage Kings of Harmony, a local gospel group, and then with the Holy Wonders. In 1951, Rawls replaced Cooke in the Highway QC’s after Cooke departed to join The Soul Stirrers in Los Angeles. Rawls was soon recruited by the Chosen Gospel Singers and moved to Los Angeles, where he subsequently joined the Pilgrim Travelers.

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Mike Botts 12/2005

220px-Mikebotts-1Dec 9, 2005 – Mike Botts (Bread) was born Michael Gene Botts on Dec 8, 1944 in Oakland, Ca.  while still at college he played with a band called The Travelers Three and worked as a studio musician. He was working with Tony Medley when he met David Gates and became a member of Bread from 1970 to ’74, after which he toured and recorded with Linda Ronstadt for 2 years. He reunited with Bread in ’76 to ’78 for one final album and world tour. His always continued his session and studio career – working, recording and touring with the likes of Karla Bonoff, Andrew Gold, Richard Carpenter and Dan Fogelberg. In 1996, the members of Bread once again reunited for a world tour that ran until the fall of 1997. He also contributed to several soundtracks for films and finally recorded his only solo album, Adults Only, released in 2000.

In Mike’s own words a flashback of his life in music:

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Chris Whitley 11/2005

Chris WhitleyNovember 20, 2005 – Christopher Becker Whitley was born August 31, 1960, in Houston, Texas to a restless, artistic couple: His mother was a sculptress and painter; his father worked as an art director in a series of advertising jobs. As a family, they traveled through the Southwest, with many of the images the young boy absorbed finding their way later into songs. He once described his parents’ music taste as formed “by race radio in the South.” The real deal — Muddy Waters and Howlin’ Wolf — seeped into their son’s soul, eventually leading to Bob Dylan and Jimi Hendrix.

Chris’s parents divorced when he was 11 years old, and he moved with his mother to a small cabin in Vermont. It was there that he learned to play guitar. Hearing Johnny Winter’s “Dallas” was the seed for what would develop as Chris’s keening instrumental style.

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Gatemouth Brown 9/2005

Clarence Gatemouth BrownSeptember 10, 2005 – Gatemouth Brown was born Clarence Brown on April 18, 1924 in Vinton, Louisiana. He learned to play an impressive array of instruments such as guitar, fiddle, mandolin, viola as well as harmonica and drums. His professional musical career began in 1945, playing drums in San Antonio, Texas. He was nicknamed the “Gatemouth” by a high school instructor who told him of having a “voice like a gate”.

For more than 50 years he performed his unique blend of blues, R&B, country, jazz, and Cajun music being a virtuoso on guitar, violin, harmonica, mandolin, viola, and even drums, Gatemouth has influenced performers as diverse as Albert Collins, Frank Zappa, Lonnie Brooks, Eric Clapton, and Joe Louis Walker.

Clarence “Gatemouth” Brown started playing fiddle by age 5. At 10, he taught himself an odd guitar picking style he used all his life, dragging his long, bony fingers over the strings.

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Carlo Little 8/2005

Carlo Little of the All StarsAugust 6, 2005 – Carlo Little aka Carl O’Neil Little was born on December 17, 1938 in Shepherd’s Bush, London and raised in Wembley, Middlesex where some of his townpeeps were Keith Moon, Ginger Baker and Charlie Watts. Apparently the town was a breeding ground for famous drummers.

In 1960 after coming out of the service, he met David Sutch and they formed The Savages with amongst others Nicky Hopkins who lived locally. Screaming Lord Sutch & The Savages toured the UK and became known for their unique British rock and roll shows. The bulk of the band members, including Little, left in 1962 to join the Cyril Davies All Stars, and recorded a single “Country Line Special”, an instrumental track which influenced Keith Richards and Ray Davies in their guitar playing. He also played a few gigs with the young Rolling Stones and was asked by Brian Jones to join permanently before they hired Charlie Watts as their official drummer in January 1963. In 1998, during the Stones’ European tour, he was invited as an official guest backstage at one of their Paris concerts.

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Les Braid 7/2005

July 31, 2005 – Les Braid (the Swinging Blue Jeans) was born on September 15, 1937 in Liverpool, England. Braid was an accomplished pianist by the time he left his Formby secondary school and began an apprenticeship as a cabinet maker. In 1958, he joined a skiffle group on bass, and then gravitated to the Bluegenes, who initially mixed skiffle and traditional jazz. The Bluegenes had big ambitions; they wore uniform jeans and blazers, had cards designed by teenage cartoonist Bill Tidy, and even bought a van to get to gigs.

The group’s origins go back to 1957, when singer/guitarist Ray Ennis decided to form a band. The result was a skiffle sextet called “the Bluegenes” — the latter a misspelling of “blue jeans” that remained unchanged for a couple of years. Surprisingly, Ennis had already played rock & roll, but — in a manner the opposite of many other young musicians of the time — he regarded skiffle as an advancement; equally surprisingly, given their later work, the Bluegenes were heavily jazz influenced, and stayed away from trying to cover songs associated with Elvis Presley and other American rock & rollers, preferring instead to try and emulate the horn and sax parts that they heard on their guitars.

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Dennis D’Ell 7/2005

July 6, 2005 – Dennis D’Ell (the Honeycombs) was born Denis James Dalziel on October 14, 1943 in Whitecapel, London, England. His father was the son of a lorry driver, in Stepney, east London and Dennis trained as a signalman for British Railways. He was also a plumber before joining the Sheratons which became later the Honeycombs.

Encouraged by his railroad co-workers he entered and won a talent contest in 1963. A number of news articles imply that the talent contest led directly to Denis joining the Honeycombs, however it was a chance conversation between Martin Murray and a mutual friend which led to them hooking up.

Martin Murray and Alan Ward on guitars, John Lantree on bass, and his sister Anne Lantree on drums had a local semi-pro band called the Sheratons. Shortly afterwards the band auditioned with maverick producer Joe Meek, agreed on a management deal with new songwriters Howard and Blaikley, signed to Pye records, and changed their name to The Honeycombs. As Anne’s nickname was “Honey” and she and Murray were hairdressers (that is, combers), they became “the Honeycombs”, as suggested by Louis Benjamin (1922–1994), Pye’s later chairman, a pun on the drummer’s name and her job as a hairdresser’s assistant.

BBC employees and budding songwriters Ken Howard and Alan Blaikley recorded some demonstration records of their songs, including “Have I the Right?” with the Honeycombs.

Joe Meek offered to record them but went into a tantrum when they arrived late to meet him due to London traffic. Howard and Blaikley won him round and “Have I the Right?” was recorded in three parts – the backing musicians, the vocals and then the stomping on the stairs. While they were jumping up and down, the cleaning lady called and told them to hurry up.

Conspicuous in “Have I the Right?” is the prominence of the drums, whose effect was enhanced by members of the group stamping their feet on the wooden stairs to the studio. Meek recorded the effect with five microphones he had fixed to the banisters with bicycle clips. For the finishing touch someone beat a tambourine directly onto a microphone. The recording was also somewhat sped up.

Leased to Pye Records, “Have I the Right?” was promoted by the pirate station Radio Caroline and the publicity surrounding a group with a girl drummer was enormous. The sales started slowly, but by the end of July the record started to climb in the UK Singles Chart. Honey Lantree’s status as a female drummer in a top band wasn’t just a visual novelty, she genuinely could play drums. At the end of August the record reached No. 1. “Have I the Right?” was also a big success outside the UK, hitting No. 1 in Australia and Canada, No. 3 in Ireland, No. 5 in the US and No. 2 in the Netherlands. Overall sales of the record reached a million.

The group toured Europe, The Far East, Japan and Australia soon after the song had become a hit. They went on tour to the Far East and Australia, and were not able to promote their later records at home. The tour gained them a long-lasting popularity in Japan, however. Especially for the Japanese market the group produced a live album and a single, “Love in Tokyo”. The group also made a lasting impression in Sweden, where they scored two No. 1 singles.

The Honeycombs had further success with “Is It Because?” and made the album It’s the Honeycombs (1964), but D’Ell was uncomfortable with Meek’s speeded-up trickery and criticized him in an interview with New Musical Express. Meek then recorded the Ray Davies song “Something Better Beginning” at standard speed, admittedly with some distortion, but the record only nudged into the Top Forty. When Meek resorted to his regular activities, the Honeycombs had another Top Twenty hit, with “That’s the Way”, and made the album All Systems Go!

In August 1965 the group released, “That’s the Way”, with Honey Lantree sharing vocals with D’Ell (when on tour, Viv Prince of The Pretty Things took over the drumming). This record became their fourth British hit and reached No. 12. Its successor, “This Year Next Year”, again with Lantree and D’Ell sharing vocals, did not reach the UK chart. The group floundered after Meek’s suicide in 1967. They split up and did not reform until 1994.

D’Ell sang and played harmonica on all but the last single the group recorded. “Who Is Sylvia?” was an adaptation of Franz Schubert’s song “An Sylvia”. “It’s So Hard” was also recorded by Dave Dee, Dozy, Beaky, Mick & Tich as “Hard to Love You”.

In April 1966 Denis D’Ell, Alan Ward and Peter Pye left the group. D’Ell became a solo singer, usually of soul songs, and his “Better Use Your Head” (1967) became a 1970s favorite on the Northern Soul circuit.

In the early seventies Denis formed a band with Rod Butler called Zarabanda and also fronted the Don Harvey band.

• In 1975 he won a controversial victory in a national talent show.
• In April 1976 he released Home Is Home / Morning Without You
• In the 1980s he was with The Southside Blues Band.
• In 1983 he appeared in an episode of The Time Of Your Life
• In 1994 the MKII version of The Honeycombs reformed for a 30th anniversary gig, and around that time they recorded a cover of “Live And Let Die” for a compilation album Cult Themes from the 70s Volume 2 on Future Legend Records.
• During the nineties and into the new millennium he was with a duo called “The Shuffle Brothers” with Tommy Dunn (who also played with blues band National Gold) and sometimes Andy Robinson Andy Robinson Band who would depp for Tommy.

Andy Robinson, who played with him in later years said “Working with Dennis was a real pleasure and great learning curve. We used to play a pub in Southend on Sea called the “Minerva” on a Sunday, playing sometimes from midday to midnight and I don’t ever think he repeated a song once. His knowledge was enormous as was his talent and sound.
The last time I saw him was at a fundraising gig in Saffron Walden football club, his appearance was heartbreaking, he died soon after.”

On July 6, 2005 he lost his battle with cancer at the age of 61.

What is not so well known is that Denis did not particularly like the music that made him famous. He was critical of Joe Meek’s recording techniques. He said “There was always contention between us and Joe that he never recorded the band the way we sounded. He was fond of speeding us up so that I ended up sounding like Mickey Mouse. He liked to compress everything and put on so much echo ─ we ended up like the Tornados with a singer.”

In an August 1964 NME article, he gives his favourite singers as Elvis, Roy Orbison, and Brook Benton and favourite artists/instrumetalists as Ray Coniff, Floyd Cramer, Chet Atkins, and Bill Black. 

In the summer of 1964 Denis saw a band called ‘Dave Dee and the Bostons’ and liked them. He got them a slot supporting The Honeycombs and showed them to managers Howard and Blaikley who took the band on, changing the name to ‘Dave Dee, Dozy, Beaky, Mick, and Titch’. The deal between The Honeycombs and Howard and Blaikley required that the Honeycombs got first refusal of all new songs written by the pair. If they turned a song down then it would go to Dave Dee. 

After Martin Murray left The Honeycombs the mantle of band leader naturally fell to D’Ell. Since Denis preferred blues to pop he turned down a lot of songs. In fact The Honeycombs second album only has three Howard and Blaikley numbers on it compared to the first which only had three songs NOT penned by the pair. 
Naturally those songs were offered to Dave Dee. So songs like ‘All I Want’, ‘No Time’, ‘You Make It Move’, 1965; and (among many others) ‘Bend It’ 1966 might have been Honeycombs songs.

Music must have been in Dennis’s blood since not only did he remain in the music business through thick and thin until his untimely death in 2005, but also his brother Laurie still plays bass to this day in various bands, including Medicine Hat.

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Obie Benson 7/2005

the four topsJuly 1, 2005 – Obie Benson (the Four Tops) was born on June 14th 1937 in Detroit, Michigan. The Four Tops were products of Detroit’s North End where Benson attended Northern High School with Lawrence Payton. They met Levi Stubbs and Abdul “Duke” Fakir while singing at a friend’s birthday party in 1954 and decided to form a group called the Four Aims. Roquel Billy Davis, who was Payton’s cousin, was a fifth member of the group for a time and a songwriter for the group. Davis played an instrumental role in the group being signed by Chess Records who were mainly interested in Davis’s songwriting ability. The group changed their name to the Four Tops to avoid confusion with the Ames Brothers and had one single “Kiss Me Baby” released through Chess which failed to chart. The Four Tops left Chess although Davis stayed with the company.

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Eric Griffiths 1/2005

eric-griffithsJanuary 29, 2005 – Eric Griffiths  was born on October 31, 1940.  Griffith, John Lennon, Pete Shotton and Rod Davis, were all at Quarry Bank High School together and shared an interest in American music. Eric and John attended some guitar lessons but found it too slow to learn and dropped the lessons when Lennon’s mother taught them to play easier banjo chords.

Lennon formed The Quarry Men with Eric, Shotton and Davis. Paul McCartney joined The Quarry Men as lead guitarist but the band decided that neither McCartney nor Eric were suitable as lead guitarist. When George Harrison joined the band they suggested that Eric buy an electric bass and an amplifier but he could not afford this and he was not invited to McCartney’s house for the next rehearsal and when Eric phoned them during the practice session, John told him he was sacked.

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Jim Capaldi 1/2005

up-dear_mr_fantasyJanuary 28, 2005 – Jim Capaldi (Traffic) was born on August 2, 1944 died of stomach cancer in London at age 60. He co-founded the psychedelic rock band Traffic in 1967 with Steve Winwood with whom he co-wrote the majority of the band’s output. He was inducted into the Rock and Roll Hall of Fame as a part of Traffic’s original line-up.

Capaldi was a magnificent drummer, who later also mastered guitar. His songwriter credits include the Eagles’ “Love will keep us alive” and the catchy “This is Reggae Music”. His “Dear Mr. Fantasy” for the Traffic album with the same title established him as one of the greats.

A rock drummer, songwriter and founder member of Traffic, Jim Capaldi’s talents were used by Bob Marley, Eric Clapton and the Eagles and so many more.

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Jimmy Griffin 1/2005

jimmy griffinJanuary 11, 2005 – James Arthur Jimmy Griffin  (Bread) was born on August 10, 1943 in Cincinnati, Ohio and grew up in Memphis, Tennessee. His musical training began when his parents signed him up for accordion lessons. He attended Kingsbury High School in Memphis and Dorsey and Johnny Burnette were his across the street neighbors in the same housing project that was home to Elvis Presley from 1948 until 1954. After the Burnette brothers moved to Los Angeles, California to further their music careers, Griffin went to visit them and managed to secure a recording contract with Reprise Records.

“Dorsey played the upright bass and steel guitar, as well as acoustic guitar. Johnny played acoustic guitar and together they were fabulous songwriters and singers. Their harmonies were always real tight and I enjoyed singing with them, even at that age. Johnny Burnette had a big hit called Dreamin and then Dorsey had a hit called The Tall Oak Tree. “Dreamin was produced by Snuff Garrett, who also produced artists like Bobby Vee, Timi Yuro and others, and eventually myself.”

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Spencer Dryden 1/2005

Spencer Dryden with Grace SlickJanuary 11, 2005 – Spencer Dryden was born in New York City on April 7, 1938. His father, a British actor and director, was a half-brother of Charlie Chaplin but Dryden carefully concealed his relationship to his celebrious uncle, preferring his talents to stand on their own merits, rather than on any potentially nepotistic influences of his uncle Charlie’s name.

His parents divorced in 1943, but Spencer fondly recalled playing at his famous uncle’s Hollywood studio as a child. In the late 40s Spencer became friends with jazz fan Lloyd Miller also born in 1938 and living down the street on Royal Boulevard in Rossmoyne in Glendale. Miller said they should start a band and encouraged Spence to play drums. Since Spence didn’t have a drum set, Miller fashioned Dryden’s first drum by thumb tacking an old inner tube over a wooden barrel with no ends. Miller would pump his player piano, play cornet or clarinet and Spence would bang out beats on the drum.

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Johnny Ramone 9/2004

Johnny_Ramone_-_Hollywood_Forever_Cemetery_1September 15, 2004 – Johnny Ramone was born John William Cummings on October 8, 1948 and died of prostrate cancer at age 55. He was the rhythm guitarist, songwriter for the Ramones, a New York rock band that held Rock and Roll Hall of Fame status.

A rebel in a rebel’s world, Johnny was raised Queens, N.Y., where as a teenager, he played in a band called the Tangerine Puppets with future Ramones drummer Tamás Erdélyi aka Tommy Ramone. Influenced by the likes of the Stooges and MC5, in 1974 he co-founded “The Ramones”, often regarded as the first punk rock group, with Tommy Ramone, Joey Ramone and Dee Dee Ramone. They went on to perform 2,263 concerts, touring virtually nonstop for 22 years. The Ramones were a major influence on the punk rock movement in the US and the UK, though they achieved only minor commercial success. Their only record with enough U.S. sales to be certified gold was the compilation album Ramones Mania.

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Carl Wayne 8/2004

Carl Wayne, vocalist for the Move and the HolliesAugust 31, 2004 – Carl Wayne (the Move/The Hollies) was born Colin David Tooley on August 18th 1943 in Winson Green, Birmingham, England. Carl grew up in the Hodge Hill district of Birmingham. Inspired by the American rock’n’roll of Elvis Presley, Eddie Cochran and Gene Vincent, he formed The G-Men in the late 1950s, and joined local band The Vikings, where his powerful baritone and pink stage suit helped make them one of the leading rock groups in the Midlands of their time.

In 1963 they followed in the footsteps of the Beatles and other Liverpool bands, by performing in the clubs of Frankfurt, Stuttgart, Nuremberg etc. On returning to Birmingham, in the wake of the Beatles’ success, record companies were keen to sign similar guitar bands. The Vikings went with Pye Records, but all three singles failed to chart.

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Arthur Conley 11/2003

arthur conleyNovember 17, 2003 – Arthur Conley was born on January 4, 1946 in McIntosh County, Georgia and grew up in Atlanta.  He first recorded as a 13 year old in 1959 as the lead singer of Arthur & the Corvets. With this group, he released three singles in 1963 and 1964, “Poor Girl”, “I Believe”, and “Flossie Mae”.

In 1964, he moved to a new label and released “I’m a Lonely Stranger”. When Otis Redding heard this, he asked Conley to record a new version, which was released on Redding’s own fledgling label Jotis Records, as only its second release. That was in 1967. Together they rewrote the Sam Cooke song “Yeah Man” into “Sweet Soul Music”, which, at Redding’s insistence, was released on the Atco-distributed label Fame Records, and was recorded at FAME studios in Muscle Shoals, Alabama. It proved to be a massive hit, as it shot to the number two spot on both the pop and R&B charts in the USA and Western Europe, earning Conley the number eleven male artist ranking for 1967. The song paid homage to other soul singers like Lou Rawls, Wilson Pickett and James Brown.

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Warren Zevon 9/2003

warren-zevon-lettermanSeptember 7, 2003 – Warren Zevon was born January 24, 1947. He never made it into the mainstream popularity, but the in-crowd knew him as a prolific songwriter/singer/musician, noted for his offbeat, sardonic view on life which was reflected in his dark, often painfully humorous songs, which sometimes incorporated political and/or historical themes and personas.

He worked with a huge list of mega artists. To give an idea on his stretch here is an anecdotal paragraph.
By September 1975, Zevon had returned to Los Angeles (from Spain), where he roomed with then-unknown Stevie Nicks and Lindsey Buckingham. There, he collaborated with Jackson Browne, who in 1976 produced and promoted Zevon’s self-titled major-label debut.

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Felice Bryant 4/2003

bryant and boudleauxApril 22, 2003 – Felice Bryant was born Matilda Genevieve Scaduto on August 7, 1925. One half of the wife and husband country/pop music songwriting team who were also at the forefront of the evolution of pop music.

With her husband, Boudleaux, the two wrote numerous Everly Brothers’ hits including the autobiographical “All I Have to Do Is Dream” and “Bye Bye Love”. Their prolific and quality compositions would produce hit records for many stars from a variety of musical genres including Tony Bennett, Bob Moore, Simon and Garfunkel, Sonny James, Eddy Arnold, Charley Pride, Nazareth, Jim Reeves, Leo Sayer, Sarah Vaughan, Roy Orbison, Buddy Holly, the Grateful Dead, Elvis Costello, Count Basie, Dean Martin, Ray Charles, Bob Dylan among many others. They formed one of the most potent songwriting teams in country pop history.

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Nina Simone 4/2003

Nina SimoneApril 21, 2003 – Nina Simone was born Eunice Kathleen Waymon on February 21, 1933 in South Carolina. The sixth child of a preacher mom, she wanted to become a concert pianist. She began playing piano at age three.

Her concert debut, a classical recital, was given when she was 12. Simone later said that during this performance, her parents, who had taken seats in the front row, were forced to move to the back of the hall to make way for white people. She said that she refused to play until her parents were moved back to the front, and that the incident strongly contributed to her later involvement in the civil rights movement. Continue reading Nina Simone 4/2003

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Little Eva Boyd 4/2003

Little+EvaApril 10, 2003 – Little Eva Narcissus Boyd was born on June 29th 1943  in Belhaven, North Carolina, and moved to the Brighton Beach section of Brooklyn, New York at a young age. She worked as a maid and earned extra money as a babysitter for songwriters Carole King and Gerry Goffin.

It is often claimed that Goffin and King were amused by Boyd’s particular dancing style, so they wrote “The Loco-Motion” for her and had her record it as a demo (the record was intended for Dee Dee Sharp).

However, as King said in an interview with NPR and in her “One to One” concert video, they knew she could sing when they met her, and it would be just a matter of time before they would have her record songs they wrote, the most successful being “The Loco-Motion”.

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Hank Ballard 3/2003

Hank-BallardMarch 2, 2003 – Hank Ballard was born John Henry Kendricks in Detroit, Michigan on November 18, 1927, but, along with his brother, Dove Ballard, grew up and attended school in Bessemer, Alabama after the death of their father. He lived with his paternal aunt and her husband, and began singing in church. His major vocal inspiration during his formative years was the “Singing Cowboy”, Gene Autry, and in particular, his signature song, “Back in the Saddle Again”. During the 1960s, Ballard’s cousin, Florence Ballard, was a member of the Detroit girl group The Supremes.

Ballard returned to Detroit in his teens and later worked on the assembly line for Ford Motor Company. In 1951, he formed a doo-wop group and was discovered by the legendary band leader Johnny Otis, and was signed to sing with a group called The Royals. The group changed its name to The Midnighters to avoid confusion with The “5” Royales.

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Kevin MacMichael 12/2002

Kevin MacMichaelDecember 31, 2002 – Kevin Scott MacMichael  (the Cutting Crew) was born on November 7, 1951 in New Brunswick, Canada. Coming from a musical background, his father played drums and his mother was a teacher, Kevin picked up the guitar while in school and began his life-long passion for playing this instrument and the Beatles. He must’ve been quite inspired, as he apparently then learned how to play over 200 Beatles songs on guitar! (212 to be exact).

He began his career playing in local bands on the East Coast of Canada in the late 1970’s, notably Chalice and in 1978 the band Spice. Spice featured another guitarist Floyd King, who Kevin would continue to collaborate with over the years. They released a few singles that are very difficult to find now, including “Prisoner of Love” and “Beautiful You”.

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Michael Houser 8/2002

Michael Houser of Widespread PanicAugust 10, 2002 – Michael Houser (Widespread Panic) was born on January 6, 1962 in Boone, North Carolina. He graduated from Hixson High School in Chattanooga, Tennessee, and became a founding member of Widespread Panic in 1986 while attending the University of Georgia with John Bell. Michael’s nickname was “Panic” due to his then frequent panic attacks, and this moniker later became the inspiration for the band’s name.

Widespread Panic’s large rhythm section, and John Bell’s virtuosity as a rhythm guitarist, allowed Michael to pursue an atmospheric lead guitar style that often lingered behind the primary melodies. His predominant use of the Ernie Ball volume pedal caused him to spend most of his performance time balanced on one leg, which would eventually lead to circulation problems causing his left leg to become numb. In 1996, during an acoustic tour through Colorado, known as the “Sit and Ski” tour, he was reminded of how much more comfortable and accurate his playing was while he was seated. Subsequently, Houser returned to playing all shows seated in 1997. He used a volume pedal for sonic effect, rather than just for volume control.

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Paul Samson 8/2002

August 9, 2002 – Paul Samson was born Paul Sanson on June 4, 1953 in Norwich, England.

In 1976 Paul Samson replaced Bernie Tormé in London-based band Scrapyard, joining bassist John McCoy and drummer Roger Hunt. The band name was changed to McCoy, and they built up a busy gigging schedule, whilst also independently playing various sessions. Eventually, McCoy left to join Atomic Rooster. His replacement was the band’s sound engineer and a close friend of Paul Samson’s, Chris Aylmer. Aylmer suggested a name change to Samson, and recommended a young drummer, Clive Burr, whom he had previously played with in the band Maya. Burr joined, and Samson was born, although for a time Paul Samson used bassist Bill Pickard and drummer Paul Gunn on odd gigs when Aylmer and Burr were honoring previous commitments.

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Randy Castillo 3/2002

Randy CastilloMarch 26, 2002 – Randy Castillo (Ozzie Osbourne) was born on December 18th 1950 in Albuquerque, New Mexico. Randolpho Francisco Castillo was born to a Spanish/French/Native American mother, Margaret, and Native American/Hispanic father Frank (Kiko). He was one of five children, and his sisters, Frances, Marilyn, Phyllis and Christine, all play music. His first band experience was at West Mesa High School, playing in the jazz band, orchestra and marching band. He wrote the high school cadence that is still being used to this day.

He played trumpet for a short time then realized his passion was the drums. He decided he wanted a drum kit instead, especially after seeing The Beatles play on The Ed Sullivan Show in early February 1964. However, his father refused to buy him one, thinking he would only lose interest, as he had already done with the trumpet.

After playing in bands such as The Tabbs, The Mudd, The Wumblies and The Offenders, he relocated to LA and joined The Motels and embarked on his first major arena tour with them in support of The Cars.

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