June 3, 2009 – Koko Taylor was born Cora Walton on September 28, 1928 on a farm near Memphis, Tennessee. Her daddy was a sharecropper. She lived with her parents and five brothers and sisters in a “shotgun shack” with neither electricity nor running water. Although never professional singers, her parents used to sing enthusiastically while working the cotton fields, and she began to sing gospel in church. She also soaked up the blues played on local radio, which she and her siblings would surreptitiously perform with improvised home-made instruments, despite their father’s opposition.
By the time she was 11, both her parents had died and she too was forced to work in the cotton fields. But growing up, she and her five brothers and sisters had amused themselves by singing the blues, accompanying themselves on homemade instruments. (Their father did not discourage them, although he would have rather they sang gospel music.) Continue reading Koko Taylor 6/2009
December 27, 2008 – Delaine Alvin “Delaney” Bramlett was born on July 1st, 1939 in Pontotoc Mississippi. Life in his hometown wasn’t for the budding music man and the only way to survive was to pick cotton or join the Armed Services. As a young kid however he was hanging around a studio in town watching everything and did some early demos for another Mississippian, Elvis Presley, as well as played a cardboard box as a drum on a George Jones record.
Delaney joined the Navy for three years and said goodbye to Mississippi. After his release from the Navy with Mississippi in his heart and his feet in Los Angeles he moved his family to be with him, where he has remained ever since.
Continue reading Delaney Bramlett 12/2008
February 22, 2001 – John Aloysius Fahey was born on February 28, 1939 in Washington DC. Both his father, Aloysius John Fahey, and his mother, Jane (née Cooper), played the piano. In 1945, the family moved to the Washington suburb of Takoma Park, Maryland, where his father lived until his death in 1994. On weekends, the family attended performances of top country and bluegrass groups of the day, but it was hearing Bill Monroe’s version of Jimmie Rodgers’ “Blue Yodel No. 7” on the radio that ignited the young Fahey’s passion for music.
In 1952, after being impressed by guitarist Frank Hovington, whom he met while on a fishing trip, he purchased his first guitar for $17 from the Sears, Roebuck catalogue. Along with his budding interest in guitar, Fahey was attracted to record collecting. While his tastes ran mainly in the bluegrass and country vein, Fahey discovered his love of early blues upon hearing Blind Willie Johnson‘s “Praise God I’m Satisfied” on a record-collecting trip to Baltimore with his friend and mentor, the musicologist Richard K. Spottswood. Much later, Fahey compared the experience to a religious conversion and remained a devout blues disciple until his death.
Continue reading John Fahey 2/2001