February 28, 2005 – Chris Curtis (the Searchers) was born August 26, 1941 as Christopher Crummey in Oldham, Lancashire. Curtis moved to Liverpool when he was four and went to primary school where he met Mike Pendergast (Mike Pender).
He taught himself how to play the piano on the family instrument. He passed the 11-plus and went to St Mary’s College, Crosby, where he was taught violin although he wanted to play the double-bass. His father bought him a drum set during his late teens when he left school and he learned these in his spare time, when he was not selling prams at Swift’s Furniture store at Stanley Road, Liverpool. He developed a fascination for American music and particularly liked Fats Domino. He also grew the unusually long hair that would be his trademark in the early years.
In 1960 he met Prendergast soon after Norman McGarry, the Searcher’s second drummer, had left the band. He accepted an invitation to join the band for a gig at Wilson Hall, Garston and became the seventh member of The Searchers, replacing McGarry to join John McNally, Mike Prendergast and Tony Jackson. He adopted the name Chris Curtis after Jackson described him thus in a press interview, choosing the name from a Lee Curtis poster to avoid saying ‘crummey’.
For six years from 1960, he an essential part of the Searchers’ sound, he contributed to the band’s characteristic vocal harmonies with his distinctive high voice and as well as playing drums he introduced all manner of percussion including tom-toms, castanets, cowbells, bongos and Spanish bells.
The band’s members took turns singing lead vocals, which allowed them to give longer and more frequent sets than most of their competitors. This would later be one of the triggers for Curtis’ habit of substance abuse: taking drugs to stay awake and then to induce sleep.
The Searchers briefly rivaled the Beatles for popularity, having international hits with “Needles and Pins”, “Sugar and Spice” and “Don’t Throw Your Love Away”.
Curtis wrote most of the band’s songs that were not covers and was constantly seeking obscure songs for them to cover. Many of his finds were B-sides discovered in Brian Epstein’s NEMS record shop and upstairs in another record shop, near the furniture store where he worked. It seems probable that the band’s lack of continuing success may be a consequence of their dependency upon material associated with other performers.
He was a manic individual given to great enthusiasm but prone to voicing trenchant views without considering the effect upon others. He antagonised Ray McFall, the owner of the Cavern Club, by saying that it was “a dreadful place”, “stinky and sweaty”.
Curtis rarely mixed socially with his fellow band members, preferring his own company. He was widely thought to be a genius. George Harrison referred to him as ‘Mad Henry’ but John Lennon indulged him.
A devout Roman Catholic throughout his life, Curtis would repair to a convent church in the early hours of Sunday morning after finishing the Saturday night set at the Star Club, St. Pauli, near Hamburg. At that time Curtis still had long hair, which was unusual for the time, and was sometimes assumed to be one of the transvestites who haunted that district. He cut his hair when the band became popular, deciding that it would put off some potential record buyers.
Curtis met his girlfriend, Annette Kuntze in St. Pauli and she returned to live with him in Knightsbridge, London. She took photographs for some of the Pye record sleeves and was responsible for the sullen look affected by the band.
Another visitor to the flat was Jackie DeShannon who co-wrote several Searchers songs with Sharon Sheeley, whom she introduced to Curtis.
The Searchers returned to the Star Club to fulfil a prior booking after they had become successful in England. “I found “Love Potion Number 9” in a back-street, second-hand shop in Hamburg.” Curtis later said. “I saw this 45 with a triangle in the middle and I thought: I’ve got to have it, it’s such a weird looking record. I took my little portable electric record-player to Germany and I played “Love Potion Number 9″ and I thought: This is excellent.”
Curtis left The Searchers in mid 1966, after an extensive tour of the Philippines, Hong Kong and Australia, with the Rolling Stones. Accounts of the break-up differ but there were some significant incidents during the tour and Curtis had become unreliable. Curtis hated Australia and he was abusing a variety of substances to the point where he fell off the stage at one venue. The other members of the band emptied his pharmacopia down the lavatory.
When he left the Searchers, Curtis rang his friend, bassist Klaus Voormann, who was in charge of the Swedish radio station for whom the band had recorded sessions in 1964. Voormann told him to come to Sweden to get himself straight.
Upon his return to London from Sweden, Curtis recorded his only solo single, “Aggravation” (backed with “Have I Done Something Wrong?”). It entered the UK singles chart at number 40 on 26 June 1966 rising to 19 the following week and then dropping out forever. He never made another single. “Aggravation” was a Joe South song. The musicians included Jimmy Page, Joe Moretti, John Paul Jones and Vic Flick & Bobby Graham. “I did my Tom Jones hard rock voice and I was really loud,” Curtis would say later.
In 1965 Curtis had written and produced “Snakes And Snails” for Alma Cogan with all the musicians who had played on “Aggravation”. Now, Vicki Wickham, the editor and producer of Ready Steady Go! asked Curtis to produce the sound for the Otis Redding Special, which aired on 16 September 1966. She also introduced him to Tony Edwards, a clothier working London’s West End, who aspired to be part of the music business and was managing the singer and model, Ayshea.
At the same time Curtis produced recordings of Paul and Barry Ryan for their stepfather, Harold Davidson. Graham Nash had given him the song “Have You Ever Loved Somebody?” and he got them to sing it backed by Ten Feet, a Welsh group whom he was also producing. Pye Records asked Curtis to delay the release of the Ryans’ version so that the Searchers could release it. Curtis did not want to help his old band, however, and with the help of Harold Davidson, the Ryans released the single in the week of 12 September 1966 and played it on ‘Ready, Steady, Go’ on 7 October. Curtis also wrote “Night Time” for the Ryans with his friend Sharon Sheeley and they collaborated on several other songs.
In 1967, a year after their first meeting Curtis contacted Edwards. “From out of the blue, Chris rang me from Liverpool. He said I’d like you to be my manager. I’ll teach you everything. Brian Epstein’s dead, you can be the next Brian Epstein”. “That hooked me” recalled Edwards.
Curtis came back to London at the beginning of 1968 and moved into a low-rent flat rented by Jon Lord, whom he had recently met at one of Vicki Wickham’s parties. Curtis was planning his return to performing but he had yet to assemble his new band. In that first conversation with Lord he said, “I’ve got this concept.”
Lord was eager to listen; his previous band had changed their name from The Artwoods to St Valentine’s Day Massacre in a desperate effort to cash in on the gangsters craze that followed the film Bonnie and Clyde. Their cover of Bing Crosby’s “Brother Can You Spare a Dime?”, released at the end of 1967, had been a failure and he had agreed to make a one-month tour with The Flower Pot Men, a band promoting the hit “Let’s Go to San Francisco”.
Curtis’s concept was a band with a core of three members: Curtis, Lord and Robbie Hewlett. The other musicians would be engaged whenever the core felt like it. “They would jump on and off the roundabout. But I left that party in a new band, Roundabout.” said Lord.
Curtis would arrange for Daimler limousines to taxi him about and was charging the cost to Tony Edwards. Edwards realised that he had made a mistake agreeing to manage Curtis but he liked what he saw of Jon Lord. And Lord was also having problems with Curtis, who had started to use LSD. Lord returned from a few days away with The Flowerpot Men to find the entire flat covered in aluminium foil. Everything; even the furniture and the light bulbs.
Curtis moved out soon after this but he did tell Lord that he had a guitarist in mind for Roundabout. Curtis arranged for Ritchie Blackmore and his girlfriend to fly over from Hamburg, Germany and meet Tony Edwards. The meeting was a success for Blackmore, Edwards and Lord but they had no room for the erratic Curtis. They changed their name to Deep Purple and their first single was Joe South’s “Hush”, which Curtis had been playing in Lord’s flat for months.
Curtis left the music industry and joined the Inland Revenue in 1969. He found the change difficult but he liked his new colleagues and he stayed there for nineteen years. He took early retirement in 1988 suffering a systemic illness that he ascribed to sick building syndrome.
In the mid 1970s he made some demos with Bernard Whitty, a Liverpool producer, to whom he had been introduced by one of his colleagues at the Inland Revenue. Alan Willey was an accountant who played guitar semi professionally. He asked Curtis to join his band, Western Union, but Curtis started drinking heavily and was asked to leave. Ultimately nothing came of the demos.
In 1998 he gave his first interview in thirty years; to Spencer Leigh for BBC Radio Merseyside. Some years later he started appearing weekly with live musicians for the Merseycats charity at the Marconi club in Huyton. His driver for these evenings was Mike Pender’s cousin, Michael Prendergast but he never revisited the old Searchers’ songs. On 13 April 2003, he gave another interview to Spencer Leigh for BBC Radio Merseyside to discuss the ‘new’ Searchers’ albums, The Searchers at the Iron Door, The Searchers at the Star-Club and the Swedish Radio Sessions.
Chris Curtis died at home on 28 February 2005 at the age of 63 for an undisclosed cause.