Rusty Young (75) – Poco – was born Feb 23, 1946 in Long Beach, California, but grew up in Denver, Colorado. He began playing lap steel guitar at age 6, and taught guitar and steel guitar lessons during his high school years at Jefferson High School, Lakewood, Colorado with George Grantham. By 16 or 17, he was keeping a schedule that would have left adult professionals panting. He taught lessons in a guitar studio in the afternoons and then played country music in bars until the wee hours of the morning. Then he would pack up and head to jam sessions, catching a few hours of sleep before it was time to go to high school. In 1966, he was surprised to get a call from a local rock band, the Boenzee Cryque. “Are you sure you want him?” Young’s mother apparently asked, “He’s in a country band you know.” Boenzee Cryque was about the most popular Denver rock band at the time and had done fairly well with several locally produced singles that were picked up by the psychedelic-obsessed Uni label. He worked with this band for two years, incorporating the pedal steel and utilizing some of his strange effects for the first time.
In the late 1960s, an acquaintance of Young’s, Miles Thomas, became the road manager for Buffalo Springfield. Richie Furay and Jim Messina needed a steel guitarist for the Furay ballad “Kind Woman” on their final album Last Time Around and after Thomas told Young about the opportunity, Young was hired. After Buffalo Springfield broke up Young and Randy Meisner (later of Eagles), Jim Messina (Loggins and Messina) and Richie Furay formed Poco with drummer George Grantham. Meisner quit a year later and was replaced with Timothy B. Schmit, who would also replace Randy later once again in Eagles. Along with Furay and Messina, Young became a founding member of Poco in 1968 upon the former band’s demise. Drummer George Grantham and bass player Randy Meisner rounded out the original Poco lineup.
“Richie had done country-rock with ‘A Child’s Claim to Fame’ and ‘Kind Woman’,” Young said in a 2014 interview. “That was the country part of the Springfield where Neil (Young) and Stephen (Stills) were way more rock ’n’ roll. You have to remember that in 1969, there weren’t synthesizers, so if you actually wanted a certain sound, you had to have a real musician playing. So that’s why I got involved — because I could play steel guitar and Dobro and banjo and mandolin, and pretty much all the country instruments except for fiddle. So I added color to Richie’s country-rock songs, and that was the whole idea, to use country-sounding instruments. Also, I pushed the envelope on steel guitar, playing it with a fuzz tone, because nobody was doing that, and playing it through a Leslie speaker like an organ, and a lot of people thought I was playing an organ, because they didn’t realize I was playing a steel guitar. So we were pushing the envelope in lots of different ways, instrumentally and musically overall.”
The band’s membership fluctuated over the years. After Furay left the group, Young took on more song writing responsibility, along with Paul Cotton and Timothy B. Schmit.
Young credited David Geffen for forcing him to become a singer-songwriter, after he’d initially only contributed a few songs to the band and never done any lead vocals on the early albums.
When it became clear that Furay was leaving to start up the Souther-Hillman-Furay Band, Young said, there was a meeting where Geffen “starts with Tim and says, ‘Now, Tim, you write songs and sing, don’t you?’ And Tim says, ‘Yes.’ So he says, ‘Well, don’t you worry about Richie leaving; you’ll be fine.’ And he looks at Paul, and he says, ‘You play guitar and sing and write songs, don’t you?’ And Paul says, ‘Yes.’ … Then he looked at me and George, and he looked me in the eye, and he said, ‘Now, you don’t sing, and you don’t write songs, do you?’ And I said, ‘No, I don’t.’ So he said, ‘Well, you’re in trouble.’ And that was the day I became a singer-songwriter, and if it weren’t for David Geffen saying that to me, it never would have happened, and I owe him greatly for that.”
Young is best known for writing the Poco songs “Rose of Cimarron” and “Crazy Love“. Actually Young wrote more than a dozen of the group’s most well-known songs.
“Crazy Love,” was named the No. 1 adult contemporary song of 1979. In a 2008 interview, Young said, “The only reason we’re talking now is ‘Crazy Love’. That was our first hit single. It’s a classic, and it still pays the mortgage.”
A reunion album in 1989, “Legacy,” brought Furay, Messina, Meisner and Grantham back into the Poco fold for a single project. The band was active until the end of the ’80s, but seemed to make less and less use of Young’s instrumental talents as the years went on.
Although based out of Nashville, Young avoided the recording session work that is the bread and butter of most pedal steel players in that area, due to the lack of space for experimentation. He could sometimes be heard playing solo at that city’s Bluebird Cafe in the ’90s and 2000s, but his main venture in the late ’90s was a trio with John Cowan and Bill Lloyd called Sky Kings. The group recorded an album for RCA Nashville in 1992 but the label shelved the record. Sky Kings then moved to Warner, releasing three singles in 1996, but their completed From Out of the Blue never saw release. Rhino Handmade would release the unheard Warner album in 2000, while Sony put out the RCA Nashville album as 1992 in 2014. Starting in the year 2000, a reunited Poco was Young’s main concern. The group released Running Horse in 2002 and toured steadily over the next decade — several live albums were released during this period and 2013’s All Fired Up.
In 2009, a handful of reunion shows saw Furay and Schmit returning, including an appearance at the Stagecoach Festival in California. Otherwise, the group carried on with Young as the sole remnant of the group’s original legacy.
In 2013, Young was inducted into the Steel Guitar Hall of Fame. At the end of 2013, Young announced his, what turned out to be a short-lived, retirement and a desire to write his memoirs. However a few shows were booked into 2014 including three farewell shows in Florida. One of those shows was a performance in a recording studio in front of a live audience for a DVD document of the band’s live show. Young said there could be some one-offs in the future after that, but the band would not be actively touring as before. The final version of the band, which had Young backed by Jack Sundrud, Rick Lonow and Tom Hampton, was still performing more than 100 gigs a year.
The group celebrated its 50th anniversary reunion in 2017. Young released his first solo album, “Waitin’ For The Sun ” that same year. Young and Jack Sundrud wrote and recorded music for children’s story videos as the “Session Cats”. Young continued to do guest performances with former members of Poco and other country rock artists. Young then released new music “Listen to Your Heart”, in 2019 was released digitally and benefited a local Steelville, Missouri animal charity, Santana’s Hope for Paws (Friends of Steelville, MO Pound) Animal Shelter.
In 2020 Young reflected on his career saying, “I’ve been fortunate to have had a magical career. From the moment I was called to play on the Buffalo Springfield album, all through Poco, and now through my solo projects, things have just fallen into place. I’ve worked really hard to be the best I can be, and I think my music is the proof.”
Poco’s Rusty Young died on April 14, 2021 from a heart attack at age 75.
In a statement Blue Elan Records released, “It is with great sadness that we confirm the passing of Poco co-founder, Rusty Young, at the age of 75. Young suffered a heart attack last night. A beloved member of the Blue Élan Records family, Young was best known as the heart and soul of Poco – the band widely considered to be one of the founders of the classic Southern California country rock sound. Young was an integral member of the band throughout their influential six decade career.”
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