August 9, 2002 – Paul Samson was born Paul Sanson on June 4, 1953 in Norwich, England.
In 1976 Paul Samson replaced Bernie Tormé in London-based band Scrapyard, joining bassist John McCoy and drummer Roger Hunt. The band name was changed to McCoy, and they built up a busy gigging schedule, whilst also independently playing various sessions. Eventually, McCoy left to join Atomic Rooster. His replacement was the band’s sound engineer and a close friend of Paul Samson’s, Chris Aylmer. Aylmer suggested a name change to Samson, and recommended a young drummer, Clive Burr, whom he had previously played with in the band Maya. Burr joined, and Samson was born, although for a time Paul Samson used bassist Bill Pickard and drummer Paul Gunn on odd gigs when Aylmer and Burr were honoring previous commitments.
Various other people were tried out to expand the line up: Paul Samson got in touch with an old bandmate, bass player Stewart Cochrane, and asked him to try out with the group as a four-piece, with the current bass player Chris Aylmer on second guitar alongside Paul. Only one gig was played in this incarnation, at The Nag’s Head pub in Rochester, Kent on 11 March 1978, where it was decided that Paul Samson and Aylmer’s playing styles were not compatible, so they went back to being a three-piece. Cochrane joined the avant-garde jazz-rock band Spanish Fly; he later continued his career as an orchestra-leader for Holland America Line, Windstar Cruises and performed and recorded with members of bands The Animals, Nashville Teens and Steve Hackett Band. In October 1978, lead vocalist Mark Newman joined, but after about six shows, Paul Samson resumed lead vocals and they reverted to a three-piece line-up.
At the end of 1978, Burr left. They auditioned over 60 drummers, and eventually decided on Barry Purkis. The band were offered a recording contract, but Aylmer would not commit, so Paul Samson and Purkis decided that, as John McCoy was producing and had co-written much of the material, they would ask him to play bass on the album. The album was recorded for release on Lazer records, and given the title Survivors. In late 1979 Bruce Dickinson joined as lead vocalist under the name ‘Bruce Bruce’.
The band’s second album, Head On, was released in July 1980 and peaked at No. 34 in the UK Albums Chart. The supporting tour was full of controversy and legal issues, due to problems with their management. They kept writing and rehearsing for a new record. Ten songs had already been composed, by October 1980, and were ready to be recorded. At the same time, the band re-issued their debut album, Survivors, now with Dickinson handling vocal duties. The tour continued until the end of the year, when Samson entered the studio to record their third album, Shock Tactics. This was the last album Dickinson recorded with the band. Samson faced an innumerable amount of problems with their management. They were always being booked on ill-matched support tours. After leaving their management in 1981 they discovered that their record company was going bankrupt. Dickinson said they “made every mistake in the business”. His last performance with Samson was at the Reading Festival in 1981. This was recorded by the BBC and released in 1990, as the live album Live at Reading 1981.
The group posted three entries in the UK Singles Chart. These were “Riding With The Angels (1981, No. 54), “Losing My Grip” (1982, No. 63) and “Red Skies (1983, No. 65).
Following Dickinson’s departure for Iron Maiden, former Hackensack and Tiger vocalist Nicky Moore was recruited to front the band who had also signed a new recording contract with Polydor. Samson’s first release with Moore was the “Losing My Grip” EP in 1982. The title track as well as “Pyramid to the Stars” had originally been cut with Dickinson. Those versions would remain unreleased until they surfaced on the Shock Tactics CD re-release in 2001. Samson issued two albums with Moore, 1982’s Before the Storm and 1984 Don’t Get Even, Get Mad before the group disbanded with Paul Samson carrying on solo.
In 1990, Paul Samson asked New York singer/songwriter Rek Anthony to write lyrics and vocal melodies for Samson’s studio reformation project. As a collaboration, Anthony wrote and recorded the lyrics and vocal melodies for eight songs while in New York, and in London re-recorded five demos at Picnic Studios. With limited time and budget, the band could only record five demo songs and the project was never completed. The Picnic demos were never picked up by Samson’s record company, and sat idle for almost nine years. Anthony, Paul Samson, Gerry Sherwin and Tony Tuohy played some shows in Germany and the Netherlands under the name English Rogues, and as Samson whilst opening for Girlschool. After the dates in Europe, Anthony returned to New York. In 1999, Paul Samson released a CD containing five of the compositions from the Picnic Demos, entitled Past, Present and Future.
In 1999, the Samson-Aylmer-Thunderstick line-up reformed for a live show in Tokyo, and in 2000, with Nicky Moore back on board, a series of live dates, including a “25th Anniversary of the NWOBHM” concert at the London Astoria on 26 May 2000, which also featured Angel Witch on the bill. Samson’s performance was recorded and released as a live album. The same line-up later appeared at the Wacken Open Air rock festival on 4 August 2000.
The group effectively disbanded with Paul Samson’s death from cancer on 9 August 2002 at age 49.
It has been rumored that Paul can be heard on the recording of the Ram Jam 1977 rock hit Black Betty. Not true. It really was Bill Bartlett.
Moore paid tribute to his late bandmate at the Sweden Rock Festival on 12 June 2004, with a set entitled “Nicky Moore plays Samson”.
Bass player Chris Aylmer born Christopher Robin Aylmer, 7 February 1948 died on 9 January 2007 following a battle with throat cancer. Drummer Clive Burr died on 12 March 2013 after many years suffering from multiple sclerosis.
The band appeared in a short-movie Biceps of Steel in 1980, directed by Julien Temple, which was intended as the B-film to a major feature produced and promoted by the record company. The film featured two music-video type sequences which form the 15 minute film. Though it has been largely forgotten, clips from it were seen in the movie The Incubus (1981). However, in 2006 Biceps of Steel re-surfaced on Bruce Dickinson’s Anthology DVD.