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Eric Carmen 3/2024

Eric Carmen (The Raspberries) was born August 11, 1949 in Cleveland, Ohio, and grew up in Lyndhurst, Ohio. Carmen was born into a family of Russian Jewish immigrants, and was involved with music since early childhood. By the age of two, he was entertaining his parents with impressions of Jimmy Durante and Johnnie Ray. By age three, he was in the Dalcroze Eurhythmics program at the Cleveland Institute of Music. At six years old, he took violin lessons from his aunt Muriel Carmen, who was a violinist in the Cleveland Orchestra. By age 11, he was playing piano and dreaming about writing his own songs. The arrival of the Beatles and the Rolling Stones altered his dream slightly. By the time he was a sophomore at Charles F. Brush High School, Carmen was playing piano and singing in local rock bands including the Sounds of Silence.

Though classically trained in piano, at age fifteen, Carmen started to take guitar lessons, but when his teacher’s approach did not fit with what he wanted, he decided to teach himself. He bought a Beatles chord book and studied guitar for the next four months.

Carmen became real serious about being a musician while attending John Carroll University. He joined a band named Cyrus Erie, which recorded several commercially unsuccessful singles for Epic Records. Cyrus Erie guitarist Wally Bryson had been playing with friends Jim Bonfanti and Dave Smalley in one of Cleveland’s most popular bands, the Choir, which scored a minor national hit in 1967 with the single “It’s Cold Outside”.

When Cyrus Erie and the Choir disbanded at the end of the 1960s, Carmen, Bryson, Bonfanti, and Smalley teamed up to form the Raspberries, a rock and roll band that was among the chief exponents of the early 1970s power pop style. Carmen was the lead singer of the group, and wrote or co-wrote all their hit songs.

In 1975, after the breakup of the Raspberries, he started his solo career, de-emphasizing harder rock elements in favor of soft rock and power ballads.

Carmen’s first two solo singles were chart hits in 1976. Both were inspired and built around themes by Sergei Rachmaninoff. The first of these singles, “All by Myself” – based on Rachmaninoff’s Piano Concerto No. 2 – hit number 2 in the United States, and number 12 in the United Kingdom where it was his only charting hit. It sold over one million copies, and was awarded a gold disc by the R.I.A.A. in April 1976. The follow-up single, “Never Gonna Fall in Love Again” – based on the main theme of the third movement of Rachmaninoff’s Symphony No. 2 – reached number 11 on the Billboard Hot 100, and hit number one on the US Adult Contemporary Chart, as well as number nine on the Cash Box chart. The UK took it to number 31 and in Australia took it to number 13. Those two songs featured on his 1975 self-titled debut album, along with “That’s Rock and Roll”, a number 3 hit single for singer Shaun Cassidy. The album made number 21 on the Billboard album chart and was certified gold in 1977 for sales of more than 500,000 copies.

Carmen’s second album, Boats Against the Current, was released in the summer of 1977 to mixed reviews. It featured backup players such as Burton Cummings, Andrew Gold, Bruce Johnston and Nigel Olsson. The album spent 13 weeks on the Billboard album chart, peaking at number 45. It also produced the top 20 single “She Did It”, but the title track only managed to scrape the bottom of the chart. The title track was later covered by Olivia Newton-John on her album Totally Hot. A third single taken from the album, “Marathon Man”, became his first solo single not to hit the Billboard Hot 100 chart. However, Shaun Cassidy again made the top 10 in 1978 with Carmen’s “Hey Deanie”. For several weeks in the fall of 1977, Carmen had three compositions charting concurrently on the Billboard Hot 100; Cassidy’s two big hits and Carmen’s own “She Did It”.

Carmen followed up with two more albums. Despite declining chart fortunes, the single “Change of Heart” broke into the top 20, and reached number 6 on the AC chart in late 1978, with this hit also being covered by Samantha Sang on her Emotion LP. In 1980, he released the album Tonight You’re Mine with its lead single “It Hurts Too Much” (number 75 Billboard Hot 100).

In 1984, Carmen and Dean Pitchford co-wrote “Almost Paradise”, the love theme from the film Footloose. The song, performed by Ann Wilson and Mike Reno, peaked at No. 7 on the Billboard Hot 100.

In 1985, Carmen resurfaced on Geffen Records with a second self-titled album and a sizable comeback hit, “I Wanna Hear It from Your Lips”. The single hit the Adult Contemporary top 10 as well as the Pop top 40. The follow-up single, “I’m Through with Love”, also climbed the Billboard Hot 100 and reached the top 20 of the Adult Contemporary chart. Another track from the album, “Maybe My Baby”, later became a country hit for Louise Mandrell reaching number 8 on Billboard’s Hot Country Songs chart. “I Wanna Hear It from Your Lips” was also covered by Mandrell, but only managed to peak at No. 35 on the same chart.

In 1987, Carmen’s contribution to the hit film Dirty Dancing, “Hungry Eyes”, hit number 2 on the Adult Contemporary chart and also returned him to the Pop top 10. “Reason to Try”, a further contribution to the One Moment in Time compilation album of songs recorded for the 1988 Seoul Summer Olympics, kept Carmen’s profile high in 1988, during which the nostalgic “Make Me Lose Control” also returned him to the number one position on the Adult Contemporary chart – where it stayed for three straight weeks – as well as number 3 on the Billboard Hot 100. Following a final minor chart hit in 1988 with “Reason to Try”, from an Olympics-themed compilation album, Carmen’s career was largely inactive for a decade.

The year 2000 saw the stateside release of I Was Born to Love You, which had been released in 1998 in Japan as Winter Dreams. Carmen eschewed the use of a band on the recording, playing most of the instruments and programming the drum parts himself. The album did not find a large audience, but Carmen continued to enjoy success placing songs with other artists over the years. In 2000, he toured with Ringo Starr and His All Starr Band.

On December 24, 2013, the first new recording in over 15 years by Carmen titled “Brand New Year” was released. The track, written and recorded in November and December 2013 in Ohio and Los Angeles, was issued as a free download by Legacy Recordings as a special “Christmas gift”, to herald the March 2014 arrival of a 30-track career retrospective entitled The Essential Eric Carmen.

On March 11, 2024, Eric Carmen’s wife Amy announced that he had died in his sleep over the previous weekend at the age of 74. No cause of death was given. 

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Don Everly 8/2021

Don Everly (The Everly Brothers) was born in Brownie, Kentucky on February 1, 1937. He was of German, English and Cherokee descent. His formidable father, “Ike” Everly was a coal miner in Brownie, Ky., and Don was born in Brownie’s coal camp. Ike also was a guitar player, taught by Arnold Schultz, the Black musician who taught Bill Monroe. And when the coal was gone, Ike moved the family to Chicago in the late 1930s in search of a career in music. A second son, Phil, was born there, and the family moved to Shenandoah, Iowa, where Ike had a radio show in the mid-1940s. “Little Donnie” sang the theme, “Free as a Little Bird as I Can Be,” and then Phil was brought in, and with that the Everly Family was on the air. Don and Phil attended Longfellow elementary school in Waterloo. They sang on their father’s radio show and the family entertained and sang around the area.

In 1953, the Everlys moved to Knoxville and both boys attended West High School where Don graduated. While in Knoxville the two high school brothers performed on the Cas Walker Show on TV until they added some early rock and roll to their country music set list. At that point, Cas Walker fired them adding that “Rock and Roll don’t sell groceries.”

The teenage brothers were viewed as long-haired, leather-jacket-wearing toughs. Ike got a meeting for the boys with country music mogul Chet Atkins in Nashville, and Atkins was so impressed with Don’s songwriting that he placed one of his songs with Kitty Wells.

“Don said he was considering college but when Kitty Wells bought his song “Thou Shalt Not Steal” (which Don wrote at WHS) and recorded it, the check came in the mail and he was now a songwriter.” He confirmed the old Knoxville urban legend: seeing the check and knowing that Nashville would be the next step. “That check bought us four tires and we were heading to Nashville,” Everly  recalled.

In 1955, the family moved to Nashville and the boys auditioned for labels as a brother act. A single they made went nowhere. After one difficult session for Columbia, yielding the rare 1956 single Keep A’Lovin’ Me/The Sun Keeps Shining, they signed with the New York label Cadence, later switching to the newly formed Warner Bros Records. From 1957 to 1965 they had 28 hits in the British Top 30, and comparable success in the US.

When they signed with Cadence and were given a tune (Bye Bye Love) to kick around, written by two of the hottest songwriters in town, Felice and Boudleaux Bryant. “Bye Bye Love” topped the country chart and hit No. 2 on the pop chart right behind Elvis Presley’s “(Let Me Be Your) Teddy Bear” and No. 5 on the rhythm and blues chart in 1957. It became the Everly Brothers’ first million-seller. They opened for Buddy Holly on the road for almost 2 years before another Bryant number, “Wake Up Little Susie,” topped the pop charts in 1957. When Chuck Berry was asked what song he most wished he’d written, he declared it was “Susie.” “All I Have to Do Is Dream” followed in 1958.

Rock ‘n’ roll was in ascendance, but if the music was mostly about revolt and rule-breaking, here was a style that felt both pre-rock and yet of the moment, built on family harmony and gentle sadness that seemed innocent even then. The music floated on the brothers’ harmonies, in effortless chromosomal alignment and held in place by the crisp playing of Nashville studio veterans.

The boys were seasoned professionals by the time they poured out their magic vocals on to a run of hits that married hillbilly harmonies and Nashville nous, their full-chorded acoustic guitars embracing Bo Diddley’s exotic rhythms to create the rock’n’roll end of country music’s rich, commercial sounds.

In a five-year span from 1957 to 1962, they had 15 top 10 hits, among them: “Bye Bye Love,” which launched them; “All I Have to Do Is Dream,” written by Boudleaux Bryant; and “Cathy’s Clown,” which was a No. 1 hit in 1960 and a No. 1 country hit for Reba McEntire in 1989. The hits continued: “Devoted to You” and “Bird Dog” in 1958; “(Til’) I Kissed You,” written by Don, in 1959; and “Let It Be Me,” and “When Will I Be Loved” in 1960. “Crying in the Rain” and then “That’s Old Fashioned (That’s the Way Love Should Be)” from 1962 were their final forays into the top 10.

The Everly Brothers were certainly pioneers in rock and folk music and inspired artists like the Beatles, Simon and Garfunkel, They influenced everyone from The Beach Boys to The Rolling Stones and The Beatles, Bee Gees, Buddy Holly and many others. In fact, the Everlys toured with Buddy Holly for two years before his untimely death. Fifteen years later their Appalachian roots inspired country rockers such as Gram Parsons and Linda Ronstadt, who had a hit covering their “When Will I Be Loved” in 1975.

Personal problems (including Don’s addiction to amphetamines) began wearing away on the pair, and in 1973 the Everlys broke up during a concert at Knott’s Berry Farm in Buena Park, California. Mutual dislike and differing temperaments caused Don and Phil Everly to retire and they both went solo. During that time Phil sang backing vocals in Warren Zevon’s debut album. He also recorded for Clint Eastwood’s ‘Every Which Way But Loose’ and ‘Any Which Way You Can’. Don recorded ‘Blue Kentucky Girl’ with Emmylou Harris.

Don found some success on the US country charts in the mid- to late-1970s, in Nashville with his band, Dead Cowboys, and playing with Albert Lee.

Don also performed solo at an annual country music festival in London in mid-1976. His appearance was well received, and he was given “thunderous applause”, even though critics noted that the performance was uneven. Don recorded “Everytime You Leave” with Emmylou Harris on her 1979 album Blue Kentucky Girl.

The Everly Brothers reunited in 1983 for a show at the Royal Albert Hall, London. The following year they released the album ‘EB84’, produced by Dave Edmunds. Paul McCartney wrote the first single ‘On The Wings of a Nightingale’.

Simon & Garfunkel took the Everly Brothers on tour in the 1980s but instead of the brothers opening for them, they appeared in the middle of the Simon & Garfunkel set.  The Everly Brothers also sang backing vocals for Paul Simon’s ‘Graceland’.

Don and his younger brother, Phil, were in the first group to be inaugurated in the Rock & Roll Hall of Fame in 1986, alongside Elvis Presley, Chuck Berry, Little Richard, Buddy Holly and Jerry Lee Lewis. Their family harmonies set them apart from the rest, as did an out-of-time gentleness: the Everly Brothers’ well-crafted songs floated between country and city and moved with the rhythms of a dream.

In the time line of rock & roll they were the heroes of our heroes.

But that became also the reason why their hey days were cut short, way too short actually.

They had the gravitas to cover other artists’ crucial songs, from Little Richard’s Lucille, given a keening, slow-motion vocal fall, to the blues classics Trouble in Mind and Step It Up and Go, and Mickey & Sylvia’s Love Is Strange. Don, taken through the Maxwell Street market in Chicago as a young boy by his father, was ever after aware of gospel and blues. In an era of pretty pop, the Everlys sought a tougher sound on records such as The Price of Love (1965) and their extraordinary revival of the standard Temptation (1961), which pre-figured Phil Spector’s “wall of sound”. But, like Spector’s River Deep, Mountain High, the Everlys’ Temptation was (by their standards) a flop in the US, and The Price of Love a bigger one.

Then there were the Beatles, whose “new” harmonies made the Everlys old-fashioned overnight. Made redundant before they were 30, Don and Phil felt, wrongly, that the Beatles had stolen from them without acknowledgment – John and Paul ‘admitted’ that they had taken inspiration for the harmonies on Please Please Me from Cathy’s Clown.

Sidelined further by prog rock, Don and Phil tried first to sound like Simon and Garfunkel, and then their influential 1968 album Roots which, with the Byrds’ Sweetheart of the Rodeo, marked a step towards the emergence of “country rock”.

Don continued to write songs: Human Race (1970), the cri de coeur I’m Tired of Singing My Song in Las Vegas on the album Stories We Could Tell (1972), and most of the magnificent ignored solo album Don Everly (1971), a compelling collection that sings of human frailty with profound compassion (yet which, Phil told a biographer, he had felt as a betrayal, “like cheating on a marriage”).

These were perilous decades, especially for Don, the more temperamental and creative of the pair, whose drug adventures probably loosened an already shaky grip on reality. After a childhood paraded as a cute novelty item, dressed as if he were a twin, in cowboy clothes, his only sample of “normal life” was a spell in the Marines (of which he was proud) in the middle of being half of a pair of teen idols: one of the world’s most influential, well-loved and successful acts – and then, suddenly, one of the most passé.

The Everly Brothers split up in public acrimony, their last performance together on 14 July 1973, in Buena Park, California, at which Phil hurled down his guitar and stormed off stage, leaving Don to finish the concert alone.

On two other occasions Phil managed without Don. In 1962, on tour in Britain, a drug-fueled Don tried to throw himself from a hotel window and Phil had to perform solo on the remaining dates. And then, recording a solo album in 1983, right at the end of the brothers’ bleak 10 years of separation, Phil brought in Cliff Richard, and on one track they duetted as if Don could somehow be replaced. Phil and Cliff’s She Means Nothing to Me was a Top 10 UK hit, just to compound the enormity of the “betrayal”. Don saw it as nothing less, though it was he who had actually dissolved the brothers’ lifelong professional partnership.

It was a further trauma for both to discover that separately, no one cared that much about either of them. But in 1983 they staged a moving reunion concert at the Royal Albert Hall in London.

They still sang exquisitely, and a small segment of their shows offered songs learned from their father, whom they worshipped, and the Kentucky guitarist Mose Rager: authentic old-time country material. Don played loving, intense guitar, though sparingly in latterday performances. Singing lead, he lived in the spontaneity of the moment, his phrasing inspired, warm and free. He was an artist. But they hardly dared stray from their teenage hits. Besides, to have done so would have meant having to rehearse together, and that was not in the stars in those days.

Off-stage, Don was a glutton for life and a connoisseur. He had always seen the latest film; he read widely; he was interested in modern art and, on a modest scale, collected it. An avid explorer of restaurants, he loved to talk of food and to cook it. On tour, the Anglophile rock star would rise early and roam the towns he found himself in. These explorations made his professional duties tolerable, as he would deftly concede. At showtime in 90s Croydon, he realised he had forgotten to change into his stage clothes. Told he looked fine, he answered: “No, I better change. That suit knows the words.”

In later years the story of the Everly Brothers stranded in time. And when we, the audience, were paying attention again to their revival, they couldn’t get along. And if you were born in the forties and experienced their hits firsthand, this was probably gut-wrenching, much as the Beatles break up in 1969. But to the younger later generation, the Everlys were more cartoons than legends.

But then they had a late victory lap. They opened for Simon & Garfunkel on their 2003 reunion tour. It was a last hurrah for both Simon & Garfunkel and the Everlys. Garfunkel lost his voice and by time it came back Simon no longer wanted to go on the road. As for the Everlys? They still couldn’t get their relationship right.

Don Everly attended the Annual Music Masters as the Rock and Roll Hall of Fame paid homage to the Everly Brothers on October 25, 2014, several months after Phil’s demise. Don took the State Theater stage and performed the Everlys’ classic hit “Bye Bye Love”.

Don stopped performing in 2018. His final performance was a guest appearance with Paul Simon on Simon’s 2018 farewell tour in Nashville. Don and Simon performed “Bye Bye Love”, with Simon on Phil Everly’s original tenor harmony.

In many ways the Everly Brothers were there first. They established the paradigm. I was maybe too young to be there, to be infected, but the people I was listening to ate up all those records. Even in Europe Phil & Don were gods, no matter what they did thereafter, those tracks were just that big and special. The Everlys are truly one of the building blocks of rock and roll. Which meant so much, that the Rock and Roll homage created a Rock and Roll hall of fame and built a museum to contain it, and the Everlys were installed in the first induction ceremony in 1986.

And now Don Everly has also been released from his earthly contract on August 21, 2021, aged 84. His brother Phil had died in 2014. The Everly family matriarch, mother Margaret Embry Everly, died four months later in December, aged 102. 

About their influence on superstars that followed, Paul McCarthy of the Beatles said it best: “They were one of the major influences on the Beatles. When John and I first started to write songs, I was Phil and he was Don.”

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Pat DiNizio 12/2017

December 12, 2017 – Pat DiNizio (The Smithereens) was born October 12, 1955 in Scotch Plains, New Jersey, where he actually lived his entire life. As a youngster, he was inspired by the pop music emanating from his transistor radio in the ‘60s and the hit tunes being written by his musical idols Buddy Holly, The Beatles, and The Beau Brummels among others.

He began playing music with several local bands in the early 1970s, but got serious around 1975 when he joined three classmates from nearby Cateret High School – guitarist Jim Babjak, bassist Mike Mesaros and drummer Dennis Diken and formed the Smithereens. That lineup would remain in place for nearly 25 years. Continue reading Pat DiNizio 12/2017

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Robert Knight 11/2017

one hit wonder robert knightNovember 5, 2017 – Robert Knight, born Robert Peebles on April 24, 1945 grew up in Franklin Tennessee, just south of Nashville’s Music scene. Knight made his professional vocal debut with the Paramounts, a quintet consisting of school friends. Signed to Dot Records in 1960, they recorded “Free Me” in 1961, a US R&B hit single that was somewhat noteworthy as it outsold a rival version by Johnny Preston. Continue reading Robert Knight 11/2017

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George Young 10/2017

October 23, 2017 – George Young (with his bandmate and songwriting partner Harry Vanda-right in the picture) – Easybeats was born on November 6, 1946 in Glasgow Schotland. The lower middle class Young family were all musicians, but when the worst winter on record in Schotland arrived in post Christmas into January 1963, the family split as a result of 15 family members taking the opportunity to emigrate to Australia, including almost 16 year old George. Continue reading George Young 10/2017

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Deke Leonard 1/2017

Deke Leonard, guitarist for Man and IcebergJanuary 31, 2017 – Deke Leonard (Man) was born Roger Leonard on 18 December 1944 in Llanelli, South Wales in the UK, the son of Winston, a dog breeder, and his wife, Ella. He attended Llanelli boys’ grammar school, where he formed his first band, Lucifer and the Corncrackers, with his cousin Meic Rees (vocals), Geoff Griffiths (drums) and Clive “Wes” Reynolds (bass), in 1962, taking his stage name from “Deke” Rivers, the character played by Elvis Presley in his 1957 movie Loving You. Leonard left school to work as a management trainee for a building contractor, where he quickly left to avoid getting fired. He decided to become a full-time musician or as he later confessed: “”serving a life sentence in the music business”.

The Corncrackers ran their own club, the “L” Club, featuring themselves and booking other Welsh musicians such as such as Tommy Scott (Tom Jones) and the Senators. He went on to play with other Welsh bands, the Jets, Smokeless Zone and the Dream., whilst also playing support to acts such as Johnny Kidd & The Pirates and The Hollies at a rival venue. When Rees left they continued as a trio; Keith Hodge then replaced Griffiths, but when Reynolds left to join the South Wales band The Jets, The Corncrackers broke up. Continue reading Deke Leonard 1/2017

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Junie Morrison 1/2017

The giant behind funkJanuary 21, 2017 – Walter “Junie” Morrison was born sometime in 1954 in Dayton, Ohio. The exact date has not been found as if intentionally hidden by his later alter ego J.S. Theracon, showing up on an infrequent basis during his life, mostly when contractual obligations got in the way of making music.

Morrison sang and played piano as a child in church, soon learning a range of other instruments such as guitar , bass, drums and brasses, making gospel a foundation for his music. He soon became a student school choir director and orchestra conductor at Roosevelt High School in Dayton. In 1970, in his mid-teens, after graduating from high school, he joined the funk band the Ohio Players.

He became their lead singer, trumpeter and keyboardist, and soon their musical director and producer, involved in some of their major hits and the albums Pain, Pleasure, and Ecstasy. He was largely responsible for writing and arranging the band’s 1973 hit single, “Funky Worm“. The band members nicknamed him Junie, he told the Red Bull Music Academy, because they were older. “It took quite a while before they let me forget my age and lack of experience in the ‘ways of the world,’ ” he said. Continue reading Junie Morrison 1/2017

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Chris Curtis 2/2005

Chris CurtisFebruary 28, 2005 – Chris Curtis (the Searchers) was born August 26, 1941 as Christopher Crummey in Oldham, Lancashire. Curtis moved to Liverpool when he was four and went to primary school where he met Mike Pendergast (Mike Pender).

He taught himself how to play the piano on the family instrument. He passed the 11-plus and went to St Mary’s College, Crosby, where he was taught violin although he wanted to play the double-bass. His father bought him a drum set during his late teens when he left school and he learned these in his spare time, when he was not selling prams at Swift’s Furniture store at Stanley Road, Liverpool. He developed a fascination for American music and particularly liked Fats Domino. He also grew the unusually long hair that would be his trademark in the early years.

Continue reading Chris Curtis 2/2005

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Ray Jones 1/2000

ray jonesJanuary 20, 2000 – Ray Jones was born October 22nd 1939 in Liverpool, England. In 1963 Brian Epstein signed The Dakotas to be a backing band for Billy J. Kramer. Billy had been friends with John Lennon for some time and John gave the group a demo of a new song, “Do You Want to Know a Secret”, which they perfected whilst working in Hamburg at the Star Club. On returning to Britain, the song was recorded at Abbey Road studios, with producer George Martin. It stormed up the charts and reached No.2 in the spring of 1963.

This was followed by a No.1 hit “Bad to Me” c/w “I Call Your Name”, and was awarded a gold disc, followed by another hit with “I’ll Keep You Satisfied”. In addition to backing Billy J on his hits, the group itself is perhaps best known for their instrumental single called “The Cruel Sea”, which reached No.18 in the UK charts in July 1963.

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Ray Jones had joined the band as bassist replacing Ian Fraser and Mike Maxfield joined the band in February 1962 as lead guitarist replacing Bryn Jones after being with a Manchester band called the Coasters. The group first backed Pete MacLaine (February 1962 – January 1963). However, Brian Epstein, who was managing Billy J. Kramer, made the Dakotas an offer to become Kramer’s backing band, which they accepted. Epstein insisted the name was Billy J Kramer with The Dakotas, not “and”. The group and Billy J Kramer then went to Hamburg to perfect their act.

In addition to backing Kramer on his hits, the group itself is perhaps best known for their instrumental single called “The Cruel Sea”, a composition of Maxfield that reached No.18 in the UK charts in July 1963. The track was re-titled “The Cruel Surf” in the U.S., and was subsequently covered by The Ventures.

The band released by “Magic Carpet” by George Martin in September 1963. It was not a hit. Their next single, “Oyeh” (November 1964), was not a chart success either.
After a row with Epstein, Ray Jones left the group in July 1964. Robin MacDonald moved to bass to make way for a new lead guitarist, Mick Green from Johnny Kidd and The Pirates.

Ray Jones never went back into professional music and died from an undisclosed cause on January 20, 2000 at age 60.