November 2, 1996 – Eva Marie Cassidy was born on February 2, 1963 in Washington DC.
She died at the age of 33 following a three-month battle with bone cancer. She was, for sure, a diamond, no longer in the rough but not yet in the proper setting that would showcase a voice so pure, so strong, so passionate that it should have found a home just about anywhere.
Cassidy didn’t have any concept of target audiences or musical distinctions. She could sing anything — folk, blues, pop, jazz, R&B, gospel — and make it sound like it was the only music that mattered.
March 5, 1982 – John Belushi (The Blues Brothers) was born January 24th 1949 in Chicago, Illinois. Belushi’s mother, Agnes Demetri (Samaras), was the daughter of Albanian immigrants, and his father, Adam Anastos Belushi, was an Albanian immigrant from Qytezë. Born in Humboldt Park, a neighborhood on the West Side of Chicago, Illinois, John was raised in Wheaton, a suburb west of Chicago, along with his three siblings: younger brothers Billy and Jim, and sister Marian. Belushi was raised in the Albanian Orthodox Church and attended Wheaton Central High School, where he met his future wife, Judith Jacklin.
In 1973, Belushi and Judith Jacklin moved together to New York where Belushi worked for National Lampoon magazine’s The National Lampoon Radio Hour, a half-hour syndicated comedy program where he was a writer, director and actor. During a trip to Toronto to check the local Second City cast in 1974, he met Dan Aykroyd. Jacklin became an associate producer for the show, and she and Belushi were married on December 31, 1976.
Belushi became an original cast member of the new television show Saturday Night Live (SNL) in 1975. His characters at SNL included belligerent Samurai Futaba. With Aykroyd, Belushi created the characters Jake and Elwood Blues, also known as The Blues Brothers.
The band made its debut as the musical guest on the April 22, 1978, episode of Saturday Night Live. The band then began to take on a life beyond the confines of the television screen, releasing an album, Briefcase Full of Blues, in 1978, and then having a Hollywood film, The Blues Brothers, created around its characters in 1980.
Although better known as a comedian/ actor, notable for his work on Saturday Night Live and National Lampoon’s Animal House, it is as a “Joliet” Jake Blues (named after Joliet Prison) of the Blues Brothers that he caught instant stardom. Belushi and Aykroyd, in character as lead vocalist and harmonica player/backing vocalist “Elwood” Blues (named after the Elwood Ordnance Plant, which made TNT and grenades during World War II), the Blues Brothers R&B Review became a sensation.
During his tenure at SNL, Belushi was heavily using drugs and alcohol which affected his performance and caused SNL to fire him (and promptly re-hire him) a number of times.
Following the success of The Blues Brothers on the show, Belushi and Aykroyd, with the help of pianist-arranger Paul Shaffer, started assembling a collection of studio talents to form a proper band. These included SNL band members, saxophonist “Blue” Lou Marini and trombonist-saxophonist Tom Malone, who had previously played in Blood, Sweat & Tears. At Shaffer’s suggestion, guitarist Steve Cropper and bassist Donald “Duck” Dunn, the powerhouse combo from Booker T and the M.G.’s and subsequently almost every hit out of Memphis’s Stax Records during the 1960s, were signed as well. In 1978 The Blues Brothers released their debut album, Briefcase Full of Blues with Atlantic Records. The album reached #1 on the Billboard 200 and went double platinum. Two singles were released, “Rubber Biscuit”, which reached number 37 on the Billboard Hot 100 and “Soul Man,” which reached number 14.
The Blues Brothers became a Grammy Award-nominated American blues and soul revivalist band.
Other than the titular “Blues Brothers” and a handful of characters, all musicians performed under their real names. The full band for the 1980 film included:
The genesis of the Blues Brothers was a January 17, 1976, Saturday Night Live sketch. In it, “Howard Shore and his All-Bee Band” play the Slim Harpo song “I’m a King Bee”, with Belushi singing and Aykroyd playing harmonica, dressed in the bee costumes they wore for the “Killer Bees” sketch.
Following tapings of SNL, it was popular among cast members and the weekly hosts to attend Aykroyd’s Holland Tunnel Blues bar, which he had rented not long after joining the cast. Aykroyd and Belushi filled a jukebox with songs from many different artists such as Sam and Dave and punk band The Viletones. Belushi bought an amplifier and they kept some musical instruments there for anyone who wanted to jam. It was here that Aykroyd and Ron Gwynne collaborated on and developed the original story idea which Dan then turned into the initial story draft of the Blues Brothers movie, better known as the “tome” because it contained so many pages.
It was also at the bar that Aykroyd introduced Belushi to the blues. An interest soon became a fascination and it was not long before the two began singing with local blues bands. Jokingly, SNL band leader Howard Shore suggested they call themselves “The Blues Brothers”. In a 1988 interview in the Chicago Sun-Times, Aykroyd said the Blues Brothers act borrowed their “duo thing and dancing” from Sam & Dave and others, “but the hats came from John Lee Hooker. The suits came from the concept that when you were a jazz player in the 40’s, 50’s 60’s, to look straight, you had to wear a suit.”
The band was also modeled in part on Aykroyd’s experience with the Downchild Blues Band, one of the first professional blues bands in Canada, with whom Aykroyd continues to play on occasion.[a] Aykroyd first encountered the band in the early 1970s, at or around the time of his attendance at Carleton University in Ottawa, Canada and where his initial interest in the blues developed through attending and occasionally performing at Ottawa’s Le Hibou Coffee House. Aykroyd has said of this time:
So I grew up (in Ottawa), in this capital city. My parents used to work for the government, and I went to elementary school, high school, and the university in the city. And there was a place on Sussex Drive (Sussex Drive is where the Prime Minister’s house is, right below Parliament Hill), and there was a little club there called Le Hibou, which in French means ‘the owl.’ And it was run by a gentleman named Harvey Glatt, and he brought every, and I mean every blues star that you or I would ever have wanted to have seen through Ottawa in the late 50s, well I guess more late 60s sort of, in around the Newport jazz rediscovery. I was going to Le Hibou and hearing James Cotton, Otis Spann, Pinetop Perkins, and Muddy Waters. I actually jammed behind Muddy Waters. S. P. Leary left the drum kit one night, and Muddy said, ‘Anybody out there play drums? I don’t have a drummer.’ And I walked on stage and we started, I don’t know, Little Red Rooster, something. He said, ‘Keep that beat going, you make Muddy feel good.’ And I heard Howlin’ Wolf (Chester Burnett). Many, many times I saw Howlin’ Wolf. And of course Buddy Guy, Buddy Guy and Junior Wells, Sonny Terry and Brownie McGhee. So I was exposed to all of these players, playing there as part of this scene to service the academic community in Ottawa, a very well-educated community. Had I lived in a different town I don’t think that this would have happened, because it was just the confluence of educated government workers, and then also all the colleges in the area, Ottawa University, Carleton, and all the schools—these people were interested in blues culture.
The Toronto-based Downchild Blues Band, co-founded in 1969 by two brothers, Donnie and Richard “Hock” Walsh, served as an inspiration for the two Blues Brothers characters. Aykroyd initially modeled Elwood Blues in part on Donnie Walsh, a harmonica player and guitarist, while John Belushi’s Jake Blues character was modeled in part on Hock Walsh, Downchild’s lead singer. In their first album as the Blues Brothers, Briefcase Full of Blues (1978), Aykroyd and Belushi featured three well-known Downchild songs closely associated with Hock Walsh’s vocal style: “I’ve Got Everything I Need (Almost)”, written by Donnie Walsh, “Shot Gun Blues”, co-written by Donnie and Hock Walsh, and “Flip, Flop and Fly”, co-written and originally popularized by Big Joe Turner. All three songs were contained in Downchild’s second album, Straight Up (1973), with “Flip, Flop and Fly” becoming the band’s most successful single, in 1974.
Belushi’s budding interest in the blues solidified in October 1977 when he was in Eugene, Oregon, filming National Lampoon’s Animal House. He went to a local hotel to hear 25-year-old blues singer/harmonica player Curtis Salgado. After the show, Belushi and Salgado talked about the blues for hours. Belushi found Salgado’s enthusiasm infectious. In an interview at the time with the Eugene Register-Guard, he said:
I was growing sick of rock and roll, it was starting to bore me … and I hated disco, so I needed some place to go. I hadn’t heard much blues before. It felt good.
Salgado lent him some albums by Floyd Dixon, Charles Brown, Johnny “Guitar” Watson, and others. Belushi was hooked.
Belushi began to appear with Salgado on stage, singing the Floyd Dixon song “Hey, Bartender” on a few occasions, and using Salgado’s humorous alternate lyrics to “I Don’t Know”:
I said Woman, you going to walk a mile for a Camel Or are you going to make like Mr. Chesterfield and satisfy? She said that all depends on what you’re packing Regular or king-size Then she pulled out my Jim Beam, and to her surprise It was every bit as hard as my Canadian Club
These lyrics were used again for the band’s debut performance on SNL. This took place on the episode of April 22, 1978 (hosted by Steve Martin), where, in the cold open, Don Kirshner (played by Paul Shaffer) describes how Marshall Checkers of Checkers Records called him on a hot new blues act, and how with the help of “Neshui Wexler and Jerry Ertegun” (a play on the names of record industry executives Jerry Wexler and Nesuhi Ertegun), they were no longer regarded as an authentic blues band, but “a viable commercial product.”
Belushi, technically, did not have a great voice; he compensated for this by throwing his heart and his soul into his singing, from which approach the power of the blues is said to come.
With the film came the soundtrack album, which was the band’s first studio album. “Gimme Some Lovin’” was a Top 40 hit and the band toured to promote the film, which led to a third album (and second live album), Made in America, recorded at the Universal Amphitheatre in 1980. The track “Who’s Making Love” peaked at No. 39. It was the last recording the band would make with Belushi’s Jake Blues.
At the time of his death, music had become more of a byline for Belushi, who was pursuing several movie projects.
Belushi died on the morning of March 5, 1982 in Hollywood, California at the Chateau Marmont, after being injected with, and accidentally overdosing on, a mixture of cocaine and heroin (a “speedball”) at the age of 33.
February 19, 1980 – Bon Scott was born July 9, 1946 in Kirriemuir, Scotland, and moved to Melbourne, Australia with his family in 1952 at the age of six. In 1956, the family moved to Fremantle, Western Australia, and Scott joined the associated Fremantle Scots Pipe Band, learning the drums. Scott attended North Fremantle Primary School and later John Curtin College of the Arts until he dropped out at the age of 15 and spent a short time in Fremantle Prison’s assessment centre and nine months at the Riverbank Juvenile Institution relating to charges of giving a false name and address to the police, having escaped legal custody, having unlawful carnal knowledge and stealing twelve gallons of petrol.
He attempted to join the Australian Army, but was rejected for being deemed “socially maladjusted.”
Scott’s vocals were inspired by his idol, Little Richard. After working as a postman, bartender and truck packer, Scott started his first band, The Spektors, in 1966 as drummer and occasional lead singer. One year later the Spektors merged with another local band, the Winstons, and formed The Valentines, in which Scott was co-lead singer with Vince Lovegrove. The Valentines recorded several songs written by George Young of The Easybeats. “Every Day I Have to Cry” (a song originally written and sung by Arthur Alexander) made the local top 5. In 1970, after gaining a place on the National Top 30 with their single “Juliette”, the Valentines disbanded due to artistic differences after a much-publicized drug scandal.
Scott moved to Adelaide in 1970 and joined the progressive rock band Fraternity. Fraternity released Livestock and Flaming Galah before touring the UK in 1973, where they changed their name to “Fang”. During this time they played support slots for Status Quo and Geordie. During this time, on 24 January 1972, Scott married Irene Thornton.
In 1973, just after returning to Australia from the tour of the UK, Fraternity went on hiatus. Scott took a day job at the Wallaroo fertiliser plant and began singing with the Mount Lofty Rangers, a loose collective of musicians helmed by Peter Head (né Beagley) from Headband, who explained, “Headband and Fraternity were in the same management stable and we both split about the same time so the logical thing was to take members from both bands and create a new one … the purpose of the band was for songwriters to relate to each other and experiment with songs, so it was a hotbed of creativity”. Other ex-Fraternity members also played with the band as did Glen Shorrock pre-Little River Band. During this time, Head also helped Scott with his original compositions.
Vince Lovegrove said “Bon would go to Peter’s home after a day (of literally) shovelling shit, and show him musical ideas he had had during his day’s work. Bon’s knowledge of the guitar was limited, so Peter began teaching him how to bridge chords and construct a song. One of the songs from these sessions was a ballad called “Clarissa”, about a local Adelaide girl. Another was the country-tinged Bin Up in the Hills Too Long, which for me was a sign of things to come with Bon’s lyrics; simple, clever, sardonic, tongue-in-cheek …”
“About 11 pm on 3 May 1974, at the Old Lion Hotel in North Adelaide, during a rehearsal with the Mount Lofty Rangers, a very drunk, distressed and belligerent Bon Scott had a raging argument with a member of the band. Bon stormed out of the venue, threw a bottle of Jack Daniels on to the ground, then screamed off on his Suzuki 550 motorbike.” Scott suffered serious injuries from the ensuing motorcycle accident, spending three days in a coma and a further 18 days in the hospital. Vince Lovegrove and his wife, by then running a booking/management agency, gave Scott odd jobs, such as putting up posters and painting the office during his recovery, and shortly after introduced him to AC/DC who were on the lookout for a new lead singer.
“There was a young, dinky little glam band from Sydney that we both loved called AC/DC … Before another AC/DC visit, George Young phoned me and said the band was looking for a new singer. I immediately told him that the best guy for the job was Bon. George responded by saying Bon’s accident would not allow him to perform, and that maybe he was too old. Nevertheless I had a meeting with Malcolm and Angus, and suggested Bon as their new singer. They asked me to bring him out to the Pooraka Hotel that night, and to come backstage after the show. When he watched the band, Bon was impressed, and he immediately wanted to join them, but thought they may be a bit too inexperienced and too young. After the show, backstage, Bon expressed his doubts about them being “able to rock”. The two Young brothers told Bon he was “too old to rock”. The upshot was that they had a jam session that night in the home of Bon’s former mentor, Bruce Howe, and at the end of the session, at dawn, it was obvious that AC/DC had found a new singer. And Bon had found a new band.”
Bon replaced Dave Evans as the lead singer of AC/DC in September 1974, he performed on AC/DC’s first 7 albums from High Voltage in 1975 to Highway to Hell released in 1979. It became AC/DC’s first LP to break the U.S. top 100, eventually reaching #17, and it propelled AC/DC into the top ranks of hard rock acts.
During rehearsing sessions in London for the album “BLACK ON BLACK, Scott passed out after a night of heavy drinking in a London club called the Music Machine (later known as the KOKO). He was left to sleep in a Renault 5 owned by an acquaintance, who found him the next afternoon lifeless.
Bon Scott died on 19 February 1980 at age 33. Although there are many conspiracy theories surrounding his death, mostly based on inconsistent reporting, the coroner’s report stated that he had “drunk himself to death”, suffocating on his own vomit. The official cause was listed as “acute alcohol poisoning” and “death by misadventure”.
July 29, 1974 – Mama Cass aka Cass Elliot was born Ellen Naomi Cohen on September 19th 1941 in Baltimore, Maryland. She grew up in the Washington D.C. environs and in her senior year of high school, she performed in a summer stock production of “The Boyfriend” at the Owings Mills Playhouse where she played the French nurse who sings “It’s Nicer, Much Nicer in Nice.” After this experience, even though her family anticipated her to seek a college education in pursuit of a career, Cass forged ahead in the world of performance.
“Elliot adopted the name “Cass” in high school, possibly borrowing it from actress Peggy Cass, as Denny Doherty tells it. She assumed the surname Elliot some time later, in memory of a friend who had died. Elliot attended George Washington High School, along with Jim Morrison of The Doors. While still attending George Washington High School, Elliot became interested in acting and was cast in a school production of the play The Boy Friend. She left high school shortly before graduation and moved to New York City to further her acting career (as recounted in the lyrics to “Creeque Alley, a nightclub in Charlotte Amalie-St.Thomas Virgin Islands waterfront alley“).
December 11, 1964 – Sam Cooke was born on January 22, 1931 in Clarksdale Mississippi.He was the son of Reverend Charles Cook, Sr., (a Baptist minister) and Annie May Cook was born January 22, 1931 in Clarksdale, Mississippi. The family moved to Chicago, Illinois, in 1933. He had four brothers and three sisters – Willie, Charles Jr., L.C., David, Mary, Hattie and Agnes. Sam graduated from Wendell Phillips High School in 1948, where he distinguished himself as an “A” student as well as being voted “most likely to succeed.” During his formative years, Sam, together with his brothers Charles Jr., L.C. and sisters Mary and Hattie, performed as a gospel group “The Singing Children.” At the age of 15, Sam became lead singer of the famous “teenage” gospel group the “Highway QC’s” until he was 19 when he was hand-picked by Roy (S.R.) Crain, manager of the “Soul Stirrers,” to replace the legendary R.H. Harris as lead singer. Continue reading Sam Cooke 12/1964
June 17, 1954 – Donato Joseph “Danny” Cedrone was born on June 20th 1920 Born in Jamesville, New York. He began his musical career in the 1940s, but he came into his own in the early 1950s, first as a session guitarist hired by what was then a country and western musical group based out of Chester, Pennsylvania called Bill Haley and His Saddlemen.
In 1951, Danny played lead on their recording of “Rocket 88” which is considered one of the first acknowledged rock and roll recordings. At this time he also formed his own group, The Esquire Boys recording hits such as “Rock-a-Beatin’ Boogie”.
He never joined Haley’s group as a full-time member. In 1952, he played lead guitar on Haley’s version of “Rock the Joint”, and his swift guitar solo, which combined a jazz-influenced first half followed by a lightning-fast down-scale run, was a highlight of the recording. He worked with Haley’s group in 1954, by which time it had been renamed The Comets.