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Paul Butterfield 5/1987

Muro do Classic RockButterfield could hit a single note and have it sound like a full orchestra!

May 4, 1987 – Paul Vaughn Butterfield was born on December 17, 1942 to become one of the best white Chicago blues performers in America (singer and harmonica player).

Beyond anything, it should be noted that Paul Butterfield was much better as a harpist/singer than he was ever given credit for. With the likes of Elvin Bishop and Mike Bloomfield he carved a huge inroad for Chicago City Blues in the world of blues.

 After early training as a classical flautist, Butterfield developed an interest in blues harmonica. He explored the blues scene in his native Chicago, where he was able to meet Muddy Waters and other blues greats who provided encouragement and a chance to join in the jam sessions. Soon, Butterfield began performing with fellow blues enthusiasts Nick Gravenites and Elvin Bishop.

In 1963, he formed the Paul Butterfield Blues Band, with whom recorded several successful albums as the band became a popular fixture on the late-1960s concert and festival circuit, with performances at the Fillmores, Monterey Pop Festival, and Woodstock. They became known for combining electric Chicago blues with a rock urgency as well as their pioneering jazz fusion performances and recordings. After the breakup of the group in 1971, Butterfield continued to tour and record in a variety of settings, including with Paul Butterfield’s Better Days, his mentor Muddy Waters, and members of Bob Dylan’s backing group The Band, some of whom lived in Woodstock.

Most of his later work originated in Woodstock, New York where he moved to in the early 1970s

While still recording and performing, Butterfield died in 1987 at age 44 of a heroin overdose. Music critics have acknowledged his development of an original approach that places him among the best-known blues-harp players. In 2006, he was inducted into the Blues Hall of Fame and the Rock and Roll Hall of Fame inducted the Paul Butterfield Blues Band in 2015.

Both panels noted his harmonica skills as well as his contributions to bringing blues-style music to a younger and broader audience.


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