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David Sanborn 5/2024

David Sanborn (78) was born in 1945 in Tampa, Florida where his father was stationed in the US Air Force.  David grew up in Kirkwood, Missouri, a western suburb of St. Louis. He contracted polio at the age of three. He “accepted his fate stoically” and endured a “miserable childhood”. He was confined to an iron lung for a year, and polio left him with impaired respiration and a left arm shorter than the right.

While confined to bed, David Sanborn was inspired by the “raw rock ‘n’ roll energy” of music he heard on the radio, particularly saxophone breaks in songs such as Fats Domino‘s “Ain’t That a Shame” and Little Richard‘s “Tutti Frutti”. He loved the sound of the saxophone and at the age of eleven was happy to change to saxophone from piano lessons when doctors recommended that he take up a wind instrument to improve his breathing and strengthen his chest muscles. When he was 14, he was competent enough playing saxophone to play with blues musicians in local clubs. Alto saxophonist Hank Crawford, who was a member of Ray Charles‘s band at the time, was an early and lasting influence on Sanborn.

Sanborn attended college at Northwestern University in Evanston, Illinois directly north of Chicago and studied music. He transferred to the University of Iowa in Iowa City east of Des Moines where he played and studied with saxophonist J. R. Monterose.

Sanborn performed with blues musicians Albert King and Little Milton at the age of 14. In 1967 Sanborn took a Greyhound bus to San Francisco to join the “Summer of Love.” While visiting recording studios he was invited to sit in on a session with The Paul Butterfield Blues Band. He made such an impression that he joined the band for five years. He recorded on four Butterfield albums as a horn section member and a soloist from 1967 to 1971. Early in the morning on August 18, 1969, he appeared with the band at the Woodstock Music Festival in Bethel, New York.

In 1972, Sanborn played on the track “Tuesday Heartbreak” on the Stevie Wonder album Talking Book. In 1975 he worked with David Bowie on Young Americans and on the James Taylor recording of “How Sweet It Is (To Be Loved by You)” on the album Gorilla. In the mid-1970s, Sanborn became active in the popular jazz fusion scene by joining the Brecker Brothers band, where he became influenced by Michael Brecker. With the Brecker brothers he recorded his first solo album, Taking Off, which became a jazz/funk classic. Sanborn’s solo release of Taking Off —still considered a classic—further solidified his career. His 1979 release of Hideaway became a popular hit and further propelled Dave’s ascent with the single, “Seduction” being featured in the movie, American Gigolo.

Veteran bassist and composer Marcus Miller joined Dave on the 1981 album, Voyeur. The single, “All I Need Is You” won Dave his first Grammy Award for Best R&B Instrumental Performance. In 1983, Dave released the hit album Backstreet that included Luther Vandross as a featured guest vocalist. Later albums have included guest artists such as Jack DeJohnette, Bill Frisell, Charlie Hayden, Wallace Roney, Kenny Barron, Christian McBride, and Eric Clapton. In 1985, Sanborn and Al Jarreau played two sold-out concerts at Chastain Park in Atlanta. Although Sanborn was most associated with smooth jazz, he studied free jazz in his youth with saxophonists Roscoe Mitchell and Julius Hemphill.

He found life on the road increasingly difficult but continued to tour.  Moving onto television seemed to be the answer to that dilemma. Dave hosted the show, Night Music from 1988 to 1990. Produced by Saturday Night Live creator Lorne Michaels, the show featured films of jazz legends like Thelonious Monk, Dave Brubeck and Billie Holiday, as well as banter and memorable music jams by a remarkable list of musicians including Sonny Rollins, Miles Davis, Joe Sample, Pharoah Sanders, and many others. Additionally, Dave regularly hosted the “After New Year’s Eve” TV special on ABC. During the 1980s and 1990s, Dave hosted a syndicated radio program, The Jazz Show with David Sanborn. Dave has also recorded many shows’ theme songs as well as several other songs for The Late Late Show with Tom Snyder. 

In 1994, Sanborn appeared in A Celebration: The Music of Pete Townshend and The Who, also known as Daltrey Sings Townshend, a two-night concert at Carnegie Hall produced by Roger Daltrey of English rock band The Who in celebration of his fiftieth birthday. In 1994 a CD and a VHS video were issued, and in 1998 a DVD was released. In 1995 Sanborn performed in The Wizard of Oz in Concert: Dreams Come True, a musical performance at Lincoln Center to benefit the Children’s Defense Fund. 

In 2006, he featured in Gordon Goodwin’s Big Phat Band’s album The Phat Pack on the track “Play That Funky Music”, a remake of the Wild Cherry hit in a big band style. Sanborn often performed at Japan’s Blue Note venues in Nagoya, Osaka, and Tokyo. Sanborn played on the song “Your Party” on Ween’s 2007 release La Cucaracha. On April 8, 2007, he sat in with the Allman Brothers Band during their annual run at the Beacon Theatre in Manhattan, New York.

In 2010, Sanborn toured with a trio featuring jazz organist Joey DeFrancesco and Steve Gadd. They played the combination of blues and jazz from his album Only Everything. In 2011, Sanborn toured with keyboardist George Duke and bassist Marcus Miller as the group DMS. In 2013, Sanborn toured with keyboardist Brian Culbertson on “The Dream Tour” celebrating the 25th anniversary of the song “The Dream”. Besides playing alto saxophone as his main instrument, Sanborn also played baritone, soprano and sopranino saxophones; saxello; flute; and keyboards/piano on some recordings.

In 2017, Dave teamed up with his nephew and brother-in-law to create a new show called “Sanborn Sessions,” available on Youtube. In 2017, despite plans to reduce his workload to no more than 150 gigs a year, he embarked on a tour which included Istanbul and Nairobi, Kenya.

David Sanborn passed Sunday afternoon, May 12th, 2024 after an extended battle with prostate cancer with complications a disease he was diagnosed with in 2018. The six-time Grammy winner amassed eight gold albums and one platinum record in his career. He also played for others on dozens of albums. David won Grammy Awards for ‘Voyeur’ (1981), ‘Double Vision’ (1986) and ‘Close Up’ (1988). In 2004 he was inducted into the St Louis Walk of Fame.

Albums he has played on include:

George Benson ‘In Your Eyes’ (1983)
James Brown ‘Reality’ (1974)
David Bowie ‘David Live’ (1974)
Stevie Wonder ‘Talking Book’ (1972)
Paul Simon ‘Still Crazy After All These Years’ (1975)
Bruce Springsteen ‘Born To Run’ (1975)
Elton John ‘Blue Moves’ (1976)
Linda Ronstadt ‘Living In The USA’ (1978)
The Eagles ‘The Long Run’ (1979)
Steely Dan ‘Gaucho’ (1980)
Billy Joel ‘An Innocent Man’ (1983)
The Rolling Stones ‘Undercover’ (1983)
Eric Clapton ‘Journeyman’ (1989)
James Taylor ‘JT’ 1977)

Sanborn had a part in the Bill Murray movie ‘Scrooged’ (1988) and ‘Magnum PI’ (1986). He also composed music for the movies ‘Lethal Weapon 2, 3 and 4’.

David Sanborn was a seminal figure in contemporary pop and jazz music. It has been said that he “put the saxophone back into Rock ’n Roll.”

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David Lindley 3/2023

David Lindley (78) was born in San Marino, California, on March 21, 1944. Growing up in Los Angeles, his father had an extensive collection of 78 rpm records that included Korean folk and Indian sitar music, as well as Spanish classical guitarists Andrés Segovia and Carlos Montoya. Lindley took up the violin at age three, and kept at it despite breaking the fragile bridge. He then moved on to the baritone ukulele in his early teens. Next he learned the banjo. By his late teens, he had won the Topanga Banjo•Fiddle Contest five times. He played banjo with the Dry City Scat Band which included multi-instrumentalist Chris Darrow, and Richard Greene on fiddle. Lindley and his bandmates aspired to emulate multi-talented folk singer Mike Seeger.

Lindley began to frequent the Los Angeles–area folk music scene of the 1960s, primarily going to the Ash Grove club, and the Troubador in West Hollywood, encountering an eclectic assortment of music including flamenco, Russian folk music, and Indian sitar music. At Ash Grove, Lindley shared ideas with local musicians such as Ry Cooder and Chris Hillman. Lindley formed an especially close relationship with Cooder as the two shared a love of “exotic music”, and they both turned away from corporate mainstream music to focus on less popular idioms such as folk and world music. Lindley also learned from traveling blues and folk musicians the “right” way to play certain styles, and he learned violin methods from local star Don “Sugarcane” Harris.

From 1966 to 1970, Lindley was a founding member of the psychedelic rock band Kaleidoscope which released four albums on Epic Records during that period. After Kaleidoscope broke up, Lindley went to England and played in Terry Reid’s (former Yardbirds and Renaissance vocalist) band for a couple of years. In 1972, he teamed with Jackson Browne, playing in his band through 1980 and occasionally afterward. During the 1970s he also toured as a member of the bands of Crosby-Nash, Linda Ronstadt and James Taylor.

In 1981, Lindley formed his own band, El Rayo-X. Jackson Browne produced their first album. The band’s final show was December 31, 1989. 

Lindley was especially known for his work as a session musician. He contributed to years of recordings and live performances by Jackson Browne, and also supported Warren Zevon, Linda Ronstadt, Curtis Mayfield, James Taylor, David Crosby, Graham Nash, Terry Reid, Dolly Parton, Bob Dylan, Bruce Springsteen, Toto, Rod Stewart, Joe Walsh and Dan Fogelberg. He collaborated with fellow guitarists Ry Cooder, Henry Kaiser and G. E. Smith. Ben Harper credited Lindley’s distinctive slide guitar style as a major influence on his own playing, and, in 2006, Lindley sat in on Harper’s album Both Sides of the Gun. He was known in the guitar community for his use of “cheap” instruments sold at Sears department stores and intended for amateurs. He used these for the unique sounds they produce, especially with a slide.

After that in the early 1990s, Lindley toured as a solo artist, first with Hani Naser accompanying on hand drums, then with reggae percussionist Wally Ingram. He also played on a multitude of studio sessions. Between his work in the studio as a session musician or on tour as a sideman or bandleader, Lindley learned new instruments. He was famous for having written the only song glorifying a brand of condoms, “Ram-a-Lamb-a-Man,” from his album Win this Record!. The media often commented on his colorful polyester clothing, with jarring contrasts between pants and shirt, earning him the nickname Prince of Polyester.

Lindley also toured extensively and recorded with reggae percussionist Wally Ingram.

Lindley’s voice may be heard in the version of “Stay” performed by Jackson Browne. Browne’s version is a continuation of “The Load Out”, and its refrain is sung in progressively higher vocal ranges. The refrain of “Oh won’t you stay, just a little bit longer” is sung first by Browne, then by Rosemary Butler, then by Lindley in falsetto.

Lindley joined Jackson Browne for a tour of Spain in 2006. Love Is Strange: En Vivo Con Tino, a 2-CD set of recordings from that tour, was released May 2010, with Browne and Lindley touring together starting in June of that year. They played together at Glastonbury Festival in 2010, and they won an Independent Music Award for Best Live Performance Album in 2011.

He mastered such a wide variety of instruments that Acoustic Guitar magazine referred to him not as a multi-instrumentalist but instead as a “maxi-instrumentalist. The majority of the instruments that Lindley played are string instruments, including violin, electric guitar, upright and electric bass, banjo, mandolin, dobro, hardingfele, bouzouki, cittern, bağlama, gumbus, charango, cümbüş, oud and zither. He was the unparalleled master of the lap steel guitar in the rock music sphere, and an expert in Hawaiian-style slide guitar blues.

Lindley had obviously a large collection of rare and unusual guitars and other instruments from the Middle East and various parts of the world. He listed and categorized many of them on his website but admitted that he had “absolutely no idea” how many instruments he owned and played, having gathered them since the 1960s. A journalist described his home in 1994 as containing a “tidal flood of instruments strewn all over the house. In every room. On the floor, balanced against the wall, lying atop cabinets and just literally occupying virtually every inch of available floor space.”

David Lindley died after a long illness on March 3, 2023, at the age of 78. He had had COVID-19 in 2020, which his family said developed into Long COVID, with chronic kidney damage.

David Lindley was the epitome of a musician’s musician, not only for his comprehensive skills but also for his infectious personality. Lindley was best known as the ultimate sidekick,

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Paul Buckmaster 11/2017

November 7, 2017 – Paul Buckmaster born on June 13, 1946 in London England.

At age four, Buckmaster started attending a small private school in London called the London Violoncello School, and continued studying cello under several private teachers until he was ten. In 1957, his mother, a concert pianist took him and his two siblings to Naples, where he auditioned with cello professor Willy La Volpe, to be assessed as eligible for a scholarship. After Paul’s attending classes over a two-month period, La Volpe determined that Paul was eligible for an Italian State scholarship, and for the next four years, he studied there eight months per year. This was a radically formative period, in which he deepened his love for the music of J. S. Bach, studying the unaccompanied cellos suites. It was during this period in Italy that Paul discovered his love for jazz. He then won a scholarship to study the cello at the Royal Academy of Music, from which he graduated with a performance diploma in 1967. Continue reading Paul Buckmaster 11/2017

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Jimmy Copley 5/2017

session drummerMay 13, 2017 – Jimmy Copley was born in London on December 29, 1953.

Jimmy started playing drums at the age of 5 years old, accompanying his Mother’s (Nina) Jazz piano at parties. Jimmy turned professional joining the band ‘Spreadeagle’ who had just signed to Charisma Records and performed live, opening for various headlining acts such as ‘Genesis’, ‘Lindisfarne’ and ‘Audience’. Jim recorded the Spreadeagle album ‘The Piece of Paper, produced by Kinks and Who producer: Shel Talmy. Continue reading Jimmy Copley 5/2017

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Corki Casey O’Dell 5/2017

May 11, 2017 – Corki Casey O’Dell was born Vivian J. Ray Casey on May 13, 1936 in Phoenix, Arizona where she grew up as teenage guitarists with the likes of Lee Hazlewood, Sanford Clark and Duane Eddy.

In 1956, she joined then-husband, guitarist Al Casey, playing rhythm guitar on Sanford Clark’s country, pop and R&B hit “The Fool,” which would later be recorded by Elvis Presley, among others. The tune was penned by songwriter-producer Lee Hazelwood, who would use O’Dell on several of the sessions he produced.  Continue reading Corki Casey O’Dell 5/2017

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Bruce Langhorne 4/2017

mr. tambourine man, Bruce LanghorneApril 14, 2017 – Bruce Langhorne was born on May 14, 1938 in Tallahassee, Florida.

At age 4 he moved with his mother to Spanish Harlem, New York. When he was a 12-year old violin prodigy living in Harlem in the fifties, he accidentally blew several of his finger tips off with a cherry bomb that he held onto for too long. In the ambulance on the way to the hospital, Bruce looked up at his distraught mom and said, “At least I don’t have to play violin anymore.” In a gang fight, he got involved in a stabbing and left the country for Mexico for 2 years. By age 17 he started to pick the guitar. Continue reading Bruce Langhorne 4/2017

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Lonnie Brooks 4/2017

chicago blues manApril 1, 2017 – Lonnie Brooks, Chicago bluesman who achieved fame in the late 70s, was born Lee Baker Jr. on December 18, 1933 in Dubuisson, St. Landry Parish, Louisiana. He learned to play blues from his banjo-picking grandfather but did not think about a career in music until after he moved to Port Arthur, Texas, in the early 1950s. There he heard live performances by Clarence “Gatemouth” Brown, T-Bone Walker, B.B. King, Long John Hunter, Johnny Copeland and others and began to think about making money from music.

He focused on the guitar comparatively late in life, when he was already in his 20s. But he learned fast and a little while later, Award winning Zydeco king Clifton Chenier heard Brooks strumming his guitar on his front porch in Port Arthur and offered him a job in his touring band. Continue reading Lonnie Brooks 4/2017

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James Cotton 3/2017

James Cotton at Monterey in 1981March 16, 2017 – James Cotton was born on July 1, 1935 in Tunica, Mississippi. He was the youngest of eight brothers and sisters who grew up in the cotton fields working beside their mother, Hattie, and their father, Mose. On Sundays Mose was the preacher in the area’s Baptist church. Cotton’s earliest memories include his mother playing chicken and train sounds on her harmonica and for a while he thought those were the only two sounds the little instrument made. His Christmas present one year was a harmonica, it cost 15 cents, and it wasn’t long before he mastered the chicken and the train. King Biscuit Time, a 15-minute radio show, began broadcasting live on KFFA, a station just across the Mississippi River in Helena, Arkansas. The star of the show was the harmonica legend, Sonny Boy Williamson (Rice Miller). The young Cotton pressed his little ear to the old radio speaker. He recognized the harmonica sound AND discovered something – the harp did more!   Continue reading James Cotton 3/2017

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Marvell Thomas 1/2017

Memphis soul performer Marvell ThomasJanuary 23, 2017 – Marvell Thomas was born in Memphis Tennessee on August 22, 1941. The Thomas family is rooted in music and especially Memphis Soul. Legendary rock and roll pioneer Rufus (Walking the Dog) was his dad. His sisters Carla and Vaneese were much noted, especially Carla (the Queen of Memphis Soul) reached superstardom.

The eldest child of Rufus and Lorene Thomas, Marvell was born in 1941 and grew up in the shadow of Beale Street, where his father performed. “You could call it a second home,” Thomas said in 2011. “It was just three blocks from our house. I was a little kid, 5 years old, running up and down Beale Street all the time, much to my parents’ chagrin when they found out. Of course, I was there a lot legitimately too, when my father was hosting the talent show every Thursday night at the Palace Theatre.” Continue reading Marvell Thomas 1/2017

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Tommy Allsup 1/2017

January 11, 2017 – Tommy Douglas Allsop (Buddy Holly)was born on November 24, 1931 near Owasso Oklahoma.

His musical career started right after highschool in Claremore, Oklahoma in 1949 with the “Oklahoma Swingbillies.” In 1950 he went to work with fiddle player Art Davis in Miami, Oklahoma; from there to the Cowboy Inn in Wichita, Kansas with singer, fiddle player Jimmy Hall. In 1952 and 1953, he moved back to Tulsa, Oklahoma to join the “Johnnie Lee Wills Band.” From 1953 to 1958, he had his own band, “The Southernaires” in Lawton, Oklahoma with homebase being the Southern Club.

In 1958, Tommy’s career would take a different direction. On a trip to Clovis, New Mexico to record at Norman Petty’s famous studio, he met the late Buddy Holly. In April, he started playing lead guitar with Holly and the Crickets. He continued playing with Buddy until the fatal plane crash that took Buddy’s life, along with the Big Bopper, and Ritchie Valens. It was Allsup who flipped a coin with Ritchie Valens for a seat on the ill-fated plane.

After Holly’s death, Allsup moved to California to join Liberty Records as A & R Director of all Country and Western product to begin producing the great Bob Wills and the Texas Playboys. His association with Wills lasted through Wills’ “For The Last Time” LP, recorded on December 2-3, 1973, in Dallas, Texas, where Bob Wills recorded his first records in 1935. Allsup used some of the original Texas Playboys on the last recording (McAulliff, Shamblin, Dacus, Strickland). Bob Wills directed the sessions from his wheel chair.

While at Liberty, Tommy would produce Tex Williams, Willie Nelson, Joe Carson, Warren Smith, Billy Mize, and Cliff Crofford. While there, he worked with great artists such as Walter Brennan, Bobby Vee, Johnny Burnette, Julie London, and Vickie Carr, who sang harmony with Bob Wills on the LP “Bob Wills Sings and Plays.” After leaving California, Allsup moved to Nashville to head up Metromedia Records in 1968. In 1972, he met Ray Benson and Asleep At The Wheel and produced their first LP for United Artist Records. Later he produced 4 LPs for Capitol Records with the group.

Tommy Allsup had been a big supporter of Western Swing music over the years. He had produced 5 LPs with the great Hank Thompson and his Brazos Valley Boys, 2 LPs with the Original Texas Playboys, and 2 LPs with the great Western Swing vocalist Leon Rausch. Tommy produced Swing LPs with Jody Nix, Curley Chalker, Mack Sanders, Johnny Bush, Willie Nelson, Tex Williams, and Billy Mize.

Tommy, who had few regrets, once said: “I never really wanted to be a big star, I figured I’d leave that to someone else.” In 1979, he started a club, “Tommy’s Heads Up Saloon”, in Fort Worth, Texas. The club was named for Allsup’s coin toss with Valens 20 years beforehand.

The last surviving member of Buddy Holly’s “touring” Crickets for the 1959 Winter Dance Party, Tommy Allsup died on January 11, 2017, at 85 years old in a hospital in Springfield, Missouri, after complications from hernia surgery.

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Lewis Soloff 3/2015

Lew_SoloffMarch 8, 2015 – Lewis Soloff (Blood, Sweat & Tears) was born February 20, 1944 in New York. He was a jazz trumpeter, composer and actor, who studied trumpet at the Eastman School of Music and the Juilliard School. He worked with Blood, Sweat & Tears from 1968 until 1973. Prior to this, he worked with Machito, Tony Scott, Maynard Ferguson and Tito Puente.

In the 1980s he was a member of Members Only, a jazz ensemble who recorded for Muse Records. Soloff made frequent guest appearances with jazz orchestras all over the world such as the Lincoln Center Jazz Orchestra (directed by Wynton Marsalis) and the Magic City Jazz Orchestra (directed by Ray Reach). Soloff was a longtime member of the Manhattan Jazz Quintet and Mingus Big Band.

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Bobby Keyes 12/2014

bobby keys-1971December 3, 2014 – Bobby Keys was the epitome of the rock & roll sax-playing man. Robert Henry Keys was born at Lubbock army airfield in Hurlwood, Texas on December 18th 1943.  In 1946 his parents moved to New Mexico for a job, while young Bobby stayed with his grandfather in Texas. He took up the saxophone in High School after being injured while playing baseball and it was the only instrument left unclaimed in the school band. His amazing talent did the rest.

Soon after he met Jerry Allison, a local drummer who was working with Buddy Holly in near by Lubbock. Bobby convinced his grandfather to sign his guardianship to the drummer and he joined Jerry’s band, the Crickets and he was then playing behind Buddy Holly, Buddy Knox and other local rockers. By the age of 15, he was touring with pop singer Bobby Vee on Dick Clark’s Caravan of Stars, alongside such artists as Little Eva and Major Lance. It was while he was playing with Vee when he first met the Rolling Stones at the San Antonio state fair in Texas.

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Rick Rosas 11/2014

 rick-the-bass-player-rosasNovember 6, 2014 – Rick Rosas  (“Rick the Bass Player”) was born in West Los Angeles, Ca. on September 10th 1949. He came up through the ranks of remarkable players as a studio musician and went on to be one of the most sought after session musicians.

In the early 1980s he met Joe Walsh through drummer Joe Vitale and later played on Walsh’s 1985 album, The Confessor.

Rosas also joined Walsh for a short-lived stint in Australia as a member of the Creatures from America, that also featured Waddy Wachtel on guitar and Richard Harvey on drums. He also toured with Dan Fogelberg in 1985. In December 1986, the Walsh band joined Albert Collins and Etta James for the a Jazzvisions taping called “Jump the Blues Away.”

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Kevin Peek 2/2013

Kevin PeekFebruary 14, 2013 – Kevin Peek (Sky) was born Dec 21, 1946 in Adelaide, Australia. He initially played classical percussion in the Adelaide Conservatorium of Music, before teaching himself the guitar.

In 1967 Peek formed a Psychedelic pop, progressive rock group, James Taylor Move but left by May 1968, moving to London. He returned to Adelaide, Australia, to join a newly formed rock band Quatro which, despite a contract from England’s Decca Records, proved artistically unsuccessful.

For a time, following their move to London, he and his fellow Adelaide-born bandmates—guitarist Terry Britten, bassist Alan Tarney, and drummer Trevor Spencer—made their livings as session musicians together, playing with everyone from the New Seekers and Mary Hopkin (Earth Song, Ocean Song) to Cliff Richard, whose regular backing band they became on stage and on record during the 1970s. Peek also worked with Manfred Mann, Lulu, Tom Jones, Jeff Wayne (War of the Worlds), and Shirley Bassey, among others. He also wrote the theme music for the internationally-broadcast “Singapore Girl” television advertisements for Singapore Airlines.

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Steve Knight 1/2013

Steve Knight 1January 19, 2013 – Steve Knight was born on May 12, 1935 in New York to artist parents. From 1938–1950 his family lived in Woodstock, New York. In 1950, his father became a professor at Columbia University and moved the family to New York City. In 1952, Knight graduated from high school and enrolled at Columbia later that year. He stayed at Columbia for most of the 1950s (1952–1959) studying art, music and psychology. He earned a B.S. degree majoring in psychology, and had one year of graduate work in psychology.

From 1959 to 1968, Steve Knight recorded with or was a member of various bands including  The Feenjon Group, The Peacemakers, Devil’s Anvil and Wings (obviously not Paul McCartney’s group). In 1969, producer/vocalist/bassist Felix Pappalardi organized the heavy rock band Mountain. The initial line-up included Leslie West (guitar/vocals) and N.D. Smart (drums).

Even though he became the keyboardist, Knight was really a multi-instrumentalist, mastering both string and wind instruments. Prior to release of Mountain’s debut album, Climbing!, Pappalardi, who had known Knight from prior musical affiliations, added him to the line-up on keyboards. Corky Laing replaced Smart on drums. The band enjoyed a great deal of recording and touring success in the early 1970s including 3 gold albums, but called it quits in 1972. He performed at the infamous Woodstock Festival.

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Martin Fierro 3/2008

Martin FierroMarch 13, 2008 – Martin Fierro was born on January 18th 1942.

Unlike the famous, but epically somber poem by Argentinian poet José Henriquez published in two parts, El Gaucho Martín Fierro(1872) and La Vuelta de Martín Fierro (1879 Martin Fierro was a magnificent and funny Session saxophone player in the San Francisco Bay Area who was also known as “the Meester” to his many loving fans.

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John Stewart 1/2008

John StewartJanuary 19, 2008 – John Coburn Stewart was born September 5th 1939 in San Diego, California, Stewart was the son of horse trainer John S. Stewart and spent his childhood and adolescence in southern California, living mostly in the cities of Pasadena and Claremont.

He graduated in 1957 from High School, which at the time was a coeducational school. He demonstrated an early talent for music, learning the guitar and banjo. He composed his first song, “Shrunken Head Boogie,” when he was ten years old. In an interview in Michael Oberman’s Music makers column (The Washington, DC Star Newspaper) on Oct. 30, 1971, Stewart said, “I bought a ukelele when I was in Pasadena. I would listen to Sons of the Pioneers records. Tex Ritter really turned me on to music. ‘I Love My Rooster’ was Top Ten as far as I was concerned.”

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Boots Randolph 7/2007

Boots RandolphJuly 3, 2007 – Boots Randolph was born Homer Louis Randolph III was born on June 3, 1927 in Paducah, Kentucky, where he grew up in the rural community of Cadiz.

When Boots Randolph was “tootin’ his horn”, he did more than just play the saxophone. More than just pop out music notes. And that’s why his saxophone sounded like it could sing…could talk…could almost speak to deaf ears! His ability was awesome. His versatile style still has no equal. He brought audiences to their feet ever since the early sixties, when his signature song– “Yakety Sax” — first hit the airwaves. It took off like gangbusters and turned the young musician into a celebrity, probably before some of his friends in the hills of Kentucky could even spell it!

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Michael Brecker 1/2007

Michael BreckerJanuary 13, 2007 – Michael Leonard Brecker was born on March 29th 1949 in Philadelphia, Pennsylvania. Michael Brecker was exposed to jazz at an early age by his father, an amateur jazz pianist. Among the generation of jazz musicians that saw rock music not as the enemy but as a viable musical option, Brecker began studying clarinet, then moved to alto saxophone in school, eventually settling on the tenor saxophone as his primary instrument. After only a year at Indiana University, Michael Brecker moved to New York City in 1970 where he carved out a niche for himself as a dynamic and exciting jazz soloist.

He first made his mark at age 21 as a member of the jazz/rock band Dreams – a band that included his older brother Randy, trombonist Barry Rogers, drummer Billy Cobham, Jeff Kent and Doug Lubahn. Dreams was short-lived, lasting only a year, but influential (Miles Davis was seen at some gigs prior to his recording “Jack Johnson”).

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Sneaky Pete Kleinow 1/2007

Sneaky Pete KleinowJanuary 6, 2007 – Sneaky Pete Kleinow  was born on August 20th 1934 in South Bend, Indiana. He became intrigued by the steel guitar, particularly the Hawaiian stylings of Jerry Byrd, and he took up the instrument when he was 17. He worked repairing roads, but he would play in club bands at night. One band decided that everyone should have nicknames and, for Kleinow, “Sneaky” stuck.

In 1960, he moved to Los Angeles and wrote jingles, and worked as a special effects artist and stop motion animator for movies and television, including the Gumby and Davey and Goliath series. He did special effects for the film The Wonderful World of the Brothers Grimm (1962) and the cult TV show The Outer Limits.

His first date as a session musician was on the Ventures‘ “Blue Star” in 1965. He played in clubs around Los Angeles and sat in with Bakersfield Sound-oriented combos and early country-rock aggregations playing the pedal steel guitar. This is where he became acquainted with Chris Hillman and Gram Parsons of The Byrds, helping the group to replicate their newly country-oriented sound onstage with banjoist Doug Dillard and, early in 1968, Chris Hillman and Gram Parsons told him of their plans to relaunch the rock band the Byrds in a country music setting.

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Joe Weaver 7/2006

joe-weaverJuly 5, 2006 – Joe Weaver was born on August 27th 1934 in Detroit, Michigan.

His best known recording was “Baby I Love You So” – 1955, and he was a founding member of both The Blue Note Orchestra and The Motor City Rhythm & Blues Pioneers. Over his lengthy but staggered career, Joe worked with various musicians including The Four Tops, Marvin Gaye, John Lee Hooker, Nathaniel Mayer, The Miracles, Martha Reeves, Nolan Strong & The Diablos, Andre Williams, Nancy Wilson, and Stevie Wonder. In addition, he was a session musician in the early days of Motown Records and played in the house band at Fortune Records. He was a key component in the 1950s Detroit R&B scene.

Weaver learned to play the piano from age nine. While at Northwestern High School he teamed up with fellow student Johnnie Bassett to form Joe Weaver and the Blue Notes.

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Tommy Tedesco 11/1997

tommy tedescoNovember 10, 1997 – Tommy Tedesco (session guitarist) was born on July 3rd 1930 in Niagara Falls. It took him almost 30 years to make his way to the West Coast, but once there he became one of the most sought after studio musicians between the 1960s and the 1980s. Although Tedesco was primarily a guitar player, he also played the mandolin, ukulele, and the sitar as well as 28 other stringed instruments (though he played all of them in guitar tuning!).

Guitar magazine described him as the most recorded guitarist in history, having played on thousands of recordings, including the Beach Boys, Everly Brothers, The Association, Barbra Streisand, Elvis Presley, Ella Fitzgerald, Frank Zappa, Sam Cooke, Cher, and Nancy and Frank Sinatra. He recorded with most of the top acts in the Los Angeles arena. TV themes include Bonanza, The Twilight Zone, Green Acres, M*A*S*H, Batman, and Elvis Presley’s ’68 Comeback Special. Continue reading Tommy Tedesco 11/1997