January 19, 2007 – Denny Doherty was born on November 29th 1940 in Halifax, Nova Scotia. In 1960, aged 19, Doherty started his musical career in Halifax in 1956 with a band called the Hepsters. With friends Richard Sheehan, Eddie Thibodeau and Mike O’Connell, the Hepsters played at clubs in the Halifax area.
The band lasted about two years. Sheehan recalls that they drew crowds wherever they went due to Denny’s incredible voice. In 1960, at the age of 19, Doherty, along with Pat LaCroix and Richard Byrne, began a folk group called The Colonials in Halifax, Nova Scotia. When they got a record deal with Columbia Records, they changed their name to The Halifax Three. The band recorded two LPs and had a minor hit, “The Man Who Wouldn’t Sing Along With Mitch”, but broke up in 1963. Coincidentally, they separated at a hotel called “The Colonial” in Los Angeles.
In 1963, Doherty established a friendship with Cass Elliot when she was with a band called “The Big 3.” While on tour with “The Halifax III”, Doherty met John Phillips and his new wife, model Michelle Gilliam.
A few months later, The Halifax III dissolved, and Doherty and their accompanist, Zal Yanovsky, were left broke in Hollywood. Elliot heard of their troubles and convinced her manager to hire them. Thus, Doherty and Yanovsky joined the Big 3 (increasing the number of band members to four). Soon after adding even more band members, they changed their name to “The Mugwumps”. The Mugwumps soon broke up also due to insolvency. The Mamas & the Papas song “Creeque Alley” briefly outlines this history. Yanovsky went on to join The Lovin’ Spoonful with John Sebastian. Doherty then joined John Phillips’ new band, “The New Journeymen.”
“The New Journeymen,” needed a replacement for tenor Marshall Brickman. Brickman had left the folk trio to pursue a career in television writing, and the group needed a quick replacement for their remaining tour dates. Doherty, then unemployed, filled the opening. After the New Journeymen called it quits as a band in early 1965, Elliot was invited into the formation of a new band, which became “The Magic Cyrcle.” Six months later in September 1965, the group signed a recording contract with Dunhill Records. Changing their name to The Mamas & the Papas, the band soon began to record their debut album, “If You Can Believe Your Eyes and Ears”. The group burst on the national scene in 1966 with the top 10 smash “California Dreamin’.” The Mamas and the Papas broke new ground by having women and men in one group at a time when most singing groups were unisex.
In late 1965 however, Doherty and Michelle Phillips started an affair. They were able to keep it secret during the early days of the band’s new-found success. When the affair was discovered, John and Michelle Phillips moved to their own residence (they had been sharing a house with Doherty), and the band continued recording together. Eventually the group signed a statement in June 1966 with their record label’s full support, firing Michelle from the band. She was quickly replaced by Jill Gibson, girlfriend of the band’s producer Lou Adler. Gibson’s stint as a “Mama” lasted two and a half months.
Due to fan demand, Michelle Phillips was allowed to rejoin the band in August 1966, while Gibson was given a lump sum for her efforts. The band completed their second album (titled simply, The Mamas and the Papas) by re-recording, replacing, or overlaying new vocal parts by Michelle Phillips over Jill Gibson’s studio vocals.
After a continuing string of hit singles, many television appearances (including a notable and critically well-received TV special featuring the music of Rodgers and Hart), a successful third studio album (The Mamas and the Papas Deliver in March 1967), and the groundbreaking sociological impact of the Monterey International Pop Festival (which had been organized by John Phillips and Lou Adler) in June 1967, an ill-fated trip to England in October 1967 fragmented the already damaged group dynamic. Cass Elliot quit, after a stinging insult from John Phillips, but returned to complete her parts for the group’s overdue fourth album (The Papas and the Mamas, which was finally released in May 1968). By then, Michelle Phillips had given birth to Chynna Phillips (in February 1968) and a formal statement had been released, announcing the group’s demise.
“Monday, Monday” won the band a Grammy for best contemporary group performance. Cass Elliot left the band in 1968 for a solo career, which brought an end to this amazing band.
Cass Elliot and Doherty remained friends. After the band’s breakup, Elliot had a hit solo show. She eventually asked Doherty to marry her, but he declined. Doherty released a few solo LPs and singles. Of note are 1971’s Watcha Gonna Do? and 1974’s Waiting for a Song. The latter LP went unreleased in the U.S. and featured both Michelle Phillips and Cass Elliot on background vocals. The recordings would be Elliot’s last, as she died a few months after the record was finished. Doherty was stunned and saddened to hear about her death in 1974 at age 32. He and John and Michelle Phillips of the group attended her funeral.
In 1982, Denny joined a reconstitution of the Mamas and the Papas consisting of John Phillips, his daughter Mackenzie Phillips and Elaine Spanky McFarlane, which toured and performed old standards and new tunes written by John Phillips.
In 1993, Doherty played the part of Harbour Master, as well as the voice-overs of the characters, in Theodore Tugboat, a CBC Television children’s show chronicling the “lives” of vessels in a busy harbour loosely based upon Halifax Harbour. This program is based an the villages & coves around were Denny was born; the big harbour itself is modeled after Halifax Harbour, in Nova Scotia, Canada.
In 1999, Doherty also played “Charley McGinnis” in 22 episodes of the CBC Television series Pit Pony.
In 2003, Doherty was co-author and performer in the well recieved Broadway show called “Dream a Little Dream: The Mamas and the Papas Musical,” which traced the band’s early years, its dizzying fame and breakup. It was well received and garnered favorable reviews. The show was in part a response to John’s PBS documentary Straight Shooter: The True Story of John Phillips and The Mamas and the Papas. It featured music from the group and focused on his relationship with Mama Cass. It was, he said, to “set the record straight”.
In 2004, Doherty appeared on Sharon, Lois & Bram’s 25th Anniversary Concert special titled “25 Years of Skinnamarink” that aired on CBC on January 1, 2004 at 7:00pm. He sang two songs with the trio: “California Dreamin'” and “Who Put the Bomp?”.
Doherty appeared in the Canadian TV series Trailer Park Boys, Season 7 Episode 10 (season finale) as FBI Special Agent Ryan Shockneck. Filming was completed just shortly before his death in early 2007. The episode ended with “This episode is dedicated to the memory of DENNY DOHERTY.”
Denny Doherty died on 19 January 2007 at his home in Mississauga, a city just west of Toronto, of kidney failure following surgery on a abdominal aneurysm. He was 66.