January 15, 2018 – Dolores O’Riordan (The Cranberries) was born Dolores Mary Eileen O’Riordan on September 6, 1971 brought up in Ballybricken, a town in County Limerick, Ireland. She was the daughter of Terence and Eileen O’Riordan and the youngest of seven children. She attended Laurel Hill Coláiste FCJ school in Limerick.
In 1990 O’Riordan auditioned for and won the role of lead singer for a band called the Cranberry Saw Us (later changed to the Cranberries). The band became a sensation as it released five albums: Everybody Else Is Doing It, So Why Can’t We? (1993), No Need to Argue (1994), To the Faithful Departed (1996), Bury the Hatchet (1999) and Wake Up and Smell the Coffee (2001) and a greatest-hits compilation entitled Stars: The Best of 1992–2002 (2002), before they went on hiatus in 2003.
In 2004, she appeared with the Italian artist Zucchero on the album Zu & Co., with the song “Pure Love”. The album also featured other artists such as Sting, Sheryl Crow, Luciano Pavarotti, Miles Davis, John Lee Hooker, Macy Gray and Eric Clapton. The same year she worked with composer Angelo Badalamenti on the Evilenko soundtrack, providing vocals on several tracks, including “Angels Go to Heaven”, the movie theme.
In 2005, she appeared on the Jam & Spoon’s album Tripomatic Fairytales 3003 as a guest vocalist on the track “Mirror Lover”. O’Riordan also made a cameo appearance in the Adam Sandler comedy Click, released on 23 June 2006, as a wedding singer performing an alternate version of The Cranberries’ song “Linger”, set to strings. Her first single, “Ordinary Day”, was produced by BRIT Awards winner, Youth, whose previous credits include The Verve, Embrace, Primal Scream, U2 and Paul McCartney. O’Riordan made an appearance live on The Late Late Show on 20 April 2007.
Are You Listening? , her first solo album was released in Ireland in 4 May 2007, in Europe on 7 May, and in North America on 15 May. “Ordinary Day” was its first single, released in late April. The video for “Ordinary Day” was shot in Prague. In August “When We Were Young” was released as the second single from the album.
On 19 November 2007, she cancelled the remainder of her European Tour (Lille, Paris, Luxembourg, Warsaw and Prague) due to illness. In December she performed in a few small American clubs, including Des Moines, Nashville, and a well-received free show in Charlottesville, Virginia.
In 2008, O’Riordan won an EBBA Award. Every year the European Border Breakers Awards recognise the success of ten emerging artists or groups who reached audiences outside their own countries with their first internationally released album in the past year.
Dolores O’Riordan was known for her lilting mezzo-soprano voice, her emphasized use of yodeling and for her strong Limerick accent. In January 2009, the University Philosophical Society (Trinity College, Dublin) invited The Cranberries to reunite for a concert celebrating O’Riordan’s appointment as an honorary member of the Society, which led the band members to consider reuniting for a tour and a recording session. On 25 August 2009, while promoting her solo album No Baggage in New York City on 101.9 RXP radio, O’Riordan announced the reunion of the Cranberries for a world tour. The tour began in North America in mid-November, followed by South America in mid-January 2010 and Europe in March 2010. Also touring with the original members of The Cranberries was Denny DeMarchi, who played the keyboard for O’Riordan’s solo albums.
The band played songs from O’Riordan’s solo albums, many of the Cranberries’ classics, as well as new songs the band had been working on. On 9 June 2010 The Cranberries performed at the Special Olympics opening ceremony at Thomond Park in Limerick. This was the first time the band had performed in their native city in over 15 years.
She appeared as a judge on RTÉ’s The Voice of Ireland during the 2013–14 season. Dolores O’Riordan began recording new material with JETLAG, a collaboration between Andy Rourke of The Smiths and Ole Koretsky, in April 2014. They then formed a trio under the name D.A.R.K. Their first album, Science Agrees, was released in September 2016.
On 26 May 2016, the band announced that they planned to start a tour in Europe. The first show was held on 3 June.
On the Personal Note:
On 18 July 1994, O’Riordan married Don Burton, the former tour manager of Duran Duran. The couple had three children. In 1998, the couple bought a 61-hectare (150-acre) stud farm, called Riversfield Stud, located in Kilmallock, County Limerick, selling it in 2004. They then moved to Howth, County Dublin, and spent summers in a log cabin in Buckhorn, Ontario, Canada. In 2009, the family moved full-time to Buckhorn.
In August 2013, she returned to live in Ireland. She and Burton split up in 2014 after 20 years together, and subsequently divorced. She was raised as a Roman Catholic. Her mother was a devout Catholic who chose her daughter’s name in reference to the Lady of the Seven Dolours. Dolores admired Pope John Paul II, whom she met twice, in 2001 and 2002. She performed at the invitation of Pope Francis in 2013 at the Vatican’s annual Christmas concert.
In November 2014, O’Riordan was arrested and charged in connection with air rage on an Aer Lingus flight from New York to Shannon. During the flight she grew verbally and physically abusive with the crew. When police were arresting her after landing, she resisted, reminding them her taxes paid their wages and shouting “I’m the Queen of Limerick! I’m an icon!”, headbutting one Garda officer and spitting at another. Later she told the media that she had been stressed from living in New York hotels following the end of her 20-year marriage. The judge hearing her case agreed to dismiss all charges if she apologised in writing to those she injured and contributed €6,000 to the court poor box.
In May 2017, she publicly discussed her bipolar disorder, which she said had been diagnosed two years earlier. That same month, the Cranberries cited her back problems as the reason for cancelling the second part of the group’s European tour. In late 2017, O’Riordan said she was recovering and performed at a private event.
On 15 January 2018, at the age of 46, while in London for a recording session, Dolores O’Riordan died unexpectedly at the London Hilton on Park Lane hotel in Mayfair. The cause of death was accidental drowning in a bathtub, following sedation by alcohol intoxication.
November 12, 2017 – Chad Hanks (American Head Charge) was born in 1971 in Los Angeles, California.
With vocalist friend Cameron Heacock he formed American Head Charge in 1997 after they met in 1995 in rehab in Minneapolis and emerged as major players from the late ’90s nu-metal boom. The success of their 1999 indie debut, Trepanation, caught the ear of mega-producer Rick Rubin (Metallica, Beastie Boys, Chili Peppers), who signed the band to his American Recordings label and got the group out to his allegedly haunted Los Angeles mansion to record 2001’s “The War of Art.” Metal magazines Kerang and Rough Edge each gave the album four-star reviews (out of five), and VH1 picked it as one of the “12 Most Underrated Albums of Nü Metal.” Continue reading Chad Hanks 11/2017
April 11, 2017 – Toby Smith (Jamiroquai) was born Toby Grafftey-Smith on October 29, 1970.
Growing up he received classical training on piano and early on developed a keen interest in the “nerdy” side of music. At age 14 he started recording his own tunes on a Tascam and produced his first record at 17, then signed his track “Kleptomaniacs” to London Records. At about the same time his sister took him clubbing in London and he developed an interest in house (dance) music. Continue reading Toby Smith 4/2017
March 4, 2017 – Tommy Page was born on May 24, 1970 in Glen Ridge, New Jersey. He began playing the piano at age eight and learned keyboards at age 12, joining his brother in a band. Obviously gifted, he graduated from Highschool at age 15 and found himself in New York attending the Stern School of business at age 16.
To help support himself during his freshman year at Stern (then 16), Page worked as a cloakroom attendant in a popular New York nightclub called Nell’s. The job gave Page a chance to play his demo tape to the house DJ, who then used the demos as part of his club mixes. The unknown sounds were so impressive that soon Page was introduced to Sire Records founder Seymour Stein. Continue reading Tommy Page 3/2017
March 26, 2005 – Paul Hester (Crowded House) was born on January 8th 1959 in Melbourne, Australia. His mother a jazz drummer, encouraged him at an early age to learn the drums. After playing in local bands as a teenager, he formed the band Cheks and in 1982 they moved to Sydney renaming themselves Deckchairs Overboard.
He did a brief spell with Split Enz in 1983, before he along with Neil Finn formed a new band with guitarist Nick Seymour. They were signed by the US label Capitol and moved to LA. At first, they called themselves the Mullanes (Finn’s middle name), but after record company pressure they changed the name to Crowded House. Their first album in 1986 which included the US top-10 hit Don’t Dream It Over, catapulted them into major attraction on the international touring circuit until he left mid-tour in 1994 because of the stress and anxieties related to constant touring.
Mick Ronson (46) – guitar with David Bowie/ Bob Dylan – was born May 26, 1946 in Kingston upon Hull, England. He was the first son of George and Minnie Ronson and had two younger siblings, Maggi and David. As a child he practiced to play classically piano, recorder, violin, and (later) the harmonium. He initially wanted to be a cellist, but moved to guitar upon discovering the music of Duane Eddy, whose sound on the bass notes of his guitar sounded similar to that of the cello, according to Ronson.
The City of Hull was a musical hub in those early days and he joined his first band, The Mariners when he was 17. While Ronson was working with The Mariners, another local Hull group– The Crestas–recruited him on the advice of The Mariners’ bassist John Griffiths. With Ronson on board the Crestas gained a solid reputation, making regular appearances at local halls: Mondays at the Halfway House in Hull, Thursdays at the Ferryboat Hotel, Fridays at the Regal Ballroom in Beverley, and Sundays at the Duke of Cumberland in North Ferriby, the typical circuit of those days.
Winding his way through several local and regional bands such as The Voice, The Wanted, The Rats. The last group played the local circuit, and made a few unsuccessful trips to London and Paris.
In 1967 The Rats recorded the one-off psychedelic track “The Rise and Fall of Bernie Gripplestone”at Fairview Studios in Willerby and can be heard on the 2008 release, Front Room Masters – Fairview Studios 1966–1973. In 1968, the band changed their name briefly to Treacle and booked another recording session at Fairview Studios in 1969, before reverting to their original name. Around that time, Ronson was recommended by Rick Kemp (Steeleye Span) to play guitar on Michael Chapman‘s critically acclaimed Fully Qualified Survivor al
Guitarist
bum that came out in 1970.
In March 1970, during the recording sessions for Elton John‘s album Tumbleweed Connection, Ronson played guitar on the track “Madman Across the Water“. The song, however, was not included in the original release, but became the title for Elton John’s 4th studio album with Davey Johnstone doing the guitar parts. . The recording featuring Ronson was released on the 1992 compilation album, Rare Masters, as well as the 1995 reissue and 2008 deluxe edition of Tumbleweed Connection.
Early in 1970, Rats’ drummer John Cambridge went back to Hull in search of Ronson, intent upon recruiting him for a new David Bowie backing band called The Hype. He found Ronson marking out a rugby pitch, one of his duties as a Parks Department gardener for Hull City Council. Having failed in his earlier attempts in London, Ronson was reluctant, but eventually agreed to accompany Cambridge to a meeting with Bowie. Two days later, on 5 February, Ronson made his debut with Bowie on John Peel‘s national BBC Radio 1 show.
The Hype played their first gig at The Roundhouse on 22 February with a line-up that included Bowie, Ronson, Cambridge, and producer/bassist Tony Visconti. The group dressed up in superhero costumes, with Bowie as Rainbowman, Visconti as Hypeman, Ronson as Gangsterman, and Cambridge as Cowboyman.
Soon after Ronson started recording and touring with David Bowie as guitarist with the Spiders of Mars, Bowie’s backing ensemble. They now included Trevor Bolder, (later Uriah Heep) who had replaced Visconti on bass guitar, and keyboardist Rick Wakeman, were used in the recording of Hunky Dory. The departure of Visconti meant that Ronson, with Bowie, took over the arrangements, while Ken Scott co-produced with Bowie. Hunky Dory featured Ronson’s string arrangements on several tracks, including “Life On Mars?“.
That band, minus Wakeman, became known as the Spiders from Marsfrom the title of the next Bowie album. Again, Ronson was a key part of The Rise and Fall of Ziggy Stardust and the Spiders from Mars, providing string arrangements and various instrumentation, as well as playing lead guitar. Ronson’s guitar and arranging during the Spiders from Mars era provided much of the underpinning for later punk rock musicians. Bowie and Ronson followed Ziggy Stardust with Aladdin Sane, David’s first #1 album and 1973 covers album Pin Ups.. Mick was increasingly highlighted on these records, and his stinging, razoring guitar on ‘Panic in Detroit’, ‘Cracked Actor’ and ‘The Prettiest Star’ was astonishing.
Producer Ken Scott:
“Is David Bowie talented? Absolutely. Is David Bowie worthy of the adulation often heaped upon him? Sometimes. Would everyone know his name if not for his pairing with Mick Ronson? Quite possibly not. Ronno was the major part of the team that brought David to the forefront of modern music. He made my job as an engineer and producer so much easier and enjoyable. I can only speak for myself, but I know the five records we did together would have been nowhere near as good without the personality and unbounded talents Mick Ronson brought to the studio everyday.”
In the early 70s Bowie and Ronson collaborated with a number of other artists. Together hey produced Lou Reed’s seminal Transformer album, and while David received most credit for this he later acknowledged that Mick made a massive contribution to the sessions playing guitar and piano. Reed later admitted that Mick’s arrangements and influence was stronger than David’s (“Ronson was an incredible guitar player”, said Reed. “A great producer and great arranger. A lovely man.”)
Bowie and Ronson also produced Lulu, scoring a hit with “The Man Who Sold The World”.
Lulu: “Mick Ronson was the first guitarist who ever accessed and combined a pop/rock and punk ethic in his guitar playing. His style was totally unique to the day. I loved working with Mick in the studio. He was not a diva, he was a kind and gentle soul.”
In 1972 Ronson provided a strings-and-brass arrangement for the song “Sea Diver” on the Bowie-produced All the Young Dudes album for Mott the Hoople. Ronson appeared on the 1972 country rock albumBustin’ Outby Pure Prairie League, where he undertook string ensemble arrangements.
Years later in 1994 a year after Ronson’s death Bowie said in an interview:
“Mick was the perfect foil for the Ziggy character. He was very much a salt-of-the-earth type, the blunt northerner with a defiantly masculine personality, so that what you got was the old-fashioned Yin and Yang thing. As a rock duo, I thought we were every bit as good as Mick and Keith or Axl and Slash. Ziggy and Mick were the personification of that rock n roll dualism.”
On July 3, 1973 however, David Bowie shocked his fans at a gig in Hammersmith, London, by saying it was the last show he would ever do. It was a fantastic bit of showbiz – really, it was only the end of his Ziggy Stardust character, not the last show for David Bowie – but it did mark the end of the road for the Spiders From Mars, the backing band that had transformed Bowie from a struggling Dylan-influenced one-hit wonder into the most exciting glam rock star of the 70s. Read the story here.
After leaving Bowie’s entourage, Ronson released three solo albums over the years. His solo debut, 1974’s Slaughter on 10th Avenue, featured a version of Elvis Presley‘s “Love Me Tender”, as well as Ronson’s most famous solo track, “Only After Dark“. Between this and the 1975 follow-up, Ronson had a short-lived stint with Mott the Hoople, after which Ronno took off for the States.
In late ’75 Ronson met Bob Dylan in New York’s Greenwich Village, and shortly afterwards Dylan invited Mick to join his touring band. Ronson thought Dylan “sang like Yogi Bear” but joined The Rolling Thunder Revue for eight months, playing with Joan Baez, T-Bone Burnett, Joni Mitchell, Roger McGuinn, with whom he developed a great friendship and Bob Neuwirth. He even performed a ‘solo’ number in Dylan’s set, Is There Life on Mars? But then, after he temporarily became part of Bob Dylan’s “Rolling Thunder Revue” tour in 1976, Ronson became a long-time frequent collaborator with Mott’s former leaderIan Hunter, commencing with the album Ian Hunter (UK No. 21) and featuring the UK hit “Once Bitten, Twice Shy”, including a spell touring as the Hunter Ronson Band.
In 1976 Ronson helped Kinky Friedman on his album Lasso From El Passo, and produced and played on Roger McGuinn’s solo record Cardiff Rose. Roger McGuinn:
“After Rolling Thunder was over, I went back to California and decided it was time to record my fourth solo album. I invited Ronson to produce me, using Guam as the studio band. That became the Cardiff Rose album – it was one of my favorites. Mick did a stunning job as a producer, perhaps best illustrated on the song Jolly Roger. Mick made the track into a great seafaring song. I don’t know how, but he went out and found wind sounds and creaking noises for the ship’s timbers and assembled the whole thing. He literally was an audio artist. Absolutely brilliant.”
Looking back on his two RCA albums, Ronson felt that his management had tried to turn him into a David Cassidy-type figure. Cassidy he was not, but he was happy to work with the pop idol, playing sparkling guitar on Cassidy’s hit single Gettin’ It In The Street.
David Cassidy:
“Mick Ronson was a far greater musician and a far greater person than anyone was allowed to know. I loved him and admired his uniqueness, and was privileged to have worked with him.”
In 1977 he played live with Van Morrison and Dr John in Europe (but, contrary to popular opinion, did not contribute to the sessions for Morrison’s A Period Of Transition), assisted Roger Daltrey on his album One Of The Boys, produced an album for Topaz, played with Philip Rambow, played on a Benny Mardones album [Thank God For Girls], and provided guitar on several cuts for John Cougar Mellencamp’s album Chestnut Street Incident. Mick later played a major role on American Fool, rescuing a song Mellencamp had rejected – helping make a worldwide hit.
Mountain drummer Corky Laing started writing with Ian Hunter, and the duo recorded with Mountain bassist Felix Pappalardi and Ronson (Mick joked the new band was to be called Mott The Mountain’) and then John Cale. The first set of recordings found posthumous release as The Secret Sessions.
In the late 70s and early 80s Ronson worked on albums by Rue Morgue, David Johansen, Ellen Foley and on Meat Loaf’s Deadringer album.
David Johansen: “Me and Ronson met at the Gramercy Park Hotel when Bowie came over. We both enjoyed a cocktail. When Mick moved to New York we’d hang out, and he produced a record for me called In Style. Mick had, like, frosted hair and manicured nails and all that jazz – he was one of the cats. On his birthday I gave him a fine sharkskin suit which was very hip at the time. He asked: ‘What do you want me to do with this?’ I said: ‘Wear it – you’ll look good.’ And with his thick Hull accent Mick said: ‘I don’t give a fook how I look!’ To me, that’s funny. What a great human being. I dug him like crazy.”
In 1981 Mick recorded and toured the US with ex-Rolling Thunder man T-Bone Burnett as support to The Who. He’d turned down a far more lucrative offer to play live with Bob Seger.
Ian Hunter: “Ronson went on the road with T-Bone for $100 a week, sleeping on people’s floors. The alternative was $2,500 a week with Bob Seger, but Mick didn’t like the music and C, F and G. I really admired him for that. Suzi (his wife) however had a fit!”
Feeling out of place in the 80s music scene, at one point Ronson thought of giving up music completely and becoming a chef. He ran barbecues at Ian’s home and was affectionately known as The Great Marinator. Ronson could never relate to the technique-heavy fretboard gymnastics of the hairband 80s, so he continued working with artists such as Steve Harleyand Lisa Dalbello.
In 1987 Ian Hunter toured Canada with The Roy Young Band, and the following year Ian invited Mick to join him for live work. The duo cut the album YUI Orta, billed for the first and only time on record as Hunter Ronson. The record was notable for Mick’s tear-jerking instrumental Sweet Dreamer. Ronson’s 80s collaborations were numerous and included Slaughter And The Dogs, Dead Fingers Talk, Los Illegals, The Visible Targets, The Midge Ure Band, Kiss That, Lisa Dominique, The Melvilles, Andi Sexgang, Funhouse, The Fentons, The Phantoms, Ian Thomas, David Lynn Jones. The Тоll, Lennex and Perfect Affair. He also jammed with Duran Duran’s John and Andy Taylor.
Ronson also assisted Swedish duo EC2 (Carola Westerlund and Estelle Milbourne), and moved to Stockholm in 1990 to live with Carola Westerlund. The couple had a son, Joakim (Kym). During ensuing recording sessions with Randy Vanwarmer in Sweden in 1991, Mick started to experience significant back pain. He returned to London, where he was given the earth-shattering news that he was suffering from inoperable and terminal liver cancer and had only months to live. In typical style, Ronson remained focused on fulfilling a series of Scandinavian live dates with Graham Parker, and was determined to beat the disease.
Ronson’s output and collaborations remained prolific. He worked with Johan Wahlstrom, Ian Hunter, Leather Nun, Dag Finn, The Sonic Walthers, Dalbello and Casino Steel, produced Morrissey’s acclaimed Your Arsenal album and recorded again with Bowie. In addition, Ronson had been writing new material, and suddenly a third solo album (originally titled To Hull And Back) became his remaining lifeblood.
Mick’s last recorded work was with hard rockers The Wildhearts. Ronson also reunited one last time with Ian Hunter and David Bowie, in April 1992, at the Freddie Mercury Tribute Concert. Mick played on All The Young Dudes and Heroes. Joe Elliott and Phil Collen of Def Leppard provided backing vocals on …Dudes.
After the Freddie Mercury Tribute, Mick’s health deteriorated desperately.
According to Ian Hunter, Mick was sick for 23 hours a day, then the other hour he’d be on the phone telling everybody how wonderful he felt. But then when I moved in with him towards the end I saw what he was doing. The morphine would come down to a point where he’d be totally sane, and then he would pick up the phone and he was telling everybody how wonderful he felt. He wanted everyone not to worry about him. The first thing out of his mouth was: ‘How are you?’
He was a warehouseman, car mechanic and municipal gardener – but boy could he play guitar (and piano, recorder, violin, bass and drums). Mick Ronson became the undisputed king of glam rock guitarists, ace arranger and prolific producer on countless sessions from David Bowie and Lou Reed to John Mellencamp and Morrissey. He toured with Bob Dylan and was lifelong sideman to Mott The Hoople legend Ian Hunter. He was band leader of the Bowie’s Spiders From Mars, and produced and played with dozens of other artists ( Morrissey, Slaughter & The Dogs, The Wildhearts, The Rich Kids, Elton John, Johnny Cougar, T-Bone Burnett and many others such as Lou Reed, Pure Prairie League, David Cassidy, Topaz, Roger McGuinn, Roger Daltrey, John Cougar Mellencamp, Ellen Foley, Rich Kids …) often more for pleasure than for self-acclaim or financial reward. He was considered to be the finest British guitarist to emerge since the days of Clapton and Beck.
Mick Ronson died April 29, 1993 from liver cancer at the age of 46.
May 1, 1992 – Sharon Redd was born October 19, 1945 in Norfolk, Virginia
Her parents were Gene Redd and Katherine Redd. Gene Redd was a producer and musical director at King Records, and her stepfather performed with Benny Goodman’s orchestra. Her brother Gene Redd Jr. was a songwriter and producer for Kool & the Gang and BMP. Her sister Pennye Ford is also a singer with two albums to her credit and known for her work as the main singer for Snap!
January 15, 2018 – Dolores O’Riordan (The Cranberries) was born Dolores Mary Eileen O’Riordan on September 6, 1971 brought up in Ballybricken, a town in County Limerick, Ireland. She was the daughter of Terence and Eileen O’Riordan and the youngest of seven children. She attended Laurel Hill Coláiste FCJ school in Limerick.
March 26, 2005 – Paul Hester (Crowded House) was born on January 8th 1959 in Melbourne, Australia. His mother a jazz drummer, encouraged him at an early age to learn the drums. After playing in local bands as a teenager, he formed the band Cheks and in 1982 they moved to Sydney renaming themselves Deckchairs Overboard.
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