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George Kooymans 7/2025

George Kooymans (77) – lead guitarist for Golden Earring – was born 11 March 1948 in The Hague, the Netherlands.

In 1961, 13 year old Kooymans and his 15 year old neighbor Rinus Gerritsen formed a rock duo. They originally called themselves “The Tornados”, but changed their name to “The Golden Earrings” when they learnt of The Tornados, a UK instrumental group who had just had a hit with “Telstar“. The name “the Golden Earrings” was taken from an instrumental called “Golden Earrings” performed by the British group the Hunters, for whom they often served as opening and closing act. Initially a pop-rock band with Frans Krassenburg on lead vocals and another neighborhood kid Jaap Eggermont on drums, the Golden Earrings had several pophits with ‘Please Go’, ‘Daddy Buy Me A Girl’ en ‘In My House’ all recorded in 1965. Dissatisfied with Dutch recording studios, the band’s manager Fred Haayen arranged for the next single to be recorded at the Pye Records studios in London. The record cut at Pye, “That Day”, reached number two on the Dutch charts. But then singer Krassenburg was called into military service and for 18 months the band was limited. By 1967 Kooymans and Gerritsen wanted to go a different musical direction and after two albums, and in 1968 Indonesian born Dutch singer/songwriter Barry Hay joined on lead vocals permanently, and by 1970, drummer Sieb Warner had been replaced by Cesar Zuiderwijk, and the principal lineup (that would last for 50 years) was finalized.

Two years later, the band earned their first number one hit in the Netherlands with the song “Dong Dong Diki Digi Dong” and followed it with another chart-topper, the Kooymans-penned epic “Just a Little Bit of Peace in My Heart.” Golden Earring embarked on their first major US tour in 1969–1970. Owing to American influences, their music evolved towards hard rock, and they performed along with Jimi Hendrix, Led Zeppelin, Procol Harum, and Eric Clapton. Ground work for entering the US market was being laid by East Coast FM radio disc jockey and music critic Neil Kempfer-Stocker, who is credited as the first radio DJ to play the band in the US. These singles were followed by a successful psychedelic rock album Eight Miles High, which featured a 19-minute version of the title track, a cover of the 1966 hit song by the Byrds. The song, played throughout their US tour, became the core performance of their live shows, and their experience in the US led them to make their studio albums resemble their live shows, rather than the other way around.

In 1970, Kooymans branched out into songwriting for other groups, penning Earth & Fire‘s Dutch hit “Seasons.” Meanwhile, his main band shortened its name to Golden Earring and set about revamping its sound to keep up with the times, eventually settling on a straightforward, hard-rocking brand of AOR.

Kooymans (like lead singer Barry Hay) made a brief detour into solo recording in 1971, cutting an album called Jojo that was released on Polydor. 

Between 1969 and 1984, Golden Earring completed 13 US tours. During this period, they performed as the opening act for Santana, King Crimson, the Doobie Brothers, Rush and .38 Special. During 1973–74, when “Radar Love” was a hit, they had Kiss and Aerosmith as their opening acts. The band enjoyed brief international fame in the 1970s when the single version of “Radar Love” (1973), from the gold-certified album Moontan, became a hit in both Europe and the US. The band’s American records during this period were issued by the Perception Records label in New York, and the band’s Golden Earring LP, known as Wall of Dolls, and single “Back Home” performed poorly in the US but became a number 1 hit in the Netherlands.

Golden Earring released the Live album in 1977. The album was recorded at London’s Rainbow Theater.

US stardom evaporated as quickly as it had been built. Punk and new wave forced them to retool their sound once again, and they returned to international prominence in 1982 with the album Cut and the U.S. Top Ten hit “Twilight Zone,” a Kooymans composition that had actually been planned as a solo release at first. When “Twilight Zone” hit the airwaves, the music video of the song was played on the recently launched MTV, and helped the song to become a US hit, spending 27 weeks on the Billboard chart. 

As a key creative force behind Golden Earring, Kooymans co-wrote many of the band’s most iconic songs with singer Barry Hay.

When the Lady Smiles” became an international hit in 1984, reaching No. 3 in Canada and becoming the band’s fifth number one hit in their native country, but was not successful in the United States, reaching no higher than #76 on the US Singles Chart. Reason for that could be found in the fact that the song’s video was banned from MTV because of its “unholy desires about a nun and a lobotomy“.  Tragedy struck when touring the US in 1984, and the band played at the Great Arena Six Flags Great Adventure in New Jersey on May 11 and were in the midst of their performance when a fire broke out at the Haunted Castle on the opposite side of the theme park, killing eight teenagers.

Following this tour, Golden Earring turned their focus toward Europe where they continued to attract standing-room-only crowds for years to come. The group paused briefly after the release of The Hole in 1986 to focus on other projects, with Hay and Kooymans both releasing solo albums (Victory of Bad Taste and Solo, respectively) the following year. The group then reconvened to record their final album of the 1980s, releasing Keeper of the Flame in 1989.

Over the decades, George Kooymans’ powerful guitar riffs, melodic sensibility, and distinctive voice helped shape the band’s sound through a remarkable career that spanned more than 50 years. And beyond his work with Golden Earring, Kooymans also pursued solo projects and collaborations with other Dutch musicians. His solo album, “Jojo” (1987) showcased his versatility as a songwriter and performer. He also contributed significantly to the Dutch music scene through his production work and support for emerging artists.

In 1991, Golden Earring had another hit in the Netherlands with “Going to the Run”, a rock-ballad about a Hells Angels motorcycle gang member who was a friend of the band and died in a crash. Between 1992 and 2004, the band released three acoustic live unplugged albums, which became quick successes. The first, The Naked Truth, sold 450,000 copies within the first year and became the third-best selling album of 1993 in the Netherlands.

In 1995, Kooymans and Hay discovered female rock singer Anouk, and wrote material for her 1997 debut album, Together Alone, which made her a star in the Netherlands. Golden Earring celebrated their 50th anniversary in 2011, which the Dutch postal service honored with a stamp that contained a music link: when a smartphone with a special app is held up to the music stamp, Golden Earring’s “Radar Love” plays.

Kooymans reached the Dutch charts once again in 2010 with On Location, recorded as part of a duet with American singer Frank Carillo.

On 11 May 2012, the band released what was to be their final studio album, Tits ‘n Ass.

On 5 February 2021, the band’s manager announced to the Dutch press that the band’s active career was over due to George Kooymans’ serious ALS illness.

During their career they had nearly 30 top ten singles on the Dutch charts and released 25 studio albums.

In the shadow of Ozzy Osbourne’s death on the same date, George Kooymans passed on July 22, 2025 from complications of ALS. He was 77 years old.

 

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Rick Derringer – 5/2025

Rick Derringer (77) was born Richard Dean Zehringer in Fort Recovery, Ohio on August 5, 1947. Aside from his parents’ extensive record collection, his first major music influence was his uncle, Jim Thornburg, a popular guitarist and singer in Ohio.

Derringer recalled first hearing him play guitar in the kitchen of his parents’ home and knowing immediately that he wanted to learn the instrument. He was eight years old at the time, and his parents gave him his first electric guitar for his ninth birthday. Soon after, he and his brother Randy began playing local gigs with his uncle, a country musician, before he was in high school.

After eighth grade, the family moved to Union City, Indiana, where Derringer formed a band he initially called the McCoys. He later renamed it the Rick Z Combo and then Rick and the Raiders before reverting to the original name.

In the summer of 1965, before Derringer turned 18, the McCoys were hired to back up a New York-based band called the Strangeloves in concert. The Strangeloves, who were also record producers from New York City with a major hit song “I Want Candy”, were looking for a band to record the song “My Girl Sloopy”, originally released by the Vibrations the previous year, and chose the McCoys. Derringer later persuaded the producers to change the title to “Hang On Sloopy”. After the Strangeloves recorded the guitar and instrumental parts, Derringer and the McCoys were brought into the studio to sing on the recording, which was then released under their name. The song reached number one on the Hot 100 when Barry McGuire’s “Eve of Destruction” fell from number one to number two and The Beatles’ “Yesterday” shot from number forty-five to number three.

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Randy Meisner – 7/2023

Randy Meisner (the Eagles) was born on March 8, 1946, in Scottsbluff, Nebraska to a farming family.  He got his first acoustic guitar when he was around 12 or 13 and, shortly after, formed a high school band. “We did pretty good, but we didn’t win anything,” according to Meisner.
“We couldn’t find any work because there were a million bands out here,” he said.
Meisner moved to California in 1964/65 and played with the likes of Rick Nelson’s Stone Canyon Band and Poco, before co-founding the Eagles in 1971 alongside Don Henley, Glenn Frey and Bernie Leadon. 

They went on to define the country-tinged, laid-back West Coast pop-rock sound that ruled the US radio waves in the early 1970s, before later moving in a hard rock direction, essentially because of James Gang guitarist Joe Walsh being added to the line-up when Bernie Leadon left.

Once dubbed “the sweetest man in the music business” by former bandmate Don Felder, bass player Meisner stepped out of the shadows on the mournful, lovelorn waltz-time ballad Take It to the Limit – a song later covered by the likes of Etta James, Willie Nelson and Waylon Jennings. He was with the band when they recorded the albums “Eagles,” “Desperado,” “On the Border,” “One of These Nights” and “Hotel California.”
“Hotel California,” with its mysterious, allegorical lyrics, became the band’s best-known recordings. It topped the Billboard Hot 100 in 1977 and won a Grammy Award for record of the year in 1978. Continue reading Randy Meisner – 7/2023

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Jim Gordon 3/2023

Jim Gordon (77) – Derek & the Dominos et al – was born July 14, 1945. He was raised in the San Fernando Valley of Los Angeles and attended Grant High School. He passed up a music scholarship to UCLA in order to begin his professional career in 1963, at age 17, backing the Everly Brothers. He went on to become one of the most sought-after recording session drummers in Los Angeles. The protégé of studio drummer Hal Blaine, Gordon performed on many notable recordings in the 1960s, including Pet Sounds, by the Beach Boys (1966); Gene Clark with the Gosdin Brothers (1967); The Notorious Byrd Brothers(1968); and the hit “Classical Gas”, by Mason Williams (1968). At the height of his career Gordon was reportedly so busy as a studio musician that he flew back to Los Angeles from Las Vegas every day to do two or three recording sessions and then returned in time to play the evening show at Caesar’s Palace. Continue reading Jim Gordon 3/2023

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Dr. John 6/2019

June 6, 2019 – Dr. John was born Malcolm John Rebennack in New Orleans on November 20, 1941, and early on got the nickname “Mac.”

When he was about 13 years old, Rebennack met blues pianist Professor Longhair (Roy Byrd) and soon began performing with him. At age 16, Rebennack quit high school to focus on playing music. He performed with several local New Orleans bands including Mac Rebennack and the Skyliners, Frankie Ford and the Thunderbirds, and Jerry Byrne and the Loafers. He had a regional hit with a Bo Diddley-influenced instrumental called “Storm Warning” on Rex Records in 1959.

Rebennack became involved in illegal activities in New Orleans in the early sixties, using and selling narcotics and running a brothel. He was arrested on drug charges and sentenced to two years in a federal prison at Fort Worth, Texas. When his sentence ended in 1965, he moved to Los Angeles, adopted the stage name of Dr. John, and collaborated with other New Orleans transplants. He became a “Wrecking Crew” session piano player appearing on works for a variety of artists including Sonny & Cher, Canned Heat on their albums Living the Blues (1968) and Future Blues (1970), and Frank Zappa and the Mothers of Invention on Freak Out! (1966).

Dr. John solo recordings include his debut LP, Gris-Gris (1968), Babylon (1969), Remedies (1970) and The Sun, Moon, and Herbs (1971) and Gumbo (1972). His 1973 release, In the Right Place, produced by Allen Toussaint, included his Top Ten hit “Right Place, Wrong Time.”

For the next three decades, Mac, as friends called him, collaborated with about everyone in rock and blues. Jagger and Richards, Springsteen, John Fogerty, Doc Pomus, Jason Isbell, Irma Thomas and so many more.

In the Movies, Dr. John appears in the Band’s opus, The Last Waltz and the sequel Blues Brothers 2000. Dr. John appears as himself in the second season of NCIS: New Orleans, playing his hit “Right Place, Wrong Time”.

He was the inspiration for Jim Henson’s Muppet character, Dr. Teeth and won 6 Grammy Awards and became a member of the Rock ‘n’ Roll Hall of Fame in 2011.

Dr. John, legendary New Orleans musician, died from a heart attack on June 6, 2019 at age 77.

 

 

 

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Peter Tork 2/2019

Peter Tork, bass player for the Monkees

Peter Tork, bass player for the MonkeesPeter Tork (The Monkees) was born Peter Halsten Thorkelson on February 13, 1942 in Washington DC. His father John taught economics at the University of Connecticut. He began studying piano at the age of nine, showing an aptitude for music by learning to play several different instruments, including the banjo, French horn and both acoustic bass and guitars. Tork attended Windham High School in Willimantic, Connecticut, and was a member of the first graduating class at E. O. Smith High School in Storrs, Connecticut. He attended Carleton College in Minnesota but, after flunking out, moved to New York City, where he became part of the folk music scene in Greenwich Village and with his guitar and five-string banjo he began playing small folk clubs. He billed himself as Tork, a nickname handed down by his father, and reportedly played with members of the soon-to-be formed band Lovin’ Spoonful (Summer in the City). While there, he befriended other up-and-coming musicians such as Stephen Stills (Crosby, Stills Nash and Young).When Tork “failed to break open the folk circuit,” as he later phrased it, he moved to Long Beach, California in mid-1965. Later that summer, he fielded two calls from his friend Stephen Stills (Crosby, Stills, Nash and Young), who had auditioned with more than 400 others for the Monkees. Stills urged Tork to try out. “They told Steve, ‘Your hair and teeth aren’t photogenic, but do you know anyone who looks like you that can sing?’ And Steve told them about me,” Tork told the Washington Post in 1983.

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Laudir de Oliveira 9/2017

September 17, 2017 – Laudir de Oliveira was born January 6, 1940 in Rio de Janeiro.  de Oliveira started out as a percussionist in Brazil, working with Sergio Mendes and Marcos Valle. He moved to the United States in 1968 and caught the eye of rock musicians and producers. Credited simply as “Laudir”, he also appeared on Joe Cocker’s 1969 debut album, playing on his hit single “Feelin’ Alright”.

In 1973, Chicago invited de Oliveira to play on their album “Chicago VI.” After playing on the albums Chicago VI and Chicago VII as a sideman, de Oliveira officially joined the band in 1975. Continue reading Laudir de Oliveira 9/2017

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Holger Czukay 9/2017

September 5, 2017 – Holger Czukay was born on March 24, 1938 in the Free City of Danzig (since 1945 Gdańsk, Poland), from which his family was expelled after World War II. Due to the turmoil of the war, Czukay’s primary education was limited. One pivotal early experience, however, was working, when still a teenager, at a radio repair-shop, where he became fond of the aural qualities of radio broadcasts (anticipating his use of shortwave radio broadcasts as musical elements) and became familiar with the rudiments of electrical repair and engineering.

Czukay studied music under Karlheinz Stockhausen from 1963 to 1966 and then worked for a while as a music teacher. Initially Czukay had little interest in rock music, but this changed, when a student played him the Beatles’ 1967 song “I Am the Walrus”, a 1967 psychedelic rock single with an unusual musical structure and blasts of AM radio noise. This opened his ears to music by rock experimentalists such as The Velvet Underground and Frank Zappa. Continue reading Holger Czukay 9/2017

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Mick Softley 9/2017

September 1, 2017 – Mick Softley was born in 1939 in the countryside of Essex, near Epping Forest.

His mother was of Irish origin (from County Cork) and his father had East Anglian tinker roots, going back to a few generations. Softley first took up trombone in school and became interested in traditional jazz. He was later persuaded to become a singer by one of his school teachers, and this led to him listening to Big Bill Broonzy and promptly changed his attitude to music, to the extent of him buying a mail-order guitar and some tutorial books and teaching himself to play.

By 1959, Mick Softley had left his job and home and spent time traveling around Europe on his motorbike, with a friend, Mick Rippingale. He ended up in Paris, where he came into the company of musicians such as Clive Palmer, Ramblin’ Jack Elliott, and Wizz Jones. Here he improved his guitar skills and spent time busking with friends until his return to England in the early 1960s. Continue reading Mick Softley 9/2017

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Casey Jones 5/2017

casey jones, chicago blues first call drummerMay 3, 2017 – Casey Jones (Albert Collins/Johnny Winter) was born July 26, 1939  in Nitta Yuma, Mississippi and raised in Greenville. As a kid he played with the Coleman High School band, but claimed he learned more about drumming from Little Milton’s drummer Lonnie Haynes, than from the band director

In 1956 at age 17, his sister Atlean and her husband Otis Luke enticed him with the promise of a drum kit and entry into the musician’s union, if he would move to Chicago to live with them. True to his word, they went to Frank’s Drum Shop on Wabash Ave and from there on Casey Jones played drums  in Otis’s band. His first gig with Otis Luke & the Rhythm Bombers in 1956 made him $5. Continue reading Casey Jones 5/2017

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Allen Toussaint 11/2015

November 10, 2015 – Allen Toussaint was born January 14, 1938 in New Orleans.

Allen Toussaint has crossed many paths in his illustrious 40 years plus career in music. He has produced, written for, arranged, had his songs covered by, and performed with music giants The Judds, Paul McCartney, Paul Simon, Elvis Costello, Patti LaBelle, Mac “Dr. John” Rebannac, Aaron and Art Neville, Joe Cocker, The (original) Meters, Glen Campbell, The Band, Little Feat, The Rolling Stones, Devo, Ernie K-Doe, Lee Dorsey, Irma Thomas, Etta James, Ramsey Lewis, Eric Gale and the countless others.

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Larry Henley 12/2014

Larry HenleyDecember 18, 2014 – Lawrence Joel – Larry Henley was born on June 30, 1937 in Arp, Texas. He grew up in Odessa, Texas. Little is known about his early years other than that he had originally planned on an acting career before becoming a singer and songwriter. He met the Mathis brothers Dean and Mark when he auditioned for their band the Newbeats in 1962 in Shreveport Louisiana, singing in a distinctive falsetto that would bring them their first and only global hit song “Bread and Butter” in 1964 when it charted in the top 20 of Billboard magazine, reaching No. 2 on the Billboard charts and selling over a million copies. Subsequently they toured Australia and New Zealand with Roy Orbison, Ray Columbus and the Invaders and the Rolling Stones on the “Big Beat ’65” tour. There were some lesser known hits such as “Run Baby Run”, but the group never reached the Bread and Butter popularity again.

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Daevid Allen 3/2013

Daevid AllenMarch 13, 2015 – Daevid Allen, was born Christopher David Allen on 13 January 1938 in Melbourne, Australia.

In 1960, inspired by the Beat Generation writers he had discovered while working in a Melbourne bookshop, Allen traveled to Paris, where he stayed at the Beat Hotel, moving into a room recently vacated by Allen Ginsberg and Peter Orlovsky. While selling the International Herald Tribune around Le Chat Qui Pêche and the Latin Quarter, he met Terry Riley and also gained free access to the jazz clubs in the area.

In 1961 Allen traveled to England and rented a room at Lydden, near Dover, where he soon began to look for work as a musician. He first replied to a newspaper advertisement for a guitar player to join Dover-based group the Rolling Stones (no connection with the later famous band of that name) who had lost singer/guitarist Neil Landon, but did not join them. After meeting up with William S. Burroughs, and inspired by philosophies of Sun Ra, he formed free jazz outfit the Daevid Allen Trio (‘Daevid’ having been adopted as an affectation of David), which included his landlord’s son, 16-year-old Robert Wyatt. They performed at Burroughs’ theatre pieces based on the novel The Ticket That Exploded.

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Steve Knight 1/2013

Steve Knight 1January 19, 2013 – Steve Knight was born on May 12, 1935 in New York to artist parents. From 1938–1950 his family lived in Woodstock, New York. In 1950, his father became a professor at Columbia University and moved the family to New York City. In 1952, Knight graduated from high school and enrolled at Columbia later that year. He stayed at Columbia for most of the 1950s (1952–1959) studying art, music and psychology. He earned a B.S. degree majoring in psychology, and had one year of graduate work in psychology.

From 1959 to 1968, Steve Knight recorded with or was a member of various bands including  The Feenjon Group, The Peacemakers, Devil’s Anvil and Wings (obviously not Paul McCartney’s group). In 1969, producer/vocalist/bassist Felix Pappalardi organized the heavy rock band Mountain. The initial line-up included Leslie West (guitar/vocals) and N.D. Smart (drums).

Even though he became the keyboardist, Knight was really a multi-instrumentalist, mastering both string and wind instruments. Prior to release of Mountain’s debut album, Climbing!, Pappalardi, who had known Knight from prior musical affiliations, added him to the line-up on keyboards. Corky Laing replaced Smart on drums. The band enjoyed a great deal of recording and touring success in the early 1970s including 3 gold albums, but called it quits in 1972. He performed at the infamous Woodstock Festival.

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Felice Bryant 4/2003

bryant and boudleauxApril 22, 2003 – Felice Bryant was born Matilda Genevieve Scaduto on August 7, 1925. One half of the wife and husband country/pop music songwriting team who were also at the forefront of the evolution of pop music.

With her husband, Boudleaux, the two wrote numerous Everly Brothers’ hits including the autobiographical “All I Have to Do Is Dream” and “Bye Bye Love”. Their prolific and quality compositions would produce hit records for many stars from a variety of musical genres including Tony Bennett, Bob Moore, Simon and Garfunkel, Sonny James, Eddy Arnold, Charley Pride, Nazareth, Jim Reeves, Leo Sayer, Sarah Vaughan, Roy Orbison, Buddy Holly, the Grateful Dead, Elvis Costello, Count Basie, Dean Martin, Ray Charles, Bob Dylan among many others. They formed one of the most potent songwriting teams in country pop history.

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Chet Atkins 6/2001

chet-atkinsJune 30, 2001 – Chester Burton “Chet” Atkins was born on June 20th 1924 in Luttrell, Tennessee, near Clinch Mountain. Even though by many considered instrumental in bringing Country music mainstream with the Nashville Sound, Chet’s guitar virtuosity (he also played the mandolin, fiddle, banjo, and ukulele) was recognized with an induction into the Rock and Roll Hall of Fame, which makes him eligible in this website’s line-up.

His parents divorced when he was six, after which he was raised by his mother. He was the youngest of three boys and a girl. He started out on the ukulele, later moving on to the fiddle, but traded his brother Lowell an old pistol and some chores for a guitar when he was nine. He stated in his 1974 autobiography, “We were so poor and everybody around us was so poor that it was the forties before anyone even knew there had been a depression.” Continue reading Chet Atkins 6/2001