February 15, 2016 – Vanity was born Denise Katrina Matthews on January 4, 1959 in Niagara Falls, Ontario, Canada, the daughter of Helga Senyk and Levia James Matthews. Her mother was of Polish, German, and Jewish descent and was born in Germany, while her father was of African-American descent and was born in Wilmington, North Carolina.
Growing up in Niagara Falls, God wasn’t her priority. She was more concerned with hiding bruises from her classmates at Princess Margaret elementary school. Routinely beaten by an alcoholic father, Matthews rarely discussed her home life with friends. “She didn’t really like to,” recalls Debbie Rossi, one of Matthews’ best friends at Princess Margaret and later Stamford Collegiate. “And I wasn’t one to force. I just wanted to listen.”
Matthews didn’t confide because she thought every household was like this. Her father, James Levia Matthews, died in 1974 when she was 15 years old. Instead of feeling free, she watched her mother sink deeper into depression and alcoholism.
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March 10, 2005 – Danny Joe Brown (Molly Hatchett) was born on August 24th 1951 in Jacksonville, Florida. He graduated from Terry Parker High School in 1969. Shortly after graduating, he enlisted in the U.S. Coast Guard and was stationed in New York for two years. Once he left the Coast Guard, Brown’s focus turned solely to music and he joined Molly Hatchet in 1974.
He is best known for writing and singing on such songs as “Flirtin’ with Disaster” and “Whiskey Man.” He was also the vocalist on “Dreams I’ll Never See,” a faster-tempoed cover of the Allman Brothers song. The band’s sound was immediately recognizable by Brown’s distinct voice: a deep, raspy, throaty growl.
Brown left Molly Hatchet in 1980 because of chronic diabetes and pancreatic problems, but soon started his own band, The Danny Joe Brown Band, which released a single studio album in 1981.
Continue reading Danny Joe Brown 3/2005
February 9, 1997 – Brian Connolly was born on October 5th 1945 in Govanhill, Glasgow. Whilst the true identity of Brian’s father was never officially made public, his mother was a teenage waitress named Frances Connolly who left him in a Glasgow hospital as an infant whilst he was possibly suffering from meningitis. He was fostered, aged two, by Jim and Helen McManus of Blantyre and took their family name. In his earliest years Connolly was also affectionately known as “snowball” referring to his almost white blonde hair. In a radio interview, Connolly reported that singing was a large part of growing up since there was no television, and that he was regularly called upon to sing for family and friends. Connolly has credited the Everly Brothers as being his earliest musical influence. After inadvertently discovering his lineage he eventually reverted to the name Connolly. Numerous sources have incorrectly asserted that he was a half-brother of the late actor Mark McManus (who found fame in the title role of detective series “Taggart”) but they were not related ( Mark “Taggart” McManus was actually the nephew of Brian’s foster father)
Continue reading Brian Connolly 2/1997
March 17, 1990 – Ric Grech (Blind Faith) was born Richard Roman Grechko in Bordeaux, France’s famous wine area on November 1st 1946. He was educated at Corpus Christi RC School, Leicester, after attending Sacred Heart Primary School, where he played violin in the school orchestra.
He originally gained notice in the UK as the bass guitar player for the progressive rock group Family. He joined the band when it was a largely blues-based live act in Leicester known as the Farinas. He became their bassist in 1965, replacing Tim Kirchin. Family released their first single, “Scene Through The Eye of a Lens,” in September 1967 on the Liberty label in the UK, which got the band signed to Reprise Records. The group’s 1968 debut album Music in a Doll’s House was an underground hit that highlighted the songwriting talents of Roger Chapman and John “Charlie” Whitney as well as Chapman’s piercing voice, but Grech also stood out with his rhythmic, thundering bass work on songs such as “Old Songs New Songs” and “See Through Windows,” along with his adeptness on cello and violin.
Continue reading Ric Grech 3/1990