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Andy Gibb 3/1988

Andy Gibb (1)March 10, 1988 – Andrew Roy Gibb “Andy Gibb” was born on March 5th 1958 in Manchester, England. He was the youngest of five children of Barbara and Hugh Gibb. His mother was of Irish and English descent and his father was of Scottish and Irish descent. He has four siblings: his sister Lesley, and three brothers Barry and fraternal twins Robin and Maurice.

At the age of six months, Gibb emigrated with his family to Queensland, Australia, settling on Cribb Island just north of Brisbane. After moving several times around Brisbane and Sydney, Andy returned to the United Kingdom in January 1967 as his three older brothers began to gain international fame as the Bee Gees.

In his childhood, his mother Barbara described Gibb as “A little devil, a little monster. I’d send him off to school but he’d sneak off to the stable and sleep with his two horses all day. He’d wander back home around lunchtime smelling of horse manure, yet he’d swear he had been at school. Oh, he was a little monkey!”

He quit school at the age of 13, and with an acoustic guitar given to him by his older brother Barry, he began playing at tourist clubs around Ibiza, Spain (when his parents moved there) and later in the Isle of Man, his brothers’ birthplace, where his parents were living at the time.
In June 1974, Gibb formed his first group, Melody Fayre (named after a Bee Gees song), which included Isle of Man musicians John Alderson on guitar and John Stringer on drums. The group was managed by Andy’s mother, Barbara, and had regular bookings on the small island’s hotel circuit. Gibb’s first recording, in August 1973, was a Maurice Gibb composition, “My Father Was a Rebel”, which Maurice also produced and played on. It was not released. Another track on the session performed by him was “Windows of My World” co-written by him with Maurice.

At the urging of his brother Barry, Gibb returned to Australia in 1974. Barry believed that as Australia had been a good training ground for the Bee Gees it would also help his youngest brother. Lesley Gibb had remained in Australia, where she raised a family with her husband. Both Alderson and Stringer followed Andy to Australia with the hope of forming a band there. With Col Joye producing, Andy, Alderson and Stringer recorded a number of Andy’s compositions. The first song is a demo called “To a Girl” (with his brother Maurice playing organ), he later performed that song on his first television debut in Australia on The Ernie Sigley Show. Sigley later informed the audience that it was from Gibb’s forthcoming album, but was not appeared on any of his previous records. In November the same year, he recorded six demos including “Words and Music”, “Westfield Mansions” and “Flowing Rivers” (which was later released). That session, also produced by Joye, but the bass player on the tracks was not credited. What may have detracted from the “training ground” aspect of Australia for Andy compared to his brothers was that Andy was relatively independent financially, mainly because of his brothers’ support and their largesse, hence the group’s sporadic work rate. Andy would disappear for periods of time, leaving Alderson and Stringer out of work with no income. Despondent, Alderson and Stringer returned to the UK.

Gibb later joined the band Zenta, consisting of Gibb on vocals, Rick Alford on guitar, Paddy Lelliot on bass, Glen Greenhalgh on vocals and Trevor Norton on drums. Zenta supported international artists Sweet and the Bay City Rollers on the Sydney leg of their Australian tours. The planned single “Can’t Stop Dancing” which was a Ray Stevens song, later a US hit for duo The Captain and Tennille in May 1977 but their version was not released, although Gibb did perform it on television at least once on the revitalised Bandstand show hosted by Daryl Somers. Zenta would appear later as a backing band for Gibb, and they did not participate on Gibb’s recording sessions around 1975, that session features a remake of “Words and Music” which was, that version was released, and he also recorded a rendition of Don McLean’s “Winter Has Me in Its Grip” (not released), the backing musicians on the session was the Australian jazz fusion group Crossfire.

In late 1976 in Miami, Andy, with older brother Barry producing and recording in the famed Criteria Studios, set about making his first album, Flowing Rivers, around the same time as Eagles finishing their album Hotel California as Eagles guitarist Joe Walsh played on two songs on his first album. The first release from the album, and Gibb’s first single released outside Australia, was “I Just Want to Be Your Everything” which was written by Barry, who also provided backup vocals. It reached number one in the United States and Australia and was the most played record of the year. In Britain it was a lesser hit, just scraping into the Top 30. Eight of the ten tracks on the album were Andy Gibb compositions, mostly songs written during his time in Australia. These included a re-recording of his previous single, “Words and Music”.

He was the youngest of the Gibb brothers but he was not a member of The Bee Gees.

In September 1977 he began his career as a solo singer, following his brothers’ disco style. His first 3 singles “I Just Want to Be Your Everything,” “(Love Is) Thicker Than Water,” (a song co-written by Gibb and his brother Barry) and “Shadow Dancing” all reached the No.1 spot. Three more consecutive Top Ten hits followed, cementing his overnight sensation status. “Love Is Thicker Than Water” quickly became a million selling album. That single broke in early 1978 during the time that the Bee Gees’ contributions to the Saturday Night Fever soundtrack were dominating the world charts. In the United States it replaced “Stayin’ Alive” at the top of the charts, and then was surpassed by “Night Fever” at number one in mid-March.

In 1979, Gibb performed along with Bee Gees, ABBA, and Olivia Newton-John (duet with “Rest Your Love on Me”), at the Music for UNICEF Concert at the United Nations General Assembly which was broadcast worldwide. He returned to the studio to begin recording sessions for his final full studio album, After Dark. In March 1980, the last of Gibb’s Top Ten singles charted just ahead of the album’s release. “Desire” (written by all four Gibb brothers), was recorded for Bee Gees’ 1979 album Spirits Having Flown, and featured their original track complete with Andy’s original “guest vocal” track. A second single, “I Can’t Help It”, a duet with family friend and fellow British and Australian expat Olivia Newton-John, reached the top 20.

Later in the year, Andy Gibb’s Greatest Hits was released as a finale to his contract with RSO Records, with two new songs: “Time Is Time” (number 15 in January 1981) and “Me (Without You)” (Gibb’s last top 40 chart entry) shipped as singles, before RSO founder Robert Stigwood had to let him go due to his cocaine addiction and behavioral problems. “After Dark” and “Will You Still Love Me Tomorrow” were non-single songs added to the album, the latter of which was a duet with P. P. Arnold, who had previously worked with Barry Gibb, including singing uncredited backups on “Bury Me Down by the River” from Cucumber Castle. Despite the number four “Desire,” Gibb’s streak of Top Ten hits began to slip in 1980. In 1981 the following year, he had his last Top 40 hit, “Me (Without You).”

During his relationship with actress Victoria Principal, Gibb worked on several projects outside the recording studio including performances in Andrew Lloyd Webber’s Joseph and the Amazing Technicolor Dreamcoat on Broadway and Gilbert & Sullivan’s The Pirates of Penzance in Los Angeles, California. He also co-hosted the television music show, Solid Gold, from 1980 to 1982.

Around the same time, Gibb was invited to sing the first verse on Queen’s “Play the Game” and lead singer Freddie Mercury apparently was amazed with Gibb’s abilities. According to some sources, the tape was found in 1990 in search of Queen archives for bonus tracks for CD, but was not used. Since it has not been heard by any Queen collectors, its existence is somewhat doubtful, although record producer Mack has also confirmed that the version did exist. Gibb was ultimately fired from both Dreamcoat and Solid Gold because of absenteeism caused by cocaine binges. At this time Andy turned to acting, but it did not replicate the enormous success of his recording career. Sadly he developed a massive cocaine addiction, which helped lead to his death.

His romance with Principal also ended shortly thereafter when she gave him an ultimatum to choose between her or drugs, but not before they recorded and released a duet of the Everly Brothers’ “All I Have to Do Is Dream” in the summer of 1981. He reportedly heard her singing in the shower and convinced her to go into the studio with him. This would be Gibb’s last official single, and his last US chart entry, peaking at number 51. In 1984 and 1985 Gibb did finish two successful contracts at the Riviera Hotel in Las Vegas.

But in early 1987, Gibb went through another drug rehabilitation program and thought he had finally beaten his habits. Gibb now aimed to get a recording contract for release of a new album in 1988. He returned to the studio in June 1987 recording four songs; one of them, “Man on Fire”, was released posthumously in 1991 on a Polydor Records anthology. Another track, “Arrow Through the Heart”, was the final song Andy would ever record and was featured on an episode of VH1’s series, Behind the Music, and released on the Bee Gees Mythology 4-disc box set in November 2010. The songs are co-written by Gibb with his brothers Barry and Maurice. Their demo recordings with engineer Scott Glasel were heard by Clive Banks from the UK branch of Island Records. Gibb never formally signed a contract but the record label planned to release a single in Europe that Spring, followed by another single that summer with the album to follow.

In early March 1988, Barry Gibb had arranged for Island in England to sign Andy, but when he went to England at the start of 1988, he panicked. Gibb missed meetings with the record company and blamed himself for his trouble writing songs. The deal was never signed

At around 8:30 am on 10 March 1988, Gibb’s doctor walked in to his room and told him that more tests were needed, to which Gibb replied, “Fine”. Later that day, he slumped into unconsciousness and died as a result of myocarditis, an inflammation of the heart muscle caused by a viral infection (a diagnosis supported by William Shell, a cardiologist who had previously treated Gibb, which was exacerbated by his years of cocaine abuse. Robin Gibb said “he was also not eating properly and the lack of nutrition also damaged his heart”, adding that the paranoia associated with cocaine abuse “shattered his confidence and he became scared of people.” He died from the inflammation of the heart muscle at age 30.

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