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Marianne Faithfull 1/2025

Marianne Faithfull (78) 1/2025 was born 29 December 1946 in Hemstead, London. Just to sketch her aristocracy come down it should be noted that

Faithfull was born at the old Queen Mary’s Maternity House in Hampstead, London. Her father, Major Robert Glynn Faithfull, was a British intelligence officer and professor of Italian literature at Bedford College, London University. Her mother, Eva, was the daughter of Artur Wolfgang Ritter von Sacher-Masoch (1875–1953), an Austro-Hungarian nobleman of old Polonized Catholic Ruthenian nobility. Eva was born in Budapest and moved to Vienna in 1918; she chose to style herself as Eva von Sacher-Masoch, Baroness Erisso in adulthood. She had been a ballerina for the Max Reinhardt Company during her early years, and danced in productions of works by the German theatrical duo Bertolt Brecht and Kurt Weill. Continue reading Marianne Faithfull 1/2025

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David Sanborn 5/2024

David Sanborn (78) was born in 1945 in Tampa, Florida where his father was stationed in the US Air Force.  David grew up in Kirkwood, Missouri, a western suburb of St. Louis. He contracted polio at the age of three. He “accepted his fate stoically” and endured a “miserable childhood”. He was confined to an iron lung for a year, and polio left him with impaired respiration and a left arm shorter than the right.

While confined to bed, David Sanborn was inspired by the “raw rock ‘n’ roll energy” of music he heard on the radio, particularly saxophone breaks in songs such as Fats Domino‘s “Ain’t That a Shame” and Little Richard‘s “Tutti Frutti”. He loved the sound of the saxophone and at the age of eleven was happy to change to saxophone from piano lessons when doctors recommended that he take up a wind instrument to improve his breathing and strengthen his chest muscles. When he was 14, he was competent enough playing saxophone to play with blues musicians in local clubs. Alto saxophonist Hank Crawford, who was a member of Ray Charles‘s band at the time, was an early and lasting influence on Sanborn. Continue reading David Sanborn 5/2024

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Doug Ingle 5/2024

Doug Ingle (78) was born in Omaha, Nebraska, on September 9, 1945. His father Lloyd, a church organist and accountant, introduced him to music at an early age. The Ingles moved within three months of his birth to the Rocky Mountains in Colorado and later, when he was 11,  the family moved to San Diego, CA.

With the timing right in the mid-sixties and California becoming the hotbed for love-ins and psychedelic rock, Ingle formed the original line up for Iron Butterfly with Ron Bushy on drums. As soon as Iron Butterfly formed, they moved to Hollywood Hills and started an excruciating practice and performing schedule.

Of the four musicians in the In-A-Gadda-Da-Vida lineup, Ingle was the only one who was a founding member, having formed Iron Butterfly in San Diego in 1966. After a handful of lineup changes, a five-piece Iron Butterfly including Ingle and Bushy put out the band’s debut Heavy in 1968; soon after release, the other three members left and were replaced by Brann and Dornan, resulting in the lineup that would create the 17-minute psych-rock epic “In-A-Gadda-Da-Vida.” Released less than six months after Heavy and the lineup shuffle, In-A-Gadda-Da-Vida would sell a reported 30 million copies worldwide, and a three-minute version of the title track — whose title was based on Bushy’s mishearing of “In the Garden of Eden” — became a Top 5 hit on the Hot 100 and a classic rock staple. Continue reading Doug Ingle 5/2024

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David Lindley 3/2023

David Lindley (78) was born in San Marino, California, on March 21, 1944. Growing up in Los Angeles, his father had an extensive collection of 78 rpm records that included Korean folk and Indian sitar music, as well as Spanish classical guitarists Andrés Segovia and Carlos Montoya. Lindley took up the violin at age three, and kept at it despite breaking the fragile bridge. He then moved on to the baritone ukulele in his early teens. Next he learned the banjo. By his late teens, he had won the Topanga Banjo•Fiddle Contest five times. He played banjo with the Dry City Scat Band which included multi-instrumentalist Chris Darrow, and Richard Greene on fiddle. Lindley and his bandmates aspired to emulate multi-talented folk singer Mike Seeger.

Lindley began to frequent the Los Angeles–area folk music scene of the 1960s, primarily going to the Ash Grove club, and the Troubador in West Hollywood, encountering an eclectic assortment of music including flamenco, Russian folk music, and Indian sitar music. At Ash Grove, Lindley shared ideas with local musicians such as Ry Cooder and Chris Hillman. Lindley formed an especially close relationship with Cooder as the two shared a love of “exotic music”, and they both turned away from corporate mainstream music to focus on less popular idioms such as folk and world music. Lindley also learned from traveling blues and folk musicians the “right” way to play certain styles, and he learned violin methods from local star Don “Sugarcane” Harris.

From 1966 to 1970, Lindley was a founding member of the psychedelic rock band Kaleidoscope which released four albums on Epic Records during that period. After Kaleidoscope broke up, Lindley went to England and played in Terry Reid’s (former Yardbirds and Renaissance vocalist) band for a couple of years. In 1972, he teamed with Jackson Browne, playing in his band through 1980 and occasionally afterward. During the 1970s he also toured as a member of the bands of Crosby-Nash, Linda Ronstadt and James Taylor.

In 1981, Lindley formed his own band, El Rayo-X. Jackson Browne produced their first album. The band’s final show was December 31, 1989. 

Lindley was especially known for his work as a session musician. He contributed to years of recordings and live performances by Jackson Browne, and also supported Warren Zevon, Linda Ronstadt, Curtis Mayfield, James Taylor, David Crosby, Graham Nash, Terry Reid, Dolly Parton, Bob Dylan, Bruce Springsteen, Toto, Rod Stewart, Joe Walsh and Dan Fogelberg. He collaborated with fellow guitarists Ry Cooder, Henry Kaiser and G. E. Smith. Ben Harper credited Lindley’s distinctive slide guitar style as a major influence on his own playing, and, in 2006, Lindley sat in on Harper’s album Both Sides of the Gun. He was known in the guitar community for his use of “cheap” instruments sold at Sears department stores and intended for amateurs. He used these for the unique sounds they produce, especially with a slide.

After that in the early 1990s, Lindley toured as a solo artist, first with Hani Naser accompanying on hand drums, then with reggae percussionist Wally Ingram. He also played on a multitude of studio sessions. Between his work in the studio as a session musician or on tour as a sideman or bandleader, Lindley learned new instruments. He was famous for having written the only song glorifying a brand of condoms, “Ram-a-Lamb-a-Man,” from his album Win this Record!. The media often commented on his colorful polyester clothing, with jarring contrasts between pants and shirt, earning him the nickname Prince of Polyester.

Lindley also toured extensively and recorded with reggae percussionist Wally Ingram.

Lindley’s voice may be heard in the version of “Stay” performed by Jackson Browne. Browne’s version is a continuation of “The Load Out”, and its refrain is sung in progressively higher vocal ranges. The refrain of “Oh won’t you stay, just a little bit longer” is sung first by Browne, then by Rosemary Butler, then by Lindley in falsetto.

Lindley joined Jackson Browne for a tour of Spain in 2006. Love Is Strange: En Vivo Con Tino, a 2-CD set of recordings from that tour, was released May 2010, with Browne and Lindley touring together starting in June of that year. They played together at Glastonbury Festival in 2010, and they won an Independent Music Award for Best Live Performance Album in 2011.

He mastered such a wide variety of instruments that Acoustic Guitar magazine referred to him not as a multi-instrumentalist but instead as a “maxi-instrumentalist. The majority of the instruments that Lindley played are string instruments, including violin, electric guitar, upright and electric bass, banjo, mandolin, dobro, hardingfele, bouzouki, cittern, bağlama, gumbus, charango, cümbüş, oud and zither. He was the unparalleled master of the lap steel guitar in the rock music sphere, and an expert in Hawaiian-style slide guitar blues.

Lindley had obviously a large collection of rare and unusual guitars and other instruments from the Middle East and various parts of the world. He listed and categorized many of them on his website but admitted that he had “absolutely no idea” how many instruments he owned and played, having gathered them since the 1960s. A journalist described his home in 1994 as containing a “tidal flood of instruments strewn all over the house. In every room. On the floor, balanced against the wall, lying atop cabinets and just literally occupying virtually every inch of available floor space.”

David Lindley died after a long illness on March 3, 2023, at the age of 78. He had had COVID-19 in 2020, which his family said developed into Long COVID, with chronic kidney damage.

David Lindley was the epitome of a musician’s musician, not only for his comprehensive skills but also for his infectious personality. Lindley was best known as the ultimate sidekick,

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Jeff Beck – 1/2023

Jeff Beck (78) Geoffrey Arnold “Jeff” Beck was born on 24 June 1944 in Wallington, South London to Arnold and Ethel Beck. Before Beck discovered guitar, his mother had wanted him to play the piano. But once his parents saw how Beck took to the guitar, they allowed it.  They probably thought, ‘If he’s got the guitar, he’s not going out stealing.’ The only friends he had were pretty low-life; most of them were one step away from jail.

Beck said that he first heard an electric guitar when he was six-years-old and heard Les Paul playing “How High the Moon” on the radio. He asked his mother what it was. After she replied it was an electric guitar and was all tricks, he said, “That’s for me”. As a ten-year-old, Beck sang in a church choir and his original musical direction was essential formed by the music his older sister, Annetta, brought home.  As a pre-teenager he learned to play on a borrowed guitar and made several attempts to build his own instrument, first by gluing and bolting together cigar boxes for the body and an un-sanded fence post for the neck with model aircraft control lines as strings and frets simply painted on it. Continue reading Jeff Beck – 1/2023

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Dino Danelli – 12/2022

Dino Danelli (78) – The Young Rascals was born July 23, 1944 into an Italian American family in Jersey City, New Jersey. Danelli trained as a jazz drummer in his early years. Barely a teenager he played with Lionel Hampton and (by 1961) was playing R&B in New Orleans. He returned to New York in 1962 with a band called Ronnie Speeks & the Elrods. Later he also worked at times with such legendary performers as Little Willie John.

Dino was a prodigy from the Jersey City-Hoboken area, making the scene in his early teens, learning from the jazz greats like Krupa and Buddy Rich who played regularly at the Metropole, a very adult Club in New York City where the management took a shine to the young star-in-the-making and set him up with a cot in a dressing room years before he made it big. “They had vision, knew something was going to happen for me.” Young Dino held a daytime gig at the Metropole with a rock and roll band, travelled to New Jersey sometimes at night with his drum kit, performed with Lionel Hampton when he was fifteen years of age. Continue reading Dino Danelli – 12/2022

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Ronnie Spector 1/2022

Ronnie Spector (78) – The Ronettes – was born Veronica Bennett on August 10, 1943 in East Harlem, New York City, and grew up in the Washington Heights section of Manhattan. She was the daughter of Beatrice and Louis Bennett, a subway worker. Her mother was African American and Cherokee, and her father was Irish. Veronica and her sister Estelle Bennett (1941–2009) were encouraged to sing by their large family, as was their cousin Nedra Talley (born 1946). The trio formed the Darling Sisters in 1957 and later became the Ronettes.They performed locally while attending George Washington High School in Washington Heights. Their look was fashioned by Estelle, who had a job at Macy’s on the cosmetics counter. They sang at school events, and had a residency at the Peppermint Lounge, a nightspot in Manhattan, the birthplace of the Twist and go-go dancing.

The Ronettes became a popular live attraction around the greater New York area in the early 1960s. Looking for a recording contract, they initially were signed to Colpix Records. After releasing a few singles on Colpix without success, they tracked down record producer Phil Spector, who signed them to his label Philles Records in 1963. Their relationship with Spector brought chart success with their biggest hit “Be My Baby” in 1963, which peaked at No. 2 on the Billboard Hot 100. A string of top 40 pop hits followed with “Baby, I Love You” (1963), “The Best Part of) Breakin’ Up” (1964), “Do I Love You?” (1964), and “Walking in the Rain” (1964). The group had two entries on the Billboard Hot 100 in 1965 with “Born to Be Together” and “Is This What I Get for Loving You?“.

In 1965, the Ronettes were voted the third-top singing group in England behind the Beatles and the Rolling Stones. They opened for the Beatles on their 1966 US tour without their lead singer. Phil had forbidden Bennett to tour with the Beatles, so her cousin Elaine stood in as a third member. The original group’s last charting single, “I Can Hear Music“, was produced by Jeff Barry and reached No. 100 on the BillboardHot 100 in 1966.

The Beatles and The Rolling Stones were huge fans of Ronnie’s group the Ronettes and many a rock and roller vied for her affections, including Jimi Hendrix and David Bowie. But none were as besotted as John Lennon. During those early days she was sometimes referred to as the original “bad girl of rock and roll

The Ronettes broke up in early 1967, following a European concert tour. After Bennett married Phil in 1968, she began to use the name Ronnie Spector, but she forcibly withdrew from the spotlight because husband Phil Spector prohibited her from performing and limited her recordings. In 1969, Phil signed a production deal with A&M Records and he released her record “You Came, You Saw, You Conquered”, credited as “The Ronettes Featuring the Voice of Veronica”, with “Oh I Love You”, an old Ronettes B-side, as the flip. Her vocals were used for the lead and backing vocals. Phil Spector – a sick mind – kept many of the group’s unreleased songs in a vault for years.

Following the couple’s divorce in 1972, Ronnie re-formed the Ronettes and began performing again as Ronnie Spector and the Ronettes with two new members (Chip Fields Hurd, the mother of actress Kim Fields, and Diane Linton) in 1973. They released a few singles on Buddah Records, but the records failed to chart. By 1975, Spector was recording as a solo act. She released the single “You’d Be Good For Me” on Tom Cat Records in 1975. In 1976, she sang a duet with Southside Johnny on the recording “You Mean So Much To Me”, penned by Southside’s longtime friend Bruce Springsteen. She also made appearances with the E Street Band the following year, including a cover version of Billy Joel‘s 1976 track “Say Goodbye to Hollywood“.

In 1980, she released her debut solo album Siren, produced by Genya Raven of Ten Wheel Drive fame. Her career revived when she was featured on Eddie Money‘s song and video “Take Me Home Tonight” in 1986, a Billboard top five single, in which she answers Money’s chorus lyric, “just like Ronnie sang”, with, “be my little baby”. The song’s music video was one of the top videos of the year and in heavy rotation on MTV. During this period, she also recorded the song “Tonight You’re Mine, Baby” (from the film Just One of the Guys). In 1988, she began performing at the Ronnie Spector’s Christmas Party, a seasonal staple at B.B. King Blues Club & Grill in New York City.

She also went on to release the albums Unfinished Business (1987), Something’s Gonna Happen(2003), Last of the Rock Stars (2006) which featured contributions from members of The Raconteurs, Nick Zinner of the Yeah Yeah Yeahs, The Raveonettes, Patti Smith, and Keith Richards and English Heart(2016), her first album of new material in a decade. The album features her versions of songs of the British Invasion by the Beatles, the Rolling Stones, the Yardbirds, the Bee Gees, and others. She also recorded one extended play, She Talks to Rainbows (1999) which featured a few covers of older songs. Joey Ramone acted as producer.

In 1990, Ronnie Spector published a memoir, Be My Baby: How I Survived Mascara, Miniskirts, and Madness, Or, My Life as a Fabulous Ronette. She was inducted into the Rock and Roll Hall of Fame as a member of the Ronettes in 2007.

In 2018, Spector appeared in the music documentary Amy Winehouse: Back to Black (2018), based on Winehouse and her final studio album Back to Black. The album was inspired by 1960s girl groups Winehouse gathered inspiration from listening to, such as The Ronettes. It contained new interviews as well as archival footage. Spector was a great inspiration for Winehouse, who emulated her hair, as well as vocal style. In return, Ronnie Spector covered “Back to Black”, the Winehouse’s signature song. She recalls that Winehouse turned up at a concert looking just like her while she sang her song. Spector recalled seeing “a tear out of her (Winehouse) eye and it made me cry”.

In September 2020, Deadline reported that actress Zendaya would portray Spector in a biopic adapted from her memoir Be My Baby. In December 2021, the Ronettes returned to the Top 10 for the first time in 58 years with their 1963 recording of “Sleigh Ride“.

A couple of weeks later Ronnie Spector died on 12 January 2022. She was 78.

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Liesbeth List 3/2020

Liesbeth List (78) – Dutch Chansonniere – was born in Bandoeng, Indonesia on December 12, 1941 from Dutch parents who were separated by the Japanese invasion and put in work camps. The circumstances in which she and her mother lived in the camp were very hard on her mother, who developed depression. When the Japanese capitulated at the end of WWII, she and her mother were set free. They were reunited with their father and husband, but a few weeks afterwards, Liesbeth’s mother committed suicide: a victim of depression.

Liesbeth and her father returned to the Netherlands, where her father remarried. His new wife, however, frequently clashed with Liesbeth. At the age of seven, children’s services took Liesbeth away. It was thought her father was deceased, and she was placed in an orphanage. After it was discovered that her father was still alive, she was placed back with her father and stepmother.

In that same year of 1948, during a trip to the Dutch island of Vlieland, Liesbeth’s stepmother was told that the owner of a hotel/lighthouse on the island and his wife were seeking to adopt a child. Liesbeth was subsequently given up by her father and adopted by this couple, whose surname was List.

As a teenager fresh out of high school, List was very interested in culture and music. At age 18, in 1959 she moved to Amsterdam, where she studied fashion and had a job as a secretary. She appeared in the AVRO TV talent show “Nieuwe Oogst” (New Harvest), after which she was signed to collaborate with legendary Dutch singer Ramses Shaffy  in the theatre show Shaffy Chantant. They first started this show, in which they performed well-known chansons, in 1964. In 1965, the duo was awarded the Europe Cup for Best Singing Performance in Knokke, Belgium. A secretary in an architectural firm, this early success caused List to focus on a musical career and she released her debut album in 1966. In 1967, Greek composer Mikis Theodorakis asked her to collaborate on an LP of his Mauthausen Ballad, describing the persecution of Jews during the Second World War in dramatic chansons. The LP was a critical and commercial success. Then List was successful with an album containing cover versions of songs by Jacques Brel: the album became certified gold.

In 1969, List was awarded a press prize at a television festival in Montreux. The prize was awarded to her for her contribution in a television series. Because of this foreign acclaim, List focused more on international success. She started recording more cover versions of well-known artists, such as Gilbert Bécaud. List’s success continued with the release of more LPs and a continued acting career in television, film, and stage. It was no secret that her success lay largely in the way “she understood every word she sang”.

In 1972 she recorded and album with American singer, songwriter Rod McKuen: ‘Two against the morning’. In 1973 she recorded the album ‘Meet lovely Liesbeth List’ in England. Her album: ‘Liesbeth List sings Jacques Brel’ was released in 1972 in the USA. In 1976 she recorded an album with songs of Charles AznavourCharles Aznavour presents: Liesbeth List’. She sang with him the duet: ‘Don’t say a word.’

List took a short break when she became pregnant with her first child; she and husband Robert Braaksma had a daughter, Elisah, in 1983, when List was 41. List ceased her activities for six years to care for her child. In 1988, List made her return to the public eye, starring in a theatre programme titled “List NU”. In 1990, she started on a similar show, but it gained neither critical nor commercial success, therefore List accepted that her career had ended.

But in the 90s popular Dutch singer, songwriter and producer Frank Boeijen revived List’s career. She recorded two albums with him: in 1994 List and in 1996 Noach. In 1995 she received an Edison for the first, which is one of the highest musical honors awarded in The Netherlands. In 1999 she released Vergezicht which contains the song Heb Het Leven Lief (Love life) which she sang in 2007 at the memorial celebration for Jos Brink, with whom she had performed in a musical Het Hemelbed to great acclaim. She was also approached by TV host Albert Verlinde to star in his musical about Edith Piaf‘s life. She started performing this musical in 1999 and did 170 shows of Piaf, de Musical. Because of its success, and the many requests to bring the musical back, she reprised the role during 2008 and 2009. In 2000 and in 2009, she won the coveted John Kraaijkamp Musical Award for this role. In 2009 she released a new CD called Verloren & Gewonnen. In 2015, she released what would be her last album, a tribute album to Ramses Shaffy titled Echo, which contained covers of songs by Shaffy.

In 2017, List decided to retire from music because she was developing dementia due to brain damage she had sustained in a 1963 car accident. She died in her sleep on March 25, 2020, after spending the last years of her life in an assisted-living facility.

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Glenn Schwartz 11/2018

Glenn Schwartz, torn between rock and religionNovember 3, 2018 – Glenn Schwartz (the James Gang) was born on March 20, 1940 in Cleveland Ohio. While in Los Angeles on tour with the James Gang in 1967, Schwartz strolled onto the infamous Sunset Strip and stopped next to a small group of people listening to street preacher Arthur Blessitt, according to Stevenson’s book. Some time later he professed conversion to Christianity, saying “I was finally blessed by mercy for I heard the Gospel of Christ.”

Following his conversion, his zealous, new-found faith was not accepted well by the band, his family or his friends. As per Stevenson, Schwartz said: “I had some Christian friends who had some round stickers that read ‘Real Peace Is In Jesus’ and we stuck those all over our clothes … We put some on Janis Joplin but she didn’t like it and took them off. I remember she got pretty upset. Continue reading Glenn Schwartz 11/2018

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Wayne Cochran 11/2017

November 21, 2017 – Wayne Cochran (The CC Riders) was born Talvin Wayne Cochran near Macon, Georgia, and grew up in roughly the same environs his idol James Brown and friend Otis Redding had, be it on the other side of the tracks.

After getting his start with various rock’n’roll outfits, in 1959 Cochran cut his first disc and the next five years would witness a succession of releases, most of which only made regional noise at best. One item however, would ultimately become Cochran’s greatest success, though in someone else’s hands. His lightly morbid but undeniably catchy original ‘Last Kiss’ hit the top of the charts in the summer of 1964 in a faithful treatment by Texans J. Frank Wilson & The Cavaliers. This classic “death disc” has since been covered by many, not least Pearl Jam, so at least the healthy royalties from whose versions, would come as an unforeseen blessing for Cochran in later years.

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Don Covay 1/2015

Don CovayJanuary 31, 2015 – Don Covay was born Donald Randolph in Orangeburg, South Carolina on March 24, 1938. Covay was the son of a Baptist preacher who died when his son was eight. The family soon after relocated to Washington, D.C., where he and his siblings formed a gospel group dubbed the Cherry Keys; while in middle school, however, some of Covay’s classmates convinced him to make the leap to secular music, and in 1953 he joined the Rainbows, a local doo wop group that previously enjoyed a national smash with “Mary Lee.”

By the time Covay joined the Rainbows the original lineup had long since splintered, and his recorded debut with the group, 1956’s “Shirley,” was not a hit. He stuck around for one more single, “Minnie,” before exiting; contrary to legend, this iteration of the Rainbows did not include either a young Marvin Gaye or Billy Stewart, although both fledgling singers did occasionally fill in for absent personnel during live performances.

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Lee Hazlewood 8/2007

August 4, 2007 – Barton Lee Hazlewood (These Boots Are Made for Walkin’) was born on July 9, 1929 in Mannford, Oklahoma. The son of an oil man, he spent most of his youth living between Oklahoma, Arkansas, Kansas, and Louisiana. He grew up listening to pop and bluegrass music. He spent his teenage years in Port Neches, Texas, where he was exposed to a rich Gulf Coast music tradition. He studied for a medical degree at Southern Methodist University in Dallas, Texas.

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Laurel Aitken 7/2005

July 17, 2005 – Laurel Aitken/Lorenzo Aitken (the Godfather of Ska) was born in Cuba of mixed Cuban and Jamaican descent on April 22nd 1927. His family settled in Jamaica in 1938 and he went on to become Jamaica’s first real recording star.

His first recordings in the late 1950s were mento tunes such as “Nebuchnezer”, “Sweet Chariot” and “Baba Kill Me Goat”. Progressing to a pre-ska shuffle, his 1958 single “Little Sheila”/”Boogie in My Bones” was one of the first records produced by Chris Blackwell, who founded his Island Records label that year, and the first Jamaican popular music record to be released in the UK.

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