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Honeyboy Edwards 8/2011

Delta Blues Pioneer Honeyboy EdwardsAugust 29, 2011 – David “Honeyboy” Edwards  American blues guitarist and singer, born in Shaw, Mississippi on June 28th 1915. At 14 he he left home to travel with bluesman Big Joe Williams.

Honeyboy was a part of many of the seminal moments of the blues.  As Honeyboy writes in “The World Don’t Own Me Nothing”, “…it was in ’29 when Tommy Johnson come down from Crystal Springs, Mississippi. He was just a little guy, tan colored, easy-going; but he drank a whole lot. At nighttime, we’d go there and listen to Tommy Johnson play.” Honeyboy continues, ” Listening to Tommy, that’s when I really learned something about how to play guitar.”
Honeyboy’s life has been intertwined with almost every major blues legend, including Robert Johnson, Charlie Patton, Big Joe Williams, Rice “Sonny Boy Williamson” Miller, Howlin’ Wolf, Peetie Wheatstraw, Sunnyland Slim, Lightnin’ Hopkins, Big Walter, Little Walter,  Magic Sam, Muddy Waters, and … well, let’s just say the list goes on darn near forever!

He performed with and was a friend of blues legend Robert Johnson, the King of the Delta Blues, and was reportedly present on the night Johnson drank poisoned whiskey which eventually killed him three days later. The two traveled together, performing on street corners and at picnics, dances and fish fries during the 1930s.

“We would walk through the country with our guitars on our shoulders, stop at people’s houses, play a little music, walk on,” Mr. Edwards said in an interview with the blues historian Robert Palmer, recalling his peripatetic years with Johnson. “We could hitchhike, transfer from truck to truck, or, if we couldn’t catch one of them, we’d go to the train yard, ’cause the railroad was all through that part of the country then.” He added, “Man, we played for a lot of peoples.

On Saturday, somebody like me or Robert Johnson would go into one of these little towns, play for nickels and dimes. And sometimes, you know, you could be playin’ and have such a big crowd that it would block the whole street. Then the police would come around, and then I’d go to another town and where I could play at. But most of the time, they would let you play. Then sometimes the man who owned a country store would give us something like a couple of dollars to play on a Saturday afternoon. We could hitchhike, transfer from truck to truck, or if we couldn’t catch one of them, we’d go to the train yard, ’cause the railroad was all through that part of the country then…we might hop a freight, go to St. Louis or Chicago. Or we might hear about where a job was paying off – a highway crew, a railroad job, a levee camp there along the river, or some place in the country where a lot of people were workin’ on a farm. You could go there and play and everybody would hand you some money. I didn’t have a special place then. Anywhere was home. Where I do good, I stay. When it gets bad and dull, I’m gone.”

American music roots Folklorist Alan Lomax recorded David in Clarksdale, Mississippi in 1942 for the Library of Congress, recording 15 album sides of music.
The songs included “Wind Howlin’ Blues” and “The Army Blues”. He did not record again commercially until 1951, when he recorded “Who May Be Your Regular Be” for Arc Records under the name of Mr Honey. Honeyboy also cut “Build A Cave” as ‘Mr. Honey’ for Artist.

Having moved to Chicago in the early fifties, Honeyboy played small clubs and street corners with Floyd Jones, Johnny Temple, and Kansas City Red. In 1953, Honeyboy recorded several songs for Chess that remained un-issued until “Drop Down Mama” was included in an anthology release.
He claims to have written several well-known blues songs including “Long Tall Woman Blues” and “Just Like Jesse James”. His discography for the 1950s and 1960s amounts to nine songs from seven sessions.

In 1972, Honeyboy met Michael Frank, and the two soon became fast friends. In 1976, they hit the North Side Blues scene as The Honeyboy Edwards Blues Band, as well as performing as a duo on occasion. Michael founded Earwig Records, and in 1979 Honeyboy and his friends Sunnyland Slim, Kansas City Red, Floyd Jones, and Big Walter Horton recorded “Old Friends”. From 1974 to 1977, he recorded material for a full length LP, I’ve Been Around, released in 1978.

Honeyboy’s early Library of Congress performances and more recent recordings were combined on “Delta Bluesman”, released by Earwig in 1992.

His release, Roamin and Ramblin, on the Earwig Music label, featured Honeyboy’s old school guitar and vocals – fresh takes on old gems and first time release of historic recordings. New 2007 sessions with harmonica greats Bobby Rush, Billy Branch and Johnny “Yard Dog” Jones, previously unreleased 1975 studio recordings of Honeyboy and Big Walter Horton, and circa 1976 concert tracks — solo and with Sugar Blue. Michael Frank, Paul Kaye, Rick Sherry and Kenny Smith also play on the album on various tracks. Honeyboy and Bobby Rush also tell some short blues tales.

David Honeyboy Edwards, the “Last of the Great Mississippi Delta Bluesmen” continued his rambling life, touring the world well into his 90s, only just retiring July 17th 2011. A little over a month later he passed away from heart failure on August 29, 2011 at the age of 96.

He was inducted in 1996 into the Blues Hall of Fame.

Honeyboy was awarded a Grammy Award in 2008 for Best Traditional Blues Album, on which he appeared with Robert Lockwood, Henry Townsend and Pinetop Perkins and in 2010 was warded a Grammy for Lifetime Achievement.

 

 

 

 

 

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